Trivia: An actress since her childhood, Holly Marie Combs appeared in several feature films before becoming a well-known prime time television presence in the 1990s. Born in San Diego, Combs moved to New York as a child with her actress mother. She soon embarked on her own acting career, appearing in TV commercials and studying at the Professional Children's School. Combs made her film debut playing Susan Sarandon's daughter in Sweet Hearts Dance (1988), moving on to small parts in Oliver Stone's second Vietnam saga Born on the Fourth of July (1989) and arthouse favorite Hal Hartley's Simple Men (1992). Combs established herself as an up-and-coming TV actress, though, in the role of Tom Skerritt and Kathy Baker's daughter on producer/writer David E. Kelley's Emmy award-winning family drama Picket Fences (1992-1996). After the series ended, Combs stayed with the medium, starring as Texas teen-killer Diane Zamora in the TV docudrama Love's Deadly Triangle: The Texas Cadet Murder (1997), and as the daughter of a murdered heiress in USA Network's Our Mother's Murder (1997). Combs returned to series TV as grounded middle sibling Piper on producer Aaron Spelling's Charmed in 1998. Co-starring TV vixens Shannen Doherty and Alyssa Milano, the tale of three beautiful, supernaturally endowed sisters appealed to the WB network's young female audience, and Charmed became a hit. Combs worked on Charmed until the series ended in 2002, and found success on the small screen once again in 2010, when she joined the cast of ABC's Pretty Little Liars.

Trivia: The second of three children, Julian McMahon was born in Sydney, Australia, where his father served as prime minister from 1971-1972. McMahon didn't show any particular interest in acting during his youth; in fact, he went to the University of Sydney fully intending to study law, but became bored with college life and left with dreams of a modeling career in 1987. While that path was fruitful enough to take McMahon to some of the world's most prominent fashion arenas (including Milan, Paris, New York, Los Angeles, and Rome), it was a blue jeans commercial in his native country that led to an 18-month stint on a popular Australian prime-time soap opera. After his departure, he landed a role in the television series Home and Away (1988), which was eventually adapted into a musical. A supporting role in Wet and Wild Summer! (1992) prompted McMahon to make a more permanent move to Los Angeles, where he planned to pursue acting full-time. Sure enough, McMahon quickly found a role on NBC's long-running daytime soap Another World, and, after leaving the show two years later, he participated in a series of plays, as well as several unremarkable films (including Magenta in 1996). McMahon's forte, clearly, was in the world of prime-time television: In 1996, he co-starred in Profiler, and later took on a role in Charmed, a WB fantasy series in which he played a love interest saddled with the unfortunate trait of being a demon. Though McMahon starred alongside Jeff Daniels in director Michael Walker's psychological thriller Chasing Sleep in 2000, his true breakout role would come in 2003, when he won the starring role of playboy plastic surgeon Dr. Christian Troy in Nip/Tuck, F/X's joyfully over-the-top nighttime drama.McMahon would also appear in feature films like Fantastic Four, Premonition, Red, and Faces in the Crowd.

Trivia: Born and raised in Brooklyn to Italian-American parents, actress Alyssa Milano started acting on the stage in a national tour of Annie at the age of eight. She rose to teen stardom as the tomboyish Samantha Micelli on the ABC sitcom Who's the Boss, which ran from 1984-1992. Never really making the transition to feature films, she appeared in sleazy made-for-TV movies, provocative ad campaigns, and nude photographs. In one of her more prominent TV performances, she portrayed Amy Fisher in Casualties of Love: The "Long Island Lolita" Story on CBS in 1993. Her few feature film credits include the quirky romantic comedy Hugo Pool and the thriller Below Utopia, starring Ice-T. She joined the cast of Melrose Place on FOX for the 1997-1998 season before moving over to the WB for Charmed, co-starring Shannen Doherty and Holly Marie Combs. In the late '90s, she released several pop/rock albums, which did quite well in Japan. Since the popularity of Charmed, she's appeared in major television ad campaigns and the comedies Kiss the Bride, Buying the Cow, and Dickie Roberts: Former Child Star. She would go on to enjoy TV runs on My Name is Earl and Romantically Challenged, and movies like Hall Pass and New Year's Eve. In 2013, she returned to being a series regular on TV in the primetime soap Mistresses. After winning several legal battles involving her nude images on the Internet, Milano helped to launch the index safesearching.com.

Trivia: While in junior high, took his first acting class with R. J. Adams at The Actors Workshop. Studied karate as a teen. Played soccer in college. Landed his first role in 1989 as a student in the TV series TV 101. Known for his role of Leo Wyatt in The WB Network series Charmed (1998–2006).

Trivia: Raised in Cleveland, Ohio.At the age of 9, he moved to Los Angeles, California.Got his first acting job after accompanying his girlfriend at the time to an audition.Started his acting career by doing TV commercials, and later television.Has been a spokesman for the Juvenile Diabetes Research Foundation.

Trivia: Appearing as a cross between Betty Boop's evil sister and a very curvaceous Hell's Angel, actress Rose McGowan made an undeniably distinct impression on Hollywood in the late '90s. With her sharp tongue and brash sensuality, McGowan has been a source of both titillation and discomfort to an industry that still hasn't quite figured out what to do with women who are both unapologetically smart and sexual.The child of hippies, McGowan was born September 5, 1975, in Florence, Italy, to a French mother and Irish father. The second oldest of six children, McGowan was raised on an Italian commune run by the Children of God cult. The controversial cult was known for panhandling as well as for taking extremely liberal approaches to parenting. Her family relocated to Oregon when McGowan was ten, and she left the commune at 15, legally emancipating herself from her parents. She supported herself with a variety of odd jobs and even lived on the streets for awhile before traveling to Los Angeles to attend an arts school. It was there that she was discovered by director Gregg Araki, who encountered her loitering outside a gym, refusing to go in because it was "too corny." Araki was busy casting his Sundance entry, The Doom Generation, and gave her the role of Amy Blue, the film's beautiful, spoiled, and morally ambiguous protagonist. Prior to her role, McGowan had only appeared as a minor character in 1992's Encino Man, making her casting in Araki's film all the more fortuitous. The Doom Generation was released in 1995, to mixed reviews and a fair amount of controversy, but helped to establish McGowan as, if not Hollywood's Next Big Thing, then Internet fodder for slavering males everywhere.The film also gave her a greater chance at steady work and she followed The Doom Generation with the low-budget thriller Kiss and Tell (1996). Subsequently, she landed a role in another thriller possessing a decidedly bigger budget, Wes Craven's Scream (1996). The film was a surprise hit and McGowan's turn as a frisky student who has an unfortunate encounter with a garage door further widened her fan base. After starring in the 1997 TV movie Devil in the Flesh, McGowan appeared in two back-to-back movies with fellow rising star Ben Affleck. First came her turn as the girl who tries to seduce a very excited Jeremy Davies in 1997's Going All the Way, followed by her role in the ski slope thriller Phantoms (1998). 1999 saw her take the lead in the independent film Jawbreaker, in which she starred with Rebecca Gayheart. As Alpha Bitch Courtney Shane, McGowan excelled in a role that was equal parts vamp, tramp, and camp. During this same period, McGowan began a relationship with gothy shock-rocker Marilyn Manson. The counter-culture pair seemed like a match made in entertainment heaven and she caused quite a stir by accompanying her beau to the 1998 MTV Movie Awards in a dress that consisted of little more than a few strands of black beads draped over her distinctly visible nude body. The two became engaged but eventually broke up over reported lifestyle differences. In 2001, a new period began in McGowan's career when star Shannen Doherty left the hit WB show Charmed, leaving directors looking for a witchy, raven-haired actress to replace her. McGowan joined costars Alyssa Milano and Holly Marie Combs and found no trouble connecting with the show's fans, staying with the series for five years--two years longer than her predecessor. As the show was wrapping up in 2006. McGowan signed up for another role that fit perfectly with her screen image. Dark, sexy, and kitschy beyond a shadow of a doubt, the over-the-top flick Grindhouse would pair the actress with directors Quentin Tarantino and Robert Rodriguez, who would each direct a full length film for the double feature. The starlet would have a small but memorable role in Tarantino's Death Proof, but she would have the starring role in Rodriguez's feature Terror Planet as a leg amputee whose appendage is replaced by a big, shiny machine gun. Over the next several years, McGowan would enjoy a successful arc on Nip/Tuck, as well as appearances in films like Conan the Barbarian and Rosewood Lane. She played a young Cora in a recurring role on Once Upon a Time and booked a series regular role on the Crackle series Chosen.

Trivia: NYU graduate Patrick Fischler began building up his résumé in the late '90s, making appearances on TV shows like Sister, Sister and Nash Bridges. His intense looks and malleable demeanor soon made him a familiar face, and in 2001 he was cast in the David Lynch film Mulholland Drive. By the late 2000s, Fischler was landing recurring roles on major primetime series, playing Jimmy Bartlett on the period drama Mad Men and later taking on the role of Dharma Initiative employee Phil on the hit series Lost. In 2009, he joined the cast of another network drama, portraying Detective Kenny No-Gun on police drama Southland.

Trivia: Was a theater major in college. In 1983, originated the role of Yvonne in the school stage production of Eleven-Zulu. Moved to New York City after college to work in the theater. First appeared on a national TV show in 1988 on the NBC comedy The Cosby Show in an episode called "If the Dress Fits, Wear It." Cinematic debut was in the 1989 drama Rooftops. Performed in the 1992 off-Broadway musical revue A...My Name Is Still Alice. First recurring small-screen series role was in the Fox drama Boston Public in 2001. In 2010, returned to TV in the CBS comedy Mike & Molly. Teaches acting classes.

Trivia: Robert Englund began his acting training at age 12, taking drama courses at the University of Oakland, U.C.L.A., California State-Northridge, the Michigan Academy of Dramatic Arts, and the Rochester, NY, branch of R.A.D.A. Englund made his first professional appearance in a Cleveland production of Godspell. His first film role was the bumptious backwoodsman Whitey in Buster and Billie (1974), after which he paid his dues in a series of villainous bit parts: shooting down Burt Reynolds at the end of Hustle (1975); beating up Kris Kristofferson in A Star is Born (1976); and so on. In 1984, he was cast as Willie, one of the few sympathetic Earth-invading extraterrestrials in the sci-fi TV miniseries V.Impressed by this performance, director Wes Craven buried Englund under several layers of latex and collodion and cast him as malevolent, mass-murdering wraith Freddy Krueger in A Nightmare on Elm Street (1984). The actor became an instant star, appearing in five Nightmare sequels, hosting a 1988 television spin-off, and basking in the glow of a plenitude of fan clubs. Although Freddy's only redeeming quality was his morbid sense of humor, Englund became an idol to the young, who emulated the actor each Halloween donning Freddy masks and plastic claws. Far from concerned that this idolatry might lead to delinquency, Englund allowed that he enjoyed playing Freddy, and felt pride at having created so memorable a screen persona. (In all fairness, he also emphasized to his most impressionable fans that it was all play-acting, and that his homicidal tendencies were strictly confined to the screen.) Unlike such horror icons of the past as Boris Karloff and Vincent Price, however, Englund was not able to shed his famous character's image when he wanted to move on to other roles. Outside of his Nightmare appearances, Englund's most significant credits were his one-shot directorial stint on the theatrical feature 976-EVIL (1988); his characterization of the title role in a medium-budget film adaptation of Phantom of the Opera (1989); and his hosting chores on the Craven-produced TV anthology Nightmare Café (1992).