Trivia: Handsome actor Ryan Reynolds may be best known to television viewers for his role in the popular Two Guys, a Girl and a Pizza Place, though if it weren't for his close friend Chris Martin, Reynolds' star may have not risen quite as smoothly as it did. Born in 1976, in Vancouver, British Columbia, Canada, to a food wholesaler father and a retail store saleswoman, Reynolds harbored an affection for acting from his early youth, and was undeterred after failing a drama class at the age of twelve. Making his television debut two years later on the Nickelodeon show Fifteen, the aspiring youngster crossed the border and relocated to Florida for the taping of the show, moving back to Vancouver soon after production ceased in 1991. Turning up in numerous television series such as Sabrina the Teenage Witch and made-for-TV movies in the following years, Reynolds soon grew despondent that his career was not moving along as smoothly as he wished. Recognizing his friend's frustrations, fellow actor Martin suggested that the two pick up and head for the Hollywood hills. Crashing in a cheap hotel and having his jeep stripped and rolled down a hill did little to raise Reynolds' spirits, though the determined actor carried on, landing his role on Two Guys in 1997. The only actor to read for the role of Berg, Reynolds won the favor of the producers and was soon on his way to success in the States. Following with roles in the teen horror comedy Boltneck (1998) and later Dick (1999) and Finder's Fee (2000), Reynolds soon began assuming his position among the hot young actors of the early millennium, taking the lead in 2001 for Van Wilder.Prominent roles in more high-profile films followed, including the part of Hannibal King in 2004's Blade Trinity, and the lead role of George Lutz in the 2005 remake of the classic horror movie The Amityville Horror. He soon followed this up with starring roles in two comedies: 2005's Waiting and Just Friends. With his career on a meteoric path upward, he continued to branch, snagging starring roles in films like the supernatural thriller The Nines, and the romantic comedy Definitely Maybe, eventually signing on to play the character of Deadpool in the next installment in the X-Men franchise X-Men Origins: Wolverine, as well as starring alongside Sandra Bullock in the romantic comedy The Proposal. Officially having made the transition into Leading Man Actor, Reynolds took a few unexpected roles in smaller films, playing supporting characters in 2009's Adventureland and making a quirky comedic turn in 2010's Paper Man. By 2011, however, Reynolds was ready to get back in the game, taking the lead in the super hero movie Green Lantern. The next year he appeared alongside Denzel Washington in the action thriller Safe House. He made cameo appearances in two Seth MacFarlane films, Ted and A Million Ways to Die in the West, and voiced a character in the animated film The Croods.

Trivia: The younger brother of Family Ties star Justine Bateman, actor Jason Bateman has been a mainstay on television since the 1980s, starring in countless sitcoms of varying success. He first displayed his scene-stealing propensity in the role of young sharpster Derek Taylor, best friend of star Ricky Schroder, on Silver Spoons. The audience response to Bateman was so positive that the 15-year-old was given his own sitcom vehicle in 1984, as "teenaged con man" Matthew Burton on It's Your Move. When this series was cancelled after one season, Bateman moved to the long-running role of wise-guy teen David Hogan on the mid-1980s series Valerie, which of course later changed names (and leading actresses) to emerge as The Hogan Family. During this period, Bateman also found time to star or co-star in a handful of feature films, such as the 1985 made-for-TV summer-camp comedy Poison Ivy, Teen Wolf, Too, and 1991's Necessary Roughness. However, none of the projects were successful enough to give Bateman a springboard to bigscreen stardom.Following the conclusion of The Hogan Family in 1991, Bateman embarked on a decade plagued by failed TV outings. On top of several pilots that never even saw the light of day, he was the lead in no less than four ill-fated sitcoms, Simon, George and Leo, Chicago Sons, and Some of My Best Friends. Fortunately, as the new millenium was ushered in, things started to look bright for Bateman. After a supporting turn in the Cameron Diaz comedy The Sweetest Thing, his first major theatrical feature in a decade, he was tapped to lead the eclectic ansemble cast of the Ron Howard-produced Fox sitcom Arrested Development. Acclaimed for its smart humor and fresh concept, the show became a hit with critics and viewers.In the wake of Arrested Development's success, Bateman continued to increase his presence in the world of comedy, but henceforth on the silver screen. He made memorable appearances in 2004 comedies like Starsky and Hutch and Dodgeball: A True Underdog Story, as well as more serious fare, like the 2007 Iraq War movie The Kingdom, but Bateman's next major hit seemed to come later that year, with a memorable supporting role in the comedy Juno. He would continue to be a mainstay in comedy, however, with appearances in Forgetting Sarah Marshall, The Invention of Lying, Extract, Couples Retreat, and The Switch, but the actor would continue to surprise audiences with more dramatic films as well, like 2009's State of Play and Up in the Air. For comedy fans, Bateman couldn't be avoided in 2011, with roles in Horrible Bosses as well as The Change-Up. Soon, he was signing up to star alongside Olivia Wilde and Billy Cruddup in The Longest Week, and Alexander Skarsgard in Disconnect.

Trivia: With a golden-locked classic Hollywood beauty reminiscent of Mia Farrow, pretty Leslie Mann has been gracing the screens of both theaters and televisions since her film debut in 1991 (Virgin High). A San Francisco native, Mann's striking blue eyes and softly high-pitched voice aren't the only factors that got her work in Hollywood amidst a sea of struggling actors; she credits much of her success to her three therapists, a psychic, and Susan Jeffers' popular self-help book Feel the Fear and Do It Anyway. Fidgety and energetic, Mann continued acting on television's Birdland (1994) before beating out 500 other aspiring actresses two years later for the role of Matthew Broderick's girlfriend in The Cable Guy. After turning up in She's the One the same year, Mann would take another high-profile role, as a period prostitute alongside Bruce Willis in Last Man Standing. Essaying the role of Ursula in George of the Jungle (1997) before taking on Adam Sandler in Big Daddy (1999), fans with a quick eye could later spot Mann in one of four screens in director Mike Figgis' Timecode in 2000. In the following years the attractive and increasingly prominent actress could be seen in such comedies as Orange County and The Promise (both 2002). In 1997 she married comedy writer/producer/director Judd Apatow, and he put her in a a great scene in 2005's The 40-Year-Old-Virgin which led to more high-profile parts in comedies such as Knocked Up, Funny People, 17 Again, I Love You Phillip Morris, and The Change-up. In 2012 she and Paul Rudd revived their characters from Knocked Up for the middle-age marriage comedy This Is 40.

Trivia: On many an occasion, Olivia Wilde's sleek hair (which alternated between blonde and coal black), sultry figure, and haunting blue eyes typecast her in the mold of an evil seductress and vamp. The N.Y.-born Wilde -- not a blood relation to the famous writer Oscar Wilde, as is commonly assumed, but one inspired by him, who borrowed his surname -- launched into show business with a portrayal of Jewel Goldman, the female lead of Jerry Bruckheimer's short-lived Fox drama Skin (2003). The series constituted an update of Romeo and Juliet and depicted the romance between a porn producer's daughter and a district attorney's son. It folded not long after it premiered, but provided a convenient showcase for Wilde's talents. After key roles in two drug-themed features -- the Nick Cassavetes-directed Alpha Dog and director John Herzfeld's Bobby Z -- Wilde catapulted sensationalism-hungry viewers to their television sets when she portrayed a lesbian bartender who attempts to seduce lovely Mischa Barton on The O.C. She then received regular billing as Jenny Reilly on The Black Donnellys (2007), an NBC series about the exploits of an Irish crime family residing in Hell's Kitchen, which didn't make it past its first season. Wilde rebounded quickly with a coveted role on the smash-hit Fox medical series House, joining the cast during the show's fourth season. She remained on the show for three seasons, and also built up a big-screen career with roles in Year One, Tron: Legacy, The Change-Up, Butter, Cowboys & Aliens, and People Like Us. Once leaving House, she largely focused on her film work, often alternating bigger budget films (like 2013's Rush) with smaller, independent films (like 2013's Drinking Buddies, which she also executive produced).

Trivia: As a multi-talented film and stage performer with an intense comic flair, the diminutive and stocky Jewish-American character actor Alan Arkin built a career for himself out of playing slightly gruff and opinionated yet endearing eccentrics. Though not commonly recognized as such, Arkin's ability extends not only beyond the range of the comedic but far beyond the scope of acting. In addition to his before-the-camera work, Arkin is an accomplished theatrical and cinematic director, an author, and a gifted vocalist.Born March 26, 1934, to immigrant parents of Russian and German Hebrew descent, Arkin came of age in New York City, then attended Los Angeles City College in the early '50s and launched his entertainment career as a key member of the folk band the Tarriers, alongside Erik Darling, Carl Carlton, and Bob Carey. Unfortunately, the Tarriers never managed to find a musical foothold amid the 1960s folk boom -- which, despite the success of a European tour in 1957, encouraged Arkin to leave the group and carve out a niche for himself in another arena.Arkin instead turned to stage comedy and joined Chicago's Second City troupe, then in its infancy. (It officially began in 1959.) From there, Arkin transitioned to Broadway roles, and won a Tony and critical raves for his debut, in Carl Reiner's autobiographical seriocomedy Enter Laughing (1963). He followed it up with the lead in Murray Schisgal's surrealistic character comedy Luv, and made his onscreen debut alongside friend and fellow actor Reiner, for Norman Jewison's frenetic social satire The Russians Are Coming! The Russians Are Coming! The picture not only scored with the public and press (and received a Best Picture nod) but netted Arkin a nomination for Best Actor. He lost to Paul Scofield, for the latter's role as Thomas More in A Man for All Seasons.Arkin evinced pronounced versatility by cutting dramatically against type for his next performance: that of Harry Roat, a psychopath who systematically psychologically tortures Audrey Hepburn, in Terence Young's Wait Until Dark (1967). A return to comedy with 1968's Inspector Clouseau (with Arkin in the Peter Sellers role) proved disastrous. Fortunately, Arkin took this as a cue, and shifted direction once again the following year, with his aforementioned portrayal of Singer in The Heart Is a Lonely Hunter -- a gentle and beautiful adaptation of Carson McCullers' wonderful novel. For the effort, Arkin received a much-deserved sophomore Academy Award nomination for Best Actor, but lost to Charly's Cliff Robertson. The '70s brought mixed prospects for Arkin. He debuted as a film director in 1971, with a screen adaptation of Jules Feiffer's jet-black comedy Little Murders -- a theatrical work that Arkin had previously directed, to rave reviews, off-Broadway. A foray into the subject of American apathy in the face of random violence as it escalated during the late '60s and early '70s, the film tells the story of a sociopathically aggressive woman (Marcia Rodd) who wheedles an apathetic photographer-cum-avant-garde filmmaker (Elliott Gould) into marriage. The film divided journalists sharply. Despite initial reservations and objections, the film aged well with time, and has received renewed critical attention in recent years.Arkin's choice of projects over the remainder of the decade varied dramatically in quality -- from the dregs of Gene Saks' Neil Simon cinematization Last of the Red Hot Lovers (1972) and the tasteless police comedy Freebie and the Bean (1974) to the finely wrought, overlooked comedy-mystery The Seven-Percent Solution (1976) and Arthur Hiller's sensational farce The In-Laws (1979). Alongside his film work during the '70s, Arkin authored two best-sellers: the children's book Tony's Hard Work Day (1972) and an exploration of yoga, Half Way Through the Door: An Actor's Journey Towards the Self (1975). In the late '70s, Arkin made a rare television appearance, delighting younger viewers with a wild and gothic starring role on an episode of Jim Henson's Muppet Show.If the 1970s struck Arkin fans as something of a mixed bag, the actor's career choices suffered during the '80s, perhaps because of the paucity of solid comedic roles available in Hollywood during that decade. A brief list of Arkin's film credits during that period render it surprising that he could even sustain his own career throughout such poor choices: Chu Chu and the Philly Flash (1981), Improper Channels (1981), Full Moon High (1982), Bad Medicine (1985), Big Trouble (1985), and Escape from Sobibor (1987). Arkin did make two wonderful contributions to overlooked '80s comedies, however: 1980's Simon and 1985's Joshua Then and Now. In the first picture, directed by fellow Tarrier vocalist (and former Woody Allen co-scenarist) Marshall Brickman, Arkin plays Simon Mendelssohn, a college professor who falls prey to a nutty government think tank run by Max Wright and Austin Pendleton. Although the film remained an obscurity, Joshua delivers some of Arkin's most impressive onscreen work to date, and doubtless enabled him to pull from his own Jewish heritage in developing the character.The public's decision to snub these two pictures may have foreshadowed Arkin's work in the '90s, when he appeared in several fine, but equally overlooked, efforts. These included: Havana (1990), The Rocketeer (1991), Indian Summer (1993), Bullets Over Broadway (1994), the aforementioned Mother Night (1996), Grosse Pointe Blank (1997), and Slums of Beverly Hills (1998). He delivered a searing performance as the "loser" salesman who robs his company of much-sought-after leads, in James Foley's David Mamet cinematization Glengarry Glen Ross (1992), and offered the only memorable contribution to Andrew Davis' fable Steal Big, Steal Little (1995), as "an opportunist who weighs in with the underdogs and learns the true meaning of decency and friendship...[striking] the perfect blend of cynicism, sincerity, and simpatico." Arkin maintained a comparatively lower profile during the early years of the millennium, aside from outstanding contributions to the otherwise dull farce America's Sweethearts (2001), the gripping telemovie The Pentagon Papers (2003), and the historical biopic And Starring Pancho Villa as Himself (2003). In early 2007, Arkin received his first Academy Award nod in 38 years: a Best Actor nomination that he subsequently won for his hilarious turn in the road comedy Little Miss Sunshine. In that movie, Arkin played the grandfather of an über-dysfunctional family, who is ejected from a nursing home for his freewheeling lifestyle. The character's passions include porn and heroin -- elements that, as used by the film's directors, enable Arkin to provide much of the film's fresh and inspired humor. The part earned him rave reviews, and an Oscar for Best Supporting Actor.He appeared in the dog film Marley & Me in 2008, and that same year reteamed with Steve Carell for the big-screen version of Get Smart. He was the executive producer and co-star of the shaggy-dog crime tale Thin Ice in 2010, and the next year he had a brief cameo as a studio tour guide in The Muppets, and appeared in The Change-Up. He had a major part in Ben Affleck's Argo, a thriller about agents attempting to save American hostages held by Iranians by pretending to be making a Hollywood blockbuster. His portrayal of a showbiz producer who helps pull of the scheme, Arkin captured another Oscar nomination for Best Supporting Actor.Alan Arkin has married and divorced three times, to Jeremy Yaffe, to Barbara Dana, and to Suzanne Arkin. In addition to the legacy engendered by his own career resumé, Arkin has fathered something of an acting dynasty; his three sons, Adam, Matthew, and Tony, are all gifted and accomplished actors, with Adam Arkin (Northern Exposure, Chicago Hope) maintaining a somewhat higher profile than his brothers.

Trivia: Her father worked for the United Nations. Spent most of her childhood living in Fiji and the Solomon Islands. Met a producer while working at a restaurant in Los Angeles, which led to her first professional acting job in the movie Cellular in 2004.

Trivia: Character actor Gregory Itzin's tall and conservative appearance seemed to call for, even demand, sober and distinguished parts, such as those of corporate heavies, cutthroat attorneys, etc. It was with immense irony, then, that Itzin took his cinematic bow on a completely loony note -- as one of the proselytizing cultists karate-chopped by Robert Stack at the airport in the Zucker-Abrahams-Zucker classic Airplane! For a time, Itzin seemed to take this as a cue and placed a strong emphasis in his career on comedies, such as the 1982 Best Little Whorehouse in Texas (as one of religious crusader Melvin P. Thorpe's minions) and episodes of Murphy Brown and Night Court. The late '80s, however, saw Itzin turn toward more straight-faced material; he tackled small roles in the Gary David Goldberg melodrama Dad (1989) and Steve Kloves' justly praised seriocomedy The Fabulous Baker Boys (1989). In the 1990s, Itzin's diversity broadened further, with periodic contributions to the domestically themed prime-time dramas ER, Murder One, and (expanding into the fantasy realm) Star Trek: Deep Space Nine and Star Trek: Voyager. Itzin extended his heavy emphasis on television work into the 2000s, with a particularly high profile in 24, as Vice President (then President) Charles Logan. In 2007, the actor received renewed attention (not all of it positive) with his portrayal of Dr. Greg Jameson, the physician who treats psychopath victim Lindsay Lohan, in the critically despised torture-fest I Know Who Killed Me. Itzen continued his role on 24 throughout 2010, and took on a small supporting role in actor/director George Clooney's political drama The Ides of March (2011).

Trivia: Following an early career that mainly included small parts on Empty Nest, Murphy Brown, and other assorted sitcoms, Craig Bierko made a number of unsuccessful stabs at stardom in feature films with leading-man roles in the poorly received comedies Sour Grapes, The Suburbans, and Dickie Roberts: Former Child Star. He also starred opposite Gretchen Mol in 1999's sci-fi dud The Thirteenth Floor. In 2005, Bierko's career began to pick up steam when he bulked up to play boxer Max Baer in Ron Howard's Cinderella Man. Playing opposite acting heavyweights Russell Crowe and Paul Giamatti, Bierko held his own and received high marks from critics. He parlayed the success of the performance into an extended arc on ABC's Boston Legal, and in 2007 was cast as the lead on Fox's The Rules for Starting Over, a romantic sitcom about a divorced man's reluctant attempts at entering the dating scene. In 2012, he played a supporting role in Peter and Bobby Farrelly's reboot of The Three Stooges.