Trivia: Born in Oklahoma, African American actor Cleavon Little was raised in California where he attended San Diego College. Trained for a performing career at the American Academy of Dramatic Art, Little made his off-Broadway debut in the 1968 political satire MacBird In 1970, he won a Tony award for his work in the Broadway musical Purlie, and within a year was hired as an ensemble player (along with such luminaries as Jack Gilford and Marcia Rodd) on the syndicated TV variety weekly The David Frost Revue. Little's star turn as Dr. Jerry Noland on the network sitcom Temperatures Rising (1972-74) made him a "hot" enough performer to win the coveted lead role of Sheriff Bart in Mel Brooks' Blazing Saddles (1974) -- beating out Richard Pryor, who had written the part for himself! Blazing Saddles was the high point of Little's career, which subsequently went into a slow decline. Cleavon Little's last major assignment was the role of Sal on the 1991 TV series Bagdad Café; one year later, he died of colon cancer at the age of 53.

Trivia: With his wild curly hair, large expressive blue eyes, slight lisp, and nervous mannerism, Gene Wilder seemed on the surface the epitome of the mild-mannered bookkeeper type, but a close look reveals a volatile energy lying beneath the milquetoast, a mad spark in the eye, and a tendency to explode into discombobulated manic hilarity, usually as a result of being unable to handle the chaos that surrounded his characters. In fact one might have labeled Wilder the consummate reactor rather than a traditional thespian. During the 1970s, Wilder starred in some of the decade's most popular comedies. Wilder was at his best when he was collaborating with Mel Brooks. Such films as The Producers, Young Frankenstein, and Blazing Saddles became modern American classics. The son of Russian-Jewish immigrants, Wilder was born Jerome "Jerry" Silberman in Milwaukee, WI. His father manufactured miniature beer and whiskey bottles. Wilder began studying drama and working in summer stock while studying at the University of Iowa. Following graduation, he furthered his dramatic studies at England's Bristol Old Vic Theatre School. Wilder was an exceptional fencer and while there won the school's fencing championship. Upon his return to the U.S., Wilder supported himself by teaching fencing. At other times, he also drove a limo and sold toys. After gaining experience off-Broadway in the early '60s, Wilder joined the Actors Studio. This led to several successful Broadway appearances. Wilder made his feature film debut playing a small but memorable role as a timid undertaker who is kidnapped by the protagonists of Arthur Penn's violent Bonnie and Clyde (1967). The following year he worked with Mel Brooks for the first time, co-starring opposite Zero Mostel in the screamingly funny Producers (1968). His role as the neurotic accountant Leo Bloom, who is seduced into a mad scheme by a once powerful Broadway producer into a crazy money-making scheme. Wilder's performance earned him an Oscar nomination. In his next film, Start the Revolution Without Me (1970), Wilder demonstrated his fencing prowess while playing one of two pairs of twins separated at birth during the years of the French Revolution. He demonstrated a more dramatic side in the underrated romantic comedy/drama Quackser Fortune Has a Cousin in the Bronx (aka Fun Loving) (1970). The following year, Wilder starred in what many fondly remember as one of his best roles, that of the mad chocolatier Willy Wonka in the darkly comic musical Willy Wonka and the Chocolate Factory. Despite these and other efforts, Wilder did not become a major star until Young Frankenstein (1974), a loving and uproarious send-up of Universal horror movies for which he and Brooks wrote the script. Following the tremendous success of Brooks' Blazing Saddles (1974), Wilder struck out on his own, making his solo screenwriting and directorial debut with The Adventures of Sherlock Holmes' Smarter Brother (1975) which co-starred fellow Brooks alumni Madeline Kahn and Marty Feldman. Like his subsequent directorial efforts the humor was fitful and the direction uneven. He did however have a minor hit as the director and star of The Woman in Red (1984). As an actor, Wilder fared better with the smash hit Silver Streak (1976). As much of a romantic action-adventure as it was a comedy, it would be the first of several successful pairings with comedian Richard Pryor. Their second movie together, Stir Crazy (1980), was also a hit while their third and fourth pairings in See No Evil, Hear No Evil (1989) and Another You (1990) were much weaker. While appearing in Hanky Panky, Wilder met and married comedienne Gilda Radner. When she passed away in 1989 from cancer, Wilder was reputedly devastated. He stopped making and appearing in films after 1991; he did, however, try his hand at situation comedy in the short-lived Something Wilder (1994-1995). In the 90s he wrote and starred in a couple of made for TV murder mysteries and in 2008 he was the subject of an affectionate documentary produced for TCM. Wilder died in August 2016 from complications of Alzheimer's disease.

Trivia: Like many Chicago born-and-bred actors, Harvey Korman cut his acting teeth at that city's Goodman Theatre. He sold aluminum siding door-to-door while waiting for his Big Break, taking the occasional Broadway walk-on, TV commercial and cartoon voice-over. His earliest significant TV exposure came about during his four seasons (1963-67) as a regular on The Danny Kaye Show. He went on to join The Carol Burnett Show in 1967, remaining with the series until its 1977 demise and winning four Emmies in the process. Korman's versatility was only part of his appeal; it was also a stitch to watch him try to maintain a straight face while enduring the antics of fellow comic actor Tim Conway. One recurring sketch on the Burnett series, "The Family," later spun off into the TV series Mama's Family. While Korman had played Mama's (Vicki Lawrence) vituperative son-in-law Ed on the Burnett Show "Family" sketches, his principal contribution to Mama's Family was confined to his weekly introductory comments as "Alastair Quince"; he also directed a 1983 special based on the "Family" principals, Eunice. Most of Korman's other TV-series projects were lukewarm single-season affairs like The Harvey Korman Show (1978), Leo and Lizz in Beverly Hills (1986) and The Nutt House (1989). Korman's finest film work can be found in his antic appearances in the films of Mel Brooks, especially his portrayal of greedy land baron Hedley Lamarr in 1974's Blazing Saddles. One of his later projects was the voice of the Dictabird in the 1994 box-office hit The Flintstones -- a piquant piece of casting, inasmuch as Korman had supplied the voice of "The Great Gazoo" in the original Flintstonesanimated television series of the 1960s. Korman died of unspecified causes in May 2008.

Trivia: Hofstra graduate Madeline Kahn was trained for an operatic career, but found her most gainful employment in musical comedy and revue work. While reducing audiences to tears of laughter as a member of New York's Upstairs at the Downstairs satirical troupe, Kahn made her first appearance in the short-subject Bergman lampoon The Dove (1968). She was "officially" discovered for films by director Peter Bogdanovich, who cast her as Ryan O'Neal's frowsy fiancee in What's Up Doc (1972). Kahn was nominated for Academy Awards for her portrayals of Southern doxy Trixie Delight in Bogdanovich's Paper Moon (1973) and Dietrich-like chanteuse Lilly Von Schtupp ("Oh, it's twue, it's twue, it's twue!") in Mel Brooks' Blazing Saddles (1974). Kahn went on to co-star in Brooks' Young Frankenstein (1974) and High Anxiety (1975), and made a return trip to the Bogdanovich fold in the disastrous At Long Last Love (1976) Her manic comedy style could be appealing, but, to paraphrase the late film encyclopedist Leslie Haliwell, it became a quickly overplayed hand. On Broadway, Kahn co-starred with Danny Kaye in Two by Two and was starred in the musical version of Twentieth Century, a grueling experience that all but destroyed her singing voice. She won a Tony award for her non-musical performance in Wendy Wasserstein's The Sisters Rosenzweig in 1992. Kahn's TV projects include the 1983 sitcom Oh, Madeline (based on the British series Pig in the Middle), a single season as George C. Scott's virago sister-in-law in Mister President (1987) and Cosby, the most recent project of comedian Bill Cosby, a sitcom that premiered in 1996. In 1995, Madeline Kahn was superbly cast as Martha Mitchell in Oliver Stone's Nixon and as a vituperative gossip columnist on the TV series New York News.

Trivia: Though he spoke most of his movie dialogue in a slow Western drawl, actor Slim Pickens was a pure-bred California boy. An expert rider from the age of four, Pickens was performing in rodeos at 12. Three years later, he quit school to become a full-time equestrian and bull wrangler, eventually becoming the highest-paid rodeo clown in show business. In films since 1950's Rocky Mountain, Pickens specialized in Westerns (what a surprise), appearing as the comic sidekick of Republic cowboy star Rex Allen. By the end of the 1950s, Pickens had gained so much extra poundage that he practically grew out of his nickname. Generally cast in boisterous comedy roles, Pickens was also an effectively odious villain in 1966's An Eye for an Eye, starting the film off with a jolt by shooting a baby in its crib. In 1963, director Stanley Kubrick handed Pickens his greatest role: honcho bomber pilot "King" Kong in Dr. Strangelove. One of the most unforgettable of all cinematic images is the sight of Pickens straddling a nuclear bomb and "riding" it to its target, whooping and hollering all the way down. Almost as good was Pickens' performance as Harvey Korman's henchman in Mel Brooks' bawdy Western spoof Blazing Saddles (1974). Slim Pickens was also kept busy on television, with numerous guest shots and regular roles in the TV series The Legend of Custer, B.J. and the Bear, and Filthy Rich.

Trivia: Big-framed character actor (and sometime leading man) David Huddleston worked in virtually every film and television genre there is, from Westerns to crime dramas to science fiction. Born in Vinton, Virginia, he attended the Fork Union Military Academy before entering the United States Air Force, where he received a commission as an officer. After returning to civilian life, Huddleston enrolled in the American Academy of Dramatic Arts. He made his television debut in 1961, at age 31, in an episode of the Western series Shotgun Slade. Two years later, the actor made his first big-screen appearance with a small role in All the Way Home (1963). A year later, he showed up in Black Like Me; and in 1968, Huddleston was back on the big screen in the thriller A Lovely Way to Die. He got considerably busier in the years that followed, mostly on television series such as Adam 12, Then Came Bronson, and Room 222, in roles of ever-increasing size. These were broken up by the occasional film job, of which the most notable at the time was the part of the comically helpful town dentist in Howard Hawks' Western Rio Lobo (1970), which gave Huddleston some extended (and humorous) screen-time alongside John Wayne. At the time, his feature-film work was weighted very heavily toward Westerns, while on television Huddleston played everything from service-station attendants to teachers to devious executives, primarily in crime shows. With his deep voice and prominent screen presence, plus a sense of humor that never seemed too far from his portrayals -- even of villains -- Huddleston was one of the busier character actors of the 1970s. Indeed, 1974 comprised a year of credits that any actor in the business could envy: John Wayne used Huddleston in McQ, one of the aging star's efforts to get away from Westerns, but Huddleston was back doing oaters in Billy Two Hats and aided Mel Brooks in parodying the genre in Blazing Saddles (all 1974). As comical as Huddleston could be, he could play sinister equally well, as he proved in Terence Young's The Klansman (1974) -- and that doesn't even count his television roles. By the end of the 1970s, he had graduated to a starring role in the series Hizzoner (1979), about a small-town mayor; and in the 1980s he had recurring roles in series such as The Wonder Years. Huddleston's big-screen breakthrough came with the title role in Santa Claus: The Movie (1985), and he became a ubiquitous figure on the small screen with a series of orange-juice commercials. His subsequent big-screen appearances included Frantic (1988) and The Big Lebowski (1998), playing the title character, and he continued working into the first decade of the 21st century. In 2004, Huddleston essayed one of the most interesting and challenging roles of his screen career, in the short film Reveille. Working without dialogue alongside James McEachin (with whom he'd previously worked in the series Tenafly), he helped tell the story of a sometimes comical, ultimately bittersweet rivalry between two veterans of different armed services. Huddleston died in 2016, at age 85.

Trivia: Long a stage and TV supporting player, actor Liam Dunn came to the public's attention relatively late in life as the mildly corrupt mayor of Big Town on Buck Henry's short-lived TV superhero spoof Captain Nice (1967). He did so well playing this waffling ageing politico that he spent virtually the rest of his career as a stock player in the films of Buck Henry's former co-writer Mel Brooks. Following his first film, Catch-22 (1970), Dunn was well-served as sanctimonious western clergyman Reverend Johnson in Mel Brooks' Blazing Saddles (1974). Liam Dunn worked for Brooks again in the small role of a medical-college "guinea pig" in Young Frankenstein (1975), and as an ancient newspaper vendor literally buried in the pulpish product of his trade in Silent Movie (1976).

Trivia: A college football star at the University of Iowa, Alex Karras turned professional in 1958, spending the next 14 years with the Detroit Lions. Karras went on to be selected All-Pro in 1960, 1961, 1963 and 1965. While still with Detroit, he made his first film appearance in Paper Lion (1969). His appetite for show business further whetted by his work in the announcing booth on ABC's Monday Night Football, Karras became a full-time actor in 1971. He displayed a keen sense of comic timing in such roles as Mongo in Blazing Saddles (1974) and gangster James Garner's gay henchman (who literally comes out of the closet) in Victor/Victoria (1981). He often appeared opposite his wife, actress Susan Clark. Mr. and Mrs. Karras co-starred in the TV biopic Babe (1975), the raunchy but successful Porky's, and the long-running (1983-87) TV sitcom Webster. In addition to his thespic activities, Karras co-authored several books, including Even Big Guys Cry (1977) and Alex Karras: My Life in Football (1979). Karras suffered from numerous health problems in his later years, including dementia and cancer, before ultimately succumbing to kidney failure at the age of 77 in 2012.

Trivia: Natty, mellifluous character actor John Hillerman may have spoken on screen with a pure Mayfair accent, but he hailed from Denison, Texas. Hillerman first gained notice for his fleeting appearances in the films of Peter Bogdanovich: The Last Picture Show (1971), What's Up Doc (1973), At Long Last Love (1975). He was also a semi-regular for director Mel Brooks, prominently cast in Blazing Saddles (1975) and History of the World, Part I (1981). A veteran of dozens of television series, John Hillerman was cast as the insufferable criminologist Simon Brimmer on Ellery Queen (1975), the star's director (and ex-husband) in The Betty White Show (1975), and most memorably as the ultra-correct Jonathan Quayle Higgins II, major domo to never-seen mystery writer Robin Masters, on Magnum PI (1980-88).

Trivia: American actor George Furth attended Northwestern University, a cradle of American acting talent. After getting his master's degree at Columbia, Furth sought out stage work: his first part was in the 1961 play A Cook for Mr. General. Most often cast in films as a bespectacled, nerdish, ineffectual type, Furth appeared in such films as The Best Man (1964) and Myra Breckenridge (1970). His most celebrated movie role was as Woodcock, the by-the-book railroad guard robbed twice by Paul Newman and Robert Redford in Butch Cassidy and the Sundance Kid (1969). On TV, Furth was seen regularly on Broadside, Tammy, The Good Guys and The Dumplings--situation comedies all. Broadway regulars will recognize the name George Furth less for his acting than for his considerable accomplishments as a playwright; in 1970, Furth wrote the book for Stephen Sondheim's Tony-winning musical Company.

Trivia: Burton Gilliam achieved fame long before his film career, setting the record for most wins as a Golden Gloves boxer. Gilliam worked as a fireman in Dallas before turning to acting in the early 1970s. His toothy grin, braying voice and village-buffoon demeanor was effectively harnessed for such roles as the night clerk who "compromises" buxom bimbo Trixie Delight (Madeline Kahn) in Paper Moon (1974), the chain-gang boss in Blazing Saddles (1975) and the leader of the "Flying Elvises" in Honeymoon in Vegas (1992). On TV, Burton Gilliam was seen as Virgie on Evening Shade (1992) and as one of the "This stuff's made in New York City!" kvetchers on the popular Pace's Picante Sauce commercials.

Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: Starting out as an actor and production assistant in basement-budget cycle flicks like Angels from Hell, Jack Starrett matriculated into a director of exploitation and blaxploitation features. Starrett is the "auteur" of such low-cost money-spinners as Slaughter (1972), Cleopatra Jones (1973) and Final Chapter: Walking Tall (1977). In the late seventies, he was one of the principal directors of TV's Starsky and Hutch. Starrett's TV directorial credits include the 1979 miniseries Mr. Horn, in which he assigned himself the supporting role of General Crook. He briefly returned to full-time acting with a featured role in Sylvester Stallone's First Blood (1982). Jack Starrett died of renal failure at the age of 52.

Trivia: With his trademark heavyset figure and attitude of manic glee, the genial Dom DeLuise rose to prominence as one of America's most beloved comedic character actors. Born Dominick DeLuise in Brooklyn in 1933, the future star attended the High School for the Performing Arts in Manhattan, then graduated from Tufts University in Boston. DeLuise wasted no time in making a beeline for television, and though early efforts were low-profiled, including a turn as Tinker the Toymaker on the daytime children's show Tinker's Workshop and the portrayal of a bumbling detective named Kenny Ketchum on The Shari Lewis Show, DeLuise's popularity spread, carrying him swiftly into other formats and venues. DeLuise initially graduated to primetime variety courtesy of The Garry Moore show, where he enjoyed recurring sketches as an inept magician named Dominick the Great. He then appeared on innumerable subsequent variety programs (often as a regular contributor) including The Glen Campbell Goodtime Hour, The Dean Martin Show, and The Flip Wilson Show. The comic made the leap into filmdom as early as the earnest Cold War thriller Fail-Safe (1964) (as an edgy flier), but drama didn't serve him well. He found a much stronger suit in comedy, initially courtesy of Mel Brooks, who cast him in films beginning with The Twelve Chairs (1970), as a shifty priest, Father Fyodor. Their collaborations extended to the 1976 Silent Movie (as studio man Dom Bell), the 1981 History of the World, Part I (as Emperor Nero), the 1986 Spaceballs (as the voice of Pizza the Hut), and the 1993 Robin Hood: Men in Tights (as the godfather-like Don Giovanni). The actor received additional screen exposure via friendships with Gene Wilder (in whose outings The Adventures of Sherlock Holmes' Smarter Brother and The World's Greatest Lover he co-starred) and Burt Reynolds, who -- in one of either's finest moments -- cast DeLuise as an around-the-bend asylum resident who tries to assist Reynolds' character with a suicide bid in the jet-black comedy The End (1978). Unfortunately, additional Reynolds collaborations didn't fare so well -- they included such schlocky vehicles as the Cannonball Run series -- but helped DeLuise maintain a familiar profile. He teamed with Mel Brooks' wife, Anne Bancroft, for a starring role in that actress' directorial debut, the comedy-drama Fatso (1980), but it earned mostly lukewarm reviews. In the meantime, DeLuise himself took the director's chair for the nutty caper comedy Hot Stuff, which gleaned a generally positive critical and public reception. As time rolled on, DeLuise unfortunately drifted into filmic material that suffered from serious lapses in quality and judgment, witness his performances as a porn lord in Bob Clark's wretched buddy farce Loose Cannons and convict Dr. Animal Cannibal Pizza in the horror send-up Silence of the Hams, both enormous box office flops. Taking critical and public reactions to these efforts as a cue, the comic accepted fewer and few assignments as the misfires happened and instead began to place a strong emphasis on his own cooking skills; the gifted chef authored two well-received cookbooks, the 1988 Eat This...It'll Make You Feel Better! and the 1997 Eat This Too!...It'll Also Make You Feel Better. DeLuise also published a series of books for children, such as the 1990 Charlie the Caterpillar and the 2007 The Pouch Potato. Dom DeLuise died in May 2009 at the age of 75. He was survived by his wife since 1965, actress Carol Arthur, and three sons, Peter, Michael, and David.

Trivia: Actor Richard Collier was more a fixture in the realm of television, having made well over 1000 appearances on the small screen, but was nonetheless employed frequently for films. A native of Boston, Collier started acting as most people do, on stage in the theater circuit throughout Massachusetts. When World War II broke out, his acting career was put on hold as he served in the U.S. Army. Only after the war did Collier begin making appearances in film and the new medium of television. Some of the many television shows the actor appeared on include The Beverly Hillbillies, The Andy Griffith Show, and Batman. Collier died, at the age of 80, in early 2000.

Trivia: General purpose actor Don Megowan began his acting career in 1951 in Robert Parrish's crime thriller The Mob, playing a beefy longshoreman. Usually playing low-mentality thugs, he made several fleeting appearances in Westerns and crime dramas. Larger roles came his way in Disney productions as Colonel Billy Travis in Davy Crockett, King of the Wild Frontier (1955) and as Marion A. Ross in The Great Locomotive Chase (1956), and starting in the second half of 1950s he also became a familiar figure to fans of horror and science fiction -- although pretty much unrecognizable, Megowan played the title role of the land-bound Gill Man in John Sherwood's The Creature Walks Among Us (1956), and that same year was the star -- this time as the hero, the sheriff trying to understand a series of seemingly random, grisly killings -- in Fred F. Sears' The Werewolf; and in 1962, he was the lead in Wesley Barry's The Creation Of The Humanoids, a script that gave Megowan the largest amount of dialogue of his whole career . On television, Megowan was seen as Captain Huckabee on the 1961 syndicated adventure series The Beachcomber, replacing Adam West, who had been cast in the role in the pilot episode. And he later played Lucille Ball's boyfriend, whose indisposition gets her Lucy Carmichael involved in stuntman work, on The Lucy Show. One of the actor's more enjoyable assignments during the '70s was as the gum-chewing desperado in Mel Brooks' Western spoof Blazing Saddles (1974). Megowan died of throat cancer in 1981.