Trivia: His first name is a misspelling of Taran, which is Welsh for thunder. Moved from England to Wales age 12; considers himself Welsh and speaks the language. Won the Audience Prize for the Most Entertaining Scene at the RADA Prize Fights in 2010. Listened to rapper Plan B to perfect his character Eggsy's London accent in Kingsman: The Secret Service, as he did not have a dialect coach. Was named one of GQ's 50 best-dressed British men in 2016.

Trivia: As Mr. Darcy in the acclaimed 1995 television adaptation of Pride and Prejudice, Colin Firth induced record increases in estrogen levels on both sides of the Atlantic. Imbuing his role as one of literature's most obstinate lovers with surly, understated charisma, Firth caused many a viewer to wonder where he had been for so long, even though he had in fact been appearing in television and film for years.The son of two university lecturers, Firth was born in England's Hampshire county on September 10, 1960. Part of his early childhood was spent in Nigeria with missionary grandparents, but he returned for schooling in his native country and eventually enrolled in the Drama Centre in Chalk Farm. While playing Hamlet in a school production during his final term, the actor was discovered, and he went on to make his London stage debut in the West End production of Julian Mitchell's Another Country. Starring opposite Rupert Everett, Firth played Tommy Judd, a character based on spy-scandal figurehead Donald Maclean (Everett played Guy Bennett, based on real-life spy Guy Burgess). He went on to reprise his role for the play's 1984 film version, again playing opposite Everett. Despite such an auspicious beginning to his career, Firth spent the rest of the decade and half of the next working in relative obscurity; he starred in a number of television productions -- including the highly acclaimed 1993 Hostages -- and worked steadily in film. Some of his more notable work included A Month in the Country, in which he played a World War I veteran opposite Kenneth Branagh and Natasha Richardson, and Valmont, Milos Forman's 1989 adaptation of Les Liaisons Dangereuses, in which Firth starred in the title role. The film also provided him with an introduction to co-star Meg Tilly, with whom he had a son.However, it was not until he again donned breeches and a waistcoat that Firth started to emerge from the shadows of BBC programming. With his portrayal of Mr. Darcy in the popular TV adaptation of Pride and Prejudice, Firth was propelled into the media spotlight, touted in a number of articles as the latest in the long line of thinking women's crumpets; he was further rewarded for his work with a BAFTA award. The same year, he appeared as an amorous cad in the similarly popular Circle of Friends and went on the next year to appear as Kristin Scott Thomas' cuckolded husband in The English Patient. Firth garnered praise for his role in the film, which went on to win international acclaim and Academy Awards.After a turn as a morally ambiguous man who gets involved with both Jessica Lange and Michelle Pfeiffer in A Thousand Acres, Firth took a comically sinister turn as Gwyneth Paltrow's intended husband in the 1998 Shakespeare in Love. The following year, he starred in two very different movies: My Life So Far, a tale of family dysfunction in the Scottish Highlands, and Fever Pitch, initially released in the U.K. in 1997, in which Firth played a rabid English football fan forced to choose between his love of the sport and the woman in his life. Headlining the low-key comedy My Life So Far the following year, Firth's performance as the father of a family living in a post World War I British estate was only one of five roles that the busy actor would essay that particular year (including that of William Shakespeare in Blackadder Back and Forth). His finale of the year -- Donovan Quick -- offered a memorable updating of the legend of Don Quixote with Firth himself in the titular role. Firth's supporting role in the 2001 comedy Bridget Jones's Diary preceded a more weighty performance in the chilling drama Conspiracy, with the former earning him a BAFTA nomination and the latter an Emmy nod. Comic performances in Londinium (2001) and The Importance of Being Earnest (2002) found Firth continuing to maintain his reputation as one of England's most talented comic exports, and if his lead in 2003's Hope Springs failed to capitalize on his recent string of success, his role as teen starlet Amanda Bynes' celluloid father in What a Girl Wants (2003) at least endeared him to a new generation of moviegoers before the adult-oriented drama Girl With a Pearl Earring hit theaters later that same year. After rounding out the busy year with a return to romantic comedy in Love Actually, Firth kicked off 2004 with a turn as a haunted widower in Trauma while preparing to return to familiar territory in Bridget Jones: The Edge of Reason.Firth continued to work steadily in projects ranging from the family friendly Nanny McPhee with Emma Thompson to the hit musical Mama Mia, playing one of the three men who might have fathered Meryl Streep's daughter. But it was his leading role in fashion designer Tom Ford's directorial debut, A Single Man, that garnered him awards attention like he had never received previously. For his work as a gay professor grieving the death of his lover, Firth scored nominations from the Screen Actors Guild, the Academy, and the Independent Spirit Awards.After appearing in the 2009 adaptation of A Christmas Carol, Firth would achieve further accolades for his role as the stuttering King George VI in director Tom Hooper's breathtaking historical drama The King's Speech (2010). In addition to taking home the Academy Award for Best Actor, Firth also took home awards from the British Academy of Film and Television Arts, the L.A. Film Critics Association, and the Screen Actors Guild. 2011 was no less exciting a year for the actor, who co-starred with Gary Oldman in Let the Right One In director Tomas Alfredson's award winning spy thriller Tinker Tailor Soldier Spy, an adaptation of John Le Carré's novel about an ex-British agent who comes out of retirement in hopes of solving a dangerous case. Firth is slated to star in Bridget Jone's Baby, Gambit, and The Railway Man in 2013.

Trivia: When Mark Hamill accepted the role of Luke Skywalker in George Lucas' Star Wars trilogy, he had no idea that he was going to become a cultural icon of callow youth, raw courage, and true heroism. Hamill was born the son of a naval captain, one of nine brothers and sisters. Hamill spent much of his youth traveling to different bases in the U.S. and Japan. He was studying drama at Los Angeles City Drama when he landed his first professional acting role as a guest star on the television series The Bill Cosby Show. Between 1972 and 1973, Hamill played Kent Murray on the television soap General Hospital and also did guest appearances on other television shows and in TV movies. In 1974, Hamill co-starred in The Texas Wheelers, a down-home sitcom that only lasted a season. He made his screen debut in Star Wars (1977) and became such a big hit that he had trouble getting other types of roles. Shortly before the release of Star Wars, Hamill was involved in a terrible car crash that resulted in surgeons having to reconstruct his face. Despite the enormity of Hamill's popularity in this film, he was unable to attain a lucrative film career like his co-star, Harrison Ford, perhaps because he too closely identified with Luke in viewers' minds to be seen as anyone else. Instead, Hamill appeared in films such as Corvette Summer (1978), The Big Red One (1980), and The Night the Lights Went Out in Georgia (1980). Hamill tried his luck on and off-Broadway and won excellent reviews for his work, playing the leads in The Elephant Man and Amadeus. By the 1990s, he had largely been cast in direct-to-video ventures. On television, he provided his voice to at least two animated characters in The Adventures of Batman and Robin. In addition, Hamill starred in several hit CD-ROM games in the Wing Commander series and continues to appear occasionally on television. Finally, Hamill and his cousin, Eric Johnson, co-wrote The Black Pearl comic book series, which Hamill hopes to make into an animated movie.He became famous for voicing The Joker in the animated Batman series, and spoofed his own celebrity with a memorable cameo in Kevin Smith's Jay & Silent Bob Strike Back. He continued to find steady work in animated projects like Futurama, Robot Chicken, Danger Ranger, and even Scooby-Doo.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: The only son of veteran British actors Nigel Davenport and Maria Aitken, Jack Davenport did not plan to follow his parents into show business. They even warned him against it, feeling that he falsely believed their lucrative careers were representative of the typical acting experience. But Davenport was too poor of an athlete to participate in any school sports and eventually wandered into the drama department, where he fell in love with performing. Born on March 1, 1973 in Suffolk, England, Davenport grew up in both Ibiza and Suffolk. He attended local schools until his parents' divorce in 1981, when he went to live at the Dragon School. Davenport then enrolled at his father's former school, Cheltenham College. After graduation, he took a year off before entering university, during which he took a summer drama course. Impressed by Davenport's performance as a rapper in a practice skit, the director of the Welsh national theater offered him a job. At 18, he moved to Wales to play bit parts in the theater's production of Hamlet. Davenport majored in English Literature and Film Studies at the University of East Anglia. When he finished school, his mother urged him to try getting a job behind the scenes in filmmaking or theater. At her suggestion, Davenport wrote actor/writer John Cleese to ask him if he could work as a production assistant on the set of his upcoming movie Fierce Creatures (1997) (in which his mother had a role). Cleese, instead, cast Davenport in the film. Fierce Creatures was barely in post-production when Davenport made his small-screen debut in This Life, a 1996 British television series about five young lawyers who share an apartment. His role as the self-absorbed Miles Stewart in the well-reviewed, much-watched show made him an instant celebrity in England. Davenport appeared as Malcolm in a television update of Macbeth (1998), before starring as a detective who is recruited into a mysterious troop of vampire hunters in the stylish hit miniseries Ultraviolet. After playing a similar role in the horror film The Wisdom of Crocodiles (1998), Davenport landed a supporting role in his first major international release, Anthony Minghella's The Talented Mr. Ripley (1999). Critics hailed Davenport for giving soul to what could have easily been the cardboard cutout role of Ripley (Matt Damon)'s doomed lover, gentle musician Peter Smith-Kinsley. A year later, international audiences enjoyed Davenport again when Mystery! kicked off its 21st season with his performance as Derek Jacobi's son in The Wyvern Mystery. Based on Irish writer J.S. Le Fanu's 1869 thriller, the two-part miniseries also starred Naomi Watts and Iain Glen. He then tried his hand at comedy in Coupling, a television sitcom dubbed by reviewers as a British Friends. While continuing to appear onscreen -- in films such as Subterrain (2001), Not Afraid, Not Afraid (2001), Gypsy Woman (2001), and The Bunker (2001) -- Davenport returned to the stage to star in The Servant at England's Lyric Theater. Davenport is also an accomplished voice-over actor. He narrated the audio versions of John Buchan's The 39 Steps and Andy McNab's Crisis Four, as well as recorded parts in the radio productions of George Bernard Shaw's Man and Superman, Anthony Burgess' A Clockwork Orange, and Nicholas Monsarrat's A Cruel Sea. Most notably, however, he is the deep voice behind the famous "For everything else, there's MasterCard" commercials.In 2003 he landed a part in the smash hit The Pirates of the Caribbean, playing Norrington not just in that film but in the next two sequels as well. He appeared in the 2004 period drama The Libertine. He appeared in the failed TV drama Swingtown, but found greater small-screen success a few years later as part of NBC's behind-the-scenes Broadway drama Smash.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: With a handsome visage, but also slightly gaunt and stark features that could suggest menace or intensity at the drop of a hat, raven-haired Englishman Mark Strong essayed a long and surprisingly diverse list of character roles throughout the 1990s and 2000s; many played perfectly off of these physical attributes. Early in his career, Strong remained almost exclusively in Britain, for such efforts as Captives (1994) , Sharpe's Mission (1996), Emma (1997), and Fever Pitch (1997). In time, however, the actor went transcontinental, turning up in fare as diverse as the István Szabó epic drama Sunshine (1999) and American indie helmer Mike Figgis' 2001 Hotel -- thus showcasing his own versatility. Strong's role choice during this period also suggested a strong predilection for cinematizations of classics, from Henry VIII (2003) to Tristan & Isolde (2005). He gained heightened recognition among U.S. audiences (particularly young viewers) in 2007, when he played Septimus, the one of the many heirs to the throne of Stormhold, in Matthew Vaughn's wondrous fantasy Stardust.

Trivia: Family immigrated to France during Algeria's civil war in 1992. Practiced rhythmic gymnastics, and joined the French national team for the Olympics when she was 18. Worked as one of Madonna's backup dancers, notably during her Confessions Tour. Was a model, dancer and spokesperson for Nike. Took up hip-hop and street dance and won the Battle of the Year award in 2006 with dancing team the Vagabond Crew.

Trivia: At the age of 18, she represented the United Kingdom in the 1991 Eurovision Song Contest. Directed an anti-bullying music video for Liverpool band Just 3 in 2005. Sang with EastEnders co-stars in the 2007 Children In Need charity appeal. In 2011, she played the lead role of Nellie Forbush in the Lincoln Center production of Rogers and Hammerstein's South Pacific musical at the Barbican Theatre in London. Starred alongside her husband Mark Womack in the world premiere of Scot Williams' Hope at the Royal Court Theatre in 2013.

Trivia: Joined the National Youth Music Theatre when she was 10 and was their youngest member. Studied History of Art as well as Arabic in university before leaving to pursue acting. Played Helen Jones at Pegasus Theatre in Sophie Treadwell's 1928 play Machinal directed by Robin Belfield, for the Oxford School of Drama in 2013.

Trivia: Performed in 14 stage productions while studying at Harvard University. Received two prestigious awards from Harvard during his time there: the Lee Patrick Award for Drama in 2009 and the Louis Sudler Prize in the Arts in 2010. Was inducted into Harvard's Signet Society, which recognizes students who excel in the arts. In April 2010, made his professional stage debut in the lead role of Boston Publick Theater's production of Entertaining Mr. Sloane. Played Septimus in the American Conservatory Theater's stage production of Arcadia in 2013. In 2014, played the role of Claudio in the Shakespeare in the Park production of Much Ado About Nothing.

Trivia: Fans of British television will have little difficulty placing English actor Ralph Ineson. He scored massive popularity on the hit BBC series The Office as Chris Finch, a sociopathically obnoxious sales rep whose antics consisted of insulting and belittling nearly everyone in sight to puff himself up. The part was somewhat indicative of Ineson's typecast, not from the standpoint of obnoxious characters, but from the standpoint of aggression; time and again, he came to specialize in playing dominant, outspoken, Type A personalities. A native of Yorkshire, Ineson signed for roles in a myriad of BBC telemovies and series (notably the iconic programs The Bill and Coronation Street), displaying equal adroitness for riotous comedy and straight-faced drama. Many American viewers experienced Ineson for the first time courtesy of his fine supporting work in the features First Knight (1995) and From Hell (2001). In 2007, Ineson scored a highly visible turn as Harry Marber, a member of Scotland Yard's armed response unit, in the feature thriller Shoot on Sight.