Trivia: Onstage, on television, in the movies or in a serious interview, listening to and watching comedian/actor Robin Williams was an extraordinary experience. An improvisational master with a style comparable to Danny Kaye, his words rushed forth in a gush of manic energy. They punctuated even the most basic story with sudden subject detours that often dissolved into flights of comic fancy, bawdy repartee, and unpredictable celebrity impressions before returning earthward with some pithy comment or dead-on observation.Born in Chicago on July 21st, 1951, Williams was raised as an only child and had much time alone with which to develop his imagination, often by memorizing Jonathan Winters' comedy records. After high school, Williams studied political science at Claremont Men's College, as well as drama at Marin College in California and then at Juilliard. His first real break came when he was cast as a crazy space alien on a fanciful episode of Happy Days. William's portrayal of Mork from Ork delighted audiences and generated so great a response that producer Garry Marshall gave Williams his own sitcom, Mork and Mindy, which ran from 1978 to 1982. The show was a hit and established Williams as one of the most popular comedians (along with Richard Pryor and Billy Crystal) of the '70s and '80s.Williams made his big screen debut in the title role of Robert Altman's elaborate but financially disastrous comic fantasy Popeye (1980). His next films included the modestly successful The World According to Garp, The Survivors, Moscow on the Hudson, Club Paradise, The Best of Times. Then in 1987, writer-director Barry Levinson drew from both sides of Williams - the manic shtickmeister and the studied Juliard thesp - for Good Morning, Vietnam, in which the comedian-cum-actor portrayed real-life deejay Adrian Cronauer, stationed in Saigon during the late sixties. Levinson shot the film strategically, by encouraging often outrageous, behind-the-mike improvisatory comedy routines for the scenes of Cronauer's broadcasts but evoking more sober dramatizations for Williams's scenes outside of the radio station. Thanks in no small part to this strategy, Williams received a much-deserved Oscar nomination for the role, but lost to Michael Douglas in Wall Street.Williams subsequently tackled a restrained performance as an introverted scientist trying to help a catatonic Robert De Niro in Awakenings (1990). He also earned accolades for playing an inspirational English teacher in the comedy/drama Dead Poets Society (1989) -- a role that earned him his second Oscar nomination. Williams's tragi-comic portrayal of a mad, homeless man in search of salvation and the Holy Grail in The Fisher King (1991) earned him a third nomination. In 1993, he lent his voice to two popular animated movies, Ferngully: The Last Rain Forest and most notably Aladdin, in which he played a rollicking genie and was allowed to go all out with ad-libs, improvs, and scads of celebrity improvisations.Further successes came in 1993 with Mrs. Doubtfire, in which he played a recently divorced father who masquerades as a Scottish nanny to be close to his kids. He had another hit in 1995 playing a rather staid homosexual club owner opposite a hilariously fey Nathan Lane in The Birdcage. In 1997, Williams turned in one of his best dramatic performances in Good Will Hunting, a performance for which he was rewarded with an Oscar for Best Supporting Actor.Williams kept up his dramatic endeavors with both of his 1998 films: the comedy Patch Adams and What Dreams May Come, a vibrantly colored exploration of the afterlife. He next had starring roles in both Bicentennial Man and Jakob the Liar, playing a robot-turned-human in the former and a prisoner of the Warsaw ghetto in the latter. Though it was obvious to all that Williams' waning film career needed an invigorating breath of fresh air, many may not have expected the dark 180-degree turn he attempted in 2002 with roles in Death to Smoochy, Insomnia and One Hour Photo. Catching audiences off-guard with his portrayal of three deeply disturbed and tortured souls, the roles pointed to a new stage in Williams' career in which he would substitute the sap for more sinister motivations.Absent from the big-screen in 2003, Williams continued his vacation from comedy in 2004, starring in the little-seen thriller The Final Cut and in the David Duchovny-directed melodrama The House of D. After appearing in the comic documentary The Aristocrats and lending his voice to a character in the animated adventure Robots in 2005, he finally returned full-time in 2006 with roles in the vacation laugher RV and the crime comedy Man of the Year. His next project, The Night Listener, was a tense and erosive tale of literary trickery fueled by such serious issues as child abuse and AIDS.Williams wasn't finished with comedy, however. He lent his voice to the cast of the family feature Happy Feet and Happy Feet 2, played a late night talk show host who accidentally wins a presidential election in Man of the Year, portrayed an enthusiastic minister in License to Wed, and played a statue of Teddy Roosevelt that comes to life in Night at the Museum and its sequel Night at the Museum: Battle of the Smithsonian. He would also enjoy family-friendly comedic turns in World's Greatest Dad, Shrink, and Old Dogs.In 2013, he returned to television, playing the head of an advertising agency in The Crazy Ones; the show did well in the ratings, but was canceled after only one season. He also played yet another president, Dwight Eisenhower, in Lee Daniel's The Butler. Williams died in 2014 at age 63.

Trivia: The son of a jazz concert producer, Billy Crystal grew up in the company of such music legends as Billie Holiday, Pee Wee Russell, and Eddy Condon. His mind made up by age five, Crystal knew he wanted to become a performer -- not in music but in baseball or comedy. As he later explained to TV Guide, he chose comedy "because God made me short" -- though from all reports he is one of the best ball players in show business.Learning how to make people laugh by studying the works of past masters Laurel and Hardy, Ernie Kovacs, and Jonathan Winters, Crystal began making the club rounds at 16. He was sidetracked briefly by New York University's film school, where he studied to be a director under Martin Scorsese, but upon graduation it was back to comedy when Crystal formed his own troupe, 3's Company. On his own, he developed into an "observational" comic, humor based on his own experiences and the collective experiences of his audience. He came to media attention via his impression of Howard Cosell interviewing Muhammad Ali. After doing time as an opening act for such musicians as Barry Manilow, Crystal struck out for Hollywood, in hopes of finding regular work on a TV series. In 1977, he was hired to play the gay character Jodie Dallas on Soap. Though many people expected the performer to be typecast in this sort of part, he transcended the "sissy" stereotype, making the character so three-dimensional that audiences and potential employers were fully aware that there was more to Crystal's talent than what they saw in Jodie.Thanks to Soap, Crystal became and remained a headliner and, in 1978, had his first crack at movie stardom as a pregnant man in Rabbit Test. The movie was unsuccessful, but Crystal's star had not been eclipsed by the experience; he was even entrusted with a dramatic role in the 1980 TV movie Enola Gay. His career accelerating with comedy records, choice club dates, regular appearances on Saturday Night Live, and TV guest shots, Crystal had a more successful stab at the movies in such films as This is Spinal Tap (1984), The Princess Bride (1987), Throw Momma From the Train (1987), and When Harry Met Sally (1989). Riding high after a memorable emceeing stint at the Oscar ceremony, Crystal executive produced and starred in his most successful film project to date, an uproarious middle-age-angst comedy called City Slickers (1991). In 1992, he mounted his most ambitious film endeavor, Mr. Saturday Night, the bittersweet chronicle of a self-destructive comedian. The film had great potential (as indicated by the outtakes contained in its video cassette version), but the end result died at the box office. That same year, Crystal again hosted the Oscar awards, and in 1994 he repeated his earlier success with the popular sequel City Slickers 2: The Legend of Curly's Gold.Crystal added to his directing credits the following year with the romantic comedy Forget Paris. Unfortunately, the film -- which he also produced, wrote, and starred in -- was something of a flop. He subsequently focused his energies on acting, turning up in Hamlet (1996) and Deconstructing Harry (1997). In 1998 he had another producing stint with My Giant, a comedy he also starred in; like his previous producing effort, that film also proved fairly unsuccessful. However, Crystal bounced back in 1999, executive producing and starring in Analyze This. A comedy about a mob boss, Robert De Niro, seeking therapy from a psychiatrist (Crystal), it won a number of positive reviews, convincing many that the performer was back in his element.Back in the director's chair in 2001, Crystal helmed the made-for-HBO 61*. Detailing the 1961 home-run race between Roger Maris and Mickey Mantle, 61* struck a chord with baseball sentimentalists and critics alike. Scripting and starring in America's Sweethearts the same year, Crystal also began to cultivate a voice acting career that would prove extremely successful, providing the voices for characters in Monsters, Inc., Howl's Moving Castle and Cars. As the 2010's continued to unfold, Crystal would find himself increasingly able to take the reigns on both sides of the camera, flexing his muscles as a producer and writer as well as actor, such as with the 2012 comedy Parental Guidance.

Trivia: Like other Saturday Night Live alumni, Julia Louis-Dreyfus made the move to feature films, but she achieved true stardom on TV as Seinfeld's inimitable Elaine Benes. Born to an affluent family and raised in Washington, D.C., Louis-Dreyfus studied theater at Northwestern University. Along with working as a member of The Practical Theater Company, Louis-Dreyfus cut her sharp comic teeth as part of Chicago's Second City troupe. She soon followed in the footsteps of prior Second City-ers John Belushi and Bill Murray, joining the cast of NBC's Saturday Night Live from 1982 to 1985 (along with Northwestern classmate and eventual husband Brad Hall). Louis-Dreyfus bounced to films with appearances in Soul Man (1986), Woody Allen's Hannah and Her Sisters (1986) and National Lampoon's Christmas Vacation (1989), before returning to TV on the second episode of a low-rated NBC primetime sitcom starring comedian Jerry Seinfeld in 1990.As Jerry's ex-girlfriend-turned-pal Elaine, Louis-Dreyfus proved that she could hold her own as the sole female member of Seinfeld's do-nothing quartet of neurotic New Yorkers. With her "big wall of hair," signature shoes and penchant for over-enthusiastic exclamations, Louis-Dreyfus' Elaine was no mere foil, but rather a full participant in the show's increasingly popular, irony-laden comic shenanigans. Along with winning an Emmy for Best Supporting Actress in a Comedy Series in 1996, Louis-Dreyfus won the Golden Globe in 1994 and the Screen Actor's Guild award in 1997 and 1998. During Seinfeld's phenomenally successful nine-year run, Louis-Dreyfus also played supporting roles in North (1994), Father's Day (1997), and as a libidinous sister in Woody Allen's Deconstructing Harry (1997). After Seinfeld went off the air in 1998, Dreyfus took some time off from appearing in front of the camera to spend time with her husband and two sons, but she did the voice of Princess Atta in the Pixar animated blockbuster A Bug's Life (1998).Louis-Dreyfus subsequently returned to TV as the Blue Fairy in the TV movie musical Gepetto (2000) before attempting another sitcom. After two of her Seinfeld co-stars failed to make their own series fly in 2000 and 2001, Louis-Dreyfus opted for a non-traditional approach, playing a struggling lounge singer in the real time, laugh track free Watching Ellie in 2002. Louis-Dreyfus would continue to remain one of the most beloved comedic actresses in TV, starring on The New Adventures of Old Christine, and the political satire Veep.

Trivia: The long-estranged daughter of the late film star Klaus Kinski, German actress Nastassja Kinski began her career in her teens. According to most sources, her first film was director Wim Wenders' The Wrong Move (1975), although there is evidence that a German television movie directed by Wolfgang Petersen, For Your Love Only (1976), was produced first. Still not yet 20, Kinski fell in love with the much-older filmmaker Roman Polanski, who subsidized her acting training. After taking drama classes in New York and London, Kinski was deemed ready by Polanski to star in Tess (1980), a lavishly produced adaptation of Thomas Hardy's Tess of the D'Urbervilles. Shortly thereafter, Kinski became the dream of male college undergraduates everywhere by posing for a Richard Avedon poster wearing nothing but a large, live python which spiralled around her body. Kinski's next few films tended to capitalize on her physical attributes rather than her very real talent; in Cat People (1982), directed by her then-lover Paul Schrader, the actress' character transformed into a panther after having sex; and in Exposed (1983), she participated in one of the goofiest moments of screen erotica in history when co-star Rudolf Nureyev "played" her body with a cello bow. Compared to scenes like these, Kinski's appearance as Dudley Moore's wife in Unfaithfully Yours (1984) was downright puritanical -- but it was back to the bizarre with her role as a woman dressed in a bear suit in The Hotel New Hampshire (1985). At this point, Kinski's film output was getting a bit too beyond the fringe for most filmgoers, and she spent much of the next decade in "artistic" movies of little box-office appeal (Torrents of Spring [1989], Faraway, So Close [1991]). For a brief time, she remained in the public eye thanks to several well-publicized romances and because she gave birth to a baby without (at first) revealing the name of the father, allowing the world press to go into an torrent of speculation (the father turned out to be Egyptian producer Ibrahim Moussa, who briefly became her husband). In the early '90s, Kinski dropped from view altogether, devoting herself to her marriage to pop-music maestro Quincy Jones. In 1994, Kinski made a surprising reappearance in the "normal" role of a KGB agent in the popular movie thriller Terminal Velocity (1994) -- managing to remain clothed in her big scene, in which she was locked inside the trunk of a car and thrown from a plane in flight.The mid-nineties didn't do much to bolster Kinski's resume; Martin Donovan's Somebody is Waiting was a particularly embarrassing flop, and a series of minor television appearances (The Ring, Bella Mafia Parts I & II) were not met with any amount of critical or audience acclaim. Luckily, her film appearances fared marginally better -- in Father's Day (1997), the young actress was given the chance to perform alongside cinema veterans Billy Crystal and Robin Williams, while Antonio Tibaldi's Little Boy Blue (1997) with Ryan Phillipe found the actress in a game performance as the brutalized matriarch of an extraordinarily dysfunctional family. Kinski would go on to tackle increasingly serious subject matter in the AIDS drama One Night Stand (1997), The Lost Son (1999), a crime drama revolving around a network of pedophiles, and Peter Antonijevic's war film Savior (1998). Kinski's role choices took a lighter turn for Your Friends and Neighbors, director Neil LaBute's comedy of manners which starred the young actress as an unpredictable art assistant, and later in the made-for-cable romantic comedy TimeShare. By the late nineties, Kinski's acting was finally drawing some recognition, particularly for her part in David Bailey's psychological thriller The Intruder, as well as 2000s The Claim, another UK/Canadian collaboration. In 2001, Kinski starred alongside William Baldwin and Hart Bochner in Say Nothing, in which she played a troubled housewife whose one-time affair would turn out to be with her husband's new boss, and also received some critical acclaim for her role in American Rhapsody with Scarlett Johansson. Indeed, 2001 was a busy year for Natassja -- in addition to Say Nothing and American Rhapsody, Kinski starred in The Day the World Ended, a relatively well-received made-for-television sci-fi feature, as well as Blind Thriller, Cold Heart, and a complicated part in Joseph Brutsman's The Diary of a Sex Addict. In Town & Country (also in 2001), Kinski participated among an all-star cast including Diane Keaton, Goldie Hawn, Warren Beatty, and Andie MacDowell, among others. Understandably, the actress took a well-deserved break in 2002 -- her only role to speak of was a small part in Rip It Off, which featured Kinski as one of two women to have a fall-out with her boyfriend on the eve of a massive heist. A year later, Kinski joined Rupert Everett and Catherine Deneuve for Les Liaisons Dangereuses, a French-Canadian remake of the ever popular Dangerous Liaisons.

Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.

Trivia: British actor Jared Harris first won recognition for his riveting portrayal of influential American pop artist Andy Warhol in the acclaimed I Shot Andy Warhol (1996). Though he is the son of esteemed British actor Richard Harris, he showed little interest in following his father's path until he was cast in a college production while attending North Carolina's Duke University during the early '80s. Following graduation, he returned to Britain and worked with the Royal Shakespeare Company for several years, before heading back to the states to appear off-Broadway. The actor made his screen debut in The Rachel Papers (1989). Following his appearances as Harvey Keitel's slightly retarded shop assistant in Smoke and its companion piece Blue in the Face (both 1995), Harris became a familiar face in American independent films, though he still made the occasional foray into mainstream films, appearing in Lost in Space in 1998. After portraying a sleazy Russian cab driver in Todd Solondz's acclaimed Happiness (1998), Harris could be seen in Michael Radford's B. Monkey, starring opposite Asia Argento, Rupert Everett, and Jonathan Rhys Myers. He went on to appear in Perfume and Igby Goes Down in the next few years. In 2003 he found himself playing one of Europe's most famous historical figures when he tackled the role of King Henry VIII in The Other Boleyn Girl. The next year he had small parts in The Day After Tomorrow and Ocean's Twelve. Although he was in the notorious flop Lady in the Water in 2006, two years later he appeared in the multiple Oscar nominated The Curious Case of Benjamin Button. In 2009 he had his most high-profile success joining the cast of the award-winning drama Mad Men as a British businessman. He was the bad guy in the second of Robert Downey Jr's Sherlock Holmes films, and played one of the important figures in American history when Steven Spielberg cast him in Lincoln as General Ulysses S. Grant.

Trivia: Heavyset, memorably colorful character actor Louis Lombardi attained recognition for his ability to tackle both aggressive and jovial roles with equal deftness. A Bronx native, Lombardi specialized in a down-to-earth, unaffected acting style he later termed "naturalistic." The thespian debuted on film at age 25 (around 1993) in the drama Amongst Friends. Though it received limited theatrical exposure, its run on the festival circuit and appearance at Sundance caught the eye of Oliver Stone, who felt impressed by Lombardi and cast him as Deputy Sparky in the ultraviolent media evisceration Natural Born Killers. 1994 represented Lombardi's breakthrough year -- one that witnessed him not merely working with Stone, but with such heavyweights as John Landis (in Beverly Hills Cop 3) and Tim Burton (in Ed Wood). By affording the actor the exposure he needed, that triple play left the door wide open for Lombardi to tackle new and successive projects on the big screen and television, including the features 3000 Miles to Graceland (2001), Animal (2001), and Wonderland (2003), and such series as CSI: Crime Scene Investigation, Ugly Betty, and 24.

Trivia: American actress Patti D'Arbanville was 13 when she was discovered by "underground" filmmaker Andy Warhol. Wary of Warhol's reputation, D'Arbanville's mother wouldn't permit her daughter to work for the director until the girl was 17 -- at which point she enacted a lesbian love scene in Warhol's Flesh (1968). Unlike many Warhol protegees, D'Arbanville was able to matriculate to mainstream movies, though many of these, particularly the 1977 Bilitis, were obsessed with sex and procreation. The actress endeared herself to middle-America movie fans in the Barbra Streisand/Ryan O'Neal vehicle The Main Event (1979), stealing the show as a girl with a hacking (and hilarious) cough. Other D'Arbanville performances of note include the role of Ken Wahl's lady love on the TV series Wiseguy, and the redoubtable Cathy Smith in the 1989 John Belushi biopic Wired.

Trivia: Supporting actor Dennis Burkley has been onscreen from the '80s.

Trivia: His band, Sugar Ray, formed in 1992, was originally called Shrinky Dinx. Their 1997 hit "Fly" brought fame to the band, and was particularly helpful for McGrath, whose video appearance helped make him a sex symbol. Asked to host Extra after a producer of the show saw his work hosting various MTV and VH1 shows. Has appeared on Celebrity Apprentice, hosted the Fox TV series Don't Forget the Lyrics!, and also hosted the World Music Awards and the Radio Music Awards.

Trivia: The son of directors Ivan Reitman (Stripes, Ghostbusters) and Geneviève Robert (Casual Sex?), Jason Reitman initially essayed bit and supporting on-camera roles, typically in his father's projects -- such films as Ghostbusters (1984), Twins (1988), Kindergarten Cop (1990), and Dave (1993). Reitman took his directorial bow in 2005 with the acerbic satire Thank You for Smoking (2005), starring Aaron Eckhart -- a freewheeling adaptation of Christopher Buckley's tome about a crafty spin doctor for the tobacco lobby. That outing netted rave reviews from critics across the country. Reitman followed it up with Juno (2007), a comedy drama about an teenage girl (Ellen Page) forced to grow up very quickly when she must contend with an unplanned pregnancy after a tryst with a classmate (Michael Cera). The film opened to glowing reviews, and garnered a number of year-end accolades including a Best Director nomination by the Academy for Reitman's work on the project. Reitman's third feature, the comedy/drama Up in the Air starrring George Clooney, again earned glowing reviews, garnering Best Director and Best Screenplay nominations from both the Hollywood Foreign Press (where he won the Screenplay award) and the Academy, with nods from the Writers Guild and the Directors Guild as well. Reviews for Reitman's fourth film Young Adult (which found the director re-teaming with Juno screenwriter Diablo Cody), were a bit more mixed, and though the film wasn't bestowed any major awards, viewers capable of embracing its off-kilter tone were treated to a surprisingly mature drama about a disturbingly immature woman.

Trivia: Has appeared in 3 films nominated for an Academy Award for Best Picture (Goodfellas, Silver Linings Playbook, American Hustle) Has appeared in 6 films directed by Martin Scorsese and 5 by Woody Allen Has appeared in 16 films that star Robert DeNiro Had recurring roles on two popular HBO series, The Sopranos and Entourage Received a Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture for American Hustle in 2014

Trivia: Despite a thick Australian accent in some of his earlier films, actor Mel Gibson was born in Peeksill, NY, to Irish Catholic parents on January 3rd, 1956. One of eleven children, Gibson didn't set foot in Australia until 1968, and only developed an Aussie accent after his classmates teased him for his American tongue. Mel Gibson's looks have certainly helped him develop a largely female following similar to the equally rugged Harrison Ford, but since his 1976 screen debut in Summer City, Gibson has been recognized as a critical as well as physiological success.Though he had, at one point, set his sights on journalism, Gibson caught the acting bug by the time he had reached college age, and studied at the National Institute of Dramatic Art in Sydney, Australia, despite what he describes as a crippling ordeal with stage fright. Luckily, this was something he overcame relatively quickly -- Gibson was still a student when he filmed Summer City and it didn't take long before he had found work playing supporting roles for the South Australia Theatre Company after his graduation. By 1979, Gibson had already demonstrated a unique versatility. In the drama Tim, a then 22-year-old Gibson played the role of a mildly retarded handy man well enough to win him a Sammy award -- one of the Australian entertainment industry's highest accolades -- while his leather clad portrayal of a post-apocalyptic cop in Mad Max helped the young actor gain popularity with a very different type of audience. Gibson wouldn't become internationally famous, however, until after his performance in Mad Max 2 (1981), one of the few sequels to have proved superior to its predecessor. In 1983, Gibson collaborated with director Peter Weir for the second time (though it was largely overlooked during the success of Mad Max 2, Gibson starred in Weir's powerful WWI drama Gallipoli in 1981) for The Year of Living Dangerously, in which he played a callous reporter responsible for covering a bloody Indonesian coup. Shortly afterwards, Gibson made his Hollywood debut in The Bounty with Oscar-winner Anthony Hopkins, and starred opposite Sissy Spacek in The River during the same year. He would also star in Mad Max Beyond Thunderdome (1985) alongside singer Tina Turner.After the third installment to the Mad Max franchise, Gibson took a two-year break, only to reappear opposite Danny Glover in director Richard Donner's smash hit Lethal Weapon. The role featured Gibson as Martin Riggs, a volatile police officer reeling from the death of his wife, and cemented a spot as one of Hollywood's premier action stars. Rather than letting himself become typecast, however, Gibson would surprise critics and audiences alike when he accepted the title role in Franco Zeffirelli's Hamlet (1990). Though his performance earned mixed reviews, he was applauded for taking on such a famously tragic script.In the early '90s, Gibson founded ICON Productions, and through it made his directorial debut with 1993's The Man Without a Face. The film, which also starred Gibson as a horrifically burned teacher harboring a secret, achieved only middling box-office success, though it was considered a well-wrought effort for a first-time director. Gibson would fare much better in 1994 when he rejoined Richard Donner in the movie adaptation of Maverick; however, it would be another year before Gibson's penchant for acting, directing, and producing was given its due. In 1995, Gibson swept the Oscars with Braveheart, his epic account of 13th century Scottish leader William Wallace's lifelong struggle to forge an independent nation. Later that year, he lent his vocal talents -- surprising many with his ability to carry a tune -- for the part of John Smith in Disney's animated feature Pocahontas. Through the '90s, Gibson's popularity and reputation continued to grow, thanks to such films as Ransom (1996) and Conspiracy Theory (1997). In 1998, Gibson further increased this popularity with the success of two films, Lethal Weapon 4 and Payback. More success followed in 2000 due to the actor's lead role as an animated rooster in Nick Park and Peter Lord's hugely acclaimed Chicken Run, and to his work as the titular hero of Roland Emmerich's blockbuster period epic The Patriot (2000). After taking up arms in the battlefield of a more modern era in the Vietman drama We Were Soldiers in 2002, Gibson would step in front of the cameras once more for Sixth Sense director M. Night Shyamalan's dramatic sci-fi thriller Signs (also 2002). The film starred Gibson as a grieving patriarch whose rural existence was even further disturbed by the discovery of several crop circles on his property.Gibson would return to more familiar territory in Randall Wallace's We Were Soldiers -- a 2002 war drama which found Gibson in the role of Lt. Col. Hal Moore, commander of the First Battalion, Seventh Cavalry -- the same regiment so fatefully led by George Armstrong Custer. In 2003, Gibson starred alongside Robert Downey Jr. and Robin Wright-Penn in a remake of The Singing Detective. The year 2004 saw Gibson return to the director's chair for The Passion of The Christ. Funded by 25 million of Gibson's own dollars, the religious drama generated controversy amid cries of anti-Semitism. Despite the debates surrounding the film -- and the fact that all of the dialogue was spoken in Latin and Aramaic -- it nearly recouped its budget in the first day of release.The actor stepped behind the camera again in 2006 with the Mayan tale Apocalypto and was preparing to product a TV movie about the Holocaust, but by this time, public attention was not pointed at Gibson's career choices. That summer, he was pulled over for drunk driving at which time he made extremely derogatory comments about Jewish people to the arresting officer. When word of Gibson's drunken, bigoted tirade made it to the press, the speculation of the actor's anti-Semitic leanings that had circulated because of the choices he'd made in his depiction of the crucifixion in Passion of the Christ seemed confirmed. Gibson's father being an admitted holocaust denier hadn't helped matters and now it seemed that no PR campaign could help. Gibson publicly apologized, expressed extreme regret for his comments, and checked himself into rehab. Still, the plug was pulled on Gibson's Holocaust project and the filmmaker's reputation was irreparably tarnished.

Trivia: Seemingly coming out of nowhere to essay the difficult role of famed shock-jock Howard Stern's wife in 1997's autobiographical Private Parts, actress Mary McCormack has since gone on to offer memorable performances in such fare as Mystery, Alaska (1999) and K-PAX (2001). A native of Plainfield, NJ, McCormack's interest in performing was piqued at an early age when the aspiring, 12-year-old actress gender-bent her way through a production of Menotti's Christmas opera Amahl and the Night Visitors. Since none of the local boys possessed the necessary vocal abilities, McCormack donned a hat and hit the notes needed to carry the play. Subsequently performing in regional theater before continuing her education at Trinity College in Hartford, CT, it was there that McCormack would major in English and painting while continuing to hone her stage skills. After earning her Comparative Arts degree from Trinity, McCormack decided to further her acting career by studying at the William Esper Studio. Performances at such New York theaters as The Atlantic Theater Company were quick to follow, as was her film debut in the 1994 remake of Miracle on 34th Street. Simultaneously appearing on the small screen in the popular crime series Murder One (1995), it wasn't long before Private Parts would offer a stratospheric boost to her onscreen career. A cinematic love letter to Stern's real-life wife, Private Parts offered the burgeoning actress a complex emotional role that proved without a doubt what she was fully capable of. Follow-up roles in such high-profile fare as Deep Impact (1998) and Mystery, Alaska (1999) didn't quite offer McCormack the chance to shine that Private Parts did, though it was obvious to all who viewed her subsequent roles that her star was on the rise. The millennial turnover found McCormack successfully alternating between drama (Madison) and comedy (High Heels and Low Lifes) before once again heading the Hollywood route with a supporting performance in K-PAX. An unconventional role in director Steven Soderbergh's Full Frontal was quick to follow, and McCormack was soon beginning preparation for the television miniseries based on Soderbergh's Traffic (which was in turn inspired by 1989 U.K. series Traffik).She was the female lead in the creepy apocalyptic thriller Right at Your Door, and landed a small part in Christopher Guest's For Your Consideration. In 2008 she landed the lead role on the cable series In Plain Sight and enjoyed the most consistent success of her career.