Trivia: Hailed by many critics as one of the most brilliant and versatile actors of his generation, Robert Downey Jr. chalked up a formidable onscreen track record that quickly launched the young thesp into the stratosphere. Although, for a time, Downey's stormy offscreen life and personal problems threatened to challenge his public image, he quickly bounced back and overcame these setbacks, with a continued array of impressive roles on the big and small screens that never sacrificed his audience appeal or affability.The son of underground filmmaker Robert Downey, Downey Jr. was born in New York City on April 4, 1965. He made his first onscreen appearance at the age of five, as a puppy in his father's film Pound (1970). Between 1972 and 1990, he made cameo appearances in five more of his father's films. The actor's first significant role, in 1983's Baby, It's You, largely ended up on the cutting-room floor; it wasn't until two years later that he began landing more substantial parts, first as a one-season cast member on Saturday Night Live and then in the comedy Weird Science. In 1987, he landed plum roles in two films that capitalized on the Brat Pack phenomenon, James Toback's The Pick-Up Artist, (opposite Molly Ringwald), and Less Than Zero, for which he won acclaim playing cocaine addict Julian Wells.Through it all, Downey cultivated an enviable instinct for role (and script) selection. His turns in Emile Ardolino's classy reincarnation fantasy Chances Are (1989), Michael Hoffman's Soapdish (1992), Robert Altman's Short Cuts (as the Iago-like Hollywood makeup artist Bill Bush), and Richard Loncraine's Richard III (1995) wowed viewers around the world, and often, on those rare occasions when Downey did choose substandard material, such as the lead in Richard Attenborough's deeply flawed Chaplin (1992), or an Australian media parasite in Oliver Stone's Natural Born Killers (1994), his performance redeemed it. In fact, critics deemed Downey's portrayal as one of the only worthwhile elements in the Chaplin biopic, and it earned the thesp a Best Actor Oscar nomination, as well as Golden Globe and British Academy Award noms.Around this time, Downey's personal life took a turn for the worse. In June 1996, the LAPD arrested the actor (who had already spent time in three rehabilitation facilities between 1987 and 1996) on counts including drug use, driving under the influence, possession of a concealed weapon, and possession of illegal substances, a development which struck many as ironic, given his star-making performance years prior in Less than Zero. A month after this arrest, police found Downey Jr. unconscious on a neighbor's lawn, under the influence of a controlled substance, and authorities again incarcerated him, taking him -- this time -- to a rehab center. A third arrest soon followed, as did another stint in rehab. His stay in rehab didn't last long, as he walked out, thereby violating the conditions of his bail. More arrests and complications followed -- in fact, the actor had to be released from rehab to make James Toback's Two Girls and a Guy -- but he still landed a few screen appearances and won praise for his work in Mike Figgis' One Night Stand (1997) and Altman's otherwise-disappointing Gingerbread Man (1998). In addition, he starred in one of his father's films, the offbeat Hugo Pool (1997). In 1999, he had three films out in theaters: Friends and Lovers, Bowfinger, and In Dreams. He delivered a particularly chilling performance in the latter, as longhaired psychopathic child murderer Vivian Thompson, that arguably ranked with his finest work. But Downey's problems caught up with him again that same year, when he was re-arrested and sentenced to 12 months in a state penitentiary. These complications led to the actor's removal from the cast of the summer 2001 Julia Roberts/Billy Crystal comedy America's Sweethearts and his removal from a stage production of longtime friend Mel Gibson's Hamlet, although a memorably manic performance in Curtis Hanson's Wonder Boys made it to the screen in 2000. Downey's decision -- after release -- to pursue television work, with a recurring role on Ally McBeal, marked a brief comeback (he won a 2001 Best TV Series Supporting Actor Golden Globe for the performance). Nevertheless, series creator David E. Kelley and the show's other producers sacked Downey permanently when two additional arrests followed. During this period, Downey also allegedly dated series star Calista Flockhart.In 2002, a Riverside, CA, judge dismissed all counts against Downey. In time, the former addict counseled other celebrity addicts and became something of a spokesperson for rehabilitation. He starred as a hallucination-prone novelist in The Singing Detective in 2003, and while the film didn't achieve mainstream success, critics praised Downey for his interpretation of the role, alongside Oscar winners Adrien Brody and Mel Gibson. The same could be said for Gothika (2003), the psychological thriller that placed him opposite Hollywood heavyweight Halle Berry. In 2004, Downey appeared in Steven Soderbergh's portion of the film Eros.Downey achieved success throughout 2005 with appearances in George Clooney's critically lauded Good Night, and Good Luck -- as one of Ed Murrow's underlings -- and he paired up with Val Kilmer in Shane Black's directorial debut Kiss Kiss, Bang Bang. He continued balancing more mainstream fare, such as Disney's Shaggy Dog remake, with challenging films such as Richard Linklater's rotoscoped adaptation A Scanner Darkly. That same year, Downey wrapped production on Hanson's Lucky You, the story of a card shark (Eric Bana) who faces off against his father (Robert Duvall) at the legendary World Series of Poker, while simultaneously attempting to woo a beautiful singer (Drew Barrymore).Downey continued to show his versatility by joining the casts of Zodiac, David Fincher's highly-touted film about the Zodiac Killer, and the Diane Arbus biopic Fur, with Nicole Kidman. A supporting role in Jon Poll's 2007 directorial debut Charlie Bartlett followed. The biggest was yet to come, however, as 2007 found Downey taking on the roles that would make him an even bigger star than he'd been in his youth, as he took on the leading role of sarcastic billionaire and part-time super hero Tony Stark in the big screen adaptation of the comic book Iron Man, as well as self-important actor Kirk Lazarus in the comedy Tropic Thunder. Both films turned out to be not just blockbuster successes at the box office, but breakaway hits with critics as well, and in addition to major praise, the actor also walked away from 2008 with an Oscar nomination for his performance in Tropic Thunder.After Iron Man premiered, Marvel studios decided to move forward with a film empire, and Downey's Tony Stark became the anchor of the series, starring in his own Iron Man trilogy and appearing in many other films in the Marvel Cinematic Universe like the Avengers (2012) and its sequel Avengers: Age of Ultron (2014). Downey still found time to appear in side projects, like The Judge (2014), which he also produced.

Trivia: Born October 1, 1969, in North Carolina, Zach Galifianakis emerged as one of the more distinct comedic performers to grace the stage during the mid- to late 2000s. A short, slightly stocky presence with a thick outgrowth of beard that quickly became a personal trademark, Galifianakis used his behind-the-mike stints to riff on everything from veganism to multiple personality disorder, while constantly displaying a lightning-flash wit and marked inventiveness. He debuted with feature roles during the early 2000s, in films including Heartbreakers (2001) and Bubble Boy (2001). He also briefly emceed his own short-lived talk show, Late World with Zach (2002), on the VH1 network.By 2003, Galifianakis secured a regular role (as a morgue worker, Davis) on the Fox supernatural drama series Tru Calling (2003-2005). Thereafter, the performer spent many years placing his strongest emphasis on standup and on filmed standup specials, such as the 2005 Zach Galifianakis: Live at the Purple Onion and the 2007 Comedians of Comedy: Live at the Troubador, but continued to tackle occasional feature work from time to time. Among other screen accomplishments, Galifianakis ushered in a rare dramatic turn in Sean Penn's biographical drama Into the Wild (2007) and then played a socially maladroit friend of Ashton Kutcher in the sex farce What Happens in Vegas (2008).It wasn't until his role as a well-meaning but socially lacking participant in a bachelor party horribly gone wrong, however, that the actor would find true mainstream recognition. Alongside Bradley Cooper and Ed Helms, Galifianakis starred in The Hangover, 2009's wildly successful buddy film (the actor reprised the role for 2011's The Hangover Part 2). He would go on to co-star with Robert Downey Jr. in Due Date (2010), which followed the mismatched couple on a wacky road trip to L.A., and take on supporting roles in Dinner for Schmucks, Youth in Revolt, and Up in the Air. He lent his voice to the 2011 animated film Puss in Boots, and co-stars with Will Ferrell in the political comedy Campaign (2012).

Trivia: Michelle Monaghan enjoyed a successful modeling career with plans to pursue a career in journalism before a full-time acting career became an option. She'd made some minor appearances on TV shows such as Young Americans and Law & Order: Special Victims Unit, as well as some nationally run commercials, but it was a recurring role on the acclaimed series Boston Public in 2002 that really opened doors for the young actress. Over the next few years, she scored big-screen parts in It Runs in the Family, Mr. and Mrs. Smith, and The Bourne Supremacy. She shortly thereafter scored a role alongside Charlize Theron and Frances McDormand in North Country and a starring role in the black comedy Kiss Kiss, Bang Bang with Robert Downey Jr. and Val Kilmer. In 2005, she appeared as the love interest of Tom Cruise in the hotly anticipated Mission: Impossible III, making her a far more familiar face and name. She immediately signed on to next appear in the Ben Affleck film Gone, Baby, Gone, which she followed with a starring role in the critically acclaimed independent film Trucker. She would go on to keep up her interest in the thriller genre, with roles in Eagle Eye in 2008 and Source Code in 2011.

Trivia: One of the most popular African-American comedians of the late 1990s, TV star turned screen actor Jamie Foxx was born Eric Marlon Bishop in the small town of Terrell, Texas, on December 13, 1967. Foxx was raised by his grandparents after his parents separated. He enjoyed a happy upbringing, going to church every day with his grandparents and excelling at everything from academics to music to football. During his teen years he had his first taste of the entertainment business as his church's choir director and music director, and also started his own R&B band. Foxx studied music while a student at the U.S. International University in San Diego; it was during his college days that he got his start as a stand-up comedian. Attending a comedy club one night with some friends, he was encouraged to take the stage and perform some impersonations, which proved incredibly popular with the audience. Foxx's enthusiastic reception led to his decision to move to L.A. and pursue a comedy career. At the age of 22 he was hired for In Living Color, and he subsequently landed a recurring role on Charles Dutton's sitcom Roc. Foxx eventually broke through onto the big screen with small appearances in movies like The Truth About Cats and Dogs, The Great White Hype, and Booty Call. Foxx's big break in film came in 1999 with Any Given Sunday, and he would henceforth find himself on a short list of bankable dramatic actors in Hollywood. He would go on to star in Michael Mann's Ali and Collateral, before playing legendary musician Ray Charles for the biopic Ray, which found Foxx taking home a Golden Globe and an Oscar for his performance. Foxx would continue to remain a top-tier actor, starring in major films like Stealth, Jarhead, Miami Vice, Dreamgirls, The Soloist, Law Abiding Citizen, Django Unchained, The Amazing Spider-Man 2 and the 2014 remake of Annie.

Trivia: An actress with a face that, like it or not, burns itself into your memory, not to be forgotten once initially exposed, feisty young actress Juliette Lewis once commented that her ability to look alternately attractive and repellant was a key element to her success, claiming that many attractive actresses simply can't be ugly if needed. Ugly she was as a viscously sadistic serial killer in Oliver Stone's notorious Natural Born Killers, in sharp contrast with her role as the virtually seductive cyberpunk-siren in the futuristic Strange Days. Born June 21, 1973, in Los Angeles, CA, Lewis had a distinct wild streak from her earliest days. Daughter of graphic artist/actor Geoffrey Lewis, Lewis realized her dreams of becoming an actress at the age of seven, turning those dreams into reality by becoming a professional actress at the age of 12. Distressed at the obstacles refraining her from fully immersing herself in her dreams (namely school and her parents), Lewis became legally emancipated at 14, gaining exemption from child-labor laws and the ability to work more than five hours a day. The final obstacle, high school, Lewis hurdled by dropping out at the age of 15, earning her equivalency exam with the aid of a tutor. That same year, she was arrested for being underage in an underground disco.Moving to Hollywood and living for a short period with actress Karen Black while seeking work, Lewis moved into an apartment with friends, finally finding the independence she had so diligently pursued. The payoff for her persistence was not far behind, as Lewis soon landed a role in the Showtime-produced Home Fires (1987). Following up with light comedic roles in the suburban extraterrestrial comedy My Stepmother Is an Alien (1988), and taking the role of Audrey in the third installment in the vacation series National Lampoon's Christmas Vacation, Lewis was well on her way to fully achieving her dreams of stardom. Her dramatic turn as Amanda Sue Bradley in Too Young to Die, the true story of the first minor to receive the death penalty, earned Lewis well-deserved praise and the recognition that would carry her forward into more challenging territory.Lewis' breakthrough role came in the form of the awkward and rebellious daughter flirting with a psychotic Robert De Niro in Martin Scorsese's Cape Fear, a role that earned her an Oscar nomination. More mature roles began to follow such as Johnny Depp's love interest in What's Eating Gilbert Grape and in her first foray into the mind of a serial killer, Kalifornia (both 1993). Her most notorious role to date, as the homicidal Mallory to Woody Harrelson's psychopathic Micky in the controversial and numbingly hyperkinetic ode to excess Natural Born Killers, displayed her remarkably enthusiastic ability for boundless exorbitance. With a few exceptions, namely 1999's The Other Sister, Lewis' post-Natural Born Killers career was filled with supporting roles and ensemble parts. She was the pregnant kidnapping victim in the noirish The Way of the Gun and played Jennifer Lopez's best friend in the domestic-violence thriller Enough. In 2003, Lewis played Luke Wilson's excessively unfaithful wife in Old School. Director Todd Phillips enjoyed working with her so much he cast her in 2004's high-profile comedic retooling of TV's Starsky and Hutch.She kept working steadily in a variety of projects including The Darwin Awards, Catch and Release, Drew Barrymore's rollerderby comedy Whip It, and she teamed up again with Todd Philips for his 2010 comedy Due Date. She appeared in the ensemble drama August: Osage County, an adaptation of the Pulitzer Prize-winning play, in 2013. Lewis then joined two television series at the same time, playing a detective in Secrets and Lies and a bartender in Wayward Pines, from executive producer M. Night Shyamalan. Both shows premiered in the spring of 2015.

Trivia: Born in 1976, character actor Danny McBride took his Hollywood bow in the early 2000s and frequented mostly youth-oriented comedies, often though not always with a visceral element. These included Jody Hill's cult hit The Foot Fist Way (which he also co-scripted with Hill and Ben Best), the Farrelly Brothers' raunchy remake The Heartbreak Kid (2007), and the Judd Apatow-produced, David Gordon Green-directed action comedy Pineapple Express (2008), which starred Seth Rogen. The 2009 Observe and Report -- a by-the-throat comedy about a psychotic mall guard -- re-teamed co-star McBride with lead Rogen and director Hill. In 2009, McBride added television to his résumé, starring as a washed-up ex-baseball player in the HBO sitcom Eastbound & Down, which he also executive produced; the following year, he collaborated with director Green once again on the fantasy-comedy Your Highness. He had a small but memorable part in the Oscar-nominated George Clooney vehicle Up In the Air. He reteamed with David Gordon Green and James Franco for the fantasy pot comedy Your Highness in 2011, lending his vocal talents to Kung Fu Panda 2 that same year.

Trivia: Founding member of the Upright Citizens Brigade with comedians Matt Besser, Amy Poehler and Ian Roberts. They met while studying at the ImprovOlympics Theater in Chicago. Cowrote and starred in the 2003 movie Martin & Orloff. Hosts a sports podcast called Bear Down, about the Chicago Bears.

Trivia: Rapper RZA (born Robert Diggs but alternately credited, at various junctures, as Prince Rakeem, Bobby Steels, The Rzarector, and The Abbott) initially rose to fame as a member of the rap group All in Together Now, then branched out into a career as a solo artist. Though he achieved tremendous commercial success in this capacity, RZA nonetheless made his most enduring musical impact not as a performer but as a producer, of the rap supergroup the Wu-Tang Clan. His spare, lean, and razor-sharp approach to rap production for the group laid the groundwork and set the bar for dozens of other rap acts throughout the 1990s. Cinematically, RZA placed his strongest emphasis on contributions to soundtracks, scoring and lending featured music to such opuses as the Jim Jarmusch-helmed crime drama Ghost Dog: The Way of the Samurai (1999), Quentin Tarantino's Kill Bill Vol. 1 (2003) and Kill Bill Vol. 2 (2004), and the urban farce Soul Plane (2004). Though RZA's acting roles officially began with a bit part in Jarmusch's Coffee and Cigarettes (2003), he went on to grace the supporting casts of films as diverse as Scary Movie 3 (2003), Derailed (2005), and The Take (2007). Also in 2007, RZA tackled a supporting role as Moses Jones in Ridley Scott's period crime drama American Gangster, starring Denzel Washington.

Trivia: Raised on a steady diet of such goofy '80s comedy staples as Revenge of the Nerds (1984), Stripes (1981), and Just One of the Guys (1985), fearless filmmaker Todd Phillips didn't even see a Bergman or Welles film until he hit his early twenties -- a fact that's relentlessly obvious when watching his debut fiction feature, the raunchy retro-reeking teen-comedy Road Trip. Born Todd Bunzel in Long Island, NY, and inspired by his junk-food movie addiction, Phillips enrolled in N.Y.U. to pursue a career as a filmmaker. Fascinated by the revolting antics of extreme punk rocker G.G. Allin, Phillips set out to film a documentary about the controversial feces-slinging musician while still a student at N.Y.U. With such a unique subject matter to begin with, it would have been hard to make the documentary uninteresting, though with Phillips' no-holds-barred, guerilla approach and keen editing skills, the film became an instant underground sensation (pegged by many as a funnier, true-to-life version of Spinal Tap) and paved the way for Phillips to continue honing his notable documentarian skills. After next producing an insightful look into the life of Screw magazine publisher Al Goldstein (Screwed) in 1996, Phillips returned to the director's chair with a scathing and unflinchingly graphic portrayal of college hazing rituals in Frat House (1998). Produced as an installment of HBO's popular America Undercover series, the film took the Grand Jury Prize for Documentaries at the Sundance Film Festival before becoming marred in controversy and shelved by HBO due to questions of authenticity and complaints from the subjects. Asked to leave and later threatened with physical harm by their subjects in a jarring scene, Phillips and partner Andrew Gurland were forced to continue production by finding another willing fraternity and actually taking part in the extreme hazing process (Gurland was later hospitalized as a result of one of the rituals), a situation Phillips claims to have given him a new perspective by breaking the boundaries and actually experiencing that which he documented. Though he admits to feelings of disappointment over the fact that the film never reached a large audience, the film continues to circulate heavily on the gray market and Phillips continues to push for a suitable release for the acclaimed film. It wasn't long before Phillips decided to expand his horizons, and after meeting producer Ivan Reitman and directing polarizing MTV funnyman Tom Green in a series of Pepsi One commercials, the established documentary filmmaker made a leap to fictional features with Road Trip in 2000. Simultaneously producing and directing Bittersweet Motel, a documentary on musical cult phenomenon Phish, Phillips' debut feature gained a lukewarm reception at the box office though his further documentary pursuits gained positive receptions from legions of rabid Phish-heads. Regardless of the less-than overzealous reaction to Road Trip, Phillips continued his celluloid tributes to the zany comedies of the Me decade with Old School in 2002. The unabashedly low-brow comedy proved a hit at the box office thanks in no small part to a fearless comic performance by former Saturday Night Live leading-man Will Ferrell, and it wasn't long before Phillips was gearing up for his next feature comedy.If Road Trip and Old School only hinted at referencing the "anything goes" comedies of the late 1970s and early 1980s, Phillips' next film would find him taking the helm for a direct (at least in name) remake of the beloved 1970s cop show Starsky & Hutch. With Ben Stiller stepping into Paul Michael Glaser's wooly sweater and Owen Wilson donning David Soul's trademark 1970s mop top, it seemed as if everything were in place for another comedy hit. Though anticipation ran high for Phillips' version of Starsky & Hutch, the excitement was somewhat dampened by the fact that the film received only fair to middling reviews upon release in early 2003. Nevertheless, Phillips would stick with frequent screenwriter Scot Armstrong to tell the tale of a shy meter-reader who enrolls in a confidence-building class in order to get the attention of the girl he longs for, only to discover that his teacher also has eyes for the girl, in a modern-day adaptation of the 1960 comedy School for Scoundrels or How to Win Without Actually Cheating! entitled The Better Man in 2006. With a cast that included Billy Bob Thornton and Napoleon Dynamite sensation Jon Heder - as well as an impressive supporting cast of comic talents including David Cross, Sarah Silverman, and Luis Guzmán - Phillips kept audiences laughing as he began preparations for the eagerly anticipated sequel to his 2003 hit Old School.

Trivia: Supporting actress, onscreen from the '70s. She is most active on TV.

Trivia: Appeared in a stage production of Angels in America: Millennium Approaches while attending college. Has performed on stage at the Kennedy Center, Folger Shakespeare Theater and Arena Forum. Performed with the Upright Citizens Brigade Theater in Los Angeles.

Trivia: Says he was "painfully shy" as a child. Was trained as a Shakespearean actor, but became interested in comedy after he was exposed to improv in college. First TV appearance was in a 1994 episode of ER. Returned to Detroit in 1997 and joined the Second City as a performer and writer. Has received multiple Joseph Jefferson Awards, given to honor achievement in Chicago theater. A founding member of the Planet Ant Theatre.

Trivia: Dark-haired comedic actor Jon Cryer remains best-known for his lovable performance as Duckie Dale in the 1986 teen movie Pretty in Pink. Even though he was 21 years old playing a high school senior, he exhibited a vulnerable yet goofy freshness unlike most other teen stars. The son of Broadway performers, he was schooled in the Bronx before making his film debut in the romantic comedy No Small Affair as a young photographer obsessed with Demi Moore. He made some unfortunate movies after Pretty in Pink, including the Ferris Bueller knock-off Morgan Stewart's Coming Home, which suggested unfair comparisons with actor Matthew Broderick. Other forgettable movies followed until he was cast as the star of the sitcom The Famous Teddy Z, which was then followed by several other short-lived sitcoms. After appearing in the anarchic comedy Hot Shots!, he proved fairly successful with offbeat comedies and independent films. He helped write the talky romantic comedy The Pompatus of Love then starred in the similarly themed Plan B. He teamed up with director Richard Schenkman to write the offbeat comedy Went to Coney Island on a Mission From God...Be Back by Five. In 2003, Cryer re-teamed with Hotshots! co-star Charlie Sheen for the sitcom Two and a Half Men, which proved to be a massive success. The show was so popular that it stayed on the air, even after Sheen left in 2011, with Ashton Kutcher filling in the empty spot in the cast.

Trivia: A leading man who has displayed a knack for action, comedy, and dramatic roles, Charlie Sheen is nearly as well known for his offscreen exploits as for his acting, though after suffering through scandals that would have ended many performers' careers, he overcame bad press and bad habits to enjoy a major comeback on television in the late '90s. Charlie Sheen was born Carlos Irwin Estevez to actor Martin Sheen (born Ramon Estevez) and his wife, Janet Templeton, on September 3rd, 1965. By all accounts, young Charlie wasn't an especially distinguished student; though he was a star on Santa Monica High School's baseball team, he was expelled due to poor attendance and bad grades only a few weeks before his class graduated. During his school days, Sheen developed an interest in filmmaking, making amateur Super-8 films starring his school friends (who included Rob Lowe and Sean Penn), and after leaving school, Sheen decided to take a stab at an acting career, like his father (and his older brother, Emilio Estevez). While Sheen played a bit part in one of his father's films, The Execution of Private Slovik, when he was nine, he began his screen career in earnest in 1984, playing Matt Eckhart in the Cold War thriller Red Dawn. (Earlier that same year, Sheen played a small role in a sequel to the horror film Grizzly which didn't see release until 1987; Grizzly 2: The Predator also featured a then-unknown George Clooney.) After good-sized roles in several made-for-TV movies and smaller roles in better-known feature films (including Lucas and Ferris Bueller's Day Off), Sheen got his big break in 1986 when he was cast as Chris, a soldier with conscience in Oliver Stone's Oscar-winning Vietnam drama Platoon. In 1987, Sheen starred in Stone's next project, Wall Street, and after establishing himself as a solid dramatic actor, Sheen proved he also had a flair for comedy in the 1989 hit Major League. The role also gave Sheen a chance to show off his pitching arm; a year earlier, Sheen got to play real-life center fielder Hap Felsch in John Sayles' drama about the 1919 "Chicago Black Sox" scandal, Eight Men Out. Sheen's next major success was also a comedy, the 1991 military-film satire Hot Shots, and while box-office blockbusters tended to elude him, Sheen worked steadily over the next several years, and racked up a respectable number of box-office successes.By this time, Sheen had developed a reputation as a hard-living star who spoke his mind regardless of the consequences, but his fun-loving image began to take on a darker hue in the mid-'90s. In 1990, Sheen was engaged to marry actress Kelly Preston, but she left him shortly after an incident in which he accidentally shot her in the arm. In 1995, Sheen tied the knot with model Donna Peele, but the marriage ended in divorce only 14 months later. The same year he was wed, Sheen was called to testify in the trial of "Hollywood Madame" Heidi Fleiss, and admitted he was a frequent customer of Fleiss' call girl service, spending over 50,000 dollars on the services of prostitutes. In the wake of the Heidi Fleiss scandal, Sheen did himself no favors in terms of public relations by openly dating a pair of adult film actresses, Ginger Lynn Allen and Brittany Ashland; his relationship with Ashland came to an end when she filed assault charges against him. Sheen's bad-boy image turned especially grim in 1998, when he was hospitalized for drug and alcohol abuse; after a short-lived stay in rehab, Sheen gave sobriety another try, and by 1999 he was, by all accounts, clean and sober and ready to get his career back on track. In 1999, Sheen's brother, Emilio Estevez, cast him as real-life adult filmmaker Artie Mitchell in the made-for-cable feature Rated X -- a daring role, given Mitchell's drug abuse and sexual promiscuity -- and the following year, Sheen became Hollywood's comeback kid when he was cast in the leading role of the popular situation comedy Spin City after the departure of actor Michael J. Fox. In 2002, a clean, sober, and successful Sheen made headlines once again with his love life, though this time in a positive manner: He announced his engagement to actress Denise Richards; alas, a lengthy marriage was not to be, and the couple divorced after four years. Beginning in 2003, Sheen signed for an ongoing role opposite Jon Cryer and Melanie Lynskey on the popular situation comedy Two and a Half Men. The show became a massive success, running until 2011. In the meantime, Sheen married Brooke Mueller in 2008, with whom he had twin boys, Bob and Max. The marriage was short, ending in 2010 amid rumors of rampant drug use and partying, an arrest on suspicion of domestic violence, and brief stints in rehab - culminating in a 2010 incident in which Sheen was removed from the Plaza hotel after causing $7,000 worth of damage to a hotel room, allegedly following an altercation with a prostitute. Even grander spectacles were soon to come, as disagreements with producers of Two and a Half Men in 2011 led to Sheen making what sounded like near manic public statements, nominally defending his demands for a 50% raise for his work on the show. He gave a series of interviews in which he disclosed that he lived with two girlfriends, who he called his "goddesses," graphic designer Natalie Kenly and porn star Bree Olsen. He also infamously described himself as "winning" (presumably at life), as well as having "tiger's blood," and being a "bitchin' rock star from Mars." The media explosion following his statements led to rampant speculation that he was in the throes of drug addiction. Sheen capitalized on the attention, however, embarking on a stand-up/performance tour titled "My Violent Torpedo of Truth/Defeat is Not An Option." Sheen was officially fired from Two and a Half Men in March of 2011, but Sheen continued to reach out to the public through internet videos available on UStream titled Torpedoes of Truth. In 2012, Sheen scored the lead in the FX comedy Anger Management (a spin-off from the 2003 movie with the same name), which earned a 100 episode production order.In addition to his career as an actor, Sheen has also dabbled in production; he produced two of his films, Comicitis and The Chase, before forming a production company with rock singer Bret Michaels. Sheen also wrote the screenplay for the company's first release, No Code of Conduct. In addition, Sheen published a book of his poetry, A Peace of My Mind.

Trivia: As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson. The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987). Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico." Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers.