Trivia: The daughter of Goldie Hawn, Kate Hudson bears more than a passing resemblance to her famous mother in both looks and onscreen vivacity. Born in Los Angeles on April 19, 1979, Hudson made her screen debut in 1998. She first earned notice for her work in 200 Cigarettes (1999), an ensemble film that cast her as naive Cindy out on a date with caddish Jack (Jay Mohr). Although the film proved to be a substantial critical and commercial disappointment, Hudson's performance was singled out for some of the scant praise the film did receive. The following year, she could be seen starring opposite fellow up-and-comer Joshua Jackson in Gossip, a drama centered on the disastrous side effects of rumor-mongering on a college campus.If critical recognition had eluded her in the past, it certainly caught-up with her at the 2000 Golden Globe Awards, where she took home the Best Supporting Actress award for her performance in Cameron Crowe's Almost Famous. Engulfed in the Hollywood hype machine following her winning role in Almost Famous, it seemed as if Hudson was set to follow her mother in taking the film industry by storm. After soaking in her nowfound fame in the early years of the new millennium, Hudson emerged from a whirlwind schedule of fashion shoots and awards shows to appear in the romantic war drama The Four Feathers in 2002. Though The Four Feathers was quickly and unceremoniously relegated to box-office obscurity, Hudson fired back with an almost surefire hit when she starred opposite quirky heartthrob Matthew McConaughey in the romantic comedy How to Lose a Guy in 10 Days (2003). While subsequent roles in Alex and Emma, Le Divorce, and Raising Helen did little to elevate Hudson's already-comfortable star status, a venture into the unknown in the curiously original but largely underseen Skeleton Key at least showed the actress' willingness to explore new territory onscreen. Back in the realm of comedy, Hudson would do her best to tolerate onscreen husband Matt Dillon's eccentric best-friend when the down-on-his-luck Dupree (Owen Wilson) arrives on their doorstep looking for a place to stay in the farcical summer comedy You, Me and Dupree (2006). Hudson joined with Mathew McConaughey for a second time for the romantic comedy Fool's Gold (2008), and starred in another rom-com, My Best Friend's Girl, the same year. Hudson gained recognition for her previously unknown dance skills thanks to her performance in filmmaker Rob Marshall's musical film Nine, which also featured Daniel Day-Lewis, Marion Cotillard, Penelope Cruz, and Nicole Kidman. In 2010, the actress starred in the film adaptation of Jim Thompson's The Killer Inside Me.Hudson conitnued to rotate between lighter romantic comedies and heavier dramas, appearing in Something Borrowed in 2011, followed by political thriller The Reluctant Fundamentalist (2012), Larry David's TV movie Clear History (2013) and the drama Good People (2014). She also took a recurring gig on Glee, playing a dance instructor, allowing Hudson to showcase her singing skills and dancing chops.

Trivia: With a rangy handsomeness that makes him look as if he would be equally comfortable branding cattle, Matthew McConaughey found fame shortly after making his screen debut in Richard Linklater's 1993 Dazed and Confused. After being cast in two high-profile 1996 films, Lone Star and A Time to Kill, the actor was soon being hailed as one of the industry's hottest young leading men, inspiring comparisons to such charismatic purveyors of cinematic testosterone as Paul Newman and Tom Cruise.A product of Texas, McConaughey was born in Uvalde on November 4, 1969 and raised in Longview. The son of a substitute teacher and a former member of the Green Bay Packers, he excelled in sports as a high school student and was voted "Most Handsome" by his senior class. After graduating, McConaughey spent some time working in Australia and then returned to the States to attend the University of Texas at Austin. It was there that he met producer and casting director Don Phillips, who introduced him to director Linklater, and, after directing from UT in 1993 with a degree in film production, McConaughey was cast in Dazed and Confused. Although his role as Wooderson, a slacker old enough to know better, was relatively small, McConaughey succeeded in winning a degree of immortality with lines like, "That's what I like about high school girls: I keep getting older, they stay the same age." After Dazed, McConaughey took on a number of supporting roles in films of varying quality, appearing in everything from 1994's Return of the Texas Chainsaw Massacre to 1995's Boys on the Side, in which he was cast as Drew Barrymore's straight-arrow cop boyfriend. The latter film won him some notice, heightened a year later when he was cast in John Sayles' acclaimed Lone Star. McConaughey made a distinct impression in his small but pivotal role as the town's beloved late sheriff, Buddy Deeds, and was duly given his first leading role in Joel Schumacher's 1996 adaptation of John Grisham's A Time to Kill. Although the film met with lackluster reviews, McConaughey managed to attract favorable attention, holding his own against Samuel L. Jackson, Kevin Spacey, and Sandra Bullock.Finding himself elected to the throne of Hollywood Golden Boy, a status cemented by his appearance on the cover of the August 1996 Vanity Fair, McConaughey paradoxically followed his initial success with a string of small, largely unseen films before landing a starring role as a property lawyer in Amistad, Steven Spielberg's 1997 slave epic. The same year, he also starred in Contact, playing a New Age theologian in Robert Zemeckis' adaptation of Carl Sagan's best-selling novel. After again collaborating with Linklater in 1998 on The Newton Boys, in which he starred alongside Ethan Hawke, Skeet Ulrich, and Vincent D'Onofrio as the remarkably photogenic family of titular robbers, McConaughey banded together with off-screen pal Bullock on her directorial debut, the short Making Sandwiches, the same year. For all the hype surrounding the beginning of his career, by the time he was cast in the lead role of Ron Howard's EdTV, McConaughey had receded somewhat from the public eye, with many critics noting that despite his talent and physical attributes, the actor seemed to have trouble finding roles that would do him justice. But McConaughey's turn as the laid-back everyman who becomes an overnight celebrity when he allows his life to be broadcast on TV proved a relative success, with the actor winning praise for his endearingly dopey performance. The film itself garnered a number of positive reviews and gave a decent box office performance, and by the end of that year, McConaughey had his name attached to a number of projects, including those of his own production company, J.K. Livin'. In October 1999, McConaughey achieved notoriety of a different sort, when he was arrested for resisting transport after the Austin, Texas police responded to noise complaints about his late-night naked bongo-playing; drug charges against him were dropped for lack of a proper warrant.After submerging in a tense struggle to find a German Enigma machine in order to defeat the Nazis in the taut World War II thriller U-571 (2000), McConaughey sweetened things up a bit by co-starring alongside Jennifer Lopez in the romantic comedy The Wedding Planner (2002). A lightweight comedy that did little to further his appeal as an actor of dramatic or comic range, the film nevertheless kept McConaughey in the public eye and once again warmed him to a public unsure how to approach him after numerous rumors of bizarre behavior. McConaughey's performance as a cocky lawyer forced to re-evaluate his quest for happiness after a life-altering experience in 2001's 13 Conversations About One Thing forced critics and audiences to re-evaluate their approach to the eccentric actor, and he would next re-team with U-571 co-star Bill Paxton for the nail-biter sleeper Frailty (2001). In late 2001 and early 2002 the eccentric actor at last received favorable press after coming to the aid of both woman who fainted at the Toronto International Film Festival and a sound man who suffered a seizure during McConaughey's Access Hollywood interview for Reign of Fire (2002), and though the aforementioned film fared only moderately well at the box office, its kindly star seemed to be back in the public's good graces. McConaughey next opted to lighten things up a bit by co-starring alongside Kate Hudson in the romantic comedy How to Lose a Guy in 10 Days. In 2005, McConaughey and Al Pacino co-headlined D.J. Caruso's gritty gambling thriller Two for the Money. McConaughey stars as Brandon Lang, a onetime collegiate football hero with a knack for picking winners, who unofficially signs on as the protege - and later the nemesis - of Pacino's seedy high-roller. The film brought in only moderate returns and received mixed reviews from the press, but McConaughey fared substantially better with 2006's romantic comedy Failure to Launch. In the latter, he stars alongside Sex and the City star Sarah Jessica Parker as Tripp, a thirtysomething mama's boy whose parents coax him out of the house by setting him up with dreamgirl Paula (Parker). The film shot up to become the primo box office draw on its opening weekend and did incredible business thereafter. McConaughey would spend the 2000's enjoying leading man status, with memorable roels in We Are Marshall, Fool's Gold, Tropic Thunder, and Magic Mike.

Trivia: A native of Cleveland, OH, actress Kathryn Hahn received her first taste of show business in the late '80s, when the then-teenager scored a live-action role opposite several puppets on the locally produced children's program Hickory Hideout. Hahn formally studied acting at the Yale School of Drama, and just prior to her final year of 2000-2001 (in mid-summer stock), the performer caught the attention of an NBC casting recruiter, who tapped her for a regular role on the prime-time drama Crossing Jordan; she played amiable grief counselor Lily Lebowski for the full run of the series (2001-2007).Meanwhile, film roles began pouring in right and left, beginning with visible turns as Kate Hudson's health editor roommate in the hit romantic comedy How to Lose a Guy in 10 Days (2003), and as a barmaid with more than a passing crush on Topher Grace in Robert Luketic's gentle romantic comedy Win a Date with Tad Hamilton! (2004). Hahn subsequently commenced a long series of assignments for Hollywood's highest-profiled directors and producers, including bit parts in the Judd Apatow-Adam McKay farce Anchorman: The Legend of Ron Burgundy (2004) and Nancy Meyers' romantic comedy The Holiday (2006), and a small supporting role in the Robert Shaye-directed fantasy The Last Mimzy (2007). After her Crossing Jordan role ended with the series' cancellation in 2007, Hahn was able to work more freely in other venues, which became apparent with her output in 2008. She took on another cinematic supporting turn in the Will Ferrell-John C. Reilly comedy Step Brothers and starred opposite Leonardo DiCaprio and Kate Winslet in the period suburban drama Revolutionary Road. That same year, Hahn made her Broadway debut in the Tony award-winning play Boeing-Boeing. Over the next serveral years, Hahn would remain an active force on screen, appearing in fukns kuje The Dictator and Our Idiot Brother, as well as on shows like Parks and Recreation and Girls. Throughout her various assignments, Hahn drew high praise for her comedic ability, which netted occasional comparisons to Carol Burnett.

Trivia: Took her great-grandmother's maiden name as a stage name. Trained in England at London's Holborne Center for Performing Arts. In 2001, her role as Julia Lindsay Snyder on As the World Turns earned her a Daytime Emmy nomination for Outstanding Young Actress. Before joining the Law & Order cast in its 15th season as ADA Alexandra Borgia, she played an exotic dancer in a May 2002 episode titled "Attorney Client." Has been an active stage actress, appearing in Broadway's Prelude to a Kiss (2007) and starring in the title role of the play Becky Shaw (2009). Taught a class called Acting for the Camera at Fordham University.

Trivia: Actor and filmmaker Adam Goldberg first made an impression on film critics and audiences alike as the cynical Private Mellish in Steven Spielberg's Saving Private Ryan. In 1998, the same year that Ryan was released, Goldberg made his feature directorial, screenwriting, and executive-producing debut with Scotch and Milk, a neo-noir drama centering around a group of L.A. friends burdened by love (or lack thereof) and a fixation with the 1950s. The film, which won the Grand Jury Prize at the 1998 Los Angeles Independent Film Festival, helped to establish Goldberg as a talent worth watching.Born in Santa Monica on October 25, 1970, Goldberg was raised in Hollywood. He began performing at a young age, studying with Tracy Roberts when he was 14 and enrolling at Los Angeles' Lee Strasberg Institute a year later. He continued to act on stage while attending Sarah Lawrence College, and he subsequently returned to L.A. to pursue his career. Goldberg made his film debut in 1992 alongside Billy Crystal in Mr. Saturday Night, and the following year he could be seen in Richard Linklater's Dazed and Confused, which cast him as a neurotic high school junior. He continued to act in supporting roles in a number of varied films, earning little notice until Spielberg cast him in the award-winning Saving Private Ryan. He wrote and directed the indie Scotch and Mil in 1998, and also contributed a voice to Babe: Pig in the City. At the beginning of the 21st century he could be seen in the Best Picture Oscar winner A Beautiful Mind, as well as the comedy The Hebrew Hammer, and reteaming with Richard Linklater on Waking Life. In 2004 he returned to directing and writing with I Love Your Work. He continued to work in a variety of interesting projects including Déjà vu, 2 Days in Paris, and Zodiac. He had a major supporting role on the short-lived TV series The Unusuals and in 2012 he played the part of Harry Reems in the Linda Lovelace biopic Inferno.

Trivia: One of the few members of the New York-based MTV comedy troupe "The State" to hail from the Midwest, Chicagoan comedian Thomas Lennon is also an accomplished screenwriter.Born in Oak Park, IL, on August 9, 1970, Lennon attended New York University as an undergraduate in the late '80s, at a point when Todd Holoubek -- a member of the campus sketch comedy team "Sterile Yak" -- abandoned that earlier group in favor of forming an alternative improvisational ensemble, christened "The New Group." Comprised largely of freshmen, the team blended film, video, and live performance in its live audience shows. Lennon joined the ensemble, as did fellow coeds Kevin Allison, Michael Ian Black, Ben Garant, Michael Patrick Jann, Kerri Kenney, Joe Lo Truglio, Ken Marino, Michael Showalter, and David Wain. Following a series of original shows (which began with "I'm Rubber, You're Glue"), The New Group landed its first gig as the opening act for Dennis Miller during one of the comedian's appearances at NYU, circa 1990. He paid them 1,000 dollars total. In the early '90s, Lennon made several short films, including The Waiters, which ran on the Bravo network; meanwhile, after MTV formally rejected the ensemble's pitch for a weekly series, Wain worked with the others to shoot demos for the MTV series You Wrote It, You Watch It, which catalyzed the network's interest. At that point, The New Group changed its name to "The State: Full Frontal Comedy." They landed an official series on MTV in 1993, boosted by an appearance on The Jon Stewart Show, in which they completely demolished the comedian's set. Over the course of the first two years, ratings skyrocketed, carrying the series through several seasons. It wrapped in 1997.During the series' run, Lennon wrote much of the material, including the popular "Monkey Torture" sketch. After the show ended, he joined cast members Kerri Kenney and Michael Ian Black to create the Comedy Central variety show spoof Viva Variety, based on an old sketch from The State. Lennon transitioned to features by voicing the documentarian character in the hit comedy Drop Dead Gorgeous, the feature-film debut of State director Michael Patrick Jann. Lennon also appeared in the feature films Memento, Out Cold, and Boat Trip, as well as TV commercials for various candy items and video-game platforms. Returning to the television series format, Lennon sustained a recurring role in the short-lived ABC medical drama MDs. He then reunited with Kenney and other State members to create the reality cop show spoof Reno 911!, starring himself as pretty-boy Lieutenant Jim Dangle. Directed by Jann, the show became a hit on Comedy Central in 2003.Lennon maintained a busy schedule in 2004, with supporting roles in the A-list romantic comedies A Guy Thing, How to Lose a Guy in 10 Days, and Le Divorce. That same year, he also did screenwriting work (alongside many others) on Todd Phillips's Starsky & Hutch (2004), and the terribly received action comedy Taxi, starring Queen Latifah and Jimmy Fallon. While Reno 911! continued through 2005, Lennon contributed to the scripts of such mainstream releases as Herbie: Fully Loaded (2005), The Pacifier (2005), Night at the Museum (2006), and Let's Go to Prison!2007 saw the young comedian and scenarist involved in his most ambitious project to date. He posed a triple threat as cast member, executive producer, and screenwriter of that year's Balls of Fury, directed by fellow "Stater" Ben Garant, one of the major forces behind Reno 911! He was cast in Hancock and the comedy I Love You, Man. In 2009 he co-wrote Night at the Museum: Battle of the Smithsonian. He had a small but crucial role in 2011's Cedar Rapids, and appeared in the comedies Bad Teacher and What's Your Number?Lennon lives with his wife, Jenny Robertson, in Los Angeles.

Trivia: A lovely and gifted actress, Michael Michele has won acclaim for her portrayals of strong and capable women on television as well as in feature films. Born in Evansville, IN, on August 30, 1966, she, like practically everyone in the Hoosier State, grew up a big basketball fan. Michele played roundball in high school (with her team making the state championships) and participated in volleyball and track. In time, she developed a passion for acting which overwhelmed her enthusiasm for sports (although she remained a committed runner and was known to shoot baskets for relaxation between takes shooting films or television shows), and she moved to the East Coast to concentrate on her career in the late '80s. In 1989, after a few minor TV roles and parts in commercials, Michele's big break appeared to have arrived in the form of a showy supporting role in Eddie Murphy's film Harlem Nights; the actress was fired during the shooting, however, and she later filed a sexual harassment suit against Murphy, which was settled out of court. Michele rebounding in 1991 when she was cast in Mario Van Peebles's gritty urban drama New Jack City; a year later, she was a regular on the short-lived TV series Dangerous Curves. Her performance in the mini-series Trade Winds proved more memorable, and led to recurring roles on New York Undercover and Central Park West. After appearances in a handful of feature films, Michele scored another major TV role in the series Homicide: Life on the Street in 1998. She turned in her badge a year later to step up to the top-rated medical drama ER, where, between 1999 and 2001, she appeared as Dr. Cleo Finch. Michele's well-regarded work on that series boosted her stock in the film industry, and, in 2003, she appeared in two major motion pictures: How to Lose a Guy in Ten Days and Dark Blue. An avid jazz fan, Michele became active in mentoring underprivileged children when not busy with her work.

Trivia: A versatile actress who has displayed a talent for both comedy and drama, Bebe Neuwirth is also a gifted dancer and vocalist who has won acclaim for her work on the musical stage, though she's still best known to television viewers as Lilith Sternin, Frazier Crane's tightly wound girlfriend (and later wife) on the popular comedy Cheers. Born Beatrice Neuwirth on New Year's Eve, 1958, she was raised in Princeton, NJ, where her father, Lee Neuwirth, was a mathematician and her mother, Sydney Anne Neuwirth, was an artist. Bebe began taking dance lessons at the age of five, and, while a student at Princeton High School, she began appearing in local ballet productions and community theater productions. After high school, Neuwirth studied dance at New York's prestigious Juilliard School, and in 1980 she made her professional debut as Shelia, a once-famous dancer looking to make a comeback, in a touring production of the long-running musical A Chorus Line. In 1982, Neuwirth hit Broadway in two different shows, Dancin', directed and choreographed by Bob Fosse, and Little Me. In 1986, Neuwirth won the starring role in another Fosse musical, a revival of Sweet Charity, which later earned her a Tony award and cemented her reputation on Broadway. That year also marked Neuwirth's television debut (not counting a brief appearance as a member of the Whitney Dance Theater on the daytime drama The Edge of Night in 1981) with her first appearance as Lilith Sternin on Cheers; Lilith soon became a regular fixture on Cheers and Neuwirth won two Emmy awards for her work until Lilith was written out of the show (at Neuwirth's request) in 1992, to allow Neuwirth to pursue film and stage work. Lilith, however, occasionally made return visits to Cheers, and later on Kelsey Grammer's spin-off series, Frasier. Neuwirth made her feature-film debut in 1989 with a small role as a guidance counselor in Say Anything..., and while a steady stream of supporting roles followed in such films as Bugsy, Green Card, and Jumanji, she had a hard time finding screen roles which suited her edgy charm. She continued to have better luck on-stage, and in 1997 her performance in the Broadway revival of Chicago won her the Tony and Drama Desk awards. After scoring meatier roles in the films Summer of Sam and Liberty Heights, Neuwirth returned to episodic television in the well-reviewed but short-lived drama series Deadline, in which she worked alongside Oliver Platt, Lili Taylor, and Tom Conti. In 2002, Neuwirth finally scored a film role that truly suited her talents as Diane, a sexy fourtysomething woman who seduces her best friend's teenage son in the independent comedy Tadpole. She had a small part in the romantic comedy How To Lose a Guy in 10 Days, and in 2005 she landed a recurring role on Law & Order: Special Victims Unit. In 2009 she played one of the teachers at a high school for the performing arts in the remake of Fame.

Trivia: Born and raised in South Carolina, character actress Celia Weston has played many a tough Southern gal despite her theater training in both London and New York. Working both on and off Broadway in the '70s, she moved over to television as the snappy Mel's Diner waitress Jolene Hunnicut on the CBS sitcom Alice. After that, she appeared in Southern-tinged feature films like Honky Tonk Freeway and Stars and Bars. Also adept at playing matronly types, she played the mother of Beastie Boy Adam Horowitz in Lost Angels, the mother of one of the victims in Dead Man Walking, and the supposed mother of Ben Stiller in Flirting With Disaster. Back on the stage in 1997, she earned a Tony nomination for her role as Southern Jew Reba Freitag in Alfred Uhry's Last Night at Ballyhoo and returned to Broadway in 2000 as Mom in the revival of Sam Shepard's True West. She made a comeback to films as well with supporting roles in Ride With the Devil, The Talented Mr. Ripley, and Snow Falling on Cedars. In 2001, she played a Southern belle mental patient in K-PAX followed by the gossip-hound Mona in Far From Heaven, the Fowler's family friend in In the Bedroom, and the guardian of teenaged Bruce Banner in The Hulk. In 2003 she was back to the small screen as a cast member on the Showtime original series Out of Order. Her career continued to gain momentum throughout the decade thanks to roles in films like The Village, Observe & Report, The Box, and Knight and Day, then in 2010 Weston beat out Delta Burke, Dianne Wiest and Kathy Bates to secure the role of Cameron's mother on the ABC sitcom Modern Family. That same year Weston joined the cast of TNT's Memphis Beat, though the series was cancelled after just two seasons.

Trivia: An actor of imposing stature, Tony Longo has played many roles that utilized his substantial frame. Born in New Jersey, Longo began his acting career by making appearances on TV shows like Laverne & Shirley and CHiPS, a plan that would prove extremely fruitful as the actor would wrack up countless such appearances over the coming decades. Additionally, Longo extended his efforts toward movies, as well, playing roles in films like The Cooler and The Violent Kind.

Trivia: During his first wave of national fame in the mid '70s, American composer/arranger Marvin Hamlisch was a much sought-after talk show guest, due to his quick wit and infectious personality. The son of a prominent Viennese musician, Hamlisch was working on Broadway even while attending college, as Barbra Streisand's rehearsal pianist for Funny Girl. After some minor theatrical composing, Hamlisch met producer Sam Spiegel, which led to Hamlisch's first film scoring assignment, the teeny-bopper musicale Ski Party. Working quickly and inexpensively, Hamlisch created a demand for himself in the world of medium-budget "personal" film productions like Frank and Eleanor Perry's The Swimmer (1968) and Woody Allen's Bananas. In 1972, he was the accompanist/arranger of Groucho Marx' S.R.O. Carnegie Hall appearance, which led to even more valuable showbiz contacts. When Hamlisch finally hit it big in 1974, he hit it BIG -- winning three Academy Awards in a single evening, one for The Sting (1973) and two for The Way We Were (1973). America literally fell in love with this grinning, bespectacled, slightly dishevelled young man who seemed so comfortable with, yet so shy about, his limitless talent. From the night of that Oscar ceremony onward, producers fell over themselves entreating Hamlisch to add prestige to their projects; frequently, as in the case of the 1975 TV bomb Beacon Hill, Hamlisch's music was the only recommendation. Marvin Hamlisch has remained active in all branches of show business for the last two decades; the quality of the projects may have varied wildly at times, but Hamlisch could always take comfort in the fact that his Tony-winning music and lyrics for A Chorus Line were composed for the longest-running musical in Broadway history. Hamlisch died at age 68 in early August 2012.