Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: An eighth-generation Texan, actor Tommy Lee Jones, born September 15th, 1946, attended Harvard University, where he roomed with future U.S. Vice President Al Gore. Though several of his less-knowledgeable fans have tended to dismiss Jones as a roughhewn redneck, the actor was equally at home on the polo fields (he's a champion player) as the oil fields, where he made his living for many years.After graduating cum laude from Harvard in 1969, Jones made his stage debut that same year in A Patriot for Me; in 1970, he appeared in his first film, Love Story (listed way, way down the cast list as one of Ryan O'Neal's fraternity buddies). Interestingly enough, while Jones was at Harvard, he and roommate Gore provided the models for author Erich Segal while he was writing the character of Oliver, the book's (and film's) protagonist. After this supporting role, Jones got his first film lead in the obscure Canadian film Eliza's Horoscope (1975). Following a spell on the daytime soap opera One Life to Live, he gained national attention in 1977 when he was cast in the title role in the TV miniseries The Amazing Howard Hughes, his resemblance to the title character -- both vocally and visually -- positively uncanny. Five years later, Jones won further acclaim and an Emmy for his startling performance as murderer Gary Gilmore in The Executioner's Song. Jones spent the rest of the '80s working in both television and film, doing his most notable work on such TV miniseries as Lonesome Dove (1989), for which he earned another Emmy nomination. It was not until the early '90s that the actor became a substantial figure in Hollywood, a position catalyzed by a Best Supporting Actor Oscar nomination for his role in Oliver Stone's JFK. In 1993, Jones won both that award and a Golden Globe for his driven, starkly funny portrayal of U.S. Marshal Sam Gerard in The Fugitive. His subsequent work during the decade was prolific and enormously varied. In 1994 alone, he could be seen as an insane prison warden in Natural Born Killers; titular baseball hero Ty Cobb in Cobb; a troubled army captain in Blue Sky; a wily federal attorney in The Client; and a psychotic bomber in Blown Away. Jones was also attached to a number of big-budget action movies, hamming it up as the crazed Two-Face in Batman Forever (1995); donning sunglasses and an attitude to play a special agent in Men in Black (1997); and reprising his Fugitive role for the film's 1998 sequel, U.S. Marshals. The following year, he continued this trend, playing Ashley Judd's parole officer in the psychological thriller Double Jeopardy. The late '90s and millennial turnover found Jones' popularity soaring, and the distinguished actor continued to develop a successful comic screen persona (Space Cowboys [2000] and Men in Black II [2002]), in addition to maintaining his dramatic clout with roles in such thrillers as The Rules of Engagement (2000) and The Hunted (2003).2005 brought a comedic turn for the actor, who starred in the madcap comedy Man of the House as a grizzled police officer in tasked to protect a house full of cheerleaders who witnessed a murder. Jones also took a stab at directing that year, helming and starring in the western crime drama The Three Burials of Melquiades Estrada. In 2006, Jones appeared in Robert Altman's film adaptation of A Prairie Home Companion, based on Garrison Keillor's long running radio show. The movie's legendary director, much loved source material and all-star cast made the film a safe bet for the actor, who hadn't done much in the way of musical comedy. Jones played the consumate corporate bad guy with his trademark grit.2007 brought two major roles for the actor. He headlined the Iraq war drama In the Valley of Elah for director Paul Haggis. His work as the veteran father of a son who died in the war earned him strong reviews and an Academy Award nomination for Best Actor. However more people saw Jones' other film from that year, the Coen brothers adaptation of No Country for Old Men. His work as a middle-aged Texas sheriff haunted by the acts of the evil man he hunts earned him a Screen Actors Guild nomination for Best Supporting Actor. The actor co-starred with Stanley Tucci and Neal McDonough for 2011's blockbuster Captain America: The First Avenger, and reprised his role as a secret agent in Men in Black 3 (2011). In 2012 he played a Congressman fighting to help Abraham Lincoln end slavery in Steven Spielberg's Lincoln, a role that led to an Oscar nomination for Best Supporting Actor.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Known mostly for his role as medical intern John "J.D." Dorian on NBC's sitcom Scrubs, Zach Braff has an enthusiasm for acting that can be traced back to his childhood in South Orange, NJ, where, at eight years old, he recalls watching his attorney father participate in a local theater group. Three years later, Braff could be found cultivating his own show-business skills at Stagedoor Manor, a renowned children's acting camp. After attracting the attention of a well-connected talent scout, Braff made his would-have-been television debut opposite Gwyneth Paltrow in an unsold pilot produced by Bruce Paltrow. His contribution to CBS's after-school special My Summer as a Girl in 1994 made it to the television screen, but, by that time, he had a significantly more notable role under his belt: the teenaged son of two neurotic New Yorkers (Woody Allen and Diane Keaton) in Manhattan Murder Mystery (1993). Though moderately successful in his childhood and late teens, Braff opted to attend college at Northwestern University rather than making an immediate transition to a full-time career of pursuing roles in the wilds of Los Angeles. While at Northwestern, Braff wrote and directed several short films, among them Lionel on a Sunday, which fared successfully in the 1998 festival season. The young actor went on to co-star in Getting to Know You, an adaptation of various short stories penned by author Joyce Carol Oates, which won praise at the 1999 Sundance Film Festival. After a role as a gay party-boy drug addict in The Broken Hearts Club (2000), which won a GLAAD Media Award for Outstanding Film, Braff auditioned for Scrubs; despite his prior experience, the sitcom undoubtedly became his breakout role. Indeed, the Scrubs success helped Braff write, direct, and star in Garden State (2003) opposite Natalie Portman and Ian Holm. The "little Sundance film that could" of its particular year, Garden State became a major indie hit, as its look and sound resonated with the creeping-toward-maturity Gen-Y demographic to whom Braff was obviously appealing. His next role as the lead character in Disney's animated Chicken Little appealed to a younger crowd, but still banked some serious cash at the box office. Braff next appeared in the flesh in 2006's Tony Goldwyn romantic comedy The Last Kiss. The film, scripted by Crash's Paul Haggis, co-starred Casey Affleck, Tom Wilkinson, and Blythe Danner, and mined much of the same simultaneously sad and funny emotional ground explored in Garden State. It died a quick death at theaters as fans heeded the advice of critics who deemed it a more morose gloss on well-trod twentysomething angst. The actor's next film was the lighter romantic-triangle comedy The Ex.Scrubs finally ended its run in 2011, and Braff made another big screen appearance, this time in the drama The High Cost of Living. He had a supporting role in 2013's Oz the Great and Powerful before returning to the indie scene in 2014 with the Kickstarter-funded Wish I Was Here, which he directed, co-wrote (with his brother Adam) and starred in.

Trivia: Emile Hirsch rose to prominence in 2002 with showy roles in two high-profile films: The Dangerous Lives of Altar Boys and The Emperor's Club. Hirsch was born in Topanga Canyon, CA, on March 13, 1985. He made his television debut at the age of 11 in an episode of the series Kindred: The Embraced. After a number of small guest roles on Two of a Kind, Sabrina, the Teenage Witch and Third Rock From the Sun, Hirsch moved on to more dramatic roles with appearances of NYPD Blue and ER. He appeared in a pair of made-for-TV movies, Gargantua and Houdini (in the latter playing the famed magician Harry Houdini as a boy) before making his big-screen debut as pensive Catholic school student Francis in The Dangerous Lives of Altar Boys, which earned the teenager a number of enthusiastic reviews. After appearing in the made-for-cable drama Wild Iris, Hirsch appeared as a bright but rebellious student in the Kevin Kline vehicle The Emperor's Club. Hirsch was praised for his roles in Imaginary Heroes (2004) and Lords of Dogtown (2005), though the films themselves received lukewarm reviews. His luck would change when he was cast as a young man who finds himself while hitchhiking America for 2007's Into the Wild. Based on the popular novel from Jon Krakauer, Sean Penn directed the film, which would earn Hirsch a Best Actor nom from the Broadcast Film Critics Association. Hirsch reunited with Penn to play a young gay rights activist in Milk, the multi-Academy Award winning biopic of politician and activist Harvey Milk. He lent his voice for X Games 3D: The Movie in 2009, and starred in Taking Woodstock (2009), a biopic chronicling a face-off between the owners of a small motel, and the organizers of the original Woodstock. He took a supporting role in Oliver Stone's 2012 film The Savages.

Trivia: A popular comic turned actor who started his career on-stage as a dare, funnyman Eddie Griffin's memorable supporting roles in such films as Deuce Bigalow: Male Gigolo have built the comedian an ever-growing fan base and a path to his first starring role in 2002's Undercover Brother. Born in Kansas City, MO, Griffin's career began when he accepted a dare to take the stage on amateur night at a local comedy club. Soon developing a personal style reminiscent of such classic comics as Richard Pryor and Redd Foxx, Griffin gained further exposure opening for comic Andrew Dice Clay on a 22-city tour and later in a series of impromptu performances at Los Angeles' popular Comic Store. Quickly following with performances on HBO's Russell Simmons' Def Comedy Jam and a Cable Ace Award-nominated special, Griffin began branching out into acting. Roles in such films as The Last Boy Scout (1991), Coneheads (1993), and Jason's Lyric (1994) soon led to a sitcom (Malcom and Eddie) in 1996, and Griffin's film appearances became more frequent. After headlining 2001's Double Take alongside Orlando Jones, Griffin seemed poised for leading-man status, and with his role as Anton Jackson in 2002's Undercover Brother, it seemed as if Griffin had conquered not only the stage, but the silver screen as well. In addition to his comedic skills, Griffin is also a gifted dancer and choreographer. Griffin joined the cast of Scary Movie 3 the following year, and continued to perform as a stand-up comedian throughout the early 2000s. In 2005 he starred in the comedy The Wendell Baker Story alongside Luke Wilson, Andrew, and Owen Wilson, and appeared in a series of ultimately forgettable films over the course of the decade (Deuce Bigalow: European Gigolo, Date Movie, and Norbit among them), but continues to remain popular as a stand-up comedian.

Trivia: California native Patrick Muldoon began his acting career in the early '90s, appearing in several episodes of the teen sitcom Saved by the Bell. He soon scored another recurring role on the night-time soap Melrose Place, which he stayed with until 1996, as well as a part on the daytime drama Days of Our Lives (1992-1995). He would continue to rack up an impressive list of movie appearances including Starship Troopers, Stigmata, Whacked!, and Ice Spiders.

Trivia: Since his 1983 breakout role as an Irish-Catholic misfit nicknamed "The Sheik" opposite Rosanna Arquette in Baby It's You, Vincent Spano has proved himself a versatile and skilled actor to those who have followed his career. Spano had begun acting in a professional capacity by the age of 14, when he starred in a 1977 theater production of The Shadow Box, and landed a small Broadway role two years later in The Double McGuffin. Though audiences had expected Spano to rise along with the other budding stars of his time, particularly after a critical nod for his role in Francis Ford Coppola's Rumble Fish (1983) and appearances in several popular 1980s teen films, Spano opted against the high-profile stardom he could have easily pursued in favor of taking on a variety of unique but decidedly less flashy roles.Unfortunately, most of those roles ended up buried within otherwise unremarkable movies; this was the case with his portrayal of a bewildered graduate assistant in Creator (1985), as was his performance in Russian director Andrei Konchalovsky's first American film, Maria's Lovers (1984). Luckily, Spano received no small amount of praise for his contribution to Good Morning, Babylon (1987), an Italian/American/French collaboration that chronicled the efforts of an Italian cathedral builder's (Spano) complicated emigration to the United States. After filming several foreign features, Spano turned in a solid performance as the good-hearted but emotionally lost New Jersey native in John Sayles' urban drama City of Hope (1991), and went on to star alongside Ethan Hawke in the hotly anticipated cannibalistic docudrama Alive (1993).Though significant mainstream recognition continued to elude him, Spano nonetheless continued to exhibit an admirable willingness to try anything when it came to selecting roles. Whether it was as a rogue government agent (1996's Downdraft) or the excruciatingly macho brother of an AIDS victim (1998's The Unknown Cyclist), Spano continued to impress fans with his wide-ranging capabilities. After filming several horror films and psychological thrillers during the early 2000s, Spano was given a warm reception for his performance as a "justice fighter" in the Sci-Fi channel's feature-length pilot Deathlands: Homeward Bound.

Trivia: Has performed under the name "Verbal" with the hip-hop band Verbal Militia. Contributed material to and performed in The Violence Project, a 2002 theatre piece spotlighting violence and how it affects young people in the U.S. Toured with Judith Light in the Pulitzer Prize-winning play Wit, about a poetry professor battling cancer. A supporting role on the short-lived TV show Luis had the up-and-comer relocate to Los Angeles in 2003, which expanded his visibility and opportunities. Played a genius-scientist in the TV comedy Better Off Ted.

Trivia: Actress Frances Lee McCain began her career on Broadway, appearing in stage shows throughout the late '60s before transitioning to the screen with a number of TV guest-appearances, as well as roles in movies like Gremlins and Footloose. The '90s would bring supporting roles in many more movies, including Scream and Patch Adams. McCain remained active in theater, especially in the San Francisco area.