Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: An acclaimed character actor of the stage, screen, and television, Don Cheadle often manages to steal most of the scenes in which he appears. That is no small feat, for the slender African-American actor has, at first glance, a rather unassuming physical presence, particularly when compared to some of his big-name co-stars. An actor whose style compliments rather than overshadows the performances of those around him, Cheadle stands out for his rare ability to bring a laid-back intensity and subtle charisma to his roles.A native of Kansas City, MO, Cheadle was born on November 29, 1964, to a psychologist father and bank manager mother. During his early childhood, his family moved to Denver and then Nebraska. One thing that remained a constant in Cheadle's childhood was his interest in performing, which began around the age of five. In addition to acting, he was interested in jazz music and his parents supported both of these endeavors. By the time he graduated from high school, he had scholarships from both music and acting schools; choosing the latter, he attended the California Institute of the Arts in Valencia. Following graduation, Cheadle made his film debut with a small role as a hamburger server in Moving Violations (1985). He honed his acting skills as a guest star on television series ranging from Hill Street Blues to Night Court, and, in 1992, he landed a regular role as a fussy hotel manager on The Golden Palace. Although the show faltered after only one season, Cheadle landed on his feet, subsequently snagging the plum role of earnest district attorney John Littleton on Picket Fences (1993-1995). While he was building a career on television, Cheadle was also earning a reputation in feature films. He first made an impression on audiences with his lead role in Hamburger Hill (1987), and, in 1994, he had his true screen breakthrough portraying Denzel Washington's best friend in Devil in a Blue Dress. So good was his performance -- which earned him a number of film critics awards -- that many felt an Oscar nomination was inevitable; when the Academy passed him over, many, including Cheadle, wondered why. However, the actor chalked it up to politics and got on with his career, working steadily throughout the remainder of the decade. 1997 proved to be a big year for him: he co-starred in three major films, Volcano, Boogie Nights, and John Singleton's Rosewood. He won particular praise for his work in the latter two films, earning nominations for SAG and Image awards.The following year, Cheadle made a triumphant return to television with his portrayal of Sammy Davis Jr. in The Rat Pack, winning an Emmy nomination and a Golden Globe award. Also in 1998, he did stellar work in Steven Soderbergh's Out of Sight and Warren Beatty's Bulworth, playing a down and dirty ex-con in the former and a drug lord in the latter. Another Emmy nomination followed in 1999, for Cheadle's powerful portrayal of a school teacher sent in to counsel a young man on death row, in A Lesson Before Dying. Cheadle would become something of a fixture in Soderbergh's films, and in fact delivered a stunning performance as a federal drug agent in the director's epic muckraking drama Traffic (2000).Cheadle then turned up in Soderbergh's remake of the Rat Pack classic Ocean's Eleven in 2002.The chasm between Traffic and Ocean's Eleven (not in terms of quality but in terms of intended audience and depth) is instructive; it established a definitive career pattern for Cheadle during the mid-late 2000s. Throughout that period, the gifted actor continually projected versatility by alternating between buttered-popcorn pictures - such as Soderbergh's 2004 and 2007 follow ups to Eleven (Ocean's Twelve and Ocean's Thirteen) - and more complex, demanding, intelligent material. For example, in 2004 (a particularly vital year for Cheadle) the actor delivered a four-barrelled lead portrayal in the heart-wrenching docudrama Hotel Rwanda. In that politically-tinged, factually-charged account, the actor plays the Rwandan manager of a Kigali hotel, so devastated by the surrounding massacres of his fellow countrymen that he turns the establishment into a clandestine refugee camp. Cheadle justly netted an Oscar nomination for his work. That same year, the thespian held his own against lead Sean Penn (no small feat, that) in the depressing and despairing yet critically acclaimed psychodrama The Assassination of Richard Nixon. Cheadle reserved his most formidable coup, however, for 2005, when he both produced and co-starred (opposite many, many others) in Paul Haggis's difficult ensemble film Crash-a searing, biting meditation on racism and the Best Picture winner of its year. In early 2007, Cheadle paired up with actor Adam Sandler and writer-director Mike Binder for Reign Over Me, a two-character drama about a dentist (Cheadle) reunited with his displaced college roommate (Sandler) after the trauma of 9/11. The picture reeled in generally favorable, if not universally positive, reviews. Later that same year, the actor essayed the lead role in Talk to Me. As directed by Kasi Lemmons, this period drama recreated the life and times of the controversial 1960s convict-cum-shock jock Petey Greene (Cheadle) who rides to fame amid the throes of the civil rights movement and Vietnam-era tumult; many critics tagged the portrayal as definitively Oscar worthy.Cheadle would remain a top star over the coming years, appearing in everything from the kid-friendly Hotel for Dogs to the gritty crime thriller Brooklyn's Finest. Cheadle would also take over the role of Lt. James Rhodes in the Iron Man sequel, replacing Terrence Howard. Cheadle would also find success on the small screen, producing and starring in the critically acclaimed comedy series House of Lies.

Trivia: Classically trained character actor Jeremy Piven shot to stardom as Ellen DeGeneres' unforgettable, sharp-witted cousin Spence on the ABC sitcom Ellen. Born in New York City on July 26, 1965, Piven is the son of actors Byrne and Joyce Piven. He grew up in Evanston, IL, where his parents founded the Piven Theater Workshop. He studied theater at his parents' school alongside Lili Taylor, Rosanna Arquette, and pal John Cusack. The longtime friends, who began by performing Chekhov at age eight, have collaborated on several films -- including One Crazy Summer (1986), Say Anything (1989), The Grifters (1990), Floundering (1994), Grosse Pointe Blank (1997), and Serendipity (2001). They also co-founded the New Criminals Theater Company in 1989, which is now New Crime Productions, the company behind Grosse Pointe Blank and the Cusack vehicle High Fidelity (2002).A former member of the Second City National Touring Company, Piven made his small-screen debut on Carol Burnett's short-lived variety show Carol and Company in 1990. He went on to play a writer on HBO's The Larry Sanders Show and to appear on Seinfeld before starring as an unemployed father on the short-lived series Pride & Joy. Disney, who produced Pride & Joy, then created a role for him on Ellen. After the sitcom's cancellation in April 1998, Piven landed his own show, the offbeat ABC comedy-drama Cupid. Also starring Piven's real-life neighbor Paula Marshall, Cupid followed the infamous matchmaker after he had been thrown out of heaven for bad behavior and attempted to earn his reentry by uniting 100 couples in true love without using his otherworldly powers. The series won critical acclaim and earned Piven quite a following. Yet, as with many of the network's more innovative shows, ABC mishandled Cupid, shuffling it in and out of prime time until its inevitable cancellation. Undaunted, Piven returned to television a year later to guest star on Will & Grace.While Piven's film career has suffered the same ups and downs as his time on television, it is marked by numerous scene-stealing supporting performances. After making his feature-film debut in Lucas (1986), the actor appeared in Robert Altman's The Player (1992), Cameron Crowe's Singles (1992), and Tim Robbins' Bob Roberts (1992). He fell into a slump with failures like Judgment Night (1993) and Car 54, Where are You? (1994), but became a cult favorite for his portrayal of a campus misfit in P.C.U. (1994). Standout roles opposite Sarah Jessica Parker in Miami Rhapsody (1995), Robert De Niro in Heat (1995), Bill Murray in Larger Than Life (1996), and Morgan Freeman in Kiss the Girls (1997) quickly followed. He then proved to be the only good thing in Peter Berg's Very Bad Things (1998), before playing Nicolas Cage's best friend in The Family Man (2000). Piven took a respectable dramatic turn as a doomed helicopter pilot in Ridley Scott's award-winning Black Hawk Down, but returned to comedy for Old School (2003), a film by the makers of Road Trip (2000).Piven continued his work in entourage and took a starring role in Chappelle's Show director Neal Brennan's farcical comedy The Goods: Live Hard, Sell Hard in 2009. 2011 found the actor playing the dreaded Timekeeper in Spy Kids: All the Time in the World, he would portray another villain, this time in a voice role, for the children's adventure The Pirates! Band of Misfits in 2012.Then, in 2005, Piven scored the iconic role of Ari Gold on the HBO series Entourage. The show turned out to be a massive success, and Piven's profile was raised considerably, making him more of a household name, and helping him to score more interesting roles outside the show, like washed-out magician Buddy Isreal in the 2006 over-the-top action blow-out Smokin' Aces, and Damon Schmidt in the 2007 political thriller The Kingdom. In 2008, he joined the cast of the Guy Ritchie London crime movie RocknRolla.

Trivia: Born in a German refugee camp, actor Saul Rubinek was raised in Canada, where he began his career. After several years of activity with the Toronto Free Theater, the versatile Rubinek headed for New York, where he worked in repertory and on Broadway. Rubinek's performance as the best friend of religious cult member Nick Mancuso in the little-seen Ticket to Heaven (1981) was a critical coup for the actor. A reliable presence in such meaty supporting roles as the Ned Buntline-ish dime novelist in The Unforgiven (1994), and Hollywood producer Lee Donowitz in True Romance, Rubinek would spend the coming decades working steadily in films like I Love Trouble and Nixon, as well as on TV shows like A Nero Wolfe Mystery, Frasier, Blind Justice, and Warehouse 13.

Trivia: Character actor, onscreen from the early '70s.

Trivia: First earning an international reputation in opera and musical comedy, Harve Presnell made his feature-film debut in the film adaptation of the hit Broadway musical The Unsinkable Molly Brown playing opposite Debbie Reynolds. Though he has spent the bulk of his career on the stage, Presnell periodically appeared in other films through the '70s. After taking no film roles in the '80s, Presnell re-emerged in the Coen brothers' Fargo (1996) and continued to play character roles in films such as Julian Po (1997) and Saving Private Ryan (1998).

Trivia: American actress Mary Beth Hurt, born Mary Beth Supinger, trained for the theater at New York University's School of the Arts. She then spent a year in London, where she performed with the Questers, a well-known amateur theater troupe. In 1972 she made her professional debut with the New York Shakespeare Festival, then went on to a very successful stage career on Broadway and elsewhere; she won two Obie awards (one for her work in the play Crimes of the Heart) and was nominated for a Tony for Trelawney of the Wells. Her theater work impressed filmmaker Woody Allen, who cast her in a supporting role in her screen debut, Interiors (1978), Allen's first non-comedy. This won her the co-lead in Joan Micklin Silver's Head Over Heels (1979). Hurt has remained primarily a stage actress, appearing in films every two years or so. From 1972-82 she was married to actor William Hurt. She is now married to writer-director Paul Schrader, and co-starred in his film Light Sleeper (1992).

Trivia: Supermodel-cum-Hollywood actress Amber Valletta hit the runway in her late teens, and, though a frequent presence in fashion ads for several years prior, first made national headlines in July 1993. That summer, under representation by Boss Models, the svelte 19-year-old Oklahoman blonde upstaged heavyweight Cindy Crawford as the primary spokeswoman for Capezio handbags -- and turned more than a few heads in the process. Not long after, Valletta also signed on as the chief spokeswoman for Elizabeth Arden. In 1996, Valletta succeeded Crawford again -- this time as the co-host (alongside Shalom Harlow) of MTV's hit documentary series House of Style. The by-now-familiar program found Valletta and Harlow carrying viewers behind the scenes of the fashion world, and (in the process) covered everything from runway preparation to before-the-camera apparel to anorexia nervosa. In 1999, Valletta's modeling intersected with social work when she helped raise over 350,000 dollars for the St. Jude Royal Gala Benefit in Monte Carlo, and later parlayed that effort into a promotional tour for Elizabeth Arden Splendor perfume that had Valletta and other company reps giving terminally ill children heartstring-tugging "moments of splendor."Although hosting duties on House of Style represented Valletta's first broad leap into filmed entertainment, she delayed her cinematic work for another four years. In 2000, the model debuted onscreen as the spirit of a murdered coed in Robert Zemeckis' Hitchcock retread, What Lies Beneath, starring Michelle Pfeiffer and Harrison Ford. Valletta's roles -- given the actress' off-camera motherhood and intermittent magazine work -- accumulated slowly over the next several years (in films such as the Nicolas Cage holiday vehicle The Family Man and the Danny DeVito-directed black comedy Duplex); as a result, Valletta only ascended gradually to top billing. In 2005, however, she attained her highest-profile exposure to date (and gained much-deserved respect as an actress) in the Andy Tennant-directed romantic comedy Hitch. As Allegra Cole, the city's most eligible bachelorette, who falls for the least likely candidate (overweight and self-conscious klutz Kevin James), Valletta played an admirable straight man to both James and "date doctor" Alex "Hitch" Hitchens (Will Smith).After a noticeable onscreen absence in 2006, Valletta returned to cinemas the following year, with two back-to-back roles in supernatural thrillers. She first received second billing as a nubile young bride in the James Wan-directed Saw follow-up Dead Silence -- a slasher picture about a quiet little town plagued by the spirit of an evil ventriloquist. And later that year, Valletta portrayed Claire in the Mennan Yapo-directed Premonition, starring Sandra Bullock. She went on to appear in Gamer, The Spy Next Door, and Girl Walks Into a Bar before landing a part in the television series Revenge in 2011.

Trivia: American actress Francine York commenced her theatrical career at age nine, in a play titled Keen Teens, or Campus Quarantine; she produced and directed it herself, had it staged at the Aurora (Minnesota) town auditorium, and used the proceeds from the admissions to finance a wienie roast for the local drama club. That was her story, as related in a 1963 TV Guide, and is as good a story as any. Active in high school sports, York bypassed college to become an airline stewardess, but didn't like the work and decided to become a fashion model in San Francisco. From there she headed to Hollywood, and worked steadily in many of the top TV programs of the early '60s, including recurring appearances on the 1964 weekly Slattery's People (she also later appeared on the daytime drama Days of Our Lives as Lorraine Temple). Usually cast in semi-villainous roles, York was also proficient at comedy, as proven by her many appearances on the anthology series Love American Style (1969-1972). A bit too tall to be a movie leading lady (many leading men would have felt self-conscious), Francine York did manage to make several memorable appearances in the '60s films of six-foot-plus comedian Jerry Lewis; perhaps coincidentally, Lewis appeared in an unbilled cameo of the Batman episode in which York played the "moll" of the Bookworm (Roddy McDowall). York continued acting through the 2000s; she died in 2017, at age 80.

Trivia: John F. O'Donohue may not be as well known as Dennis Farina, Eddie Egan, or Barney Martin -- three police officers who became television stars -- but he's in the running. A 20-year veteran of the New York Police Department, O'Donohue joined the acting profession in the late '80s and ascended to bit parts in movies, moving up to supporting and guest-starring roles in television before reaching regular status on NYPD Blue in 2004. Born in New York, he was a career officer who rose as high as lieutenant in the Midtown North precinct, turning to acting as an outlet for feelings he repressed as a police officer. After some classes, and appearances in off-off-Broadway productions, he made his debut in the Ben Stiller-directed MTV program Colin Quinn: Back to Brooklyn. O'Donohue retired from the force and moved to Los Angeles to pursue work in television, making appearances in bit roles in episodes of Knots Landing and Reasonable Doubts, but it was Stiller who pulled him out of the pack of working actors. Stiller remembered O'Donohue's work in the MTV show when he was putting together the cast for his FOX network satirical series The Ben Stiller Show, and made him a regular on the series. O'Donohue showed his comedic abilities as a member of Stiller's stock company, and he later worked on The John Larroquette Show as a regular cast member in addition to appearances in series such as Knots Landing, Reasonable Doubts, and Matlock. He was a natural at playing cops (and also, occasionally, firemen), not just by experience but also with his easy New York working-class vernacular, bald physiognomy, and muscular presence. He made his first appearance on NYPD Blue in 1994 as a court clerk in the second season lead-off episode "Trials and Tribulations" and its follow-up, "From Whom the Skell Rolls." O'Donohue made the rounds on television, alternating between dramas and comedies, including Mad About You, Seinfeld, The Single Guy, Chicago Hope, Brooklyn South, Cybill, Diagnosis Murder, and Columbo, in ever larger parts. One of his funniest guest appearances was in the 1998 "Civil War" episode of Everybody Loves Raymond, playing Harry, the Civil War reenactor friend of Peter Boyle's Frank Barone. Although it was drama that would make O'Donohue into a star, he got there by way of his ability with comedy. In 2000, he rejoined NYPD Blue as a recurring cast member, portraying Detective Eddie Gibson, a veteran cop who's gone a little bit goofy working the night tour at the 15th squad, a character intended to interact comically with Dennis Franz's taciturn, slow-burning Detective Andy Sipowicz. O'Donohue was good enough as Gibson that the character was brought back and embellished over the ensuing seasons, presented as a man out-of-his-depth in modern detective work, but who also has a big heart where kids are concerned. In March 2004, O'Donohue rejoined the cast as a regular in March of 2004, playing newly promoted squad commander Det./Sgt. Eddie Gibson, still a tiny bit goofy, but knowing his limitations. During that season of the cop drama, O'Donohue gave a vivid portrayal of the increasingly rare old-fashioned cop, probably second generation on the force and Irish on at least one side, and likely a member of the Emerald Society. His presence on the series since 2000 was reminiscent of actors such as Horace McMahon on Naked City, among dozens of others, and provided the show with a great degree of verisimilitude.

Trivia: Is half Colombian. Made her big-screen debut in the Nicolas Cage dramedy The Family Man (2000), for which she won a Young Artist Award. Has landed series-regular roles on ABC sitcom the Geena Davis Show and CBS drama The Good Wife.

Trivia: New York native Ken Leung studied acting at NYU and at HB Studio before making his onscreen debut with a minor appearance in 1997's Rush Hour. He would continue to find consistent screen work with roles in movies like Red Dragon and Vanilla Sky, while simultaneously cultivating a theater career with roles in Broadway plays like the Tony Award-winning Thoroughly Modern Millie in 2002. Leung would later find a particularly memorable role in 2008, when he was cast as Miles Straume in the mysterious series Lost.

Trivia: Bearing a sort of Catherine Deneuve-by-way-of-Kelly Clarkson look, Kate Walsh may have an impressive list of film and TV roles on her resumé, but her primary acting venue was the stage. Starting out in regional theater in Tucson, AZ, where she went to college, Walsh later got involved with the Piven Theatre Workshop and Shakespeare Repertory in Chicago, as well as the comedy troupe Burn Manhattan in New York. By the mid-'90s, Walsh began slowly but surely making the transition to the screen with appearances on TV shows like Homicide: Life on the Street and Law & Order. Walsh's list of film and TV appearances soon grew, and among her scads of roles were a number of prominent parts on very popular shows. She became a regular on The Drew Carey Show in 1997, donning a fat suit to play Drew's weight-struggling girlfriend, and in 2001, she took a recurring role on the HBO series The Mind of the Married Man.In 2005, Walsh joined the cast of the smash-hit series Grey's Anatomy, playing Dr. Addison Montgomery-Shepherd, estranged (and eventually ex-) wife of "Doctor McDreamy," Patrick Dempsey. Walsh suddenly went from a working actress to a well-known face, and it looked like the perfect time for the actress to segue into the big screen in a starring capacity, after a string of minor appearances in major films. Sadly, this wasn't to be, but the actress did join the cast of Private Practice in 2007, and appeared in the films Legion (2010), Angel's Crest (2011), and The Perks of Being a Wallflower (2012).

Trivia: Supporting actor and singer Gianni Russo specializes in playing Mafiosos and other Italian stereotypes. He made his feature-film debut playing Carlo Rizzi in The Godfather (1973). Before that, Russo had appeared in two made-for-television films.

Trivia: Studied opera and theatre in college before leaving two classes shy of his degree to pursue his career; he re-enrolled in 2007 and received his diploma. Toured with the American National Theatre and Academy for a year. Studied with John Houseman's The Acting Company in New York for three years. Hadn't publicly sung opera in decades when the producer of Brooklyn Nine-Nine asked him to sing in the show.

Trivia: American director Robert Downey served in the Army, pitched in semi-pro baseball and became an actor, all before he was 25 years old. In 1963, he began directing basement-budgeted absurdist films which gained a following in the "underground" cinema circuit: Babo 73 (1963), Chafed Elbows (1965) and No More Excuses (1968). Putney Swope (1969) was the first Downey-directed film to earn a mainstream release; a devastating satire of Madison Avenue, Putney explored the possibilities of an African-American activist given carte blanche at an advertising agency. The commercial parodies contained in the film were so "right on" (to use the vernacular of the era) that some impressionable reviewers assumed that Downey himself was black. The director thrived in the laissez-faire film world of the '70s with such irreverent films as Pound (1970), wherein humans (successfully) behaved like dogs for 90 minutes, and Greaser's Palace (1972), an outrageous restaging of the life of Christ in "spaghetti western" terms. He also continued his erstwhile acting career with appearances in films like Is There Sex After Death? (1971). Downey's take-no-prisoners sense of humor didn't mesh well with the comic attitudes of others, as witness Up the Academy (1980), a failed attempt by Mad magazine to emulate the National Lampoon movies. Thus Downey entered the '90s marching to his own beat again, making films exclusively for his specialized audience. Robert Downey is the father of actor Robert Downey Jr., who made his own film debut at age five in his dad's Pound.

Trivia: First earning fame as a witty, agile comic actress on TV, smart, leggy beauty Téa Leoni was poised for Hollywood movie stardom by the late '90s. Born Elizabeth Téa Pantaleoni and raised in New York City, Leoni graduated from boarding school in Vermont and headed to Sarah Lawrence College to study psychology. After dropping out to travel for several months, Leoni intended to finish college at Harvard. Though she had never planned on acting, Leoni auditioned on a dare for a planned TV remake of Charlie's Angels and was cast. Though the 1988 writer's strike killed the series, Leoni opted to stay in Hollywood. After several years of modeling and TV commercials, Leoni made her film debut as the "Dream Girl" in Blake Edwards' farce Switch (1991). A small part in A League of Their Own (1992) and starring roles in the short-lived Fox sitcom Flying Blind (1992) and the TV movie The Counterfeit Contessa (1994) brought Leoni more attention. While she co-starred as the obligatory female-witness-in-peril in the blockbuster actioner Bad Boys (1995), Leoni's gift for acid wit and goofy physical comedy turned her into a TV star that same year in the sitcom The Naked Truth. Despite a network change, The Naked Truth lasted three seasons; Leoni further bolstered her comic reputation with her performance as a high-strung psychology student in David O. Russell's excellent screwball comedy Flirting With Disaster (1996). While The Naked Truth mined TV laughs out of tabloids, After taking a turn for the serious as a reporter in the first 1998 asteroid blockbuster Deep Impact, Leoni then took a break from acting to focus on her family. She returned to movies in 2000 with a charming performance as Nicolas Cage's beloved in the syrupy dramedy The Family Man, and subsequently kept busy with a string of roles in such big-budget features as Jurassic Park III (2001), Fun with Dick and Jane (2005), and Tower Heist (2011). She returned to television in 2014 with Madam Secretary.

Trivia: Scottish actor Gerard Butler spent seven miserable years studying law before trying his hand at acting on the London stage. Half a decade later, a much happier Butler had over a dozen theater, movie, and television credits under his belt, including starring roles in the stage version of Trainspotting (1996) and the award-winning film Mrs. Brown (1997).Born on November 13, 1969, in Glasgow, Butler is the youngest of Margaret and Edward Butler's three children; he has a sister and a brother. When Butler was barely six months old, his family relocated to Montréal, Canada, where his father undertook several failed business ventures. A year and a half later, Butler's parents divorced, and his mother took the children back to Scotland. He saw his father once more when he was four years old, and then not again until he was 16. In the meantime, Butler grew up in his mother's hometown of Paisley, where he frequented a nearby movie theater. Enamored with acting, he convinced his mother to take him to auditions, eventually joining the Scottish Youth Theatre and playing a street urchin in Oliver! at the Kings Theatre in Glasgow. An exceptional student, Butler graduated at the top of his class. Hoping to please his family and his teachers, who felt acting was an unrealistic career choice, Butler enrolled in Glasgow University's law program. He served as the president of the school's law society and earned an honor's degree. After finishing college, Butler took a year and a half off to live in Los Angeles, where he appeared as an extra in the Kevin Costner/Whitney Houston vehicle The Bodyguard (1992). He then traveled to Canada to be at his father's bedside as he succumbed to cancer. Shortly after his father's death, Butler returned to Scotland to begin a two-year law traineeship in Edinburgh at one of the country's top firms. But he was bored and discontented as a lawyer, and still dreamed about performing. He went to see Trainspotting on-stage at the Fringe Festival in Edinburgh and knew he had made the wrong career choice. Soon enough, Butler's unhappiness began to show in his work, and his firm fired him with only a week left in his training. Two days later, at age 25, he moved to London to begin his acting career. Butler took on a series of odd jobs -- from waiting tables to demonstrating clockwork toys at a trade show -- while looking for work as an actor. He was supposed to be serving as a casting assistant for the play Coriolanus at the Mermaid Theatre when he ran into the show's director, actor Steven Berkoff, at a coffee bar and asked to read for a part. Impressed with the ex-barrister's moxie, Berkoff agreed and Butler secured his first professional acting role. While rehearsing for Coriolanus, he accompanied one of the other actors to an audition for the same stage adaptation of Trainspotting he had seen in Edinburgh and landed the lead part of Mark Renton. In 1997, with his theater career firmly established, Butler made his big-screen debut opposite Billy Connolly and Judi Dench in Mrs. Brown. Sometime later, he had returned to the film's shooting location, Taymouth Castle, for a picnic when he saw a child drowning in the nearby River Tay. Butler dove into the water and saved the boy. The actor received a Certificate of Bravery from the Royal Humane Society for his selfless act. That same year, he earned a small speaking part as a bad guy in the Bond film Tomorrow Never Dies before spoofing ex-Wet Wet Wet singer Marti Pellow for the 1998 series The Young Person's Guide to Becoming a Rock Star. Butler finished out the '90s by appearing in the television comedy Lucy Sullivan Is Getting Married, as well as returning to the stage to appear opposite Sheila Gish and Rachel Weisz in Suddenly, Last Summer in London's West End. Butler began the new millennium with supporting parts in the gangster film Shooters (2000) and the war drama Harrison's Flowers (2000). He then simultaneously landed the high-profile title roles in Wes Craven's Dracula 2000 (2000) and the USA television movie Attila (2001). Produced by the creators of The Mummy franchise, Attila chronicled the life of the eponymous fifth century barbarian and co-starred veteran actors Tim Curry and Powers Boothe. It also re-teamed Butler with his Coriolanus director, Berkoff, who played his uncle in the film. The hype that surrounded both Dracula 2000 and Attila was fueled by CNN's announcement that Butler was the frontrunner to replace Pierce Brosnan as the next James Bond. The following months, however, were anticlimactic for Butler. Dracula 2000 bombed at the box office and Attila, though one of the year's highest-rated television miniseries, proved to be forgettable. The rumors surrounding his involvement with 007 were quickly quelled when Brosnan announced that he was staying on for at least two more Bond films, and the series' producers never contacted Butler. Determined to get back on his feet, Butler signed on with a new agency. He returned to British television for ITV's miniseries The Jury (2002), which also featured Derek Jacobi and Antony Sher, while simultaneously filming a role as Christian Bale's dragon-slaying best friend in the special-effects spectacle Reign of Fire (2002). He then quickly landed a supporting role in Renny Harlin's Mindhunters with Val Kilmer and LL Cool J, but pulled out of the project to play the lead in Richard Donner's long-awaited adaptation of Michael Crichton's best-selling novel Timeline (2003). Butler also turned heads as Angelina Jolie's hunky love interest in the sequel Lara Croft Tomb Raider: The Cradle of Life that same year.Though, to this point in his career, Butler had no doubt displayed immense talent as an actor, the films he had appeared in had almost consistently disappointed in terms of box-office returns. In 2004, that disheartening trend continued as Butler donned the famous mask of the disfigured musical genius made popular on the stage by actor Michael Crawford in the big-screen adaptation of Andrew Lloyd Webber's The Phantom of the Opera, with subsequent roles in The Game of Their Lives and Beowulf & Grendel doing little to increase his international recognizability. By 2006, it seemed that Butler was finally poised to break big, and as he prepared to lead the soldiers of Sparta in battle against the overwhelming forces of the Persian Empire in Dawn of the Dead director Zack Snyder's adaptation of Frank Miller's popular graphic novel 300, it appeared as if he was determined to do so in style.The movie was a huge international box-office hit, and Butler followed it up with the Guy Ritchie film RocknRolla the next year. In 2009 he took the starring role in the thriller Law Abiding Citizen, and appeared in the virtual reality action film Gamer. 2010 saw the release of his romantic comedy The Bounty Hunter opposite Jennifer Aniston, and in 2011 he starred in the drama Machine Gun Preacher. That same year he played the arch enemy of Coriolanus in Ralph Fiennes adaptation of that Shakespearean tragedy.

Trivia: One of her first acting jobs was an episode of Hannah Montana. Worked as a clown at children's birthday parties before being cast as Trudy Campbell on Mad Men. In 2009, simultaneously appeared on Mad Men and on new comedy Community.

Trivia: Known for the darkly eccentric characters he often plays, Willem Dafoe is one of the screen's more provocative and engaging actors. Strong-jawed and wiry, he has commented that his looks make him ideal for playing the boy next door -- if you happen to live next door to a mausoleum.Although his screen persona may suggest otherwise, Dafoe is the product of a fairly conventional Midwestern upbringing. The son of a surgeon and one of seven siblings, he was born on July 22, 1955 in Appleton, Wisconsin. Dafoe began acting as a teenager, and at the age of seventeen he enrolled at the University of Wisconsin in Milwaukee. Growing weary of the university's theatre department, where he found that temperament was all too often a substitute for talent, he joined Milwaukee's experimental Theatre X troupe. After touring stateside and throughout Europe with the group, Dafoe moved to New York in 1977, where he joined the avant-garde Wooster Group. Dafoe's 1981 film debut was a decidedly mixed blessing, as it consisted of a minor role in Michael Cimino's disastrous Heaven's Gate . Ultimately, Dafoe's screen time was cut from the film's final release print, saving him the embarrassment of being associated with the film but also making him something of a nonentity. He went on to appear in such films as The Hunger (1983) and To Live and Die in L.A. (1985) before making his breakthrough in Platoon (1986). His portrayal of the insouciant, pot-smoking Sgt. Elias earned him Hollywood recognition and a Best Supporting Actor Oscar nomination.Choosing his projects based on artistic merit rather than box office potential, Dafoe subsequently appeared in a number of widely divergent films, often taking roles that enhanced his reputation as one of the American cinema's most predictably unpredictable actors. After starring as an idealistic FBI agent in Mississippi Burning (1988), he took on one of his most memorable and controversial roles as Jesus in Martin Scorsese's The Last Temptation of Christ (1988). Dafoe then portrayed a paralyzed, tormented Vietnam vet in Born on the Fourth of July (1989), his second collaboration with Oliver Stone. Homicidal tendencies and a mouthful of rotting teeth followed when he played an ex-marine in David Lynch's Wild at Heart (1990), before he got really weird and allowed Madonna to drip hot wax on his naked body in Body of Evidence (1992). Following a turn in Wim Wenders' Faraway, So Close in 1993, Dafoe entered the realm of the blockbuster with his role as a mercenary in Clear and Present Danger (1994). That same year, he earned acclaim for his portrayal of T.S. Eliot in Tom and Viv, one of the few roles that didn't paint the actor as a contemporary head case. His appearance as a mysterious, thumbless World War II intelligence agent in The English Patient (1996) followed in a similar vein. In 1998, Dafoe returned to the contemporary milieu, playing an anthropologist in Paul Auster's Lulu on the Bridge and a member of a ragingly dysfunctional family in Paul Schrader's powerful, highly acclaimed Affliction. He then extended his study of dysfunction as a creepy gas station attendant in David Cronenberg's eXistenZ (1999). After chasing a pair of killers claiming to be on a mission from God in The Boondock Saints, Dafoe astounded audiences as he transformed himself into a mirror image of one of the screens most terrfiying vampires in Shadow of the Vampire (2000). A fictional recount of the mystery surrounding F.W. Murnau's 1922 classic Nosferatu, Dafoe's remarkable transformation into the fearsome bloodsucker had filmgoers blood running cold with it's overwhelming creepiness and tortured-soul humor. After turning up as a cop on the heels of a potentially homicidal yuppie in American Psycho that same year, the talented actor would appear in such low-profile releases as The Reconing and Bullfighter (both 2001), before once again thrilling audiences in a major release. As the fearsome Green Goblin in director Sam Raimi's long-anticipated big-screen adaptation of Spider-Man Dafoe certainly provided thrills in abundance as he soared trough the sky leaving death and destruction in his wake. His performace as a desperate millionare turned schizphrenic supervillian proved a key component in adding a human touch to the procedings in contrast to the dazzling action, and Dafoe next headed south of the border to team with flamboyant director Robert Rodriguez in Once Upon a Time in Mexico. Dafoe impressed critics with his performance of John Carpenter in the Bob Crane biopic Auto Focus. In 2003 he voiced one of the fish in the dentist's tank in Finding Nemo, and the next year he reprised his role as the Green Goblin in Spider-Man 2. He played a small role for Martin Scorsese in 2004's The Aviator, and had a memorable supporting turn in Wes Anderson's The Life Aquatic with Steve Zissou that same year. In 2005 he appeared in Lars Von Trier's Manderlay. He appeared in Spike Lee's successful heist thriller Inside Man. In 2007 he appeared as a film director in Mr. Bean's Holiday. In 2009 he reteamed with two different directors he's worked with before; he voiced the role of the rat in Wes Anderson's Fantastic Mr. Fox, and played a husband in Lars Von Trier's audience-dividing Antichrist. In 2012 he lent his vocal talents to the infamous Disney flop John Carter.

Trivia: Her early experience a testament to the dangers of premature publicity, Gretchen Mol was all but declared Hollywood's new "it" girl before her career had even left the gates. After appearing in only a handful of films, Mol was chosen to star as Matt Damon's girlfriend in John Dahl's Rounders. A highly touted film that also starred Edward Norton, it was endlessly publicized before its 1998 release. Mol was made part and parcel of this publicity, and her blonde, milk-fed looks were the subject of numerous magazine articles, including a memorably provocative Vanity Fair September cover story. Rounders, however, turned out to be a sizable disappointment, and the slavish attention surrounding its female lead virtually evaporated. Mol continued to work steadily though, apparently refusing to disappear with the hype that had initially surrounded her.Born in Deep River, Connecticut, on November 8, 1973, Mol entertained performing ambitions from a young age, studying musical theatre in addition to receiving a regular public school education. Following her high school graduation, she moved to New York, where she did a stint at the American Musical and Dramatic Academy and began performing in a number of stage productions. To support herself, Mol also worked a number of odd jobs, the most fortuitous of which was as a coat-check attendant at a popular industry restaurant. There she was "discovered" by an agent, who subsequently got her work in commercials and on the TV sitcom Spin City. Mol made her film debut with a supporting role as a phone-sex operator in Spike Lee's Girl 6 (1996) and went on to do bit work in Abel Ferrara's The Funeral (1996), Mike Newell's Donnie Brasco (1997), and Stephen Kay's The Last Time I Committed Suicide (1997). Although these projects afforded Mol the opportunity to work with the likes of Al Pacino, Johnny Depp, Christopher Walken, Claire Forlani, and Adrien Brody, she was quickly being typecast into "girlfriend" roles that capitalized more on her looks than acting abilities. She did do more substantial work in Music From Another Room (1998), opposite Jude Law, but the film went virtually unnoticed by critics and audiences.After 1998, which in addition to the Rounders debacle, also featured Mol as part of the all-star ensemble cast of Woody Allen's much anticipated -- and much lambasted -- Celebrity, the actress continued to work, albeit far from the limelight's glare. She again collaborated with Allen on Sweet and Lowdown (1999), portrayed actress Marion Davies in Tim Robbins' star-studded ensemble drama Cradle Will Rock (1999), and starred opposite Ray Liotta and Joseph Fiennes in Paul Schrader's Forever Mine (1999). Mol also directed some of her energy towards television, portraying Madge Owens in the 2000 remake of Picnic and starring alongside Madeleine Stowe, James Cromwell, and Jonathan Rhys-Meyers in Alfonso Arau's 2001 small-screen adaptation of The Magnificent Ambersons. A turn as one of the most iconic pin-up models of the 1950s followed in Mary Harron's The Notorious Betty Page, an on the heels of a high-profile role on the short-lived cop drama Life on Mars, Mol joined the cast of the hit HBO series Boardwalk Empire. Created by Terence Winter (The Sopranos) and produced by Martin Scorsese, the lavish period crime series earned numerous critical accolades in its first few seasons, including two consecutive Screen Actor's Guild awards for Outstanding Performance by an Ensemble in a Drama Series, in 2011 and 2012.

Trivia: A native of Yellow Knife, Northwest Territories, clean-cut Canadian actor Dustin Milligan gamely established himself as a Hollywood presence during the mid- to late 2000s. As one interested in drama from a tender age, Milligan initially moved to Vancouver, British Columbia (Canada's premier film community), where he signed with the agency Lucas Talent; by 2004, however, he transitioned to Hollywood and began signing for bit parts in projects including the feature Perfect Romance and the docudrama telemovie Amber Frey: Witness for the Prosecution (based on the infamous Scott Peterson homicide case). Milligan maintained a much higher profile as Henry Rader, the son of framed and threatened Washington, D.C., district attorney Paul Rader (Donnie Wahlberg) on the CW network's short-lived thriller series Runaway (2006); following a small supporting role in director Jon Kasdan's feature In the Land of Women (2007), Milligan signed on to play Southern California high school student Ethan Ward in the Beverly Hills 90210 spinoff series 90210 (2008). In the years to come, Milligan would find ongoing success in movies like Extract, Repeaters, and The Campaign.

Trivia: The son of a Spanish waiter and an Italian housekeeper, Molina was born in London on May 24, 1953. Educated at London's Guildhall School of Music and Drama, he began his career as one half of a street-corner comedy team but then turned to acting. While most thesps start at the bottom and ascend the ladder, Molina is an anomaly: he began at the top of the heap, first earning professional credibility (and his pedigree) as a member of the Royal Shakespeare Company, and debuting cinematically in no less than Steven Spielberg's Raiders of the Lost Ark (1981), as the devious South American guide who leaves Harrison Ford for dead in an ancient temple before meeting his own end, courtesy of a particularly nasty booby trap. His subsequent resume for the rest of that decade reads like a "best of 1980s International Film": supporting roles in Mike Leigh's Meantime (1981), Peter Yates's Eleni (1985) , Richard Donner's Ladyhawke (1985),Chris Bernard's Letter to Brezhnev and Dusan Makavejev's Manifesto (1989), to name only a few. His contribution to Chris Bernard's gently underplayed, low-budget comedy Brezhnev (1985) (which, like Raiders, takes advantage of his slightly dark, Mediterranean complexion) is particularly a standout. He plays a Russian sailor who picks up Margi Clarke's Liverpool blue-collar worker Teresa King during leave, and whose only comprehensible line gives the film its biggest laugh: "Leeverpool. Bittles... Ahhhhh." Molina would spend the next several years appearing in a number of films, like An Education, as well as a number of TV projects like Harry's Law, Law & Order: L.A., and Roger & Val Have Just Got In.But Molina's most impressive contribution to cinema came in 1986, when he joined two fellow Brits, director Stephen Frears and actor Gary Oldman - and turned everyone's head in the process - in Prick Up Your Ears. That film, adapted from eccentric playwright Joe Orton's autobiography, casts Molina as Kenneth Halliwell, Orton's homosexual lover and eventual murderer, opposite Oldman. Practically unrecognizable as the bald, severely unhinged Halliwell, Molina is at once terrifying and pathetic, and gleaned a number of positive notices for his performance, though, for some odd reason, it was criminally overlooked at awards ceremonies and failed to earn Molina any acting laurels. A few years later, Molina joined the cast of Not Without My Daughter (1990). In this true-life account (adapted from Betty Mahmoody's memoir), he plays Moody, a Persian husband who takes his American wife (Sally Field) and daughter to Iran under the guise of "vacation," and virtually imprisons them, forcing her to plot escape. The role (and film) gleaned some controversy for its portrayal of Islam, but (the bearded) Molina glistened with dark, brooding intensity characteristic of the actor's finest work. Molina offered more sympathetic portrayals in such films as Mike Newell's Enchanted April (1992), Species (1995), and Mira Nair's The Perez Family (1995), as a Cuban immigrant struggling to make a new life for himself in Miami. In Paul Thomas Anderson's Boogie Nights, Molina evoked a deranged playboy precariously teetering on the edge of insanity - a role that further evinced boundless courage. 1999's ridiculous Dudley-do-Right, however (in which Molina) played the villain), didn't serve him as well; neither he, nor Brendan Fraser, nor Sarah Jessica Parker managed to rise above the silly script. Far more impressive (albeit smaller in scope) was the actor's sophomore collaboration with Anderson, that year's Magnolia, in a fleeting role as Solomon Solomon, the owner of the electronics shop where William H. Macy's Donnie Smith works. During 1999 and thereafter, Molina attempted to break into television sitcoms (1999's Ladies Man, 2002's Bram and Alice), but none of these efforts panned out. He continued to garner positive notices during this period, however, for his roles in such films as 2000's Chocolat and 2002's Frida. Molina earned a Screen Actors Guild Award nomination (finally!) in the latter, for his portrayal of chronically unfaithful painter Diego Rivera. In 2004, the actor traveled to megaplexes again, as the infamous Doc Oc in the critically-acclaimed box-office smash Spider-Man 2, and although ostensibly a defiantly commercial piece of Hollywood fluff, the film performed well on all fronts - critically and commercially. Considered by some to be the greatest example of the superhero genre ever produced, no small amount of the rave reviews given to the film were directed at Molina for his spot-on portrayal of the maniacal comic-book villain; The Los Angeles Times's Kenneth Turan rhapsodized, "As played by Alfred Molina with both computer-generated and puppeteer assistance, Doc Ock grabs this film with his quartet of sinisterly serpentine mechanical arms and refuses to let go."That same year (albeit in a much different cinematic arena and catering to a much different audience --- such is the magic of Molina's versatility), the actor played opposite John Leguizamo as Victor Hugo Puente, a sensationalism-hungry news anchor willing to do almost anything for ratings, in Sebastian Cordero's well-received psychological thriller Crónicas. Molina highlighted the cast of no less than six features throughout 2005 and 2006, but his highest-profile film from this period was Ron Howard's The Da Vinci Code, in which he plays the obese Bishop Aringarosa This May '06 release (adapted from Dan Brown's bestseller) sharply divided critics (most found it average). That same year, Molina contributed to two films by major directors: Kenneth Branagh drew on his background as a trained RSC member by casting Molina as Touchstone in his screen adaptation of Shakespeare's comedy of errors As You Like It, and he receives second billing (after Richard Gere) in Lasse Hallstrom's docudrama The Hoax. The picture tells the early-1970s story of Clifford Irving's (Gere) attempt to write and market a phony autobiography of Howard Hughes, with the assistance of right-hand man Richard Susskind (Molina). Molina married British actress Jill Gascoine (Northern Exposure, BASEketball) in 1985, who is sixteen years his senior. They have two sons.

Trivia: Has appeared in over 400 films and more than 100 plays. An eight-time Filmfare award winner, four of which were in the Best Comedian category. Won two National Film Special Jury Awards for Daddy (1989) and Maine Gandhi Ko Nahin Mara (2005) respectively. Honoured with the Padma Shri, India's fourth highest civilian award, in 2004. Appointed goodwill ambassador of the Pratham Education Foundation in 2010, which works on improving children's education.

Trivia: Was in the world premiere production of Coney Island Avenue at the New York Theatre Workshop in 2009. Appeared in the 2010 Williamstown Theatre Festival production of The Last Goodbye, which combined William Shakespeare's Romeo and Juliet with the music of Jeff Buckley. Earned a 2012 Drama Desk nomination for his work in the off-Broadway show Unnatural Acts.

Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: A Los Angeles native who largely credits her faith in helping her find the strength to endure the demanding life of a career in show business, actress Tarri Markel rose through the ranks following her feature debut in the 1999 horror film Eyes of the Werewolf. It wasn't long before Markel transcended genre films with the 2000 drama Ivans xtc. (To Live and Die in Hollywood) and the 2004 Wesley Snipes action film Nine Lives and began receiving the widespread exposure she'd been working toward. A lifelong resident of L.A. whose interest in acting was sparked by her parent's love of theater, Markel studied under such stars as Jeffrey Tambor at the Beverly Hills Playhouse and honed her improvisational skills as a member of the famed Groundlings. Her supporting roles in such films as The Family Man in 2000 led to subsequent appearances in Death Train (2001), Killer Rats (2001), and Air Marshal (2002). In addition to her acting duties, Markel also served as the creator and co-writer in the development of a sitcom.