Trivia: Born Lawrence Tureaud, he won a sports scholarship to college but dropped out after one year. After working as a gym instructor and bouncer, he then became a bodyguard for celebrities such as Michael Jackson, Leon Spinks, and Mohammed Ali. In 1980 he appeared on the TV show Games People Play; a huge, muscular black man, he was spotted by actor Sylvester Stallone, who signed him to play the opposing boxer in Rocky III (1982). This led to a costarring role in the TV series The A-Team; the show was a #1 hit and Mr. T. became very popular with young audiences. For a short time he was a highly visible celebrity; he appeared on magazine covers and became the hero of a children's cartoon show; there was also a good-selling Mr. T. doll on the market and a Mr. T. breakfast cereal. After a few years the novelty of this mohawk-haired, jewelry-wearing bodybuilder wore off, and he faded into obscurity, having made millions.

Trivia: Though actor George Peppard could have succeeded on his looks alone, he underwent extensive training before making his first TV and Broadway appearances. The son of a building contractor and a singer, Peppard studied acting at Carnegie Tech and the Actor's Studio. His early TV credits include the original 1956 production of Bang the Drum Slowly, in which he sang the title song. He made his film debut in 1957, repeating his Broadway role in Calder Willingham's End As a Man, retitled The Strange One for the screen. His star continued to ascend in such films as Home From the Hill (1960) with George Hamilton, and Breakfast at Tiffany's (1961) as the boyfriend/chronicler of carefree Holly Golightly (Audrey Hepburn). He was also effective as James Stewart's son in How the West Was Won (1962), a characterization that required him to age 30 years, and as the Howard Hughes counterpart in The Carpetbaggers (1963), in which he co-starred with the second of his five wives, Elizabeth Ashley. In 1978 he made a respectable directorial debut with Five Days From Home, but never followed up on this. A familiar television presence, he starred on the TV series Banacek (1972-1973), Doctors Hospital (1975), and The A-Team (1983-1987), and delivered a powerhouse performance as the title character in the 1974 TV-movie Guilty or Innocent: The Sam Sheppard Case. Forced to retire because of illness, George Peppard died of cancer in the spring of 1994.

Trivia: Movie and TV leading man Dirk Benedict was young, handsome, muscular and enthusiastic. These qualities were far more important than versatility in establishing Benedict as a dependable screen presence in the 1970s. His theatrical films include Scavenger Hunt (1979), Body Slam (1987), and Shadow Force (1992), their subject matter implicit in their titles. Far more successful on series television than in films, Dirk Benedict played Officer Gil Foley on Chopper One (1974), Starbuck on Battlestar Gallactica (1978), and master impressionist Templeton "Face" Peck on The A-Team (1983-87).

Trivia: Though a fifteen-year show business veteran, Dwight Schultz was largely unknown until 1983. That was the year that the TV Addicts of America were introduced to Captain H. M. "Howling Mad" Murdock, the asylum-escapee airplane pilot for The A-Team. It is to Schultz's credit that he was able to portray a certifiable looney while still remaining personable and even lovable. On both sides of his A-Team obligations, Schultz appeared in films like The Fan (1981, as Broadway actress Lauren Bacall's director) and Fat Man and Little Boy (1989, as J. Robert Oppenheimer). In the late 1980s, Dwight Schultz could be occasionally seen as Lieutenant Barclay in TV's Star Trek: the Next Generation.

Trivia: While still recognizable for his recurring role as Captain Crane on The A-Team, former character actor Carl Franklin is now one of Hollywood's most versatile writer/directors. After a string of mind-numbing television roles forced him to go behind the camera in 1986, he has worked in every genre from war film to family drama and has been the force behind such different works as One False Move (1991), Devil in a Blue Dress (1995), and One True Thing (1998).Franklin grew up in Richmond, CA, a working-class suburb of San Francisco. His father died before he was born, and he was raised by his mother, a homemaker, and his stepfather, a carpenter. As a teenager, Franklin excelled in school and dreamed of becoming a lawyer or teacher. He earned a scholarship to the University of California at Berkeley, where he studied history and began hanging around the theater department in an effort to meet girls. He soon caught the acting bug and moved to New York City immediately after graduation.Franklin began his acting career on-stage at the New York Shakespeare Festival, performing in Cymbeline, Timon of Athens, and Twelfth Night. He went on to appear at New York's Lincoln Center and Joseph Papp Public Theater, and Washington, D.C.'s Arena Stage. Franklin made his film debut in the comedy Five on the Black Hand Side (1973), before finding steady work on television. From 1974 to 1973, he guest-starred on The Streets of San Francisco, Good Times, The Incredible Hulk, The Rockford Files, and Trapper John, M.D. He also starred opposite Stacy Keach on the short-lived detective show Caribe and with Roddy McDowall on the doomed sci-fi series Fantastic Journey. After a two season stint on The A-Team from 1983 to 1985, Franklin grew increasingly unsatisfied with acting. While continuing to appear on shows like MacGyver and Riptide, he attempted to write and produce a film independently, mortgaging and losing his house in the process. Then, in 1986, at age 37, he enrolled in the American Film Institute's directing program.At AFI, Franklin discovered his own style while studying the films of celebrated European and Japanese directors. His master's thesis, Punk (1989), an intense 30-minute short about a downtrodden African-American boy dealing with his budding sexuality, impressed filmmaker Roger Coreman, who hired Franklin as an apprentice at his production company, Concorde Films. Like Coreman's previous protégé's, Martin Scorsese, Francis Ford Coppola, and Peter Bogdanovich, Franklin learned ways of fast-paced low-budget filmmaking, writing screenplays in under two weeks and shooting them only days later. Often working on location in the Philippines or Peru, he wrote, directed, and produced (and sometimes even acted in) a series of limited releases and straight-to-video flicks, including Nowhere to Run (1989), Eye of the Eagle 2: Inside the Enemy (1989), and Full Fathom Five (1990).After completing his tenure at Concorde, Franklin wrote and directed One False Move (1991), an independent crime thriller about three Los Angeles drug dealers who seek refuge in Arkansas after a murderous drug deal. The film starred Billy Bob Thornton, Cynda Williams, and Michael Beach as the outlaws and Bill Paxton as the Arkansas sheriff awaiting their arrival, but had little commercial value at the time. As a result, its distributor, IRS Media, gave the film a minor and ineffective advertising campaign. Yet, rave reviews and positive word-of-mouth quickly made One False Move a surprise hit. Gene Siskel and Roger Ebert voted it the Best Film of the Year, and Franklin's work earned him a New Generation Award from the Los Angeles Film Critics Association, an Independent Spirit Award for Best Director, and an MTV Movie Award for Best New Filmmaker.The success of One False Move put Franklin on the short list of Hollywood directors. Producers brought every type of script to his attention -- Disney even asked him to remake That Darn Cat (1965). For his next project, he settled on the HBO miniseries Laurel Avenue (1993), a drama about a working-class African-American family in St. Paul, MN. The well-received series starred John Beasley and Mary Alice, and featured cameos by Franklin's daughter, Caira, and son, Marcus. He went on to write and direct Devil in a Blue Dress (1995), his heralded adaptation of African-American crime novelist Walter Mosley's novel. The film featured Oscar-winner Denzel Washington as a private detective in 1940s Los Angeles, with Tom Sizemore, Don Cheadle, and Jennifer Beals in supporting roles. Devil in a Blue Dress was a critical favorite, but failed at the box office.Looking to do something completely different, Franklin then signed onto direct One True Thing (1998), an adaptation of Pulitzer Prize-winning journalist Anna Quindlan's autobiographical story of a New York journalist (Renee Zellweger) who is forced to return home when her mother (Meryl Streep) becomes fatally ill. He followed up this adventurous move with another, directing the high-profile courtroom drama High Crimes (2002), starring Ashley Judd, Jim Caviezel, and Morgan Freeman, before reuniting with Denzel Washington for the thriller Out of Time (2003).

Trivia: French-Cajun actor Lance LeGault broke into films as a stand-in for several male stars, foremost among them Elvis Presley. LeGault also worked as a stunt double, occasionally playing speaking roles in films like 1968's The Young Runaway. He has also been steadily employed as a nightclub and lounge singer. In the 1980s, he was busy on television in a variety of rough-hewn characterizations. Lance LeGault's regular TV-series roles include antagonistic Col. Roderick Decker in The A-Team (1983-86) and gonzo bounty hunter Alamo Joe in Werewolf (1987-88).

Trivia: Supporting actor Gordon Ross appeared on stage, television and occasionally in feature films. Born and raised in Watertown, Minnesota, the brother of television actress Marion Ross (best known for playing "Mrs. Cunningham" on the sitcom Happy Days), Ross guest-starred on such television series as The Renegade, Murder, She Wrote, and Trapper John, M.D., as well as playing a regular role on the daily soap General Hospital in 1985. In film, Ross has usually had only bit parts, playing a detective in Attack of the Killer Tomatoes (1978), a transvestite in Cuba Crossing (1980), or a coroner in Deep Space (1987). Ross's last film role was that of Hank in The Beverly Hillbillies (1993).

Trivia: John Ashley should be a familiar name and face to anyone who attended a drive-in double feature in the 1950s. Ashley starred or co-starred in such passion-pit fodder as Hot Rod Gang (1958), How to Make a Monster (1958), Frankenstein's Daughter (1959) and High School Caesar (1960). In 1961, Ashley co-starred with future Flipper leading man Brian Kelly in the short-lived TV action series Straightaway. Ashley switched his base of operations to the Philippines in the 1960s and 1970s, frequently wearing several hats as actor, producer, director and scriptwriter. Films like Mad Doctor of Blood Island (1969) may not have been cited at the annual Oscar ceremonies, but they paid the bills many times over for the peripatetic Ashley. In the 1980s, Ashley hooked up with television producer Stephen J. Cannell to work on such series as The A-Team. He later teamed with Frank Lupo to executive or co-executive produce such series as Walker, Texas Ranger (1983), Werewolf (1987) and Something is Out There (1988). In the mid-'90s, Ashley began working as an in-house producer for Tri-Star Television. On October 4, 1997, John Ashley was working on the film Scarred City in New York, when he suffered a fatal heart attack.

Trivia: Supporting actor James Callahan appeared onscreen from 1959.

Trivia: Born William Landham, he is a former stuntman turned supporting actor, onscreen from the '70s.