Trivia: The son of a trucking company manager, Brad Pitt was born December 18, 1963, in Shawnee, OK. Raised in Missouri as the oldest of three children, and brought up in a strict Baptist household, Pitt enrolled at the University of Missouri, following high school graduation, studying journalism and advertising. However, after discovering his love of acting, he dropped out of college two credit hours before he could graduate and moved to Hollywood. Once in California, Pitt took acting classes and supported himself with a variety of odd jobs that included chauffeuring strippers to private parties, waiting tables, and wearing a giant chicken suit for a local restaurant chain. His first break came when he landed a small recurring role on Dallas, and a part in a teenage-slasher movie, Cutting Class (1989) (opposite Roddy McDowall), marked his inauspicious entrance into the world of feature films. The previous year, Pitt's acting experience had been limited to the TV movie A Stoning in Fulgham County (1988). 1991 marked the end of Pitt's obscurity, as it was the year he made his appearance in Thelma & Louise (1991) as the wickedly charming drifter who seduces Geena Davis and then robs her blind. After becoming famous practically overnight, Pitt unfortunately chose to channel his newfound celebrity into Ralph Bakshi's disastrous animation/live action combo Cool World (1992). Following this misstep, Pitt took a starring role in director Tom Di Cillo's independent film Johnny Suede. The film failed to score with critics or at the box office and Pitt's documented clashes with the director allegedly inspired Di Cillo to pattern the character of the vain and egotistical Chad Palomino, in his 1995 Living in Oblivion, after the actor. Pitt's next venture, Robert Redford's lyrical fly-fishing drama A River Runs Through It (2002), gave the actor a much-needed chance to prove that he had talent in addition to physical appeal.Following his performance in Redford's film, Pitt appeared in Kalifornia and True Romance (both 1993), two road movies featuring fallen women and violent sociopaths. Pitt's next major role did not arrive until early 1994, when he was cast as the lead of the gorgeously photographed Legends of the Fall. As he did in A River Runs Through It, Pitt portrayed a free-spirited, strong-willed brother, but this time had greater opportunity to further develop his enigmatic character. Later that same year, fans watched in anticipation as Pitt exchanged his outdoorsy persona for the brooding, gothic posturing of Anne Rice's tortured vampire Louis in the film adaptation of Interview With the Vampire. Pitt next starred in the forgettable romantic comedy The Favor (1994) before going on to play a rookie detective investigating a series of gruesome crimes opposite Morgan Freeman in Seven (1995). In 1997, Pitt received a Golden Globe award and an Oscar nomination for his portrayal of a visionary mental patient in Terry Gilliam's 12 Monkeys; the same year, Pitt attempted an Austrian accent and put on a backpack to play mountaineer Heinrich Harrar in Seven Years in Tibet. The film met with mixed reviews and generated a fair amount of controversy, thanks in part to the revelation that the real-life Harrar had in fact been a Nazi. Following Tibet, Pitt traveled in a less inflammatory direction with Alan J. Pakula's The Devil's Own, in which he starred with fellow screen icon Harrison Ford. Despite this seemingly faultless pairing, the film was a relative critical and box-office failure. In 1998, Pitt tried his hand at romantic drama, portraying Death in Meet Joe Black, the most expensive non-special effects film ever made. Pitt's penchant for quirk was prevalent with his cameo in the surreal comic fantasy Being John Malkovich (1999) and carried over into his role as Tyler Durden, the mysterious and anti-materialistic soap salesman in David Fincher's controversial Fight Club the same year. The odd characterizations didn't let up with his appearance as the audibly indecipherable pugilist in Guy Ritchie's eagerly anticipated follow-up to Lock, Stock and Two Smoking Barrels, Snatch (2000).In July of 2000, the man voted "Most Sexy Actor Alive" by virtually every entertainment publication currently in circulation crushed the hearts of millions of adoring female fans when he wed popular film and television actress Jennifer Aniston in a relatively modest (at least by Hollywood standards) and intimate service.Pitt's next turn on the big screen found him re-teamed with Robert Redford, this time sharing the screen with the A River Runs Through It director in the espionage thriller Spy Game (2001). A fairly retro-straight-laced role for an actor who had become identified with his increasingly eccentric roles, he was soon cast in Steven Soderbergh's remake of the Rat Pack classic Ocean's 11 (2001), the tale of a group of criminals who plot to rob a string of casinos. Following a decidedly busy 2001 that also included a lead role opposite Julia Roberts in the romantic crime-comedy The Mexican, Pitt was virtually absent from the big-screen over the next three years. After walking away from the ambitious and troubled Darren Aronofsky production The Fountain, he popped up for a very brief cameo in pal George Clooney's 2002 directorial debut Confessions of a Dangerous Mind and lent his voice to the animated adventure Sinbad: Legend of the Seven Seas, but spent the majority of his time working on the historical epic Troy (2004). Directed by Wolfgang Peterson, the film employed a huge cast, crew and budget.The media engulfed Pitt's next screen role with tabloid fervor, as it cast him opposite bombshell Angelina Jolie. While the comedic actioner Mr. and Mrs. Smith grossed dollar one at the box office, the stars' off-camera relationship that made some of 2005's biggest headlines. Before long, Pitt had split from his wife Jennifer Aniston and adopted Jolie's two children. The family expanded to three in 2006 with the birth of the couple's first child, to four in 2007 with the adoption of a Vietnamese boy, and finally to six in 2008, with the birth of fraternal twins.In addition to increasing his family in 2006, Pitt also padded his filmography as a producer on a number of projects, including Martin Scorsese's The Departed, the Best Picture Winner for 2006. He also acted opposite Cate Blanchett in Alejandro Gonzalez Inarritu's drama Babel. Interestingly, that film hit theaters the same year as The Fountain, a film that was originally set to star the duo. Pitt also stayed busy as an actor, reteaming with many familiar on-screen pals for Ocean's Thirteen. At about the same time, Pitt teamed up with Ridley Scott to co-produce a period western, The Assassination of Jesse James by the Coward Robert Ford; Pitt also stars in the film, as James. The year 2007 found Pitt involved, simultaneously, in a number of increasingly intelligent and distinguished projects. He signed on to reteam with David Fincher for the first occasion since Fight Club, with The Curious Case of Benjamin Button - a bittersweet fantasy, adapted by Forrest Gump scribe Eric Roth from an F. Scott Fitzgerald story, about a man who falls in love while he is aging in reverse. When the special effects heavy film hit theaters in time for awards season in 2008, Pitt garnered a Best Actor nomination from both the Academy and the Screen Actors Guild. Also in 2007, Pitt produced an adaptation of Marianne Pearl's memoir A Mighty Heart that starred Angelina Jolie. In the years that followed, Pitt remained supremely busy. He delivered a funny lead performance as Lt. Aldo Raine in Quentin Tarantino's blistering World War II saga Inglourious Basterds (2009), then did some of the most highly-praised work of his career as a disciplinarian father in Terence Malick's The Tree of Life (2011) - a sprawling, cerebral phantasmorgia on the meaning of life and death that became one of the critical sensations of the year. He also won a great deal of praise for his turn as Billy Beane in Bennett Miller's adaptation of the non-fiction book Moneyball, a role that not only earned him critical raves but Best Actor nominations from the Academy, BAFTA, the Broadcast Film Association, the Golden Globes, and won him the New York Film Critics Circle award (though the institution also recognized his work in Tree of Life as figuring into their decision).In 2013, Pitt's Plan B production company produced 12 Years a Slave (he also appeared in the film, in a small supporting role), which earned Pitt an Academy Award when the film won Best Picture. The next year, Pitt won an Emmy as part of the producing team of the HBO tv movie The Normal Heart.

Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: Since first being introduced to television audiences as the object of Claire Danes' angst-ridden lust in My So-Called Life, Jared Leto has enjoyed a growing popularity that has allowed him to make a name for himself in a steady stream of films. Born December 26, 1971, in Bossier City, LA, Leto led a peripatetic childhood under the care of his mother, who moved her family to places ranging from Haiti to a Colorado commune. Leto, who was interested in becoming a painter, enrolled in Philadelphia's University of the Arts, but then discovered acting and transferred to the School of Visual Arts in New York City. While he was a student there, he wrote and starred in his own film, Crying Joy.Leto moved to Los Angeles in 1992 to pursue his acting career. In 1994, he got his big break playing My So-Called Life's oblivious heartthrob, Jordan Catalano. Although the show didn't have a long run, it accumulated a loyal cult following from being ceaselessly re-run on MTV. Leto soon became daydream fodder for teenage girls, a status furthered by his selection as one of People's "50 Most Beautiful People" in both 1996 and 1997. After starring with a pre-Clueless Alicia Silverstone in the 1994 TV movie The Cool and the Crazy, Leto was cast in his first big screen role in How to Make an American Quilt (1995). More work followed in The Last of the High Kings (1996), in which he co-starred with Christina Ricci, and in Switchback (1997), opposite Danny Glover and Dennis Quaid. Leto then took on an athletic part in the Disney-produced Prefontaine (1997), the story of legendary runner Steve Prefontaine.1998 proved a good year for Leto, who appeared in Terrence Malick's The Thin Red Line as part of a powerhouse cast including Nick Nolte, George Clooney, and Sean Penn. In addition, he had a major role in Urban Legend, one of the more successful exploitations of the teen horror genre. Leto did hit one stumbling block, however, with Basil, a straight-to-video period drama co-starring Christian Slater and Claire Forlani. This misstep didn't seem to hurt the actor, whose name was already attached to a number of high-profile projects that would no doubt further increase his star wattage.Two such projects were the edgy indie films American Psycho and Requiem for a Dream, both released in 2000. Though passed up for the lead in the former film, Leto made an impression in a supporting role as an arrogant yuppie doomed to be the first victim of vapid serial killer Patrick Bateman. Later that year, Leto landed the plum lead role in up-and-coming director Darren Aronofsky's sophomore effort, the addiction drama Requiem for a Dream. Playing a young Brooklyn man struggling with heroin and a severely unhinged mother, Leto had the opportunity to play against the legendary Ellen Burstyn as well as future Oscar winner Jennifer Connelly, and garnered the best reviews of his career.Though two other Leto-starring films -- a would-be Boogie Nights ensemble piece named Sunset Strip (2000) and a grungy, Tarantino-esque road film eventually titled Highway (2001) -- quickly went the way of the video store shelf, the performer would find himself better employed as a supporting actor in two of director David Fincher's more notable films. In the controversial Fight Club (1999), Leto had a small part as a masochistic anarchist wannabe; in 2002's Panic Room, he played the most verbose and bumbling of the three burglars tormenting Jodie Foster's character.In the coming years, Leto would divide his time between an acting career and his rock band, 30 Seconds to Mars. Some of the movies he would appear in over the ensuing decade would include Lord of War, Alexander, Lonely Hearts, and Chapter 27.

Trivia: An actor whom you've probably seen in more films than you realize, Zach Grenier possesses the rare ability to take the smallest of roles and transform them into memorable appearances that stick with audiences long after the credits have finished -- even if his frequently unsympathetic characters have often met an unpleasant demise. It was this ability and skill that found Grenier steadily building a career with appearances in such blockbusters as Cliffhanger (1993), Donnie Brasco (1997), Shaft (2000), and Swordfish (2001). Born in February 1954, Grenier's family lived a somewhat nomadic existence in his early years, moving 18 times before the worldly teen graduated from high school, where, in his junior year, the young man discovered his love of the stage while performing in a production of Shakespeare's Henry V. Continuing to hone his acting skills and frequently appearing on-stage following graduation, Grenier appeared in such other plays as Talk Radio and A Question of Mercy, and made his film debut in the 1987 drama The Kid Brother (aka Kenny). Soon appearing in such films as Working Girl and Talk Radio in 1988, and See No Evil, Hear No Evil the following year. The actor's parts may have been small, but his talent was growing and appearances memorable; his roles continued to expand throughout the '90s, and viewers saw the rising star in Twister and Maximum Risk (both 1996), among several other movies. A turn as Joseph Goebbels in that year's Mother Night gave him a chance to prove his dramatic skills in front of the camera, and a subsequent role in David Fincher's cult hit Fight Club (1999) found him holding his own well against the film's talented leads. Alternating between television and movies in subsequent work, Grenier starred in the little-seen thriller Chasing Sleep (2000) and joined the cast of the popular weekly suspense series 24 in 2001.

Trivia: Thespian Christina Cabot began her acting career with guest roles on television series including The King of Queens, Working, and Six Feet Under during the late '90s and early 2000s, and segued into features in 1999 with bit roles in the A-listers Man on the Moon and Fight Club. Additional big-screen roles of equal exposure followed before Cabot ascended to supporting billing with a turn as a military officer, Major Kathleen "Kat" Spar, in Louis Leterrier's superhero action movie The Incredible Hulk.

Trivia: Landed bit parts in the David Fincher-directed movies Seven (1997), The Game (1997), Fight Club (1999) and Zodiac (2007). Appeared in commercials for Subway and Fiber One cereal. Starred in PSAs for California's controversial Proposition 8 that spoofed the Mac vs. PC series of TV commercials. Played the pilot in Con Air (1997), a film produced by Jerry Bruckheimer, before being cast in Bruckheimer's TV series, ABC's The Forgotten.

Trivia: At 14, ran away from home and took a Greyhound bus to Los Angeles to pursue a career as an actor, but his parents tracked him down and sent him to a boarding school in Ireland. After graduating from high school in Omaha, he studied French, art history and theatre in Paris. Was cast as an understudy in the Broadway production of Biloxi Blues. As a 46-year-old training for the lead role in the FX series Lights Out, McCallany fulfilled a lifelong dream to fight in an amateur boxing competition, winning a three-round decision against a German heavyweight.

Trivia: Supporting actor Carafotes appeared onscreen from the '80s.

Trivia: Though he is most famous for the supremely theatrical best-selling 1970s album Bat Out of Hell, Meat Loaf has been acting almost as long as he has been singing. Born Marvin Lee Aday in Dallas, accounts regarding his stage name place its origins in either a childhood nickname or a high school football incident. Either way, by the time Meat Loaf moved to Los Angeles at age 20 to pursue music, the moniker had stuck. After the first band he formed broke up, Meat Loaf found work on stage in the road company of the notorious late-'60s rock musical Hair. Landing in New York in the early '70s, Meat Loaf continued to do theater while trying to make it in the music world. After playing the part on stage, Meat Loaf made his movie debut as the ill-fated Eddie in the flop-turned-midnight movie classic The Rocky Horror Picture Show (1975). Two years later, Meat Loaf's music took precedence with the release of Bat Out of Hell (1977). Powered by several dramatic singles, Bat Out of Hell became one of the all-time top-selling albums. Various problems, including writer's block, though, turned Meat Loaf's focus back to movies in the late '70s. After appearing in the comedy flop Americathon (1979), Meat Loaf starred in Alan Rudolph's comedy Roadie (1980). While he managed to make several albums in the 1980s, none of them came close to Bat Out of Hell's popularity. Meat Loaf's 1980s movies, including the vehicle Dead Ringer (1982) and the Anthony Michael Hall thriller Out of Bounds (1986) did not fare well, either. Meat Loaf filed for bankruptcy, but his slide towards obscurity began to reverse itself in the early '90s. Meat Loaf's presence in the Steve Martin evangelist comedy-drama Leap of Faith (1992) signaled his arrival as an estimable character actor. His music career also revived by the best-selling Bat Out of Hell II: Back to Hell (1993), Meat Loaf once again turned his attention to singing; his mid-'90s albums suffered the same fate as his 1980s oeuvre. By the late '90s, Meat Loaf, often credited as Meat Loaf Aday, returned to acting in an eclectic mix of films. Along with co-starring as a criminal in the Patrick Swayze actioner Black Dog (1998), Meat Loaf played supporting roles in the Sharon Stone-Kieran Culkin drama The Mighty (1998), the offbeat ensemble piece Outside Ozona (1998), and the Spice Girls romp Spice World (1998). Finding a balance between movies and music, Meat Loaf did a segment of VH1's Storytellers that resulted in a 1999 CD and earned positive notices for his performances as a bigoted sheriff in Crazy in Alabama (1999) and the physically freakish but genuinely sympathetic Robert Paulsen in David Fincher's controversial Fight Club (1999). It was this cultish role that guaranteed him supporting work in both high-octane genre fare (Formula 51, The Salton Sea) as well as uncompromising indies (Focus) for the next decade or so.

Trivia: Tall, dark, and classically handsome in a familiar male-model-turned-actor kind of way (think Billy Zane), stage and screen performer Eion Bailey has come a long way since his role as a teen outcast whose new friendship yields tragic consequences in View Askey historian Vincent Pereira's affecting 1997 teen drama A Better Place. Though a subsequent series of fleeting appearances in such high-profile releases as Fight Club and Almost Famous offered audiences a passing glimpse of the up-and-coming star's true onscreen talent, it wasn't until his Golden Satellite-nominated performance in the made-for-cable drama And Starring Pancho Villa as Himself that Hollywood truly began to sit up and take notice. Born in California and raised by his pilot father in the Santa Ynez Valley, the young drama hopeful spent much of his spare time taking flying lessons from his father and playing baseball with friends. Eventually finding his footing on the high-school stage, Bailey continued to hone his skills at New York's American Academy of Dramatic Arts following graduation. His undeniably heartfelt role in A Better Place offered Bailey an unusually complex role for such a young actor with little screen experience, and in the years that followed, the emerging actor would move to the small screen with appearances in such popular series as Buffy the Vampire Slayer and Dawson's Creek. Supporting performances in Fight Club and Almost Famous followed suite shortly thereafter, and after once again stepping into the lead for the little-seen indie Seven and a Match, Bailey joined the talented ensemble cast of HBO's acclaimed miniseries Band of Brothers. Rumors that Bailey was one of the few contenders being considered to answer the call of the "bat signal" in the planned updating of the Batman franchise soon began to circulate, and though that responsibility eventually went to Christian Bale, Bailey earned positive critical acclaim for his portrayal of a filmmaker sent to cover the exploits of the eponymous character in HBO's And Starring Pancho Villa as Himself. With top-billed roles in Mindhunters, Sexual Life, and Glory Days set to follow in 2004, Bailey was poised to become a familiar face to filmgoers.

Trivia: An actor of unusual talent, Edward Norton attained almost instant stardom with his film debut in 1996's Primal Fear. For his thoroughly chilling breakthrough performance as a Kentucky altar boy accused of murder, Norton was credited with saving an otherwise mediocre film and further rewarded with Golden Globe and Oscar nominations. Remarkably disconnected from all of the hype that is usually associated with fresh talent, Norton has gone on to further prove his worth in such films as American History X, The People vs. Larry Flynt, and Fight Club.The son of a former Carter Administration federal prosecutor and an English teacher, as well as the grandson of famed developer James Rouse, Norton was born in Boston on August 18, 1969. He was raised in the planned community of Columbia, MD, and from an early age was known as an extremely bright and somewhat serious person. His interest in acting began at the age of five when his babysitter, Betsy True (who went on to become an actress on stage and screen), took him to a musical adaptation of Cinderella. Shortly after that, Norton enrolled at Orenstein's Columbia School for Theatrical Arts, making his stage debut at the age of eight in a local production of Annie Get Your Gun. Although young, Norton already exhibited an unusual amount of professionalism and took his subsequent roles seriously. After high school, he studied astronomy, history, and Japanese at Yale, and was also active in the university's theatrical productions. After earning a history degree, Norton spent a few months in Japan and then moved to New York, where he worked for the Enterprise Foundation, a group devoted to stopping urban decay. Again, Norton continued acting at every opportunity and eventually decided to become a full-time actor. In 1994, he appeared in Edward Albee's Fragments after deeply impressing the distinguished playwright during an audition. Norton then joined the New York Signature Theater Company, which frequently premieres Albee's plays. With a number of off-Broadway credits to his name, Norton won his role in Primal Fear after being chosen out of 2,100 hopefuls. He nabbed the part after telling casting directors in a flawless drawl that he was a native of eastern Kentucky, the same area where the character came from; legend has it that the actor watched Coal Miner's Daughter to learn the accent. The intensity of Norton's screen test readings stunned almost all who saw them, and the actor became something of a hot property even before the film was released. The same year, Norton was cast as Drew Barrymore's affable fiancé in Woody Allen's tribute to Hollywood musicals, Everyone Says I Love You. Like all of the other actors in the film (excepting Barrymore), Norton did his own singing, further impressing audiences and critics alike with his versatility. Then, as if two completely different films in one year weren't enough, Norton again wowed audiences that same year with his portrayal of a determined defense attorney in Milos Forman's widely acclaimed The People vs. Larry Flynt. In 1998, Norton turned in two more stellar performances. The first was as Matt Damon's low-life buddy, the appropriately named Worm, in Rounders. The fact that Norton's work was more or less overshadowed by the film's lackluster reviews was almost negligible when compared to the controversy surrounding his other major project that year, American History X. Norton's stunningly powerful portrayal of a reformed white supremacist won him an Oscar nomination, but the film itself was both a box-office disappointment and the subject of vituperative disassociation on the part of its director Tony Kaye, who insisted that Norton and the studio had edited his film beyond recognition. Despite such embittered controversy, Norton managed to emerge from the mess relatively unscathed. After serving as one of the narrators for the acclaimed documentary Out of the Past the same year, he went on to star opposite Brad Pitt and Helena Bonham Carter in Fight Club in 1999. Though that film garnered a mixed reaction at the box office, a stellar DVD release helped the film to form a solid fan base and Norton next moved on to the slightly more successful crime drama The Score (2001). After dropping a full-fledged bomb with his appearance as a naive children's show host in Danny DeVito's black comedy Death to Smoochy, Norton assisted love interest Salma Hayek by offering an uncredited re-write of the script. Norton would also make a brief appearance as Nelson Rockefeller in the film. Drawn to the mystique of screen villain Hannibal Lecter, Norton's next major film was that of FBI agent Will Graham in the well-recieved 2002 thriller Red Dragon. Though a virtual remake of Michael Mann's 1986 effort Manhunter, Red Dragon stood tall enough on its own terms to gain the respect of both fans of the previous version as well as fans of the book. His appearance as a drug dealer celebrating one last night on the town before serving a prison term in Spike Lee's 25th Hour drew decent enought reviews, though its ultimate take at the box office proved fairly disappointing. An appearance in the high profile 2003 remake The Italian Job caused something of a rift in industry headlines when Norton made it publicly known that his participation in the film was strictly a result of contractual obligation, and in 2005 the actor would return to quieter, more challenging territory with his portrayal of a delusional cowboy wannabe in Dahmer director David Jacobson's Down in the Valley. A headlining performance as a turn-of-the-century Vienna magician who uses his powers to win the love of the woman he longs for in the romantic fantasy The Illusionist found Norton making a particularly powerful impression opposite Paul Giamatti and Jessical Biel, and later that same year he would return to the screen in director John Curran's screen adaptation of W. Somerset Maugham's novel The Painted Veil. Meanwhile, the sneaking suspicion that Norton wasn't quite living up to early career expectations was growing difficult to ignore; though his turn as Bruce Banner in 2008's The Incredible Hulk drew generally favorable reviews (it didn't hurt that the film itself was markedly more exciting than Ang Lee's misguided 2003 take on the material), Norton's next film Pride and Glory proved somewhat forgettable, and his quirky duel role in Tim Blake Nelson's Leaves of Grass only received a limited theatrical release before getting lost in the shuffle. Poor reviews for Norton's 2010 film Stone didn't help much to reinvigorate his career, and when it was announced that Mark Ruffalo would be taking over the role of Banner in Joss Whedon's all-star comic book romp The Avengers, some feared that the actor's previous rift with Marvel Studios had come back to haunt him.In 2012, when he took high-profile roles in two eagerly anticipated films -- Wes Anderson's Moonrise Kingdom and Tony Gilroy's The Bourne Legacy, and two years later he earned rave reviews for his supporting turn as a monstrously egotistical and hugely talented actor in Alejandro Inarritu's Birdman, a part that earned him an Oscar nomination and a slew of other industry accolades.