Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: A beloved comedic actress whose breakthrough performance in the Mary Tyler Moore Show helped convince a disgruntled Ted Knight to stick with the series despite disappointment with his character, Georgia Engel's golden comic talents are only matched by her unmistakable blonde locks and remarkable zeal for her craft. A native of Washington, D.C., who studied her craft at The University of Hawaii, Engel appeared in Milos Forman's Taking Off and Jacques Deray's The Outside Man before joining the cast of The Mary Tyler Moore Show in a one-time role that was quickly expanded when producers made note of her comic abilities. Engel remained with the series until the end of its run in 1977, during which time she was nominated for two Emmy awards for her winning performances. If subsequent appearances on such short-lived sitcoms as The Betty White Show and Goodtime Girls found Engel's career floundering somewhat in the late-'70s/early-'80s, post-Mary Tyler Moore era, a six-year stint in the popular television series Coach in the early '90s found her back in top form. Of course that was only the beginning to Engel's comeback period, and following the cancellation of Coach in 1997, her success carried over into the new millennium with a recurring role on Everybody Loves Raymond. Minor voice work in Dr. Dolittle 2 preceded a return to the big screen in the 2002 comedy The Sweetest Thing, after which she made an appearance in theater opposite I Dream of Jeannie's Barbara Eden in The Odd Couple: The Female Version.

Trivia: One of the most prolific actors in television history -- with starring roles in 11 different television series under his belt -- Harry Morgan is most closely identified with his portrayal of Colonel Sherman Potter on M*A*S*H (1975-83). But his credits go back to the 1930s, embracing theater and film as well as the small screen. Born Harry Bratsberg in Detroit, Michigan, in 1915, he made his Broadway debut with the Group Theatre in 1937 as Pepper White in the original production of Golden Boy, alongside Luther Adler, Phoebe Brand, Howard Da Silva, Lee J. Cobb, Morris Carnovsky, Frances Farmer, Elia Kazan, John Garfield, Martin Ritt, and Roman Bohnen. His subsequence stage appearances between 1939 and 1941 comprised a string of failures -- most notably Clifford Odets' Night Music, directed by Harold Clurman; and Robert Ardrey's Thunder Rock, directed by Elia Kazan -- before he turned to film work. Changing his name to Henry Morgan, he appeared in small roles in The Shores of Tripoli, The Loves of Edgar Allen Poe, and Orchestra Wives, all from 1942. Over the next two years, he essayed supporting roles in everything from war movies to Westerns, where he showed an ability to dominate the screen with his voice and his eyes. Speaking softly, Morgan could quietly command a scene, even working alongside Henry Fonda in the most important of those early pictures, The Ox-Bow Incident (1943). Over the years following World War II, Morgan played ever-larger roles marked by their deceptive intensity. And even when he couldn't use his voice in a role, such as that of the mute and sinister Bill Womack in The Big Clock (1948), he was still able to make his presence felt in every one of his scenes with his eyes and his body movements. He was in a lot of important pictures during this period, including major studio productions such as All My Sons (1948), Down to the Sea in Ships (1949), and Madame Bovary (1949). He also appeared in independent films, most notably The Well (1951) and High Noon (1952). One of the more important of those roles was his portrayal of a professional killer in Appointment With Danger (1951), in which he worked alongside fellow actor Jack Webb for the first time. Morgan also passed through the stock company of director Anthony Mann, working in a brace of notable outdoor pictures across the 1950s. It was during the mid-1950s, as he began making regular appearances on television, that he was obliged to change his professional name to Harry Morgan (and, sometimes, Henry "Harry" Morgan), owing to confusion with another performer named Henry Morgan, who had already established himself on the small screen and done some movie acting as well. And it was at this time that Morgan, now billed as Harry Morgan, got his first successful television series, December Bride, which ran for five seasons and yielded a spin-off, Pete and Gladys. Morgan continued to appear in movies, increasingly in wry, comedic roles, most notably Support Your Local Sheriff (1969), but it was the small screen where his activity was concentrated throughout the 1960s.In 1966, Jack Webb, who had become an actor, director, and producer over the previous 15 years, decided to revive the series Dragnet and brought Morgan aboard to play the partner of Webb's Sgt. Joe Friday. As Officer Bill Gannon, Morgan provided a wonderful foil for the deadpan, no-nonsense Friday, emphasizing the natural flair for comic eccentricity that Morgan had shown across the previous 25 years. The series ran for four seasons, and Morgan reprised the role in the 1987 Dragnet feature film. He remained a busy actor going into the 1970s, when true stardom beckoned unexpectedly. In 1974, word got out that McLean Stevenson was planning on leaving the successful series M*A*S*H, and the producers were in the market for a replacement in the role of the military hospital's commanding officer. Morgan did a one-shot appearance as a comically deranged commanding general and earned the spot as Stevenson's replacement. Morgan worked periodically in the two decades following the series' cancellation in 1983, before retiring after 1999. He died in 2011 at age 96.

Trivia: One of the most prolific and ubiquitous television actors of the latter 20th century in addition to his service as a tireless spokesperson for the disease that was eventually the cause of his untimely demise, Robert Urich was once referred to as the "Teflon Television Man" for his uncanny ability to appear unscathed from the ambitious small-screen failures in which he frequently appeared. His presence in over 15 weekly television series during his 30-year career made him a household name, and his brave struggle against a rare and devastating form of soft-tissue cancer known as Synovial Cell Sarcoma instilled inspiration into countless cancer patients waging a seemingly never-ending uphill battle. Born in Toronto, OH, on December 19, 1946, Urich's youthful athleticism earned him a four-year scholarship to the Florida State University, where he would excel as a defensive lineman and graduated with a B.A. in communications. After next earning an M.A. in broadcast research and management from Michigan State University, Urich settled in Chicago and worked briefly as a radio sales agent and a meteorologist. A fateful late evening while working as a sales account representative at WGN Radio found Urich asked to perform in a Jewish bond drive, with the role sparking an epiphany that he had finally found his true calling. Continuing to develop his skills on community theater stages, the blossoming actor spent the following 18 months performing at the Windy City's Ivanhoe, Arlington Park, and Pheasant Run theaters. A blessing in disguise followed shortly thereafter when executives found out about his moonlighting and fired him from the station, freeing him to pursue his life's calling full-time. Aided in his early career by friend Burt Reynolds, it wasn't long before Urich was spotted by an agent and relocating to Los Angeles to make his television debut in the television series Bob & Carol & Ted & Alice (1973). Landing a small role in the Clint Eastwood film Magnum Force the same year, Urich's career continued to gain momentum with roles in such popular small-screen series as Soap, S.W.A.T., and alongside Tom Selleck in Bunco. Propelled to stardom with his role in the made-for-television film Vega$ (1978) and the subsequent series of the same name that followed, Urich would also appear infrequently in film, though his true calling remained on the small screen, where his presence spanned nearly every genre and format. The early '80s found him landing increasingly frequent roles in television, and after gaining fame as a detective in Spenser for Hire in 1985 and appearing in such films as Ice Pirates (1984) and Turk 182! (1985), Urich was the recipient of a Cable Ace Award for his seven-year stint as host of National Geographic Explorer. Frequently returning to his Spencer persona for made-for-television movies following the show's cancellation, the busy star would also continue to shine in such popular television efforts as Lonesome Dove (1989) and as host to such special event programs as A Musical Christmas at Walt Disney World (1993) and Alien Encounters From New Tomorrowland (1995). It was during the filming of the small-screen Western series The Lazarus Man (1996) that tragedy struck, and Urich's discovery of a mysterious lump proved the beginning of the end for the handsome and rugged actor who to this point had seemed indestructible. Having received a star on the Hollywood walk of fame the year before, Urich's career seemed to be going stronger than ever; unfortunately his body was entering the early stages Synovial Cell Sarcoma. During an intensive eight-month cycle of surgery, chemotherapy, and radiation therapy, Urich spoke open and honestly about his cancer, and the production of The Lazarus Man was shut down. Urich would later charge that show's producers with a breach-of-contract suit in which he claimed that he was able to perform under the specifications of the contract that both parties had signed, and following a settlement the resilient actor returned to television in 1997 in the ABC medical anthology Vital Signs. Teaming with his wife, Heather Menzies, to establish the Robert and Heather Urich Fund for Sarcoma research at the University of Michigan, the actor continued to appear upbeat in public appearances, during which he spoke of his treatment and condition in efforts to instill hope in others going through similar hardships. Seemingly as busy as ever as his cancer went into remission in the following years, Urich came back strong with numerous roles including The Love Boat: The Next Wave (1998) and Emril (2001). It was also during this time that Urich would also become the spokesperson for the American Cancer Society. In early 2002 the cancer that Urich had struggled so bravely to overcome sadly returned with a vengeance. Unfortunately there was little that could be done to combat the brutally aggressive cancer this time around, and in April of that year, Urich succumbed to its ravaging effects. Passing on the eve of his final television appearance in Night of the Wolf, Urich continued to serve as an inspirational figure even after his painful demise, his bravery giving strength to millions who had bore witness to his struggle. Although the enduring actor, who had admitted to frequent feelings of invincibility, would return to the small screen no more, the fund he created ensured that future generations would not face their dark endeavors without the benefit of extensive medical research and care.

Trivia: Began her TV career as the Statue of Liberty on Happy Days opposite Ron Howard. Both of her parents had music careers, as her mother, Judy, was a singer and TV star, and her father, Filberto, a radio personality. Inspired to follow in her parents' footsteps after seeing Angela Lansbury perform on stage. Best known to many as Corrine Tate on the controversial late-1970s satirical TV series Soap. Stage credits include They're Playing Our Song and Company. Active in a local theater in Connecticut, where she raises funds and is a summer-theater director. Teaches voice at Manhattanville College in the state of New York.

Trivia: Supporting actress Priscilla Morrill spent most of her career on television, appearing in telemovies, as a semi-regular, and a guest star. Fans of The Mary Tyler Moore Show may remember her for playing Edie, the estranged wife of newsroom chief Lou Grant. She made her first professional appearance on stage in an off-Broadway production of Julius Caesar opposite John Carradine. While on Broadway, Morrill appeared in such dramas as Still Life, Night of the Iguana, and The Relapse. Though she had been on television since the early '60s, she did not make her feature film debut until she landed a small role in Clint Eastwood's Breezy (1973). After that, she rarely appeared in feature films; she did, however, appear in many television movies, including The Love Canal and The Trial of Jean Harris. Morrill's guest-starring appearances include such shows as Newhart, The Outer Limits, and Bagdad Cafe. Morrill occasionally landed regular roles on television sitcoms such as And Baby Makes Five, but none of these lasted more than a few months.

Trivia: Audrey Meadows will be forever immortalized as Alice Kramden ("Alice, you're the greatest!"), wife of bus-driver Ralph Kramden on The Honeymooners (irregularly from 1951-1971). Despite its later popularity, The Honeymooners actually began as a series of sketches, just one part of The Jackie Gleason Show (1952-1970). The show had only one real season of 39 shows, in 1955, and it wasn't a success. Later, the original sketches were re-edited into episodes in the '80s, which is when the show finally became a success. Born in China, the red-haired actress is the older sister of Steve Allen's wife Jayne Meadows. She also appeared on Bob and Ray (1951-53), Club Embassy (1952-53), Too Close for Comfort (1980-83), and several game shows. She won an Emmy Award for The Jackie Gleason Show in 1955. Her film appearances include Lady in the Lake (1946). Meadow's feature film credits include character roles in That Touch of Mink (1962) and Rosie! (1967). In 1995, Meadows was diagnosed with cancer, but she told no one, not even her sister, until she was admitted to the hospital on January 24, 1996. Meadows passed away on February 3, 1996.

Trivia: British character actor, onscreen from the late '60s.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Character actor, onscreen from the early '70s.