Trivia: With the handsome looks and winning sarcasm that befit a late-night television talk show host, it is no surprise that Greg Kinnear first shot to stardom as the host of the E! channel's Talk Soup. More surprising, and thus more impressive, has been Kinnear's success in making the leap from television to the big screen. With only his fourth major celluloid outing, As Good As It Gets, Kinnear scored his first Oscar nomination for Best Supporting Actor, effectively establishing himself as someone whose scope included screens small and large.Born June 17, 1963, in Logansport, IN, as the youngest of three sons, Kinnear led a peripatetic childhood. His father was a Foreign Services diplomat for the State Department, and his family accompanied him to places as far-flung as Beirut and Athens. While a student in Athens, Kinnear first ventured into the role of talk show host with his radio show School Daze With Greg Kinnear. Returning to the States for a college education, Kinnear attended the University of Arizona in Tucson, where he graduated in 1985, with a degree in broadcast journalism. From Arizona, he headed out to Los Angeles, where he landed his first job as a marketing assistant with Empire Entertainment. It was there that Kinnear got his first taste of show business, creating promotional campaigns for such films as Space Sluts in the Slammer. Following this stint, Kinnear found a job with the Movietime cable channel. Using an audition tape from a failed attempt at an MTV VJ position, Kinnear became a host and on-location reporter for the channel. All went swimmingly until he was fired, when Movietime became the E! Entertainment Network, and Kinnear soon found himself taking bit parts on such television shows as L.A. Law and Life Goes On.His luck began to change, however, when he became the creator, co-executive producer, and host of Best of the Worst, which aired from 1990 to 1991. In a more ironic and satisfying twist of fate, Kinnear was then hired back by E! to host Talk Soup, the network's new talk show. The show proved to be hugely popular, and Kinnear acted as its host and eventual executive producer until 1994, when he left the show for the NBC late-night talk show Later With Greg Kinnear. It was also in 1994 that he had his first big-screen role, as -- wait for it -- a talk show host in the Damon Wayans comedy Blankman. In 1995, he snared the part that was to give him more prominence among film audiences -- that of the irresponsible David Larrabee in Sydney Pollack's remake of Billy Wilder's 1954 classic romance Sabrina. The film was less than a success, but it did nothing to prevent Kinnear from getting the lead role in the 1996 comedy Dear God. That film, too, had a somewhat unfortunate fate, but Kinnear (now resigned from Later) more than rebounded with his next effort, James L. Brooks' As Good As It Gets (1997). The film was an unqualified hit, netting seven Oscar nominations and winning two, a Best Actor for Jack Nicholson and a Best Actress for Helen Hunt. Kinnear himself had the honor of both a Best Supporting Actor nomination and a Golden Globe nomination. Kinnear's next film, the romantic comedy A Smile Like Yours, had him starring opposite Lauren Holly as one-half of a couple trying to have a baby. The film met with lukewarm reviews and fairly anemic box-office results, but Kinnear's subsequent film, 1998's You've Got Mail, struck gold. He played Meg Ryan's significant other, a newspaper columnist wholly unlike what was to be his next character, that of Captain Amazing in the 1999 summer action film Mystery Men. With a stellar cast, including Ben Stiller, William H. Macy, Janeane Garofalo, Lena Olin, and Tom Waits, Kinnear was indeed in good company, further proof of how far he had come in a short amount of time. Unfortunately, both Mystery Men and the subsequent Garry Shandling comedy What Planet Are You From (in which Kinnear amusingly portrayed Shandling's sleazy co-worker) fared poorly with both critics and audiences, and by the time he landed the role of a much-desired soap-opera star in Nurse Betty, it seemed that his star may have faded a bit. His role as a smug, one-dimensional college professor in the 2000 comedy Loser seemed near the bottom of the barrel for the formerly Oscar-nominated actor. Despite the fact that none of these failures were necessarily the fault of everyone's favorite smirky former talk-show host, his choice of projects left many wondering what had become of Kinnear. Of course, where there's darkness there will always be room for hope, and thankfully for Kinnear, the choices he was making began to pay off.In 2000, Kinnear essayed the role of a missing woman's grieving fiancé in the dark Sam Raimi thriller The Gift; the film seemed to mark the beginning of a comeback. His next role as the catalyst for an investigative report into the nature of male behavioral patterns in Someone Like You (2001) proved a step in the right direction, and following supporting performances in Dinner With Friends (2001) and We Were Soldiers (2002), Kinnear's comeback had been primed. Cast as ill-fated television star Bob Crane in Paul Schrader's disturbing 2002 biopic Auto Focus, Kinnear's spot-on performance was so eerie that it made the film almost discomforting to watch. The spotlight was somewhat stolen however, by co-star Willem Dafoe's indescribably creepy turn as the man generally believed to have caused Crane's untimely death. The following year Kinnear lightened the mood considerably when he was cast (literally) alongside Matt Damon as one-half of a pair of conjoined twins in the Farrelly Brothers' comedy Stuck on You. Intent on following his dreams of becoming an actor, Kinnear's character drags his reluctant brother to Hollywood to hilarious results.Kinnear's next role would come as the grieving father of a dead son who goes to desperate lengths to recapture his former happiness in the horror flavored Godsend (2004).A fun turn as a salesman who becomes involved with in hitman in the Golden Globe-nominated crime comedy The Matador went largely unseen despite generally favorable critical response, and after lending his voice to the animated Robots and berating little-league players in The Bad News Bears, Kinnear later join an impressive ensemble cast to investigate America's love affair with burgers and fries in director Richard Linklater's Fast Food Nation. Later that same year, Kinnear would take family dysfunction to a whole new level as a motivational speaker attempting to get his daughter to a beauty pageant in Little Miss Sunshine, with a role as NFL coach Dick Vermeil following shortly thereafter in the inspirational sports drama Invincible. Kinnear would spend the following years maintaining his status as a bankable actor, appearing in films like Baby Mama, Green Zone, I Don't Know How She Does It, and the mini series The Kennedys.

Trivia: Matriculating from Illinois State University, actress Laurie Metcalf was one of the charter members of Chicago's groundbreaking Steppenwolf Theatre troupe. She moved on to New York in the early '80s, winning a 1984 Theatre World Award and an Obie for her performance in Balm in Gilead. In films since 1985, the flexible Metcalf has been seen in director Susan Seidelman's Desperately Seeking Susan (1985) and Making Mr. Right (1987), and also in several other highly regarded productions, notably Uncle Buck (1989), JFK (1991), and Mistress (1992). Metcalf is best known to the TV-watching public for her Emmy-winning portrayal of Roseanne Conner's police-officer sister, Jackie Harris, on the long-running sitcom Roseanne. In 1997, following the demise of her television series, Metcalf turned in a deliciously over-the-top performance as the tightly wound aspiring reporter Debbie Salt in Scream 2. In the decades to come, Metcalfe would find success on shows like Norm and The Big Bang Theory, as well as movies like Stop-Loss Georgia Rule. Despite her hectic schedule, Laurie Metcalf still finds time for an occasional return-to-the-womb appearance at the Steppenwolf Theatre, usually in the company of fellow Steppenwolfians John Malkovich, Gary Sinise, and/or Glenne Headly.

Trivia: Supporting actress, onscreen from the '80s.

Trivia: American actor Tim Conway was born in Willoughby, Ohio, but grew up in the curiously named community Chagrin Falls, a fact that he'd later incorporate for a quick laugh in many of his comedy routines, TV films and movies. After majoring in speech and radio at Bowling Green State University, Conway went into the Eighth Army Assignment Team, where, much in the manner of his later bumbling screen characters, he managed to "misplace" a boatload of 7500 replacement troops. Once the army was through with him (and vice versa), Conway secured a job answering mail for a Cleveland radio deejay; his letters were so amusing that he was given a position as a writer in the promotional department, then went on to direct a TV program called Ernie's Place. Whenever Ernie was short a guest, Conway showed up as "Dag Hereford," a so-called authority on several subjects who'd reveal himself to be a blithering simpleton. Comedienne Rose Marie happened to be in Cleveland in 1961, and upon catching Conway's routine recommended the young erstwhile comic to Steve Allen; Conway redid the Hereford bit for Allen's ABC variety series in the fall of '61, fracturing the audiences (and Allen) in three memorable appearances. Now that he was a full-fledged comic, he knew he couldn't continue performing under his real name, Tom Conway, since that was also the name of a well-known British actor; Allen advised Tom to "dot the O," and thereafter he was known as Tim Conway. In 1962, Conway was engaged to play the Doug Hereford-like role of Ensign Doug Parker on the wartime sitcom McHale's Navy, which lasted six seasons and made Conway a star. The actor made several attempts over the following decades to succeed as a solo TV star (witness his 1967 western comedy Rango on ABC), but none of his post-McHale's Navy series have been anything resembling hits. Still, Conway was always welcome as a supporting comic, and he scored major success with hysterically funny appearances opposite Harvey Korman on The Carol Burnett Show in the 1970s; Conway also enjoyed a measure of success as star or co-star of a number of Disney films and low-budget "regional" comedy pictures like The Prize Fighter (1978) and The Private Eyes (1980). In the late 1980s and '90s Conway starred in a popular series of satirical "how-to" home videos, playing a diminutive, dim-bulbed Scandinavian named Dorf; he also lent an acclaimed comedic cameo as a driving instructor to the action film Speed 2 (1997), and voiced a series of Christian-themed animated videos entitled Hermie & Friends, with such friends and colleagues as the late Don Knotts and Burnett co-star Vicki Lawrence. Conway would continue to appear on screen over the coming years, making memorable appearances on TV shows like 30 Rock and providing the voice of Barnacle Bob on the animated series Spongebob Squarepants.

Trivia: An actor of seemingly boundless range, New York-born Hector Elizondo began his career as a dancer. His initial training was at the Ballet Arts school of Carnegie Hall, from which he moved on to the Actors Studio. After several years' stage work, Elizondo made an inauspicious movie debut as "The Inspector" in the low-budget sex film The Vixens (1969). He was shown to better advantage in his next film, Hal Ashby's The Landlord (1970), which he followed up with strong character parts in such Manhattan-based productions as The Taking of Pelham One Two Three (1974) and Thieves (1977). With Young Doctors in Love (1982), Elizondo began his long association with director Garry Marshall, who has since cast the actor in all of his films, in roles both sizable (Matt Dillon's dad in The Flamingo Kid [1984], the cafe owner in Frankie and Johnny [1991]), and microscopic (Overboard [1987]). Elizondo's screen roles have run the gamut from scrungy garbage scow captains to elegant concierges (Pretty Woman). In addition, he has been a regular on several mediocre television series: Popi, Freebie and the Bean, Casablanca (in the old Claude Rains role of Inspector Renault), a.k.a. Pablo, Foley Square, and Down and Out in Beverly Hills, In 1994, Elizondo took on a co-starring role as a demanding chief of surgery on the popular TV medical drama Chicago Hope. Other non-Marshall highlights in his filmography include Tortilla Soup, Overboard, Necessary Roughness, and Music Within.

Trivia: A boyishly handsome boxer-turned-actor who turned in his gloves for real after making his screen debut as a pugilist in the 1992 drama Gladiator, New York-born film and television star Jon Seda rose through the ranks in the '90s to make a name for himself as a bit player in such high-profile films as Carlito's Way and Twelve Monkeys -- though it wasn't until his 1997 debut on television's Homicide: Life on the Streets that audiences truly sat up and took notice. Those who had been following Seda's career since his early days had little doubt that the rising young star had what it took to make it as an actor, and following an Independent Spirit Award-winning role as a flawed but well-meaning husband and father in the 1994 drama I Like It Like That, major offers quickly began pouring in. An impressive run in the mid-'90s found Seda turning up in everything from such high-profile Hollywood fare as Primal Fear to such little-seen efforts as New York Cop and Michael Cimino's The Sunchaser -- the latter of which offered Seda in a particularly memorable role as a terminally-ill juvenile delinquent who kidnaps his doctor in hopes of finding a mythical healing lake. Following an impressive turn in the hit HBO prison series Oz, Seda hit his stride on the small screen with a turn as Detective Paul Falsone on Homicide: Life on the Street. By this time Seda was becoming a familiar face to audiences, and in 2000, he once again laced up his boxing gloves for a role opposite Jimmy Smits in the well-received feature Price of Glory. Despite his prominence and success in film and television, it still seemed as if Seda was awaiting the breakout role that would truly make him a household name. In 2002 he proved that he could carry a film when he took the lead in the street-gang drama King Rikki, with a role on the 2004 UPN series Kevin Hill, marking what fans hoped would be a successful return to the small screen.

Trivia: Roscoe Lee Browne was already an internationally famous track star when he attended Vermont's Middlebury College and Columbia University. Browne taught comparative literature and French at Pennsylvania's Lincoln University before turning to acting in 1956. Refusing to limit himself to the subservient roles generally assigned to black actors in the 1950s, Browne established himself in the classics, beginning with his inaugural stage appearance in a New York Shakespeare Festival staging of Julius Caesar. He later appeared in such highly regarded New York theatrical productions as The Blacks and Brecht on Brecht. From his first film appearance in Shirley Clarke's The Connection (1962) onward, Browne projected a commanding, authoritative presence, even when playing "hired help" characters like camp cook Jedediah Nightlinger in The Cowboys (1972). His series-TV credits include the roles of Saunders on Soap (1980-1981 season) and Rosemont on Falcon Crest (1988-1989 season). Having never let a year go by without at least one theatrical engagement, Browne won a Tony award for his work in the 1992 production 2 Trains Running. Outside of his performing activities, Roscoe Lee Browne is an accomplished poet, short-story author, playwright, director, and musical arranger.