Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: Though perhaps best-known internationally for playing tough-guy roles in Romper Stomper (1993), L.A. Confidential (1997), and Gladiator (2000), New Zealand-born actor Russell Crowe has proven himself equally capable of playing gentler roles in films such as Proof (1991) and The Sum of Us (1992). No matter what kind of characters he plays, Crowe's weather-beaten handsomeness and gruff charisma combine to make him constantly watchable: his one-time Hollywood mentor Sharon Stone has called him "the sexiest guy working in movies today."Born in Wellington, New Zealand, on April 7, 1964, Crowe was raised in Australia from the age of four. His parents made their living by catering movie shoots, and often brought Crowe with them to work; it was while hanging around the various sets that he developed a passion for acting. After making his professional debut in an episode of the television series Spyforce when he was six, Crowe took a 12-year break from professional acting, netting his next gig when he was 18. In film, he had his first major roles in such dramas as The Crossing (1990) and Jocelyn Moorhouse's widely praised Proof (1991) (for which he won an Australian Film Institute award). He then went on to gain international recognition for his intense, multi-layered portrayal of a Melbourne skinhead in Geoffrey Wright's controversial Romper Stomper (1992), winning another AFI award, as well as an Australian Film Critics award. It was Sharon Stone who helped bring Crowe to Hollywood to play a gunfighter-turned-preacher opposite her in Sam Raimi's The Quick and the Dead (1995). Though the film was not a huge box-office success, it did open Hollywood doors for Crowe, who subsequently split his time between the U.S. and Australia. In 1997, the actor had his largest success to date playing volatile cop Bud White in Curtis Hanson's L.A. Confidential (1997). Following the praise surrounding both the film and his performance in it, Crowe found himself working steadily in Hollywood, starring in two films released in 1999: Mystery, Alaska and The Insider. In the latter, he gave an Oscar-nominated lead performance as Jeffrey Wigand, a real-life tobacco industry employee whose personal life was dragged through the mud when he chose to blow the whistle on his former company's questionable business practices.In 2000, however, Crowe finally crossed over into the public's consciousness with, literally, a tour de force performance in Ridley Scott's glossy Roman epic Gladiator. The Dreamworks/Universal co-production was a major gamble from the outset, devoting more than 100 million dollars to an unfinished script (involving the efforts of at least half a dozen writers), an untested star (stepping into a role originally intended for Mel Gibson), and an all-but-dead genre (the sword-and-sandals adventure). Thanks to an aggressive marketing campaign and mostly positive notices, however, the public turned out in droves the first weekend of the film's release, and kept coming back long into the summer for Gladiator's potent blend of action, grandeur, and melodrama -- all anchored by Crowe's passionate man-of-few-words performance.Anticipation was high, then, for the actor's second 2000 showing, the hostage drama Proof of Life. Despite -- or perhaps because of -- the widely publicized affair between Crowe and his co-star Meg Ryan, the film failed to generate much heat during the holiday box-office season, and attention turned once again to the actor's star-making role some six months prior. In an Oscar year devoid of conventionally spectacular epics, Gladiator netted 12 nominations in February 2001, including one for its lead performer. While many wags viewed the film's eventual Best Picture victory as a fluke, the same could not be said for Crowe's Best Actor victory: nudging past such stiff competition as Tom Hanks and Ed Harris, Crowe finally nabbed a statue, affirming for Hollywood the talent that critics had first noticed almost ten years earlier.Crowe's 2001 role as real-life Nobel Prize-winning schizophrenic mathematician John Forbes Nash Jr. brought the actor back into the Oscar arena. The film vaulted past the 100-million-dollar mark as it took home Golden Globes for Best Picture, Supporting Actress, Screenplay, and Actor and racked up eight Oscar nominations, including a Best Actor nod for Crowe. The film cemented Crowe as a top-tier leading man, and he would spend the following years proving this again and again, with landmark roles in Master and Commander: The Far Side of the World, Cinderella Man, A Good Year, 3:10 to Yuma, Robin Hood, and State of Play.

Trivia: Rugged leading man Josh Brolin was raised on a horse ranch in California, a fact that would come to inform his persona as an actor in years to come. But when the 17 year old made his big-screen debut in 1985's The Goonies, most viewers knew him as the son of actor James Brolin. The younger Brolin didn't shy away from his Hollywood roots, and when he relocated to L.A. to pursue an acting career, he moved in with his dad while he studied the craft under the esteemed Stella Adler. He soon followed his appearance in The Goonies with a lead role in the series Private Eye, and though the show didn't last, Brolin decided to stay in TV, starring in the Western series Young Riders. The show ended its three-year run in 1992, when Brolin's marriage to Alice Adair ended as well, and Brolin seemed intent on flying under the radar for the next several years, pursuing mostly smaller, independent projects like My Brother's War and Mimic. In 2007, he caught on with a new core group of fans when he played the sinister Doc Block in Robert Rodriguez's instant cult favorite Planet Terror, one half of the Grindhouse double feature. Later that same year, however, he would be reintroduced to audiences on a much huger scale when he took the lead role in the Coen brothers' highly acclaimed No Country for Old Men. The sleeper film would become one of the biggest films of the year, winning the Oscar for Best Picture and making Brolin a household name for the first time in over a decade.Brolin next signed on to play the title role in W., Oliver Stone's satirical biopic about president George W. Bush. Buzz gathered around the project before so much as a trailer was released, praising the actor's complete transformation into what had originally seemed like a strange role for him to play. Although the buzz was that he would garner some awards for his role as the 43rd President, it turned out that a different political film from 2008 would bring him the biggest accolades of his career. His portrayal of Dan White, the man who assassinated Harvey Milk, in Gus Van Sant's Milk garnered Brolin his first Academy Award nomination, as well as a nod from the Screen Actors Guild.In 2010 he would play the title character in the adaptation of the comic book Jonah Hex, but he would find much greater success as the dastardly Tom Chaney in the Coen brothers remake of True Grit. He shares a very funny story in the 2011 documentary Woody Allen: A Documentary. In 2012 he stepped into the successful Men In Black franchise with MiB3, playing a younger version of Tommy Lee Jones's character. He next appeared in Gangster Squad, opposite Ryan Gosling, and took on the lead in the 2013 English language remake of Oldboy. Brolin joined the Marvel Cinematic Universe, playing the villainous Thanos, first in Guardians of the Galaxy and later reprising his role in other films in the MCU. In 2014, he also appeared in the Sin City sequel A Dame to Kill For and Inherent Vice. He later took a role in the disaster film, Everest, based on the real-life disaster the occurred on the mountain in 1996.

Trivia: Some say that the eyes are a window into one's soul, and few actors are gifted enough to make an audience truly believe the plight of the characters they portray; despite their best efforts, their eyes often betray their abilities and we still recognize the actor playing the character. With his honest eyes, sincere smile, and unmistakable onscreen presence, actor Chiwetel Ejiofor possesses the rare ability to internalize his characters to an unusually realistic degree -- an ability that has gained him increasing recognition in the arena of world cinema. Ejiofor was born to Nigerian parents in Forest Gate, East London; his father was a doctor and his mother a pharmacist. Though his calling may not have been readily apparent in his early childhood, by the time Ejiofor was 13, the aspiring young actor was taking to the stage in numerous school and National Youth Theater productions. His love of the stage growing with each passing year, by the time Ejiofor got to Dulwich College, his calling was clear. Soon attending the London Academy of Music and Dramatic Arts, he gained a reputation as a formidable stage talent, and following appearances in high-profile productions at the Almeida Theater Company and the Royal National Theater, Ejiofor's talents found him drawn to the medium of television, where he would make his debut in the 1996 made-for-TV thriller Deadly Voyage. It wasn't long before Ejiofor's talent caught the eye of legendary film director Steven Spielberg, and the following year, the up-and-coming actor was back on the high seas for Spielberg's historical drama Amistad. Of course, a role in such a high-profile release was bound to attract the attention of other filmmakers as well, and though Ejiofor would remain true to his theater roots, he would balance his stage work with roles in such films as Greenwich Mean Time (1999), It Was an Accident, and Mind Games (both 2000). Cast opposite Amélie star Audrey Tautou in Stephen Frears' 2001 drama thriller Dirty Pretty Things, Ejiofor essayed the role of a Nigerian immigrant living in London who makes a horrible discovery that puts his life in grave danger. It was glaringly obvious to any who had seen his performances that Ejiofor was one to look out for, and his winning performance as a hedonistic lawyer in the 2003 British miniseries Trust only served to cement the fact that his career was on the fast track. Remaining on the small screen for Twelfth Night, or What you Will and The Canterbury Tales (both 2003), Ejiofor would subsequently return to the big screen for Love Actually (2003) and Slow Burn (2004), a pair of films that virtually ensured him a high recognition factor and a bright future on stage and screen. He continued to work steadily in a variety of character roles. He anchored the dramatic sections of Woody Allen's Melinda and Melinda in 2004. He showed of his remarkable versatility in 2005 with roles in the urban thriller Four Brothers, the science fiction film Serenity, and starring as a flamboyant cross-dresser in the comedy Kinky Boots. In 2006 he worked with a pair of high-powered directors. He played the partner to Denzel Washington's hostage negotiator in the hit thriller Inside Man, and played a large part in Alfonso Cuaron's Children of Men.In 2007 he played opposite Don Cheadle in the biopic Talk to Me, and he was the lead in David Mamet's 2008 drama Redbelt playing a martial-arts expert. The next year he appeared in the disaster epic 2012, and he was in the Angelina Jolie action film Salt in 2010. In 2013, Ejiofor had a huge breakthrough playing enslaved Solomon Northup in 12 Years a Slave, earning him his first Oscar nomination.

Trivia: Puerto Rican-born actress Lymari Nadal signed for her first high-profile role as Eva in Ridley Scott's acclaimed period crime saga American Gangster (2007), opposite Russell Crowe and Denzel Washington. For that effort, Nadal and her co-stars netted a Screen Actors Guild nomination for Outstanding Performance by a Cast in a Motion Picture.

Trivia: African-American stage, film, and TV luminary Ruby Dee was born in Cleveland, the daughter of a Pullman-porter father and schoolteacher mother. While growing up in Harlem, Dee developed an interest in the theater. In 1941, she began studying under Morris Carnovsky at the American Negro Theatre. While attending Hunter College, she made her first professional stage appearance in South Pacific (not the Rodgers and Hammerstein musical, but a short-lived 1943 drama). On Broadway from 1946, Dee's first major success was as the title character in Anna Lucasta. In 1948, she married actor Ossie Davis, with whom she appeared in everything from Shakespeare to TV margarine commercials. Though she and Davis were both uncredited in their joint film debut, 1950's No Way Out, Dee achieved second billing in her next feature, The Jackie Robinson Story (1950). Among her favorite stage roles were Ruth Younger in Lorraine Hansberry's A Raisin in the Sun, and Luttiebelle in her husband Ossie Davis' play Purlie Victorious, roles that she would commit to film in 1961 and 1963 respectively. On TV, Dee was a regular on The Guiding Light, Roots: The Next Generations, and The Middle Ages; Dee worked steadily throughout the 1970s, '80s, dividing her time more or less equally between television [with turns in such small-screen movies as The Atlanta Child Murders (1981), The Court-Martial of Jackie Robinson (1990) and the 1990 Decoration Day, for which she won an Emmy] and the big screen, where her credits included the features Cat People (1982), Cop and a Half (1993) and A Simple Wish (1997). Dee received a career resurgence thanks to her prominent enlistment in the features of Spike Lee (alongside Davis), notably Do the Right Thing (1989) and Jungle Fever (1991). As time rolled on, she also began to participate in documentaries, such as the 1998 Christianity: The First Thousand Years and the 1999 Smithsonian World: Nigerian Art - Kindred Spirits); made guest appearances in such prime-time series as Touched by an Angel; and essayed a prominent role opposite Halle Berry in the telemovie Oprah Winfrey Presents: Their Eyes Were Watching God (2005). She continued to work steadily after Davis's death in early 2005, and in fact received her first Best Supporting Actress Oscar Nomination for her role in Ridley Scott's period crime saga American Gangster (2007). In 2011 she participated in Sing Your Song, a well-received biography of Harry Belafonte from HBO. In addition to her acting credits, Ruby Dee was an accomplished writer; she contributed a weekly column to New York's Amsterdam News, co-authored the script for the 1967 film Up Tight!, penned the 1975 TV play Twin-Bit Gardens, and published a book of poetry, Glowchild (1972).Dee died of natural causes in June 2014 at age 91.

Trivia: Striking terror deep in the hearts and subconsciousness of filmgoers worldwide with his chilling portrayal of aspiring transsexual serial killer James "Buffalo Bill" Gumb in director Jonathan Demme's acclaimed thriller The Silence of the Lambs, Steppenwolf Theater alumnus Ted Levine may not have received the star status some may have expected would follow the role, but he can consistently be counted on to turn in a lively performance, no matter how small his part may be.Born in Cleveland, OH, Levine received his M.F.A. in acting from the University of Chicago before making frequent appearances in such 1980s made-for-television efforts as Michael Mann's Crime Story (1986) and his feature debut in 1987's Ironweed. Taking small roles in such features as Betrayed (1988) and Next of Kin (1989) before his big break in Silence, Levine, curiously, stuck mostly to television following his portrayal of Buffalo Bill, not taking another featured role until his turn as a cop on the trail of a carnivorous industrial speed iron in The Mangler (1995). Appearing in Georgia and Michael Mann's acclaimed Heat the same year, Levine began to gain more prominent roles in the following years before taking to the seas with Patrick Stewart in Moby Dick (1998). Though he received critical acclaim for his role in the controversial television series Wonderland (2000), the show aired a meager two episodes (though four were produced) before being pulled due to outcry over its portrayal of the mental health system and its inhabitants. Bouncing back to the big screen, fans found that Levine could still be counted on to turn in absorbing performances in such features as Evolution and The Fast and the Furious (both 2001). Over the next several years, Levine would remain extremely active, appearing in films like The Manchuriuan Candidate, Memoirs of a Geisha, The Hills Have Eyes, and Shutter Island, as well as on TV series like Monk and Luck.

Trivia: An esteemed African-American playwright and actor whose roles almost invariably contend with the politics and dynamics of race (frequent collaborator Spike Lee once famously described him as a "racial cheerleader"), thespian Roger Guenveur Smith grew up in Berkeley and debuted onscreen in the late '80s. Over the ensuing years, Smith cultivated and sustained a reputation for tackling demanding, challenging, and thought-provoking assignments with immense aplomb. He achieved much of his success thanks to repeated collaborations with Lee, who cast him as Yoda in the musical School Daze (1988) and Smiley, the hipster street philosopher in Do the Right Thing (1989); in fact, Lee later noted that Smith was the one who devised the idea for the juxtaposed photographs of Dr. Martin Luther King Jr. and Malcolm X in one of Thing's pivotal scenes. Meanwhile, Smith remained extremely active in regional theater, both by authoring his own efforts (such as a musical about Christopher Columbus that painted commonly accepted versions of the man's life story as historical revisionism) and by teaching drama to juvenile delinquents. As the years passed, Smith's onscreen activity crescendoed; he signed for plum roles in such contemporary classics as King of New York (1990), Deep Cover (1992), and Eve's Bayou (1997), and, significantly, extended his professional relationship with Lee to many additional projects. The celebrated director cast Smith in such features as Malcolm X (1992), Get on the Bus (1996), He Got Game (1998), and Summer of Sam (1999), all of which received considerable acclaim. Their actor-director working relationship culminated in the little-seen (but arguably brilliant) A Huey P. Newton Story (2001) -- a Lee-directed film of Smith's one-man stage show on the life of controversial Black Panther leader Huey P. Newton. The film preserves the original Smith-authored play, and stars the thespian as Newton; Lee augments the film with visual pyrotechnics and interpolates archival footage to give the feature depth and dimension. Unfortunately, the project failed to receive even a limited theatrical release, and premiered instead on the Black Starz cable network. Thereafter, Smith continued his theatrical work (albeit very infrequently) with such plays as the 2003 Iceland, a psychological drama about four unrelated characters that debuted in Philadelphia. He also continued his frequent film roles, with assignments including Shade (2003), God's Waiting List (2006), Confessions of a Call Girl (2006), and Ridley Scott's American Gangster (2007).

Trivia: Prolific character actor John Hawkes earned a new level of recognition with his role as Bugsy, the slow-witted fisherman who provides Wolfgang Petersen's The Perfect Storm (2000) with a degree of comic relief. Hailing from Austin, TX, Hawkes, who bears a vague resemblance to Tom Selleck, began his career as an actor and musician. After relocating to Los Angeles, where he moved to do further stage work, the actor wrote and performed Nimrod Soul, a one-man show staged at the Theatre at the Improv. He subsequently found work on television and broke into film in the late '80s. In addition to doing supporting turns in a large variety of films, including Flesh and Bone (1993), From Dusk Till Dawn (1996), and I Still Know What You Did Last Summer (1998), Hawkes also did guest work on such long-running TV shows as E.R. and The X-Files. In 1999, he was cast in one of his first leading roles in A Slipping-Down Life, a well-received big screen adaptation of Anne Tyler's novel of the same name that also starred Lili Taylor and Guy Pearce. With his casting the following year in The Perfect Storm, a summer smash that featured him acting alongside the likes of George Clooney, Mark Wahlberg, and John C. Reilly, it seemed that Hawkes' career was entering a new and possibly more lucrative phase. Over the next several years, he would appear in a number of films, like Identity, Miami Vice, American Gangster, Winter's Bone, and Higher Ground.

Trivia: Rapper RZA (born Robert Diggs but alternately credited, at various junctures, as Prince Rakeem, Bobby Steels, The Rzarector, and The Abbott) initially rose to fame as a member of the rap group All in Together Now, then branched out into a career as a solo artist. Though he achieved tremendous commercial success in this capacity, RZA nonetheless made his most enduring musical impact not as a performer but as a producer, of the rap supergroup the Wu-Tang Clan. His spare, lean, and razor-sharp approach to rap production for the group laid the groundwork and set the bar for dozens of other rap acts throughout the 1990s. Cinematically, RZA placed his strongest emphasis on contributions to soundtracks, scoring and lending featured music to such opuses as the Jim Jarmusch-helmed crime drama Ghost Dog: The Way of the Samurai (1999), Quentin Tarantino's Kill Bill Vol. 1 (2003) and Kill Bill Vol. 2 (2004), and the urban farce Soul Plane (2004). Though RZA's acting roles officially began with a bit part in Jarmusch's Coffee and Cigarettes (2003), he went on to grace the supporting casts of films as diverse as Scary Movie 3 (2003), Derailed (2005), and The Take (2007). Also in 2007, RZA tackled a supporting role as Moses Jones in Ridley Scott's period crime drama American Gangster, starring Denzel Washington.

Trivia: Actor Yul Vázquez fit the bill for Hispanic or generalized ethnic roles in Hollywood productions, but worked to some degree against the grain by seeking out some of the more atypical and offbeat assignments within this type. He debuted in the Arne Glimcher-directed period musical drama The Mambo Kings (1992) -- as a member of the 1950s band at the center of the story -- then followed it up with bit parts and supporting roles in big-screen productions including Fresh (1994), Nick of Time (1995), Bad Boys II (2003), and War of the Worlds (2005), as well as occasional guest appearances on such series programs as Seinfeld and Law & Order. In 2007, Vázquez joined the cast of Ridley Scott's period crime melodrama American Gangster, alongside Denzel Washington and Russell Crowe.

Trivia: Interned at Liberty Studios before attending college. Appeared in the LMFAO music video "Party Rock Anthem." Made his feature film directorial debut in 2010 with A True Story.

Trivia: A theater star from a diverse background, Ruben Santiago-Hudson was born in Lackawanna, NY, in 1956. Growing up with a combination of Puerto Rican and African American descent yielded many life-shaping experiences for Santiago-Hudson, and after studying at Binghamton University, he went on to write, direct, and star in the acclaimed play Lackawanna Blues, in which he portrayed over 20 characters from his past. The thespian would continue to work on-stage, appearing in plays like Jelly's Last Jam and Seven Guitars -- for which he won a Tony -- and additionally transitioned to the screen, appearing in a large number of films like The Devil's Advocate and Honeydripper. In 2005, Santiago-Hudson adapted Lackawanna Blues into a miniseries produced by HBO, which met with critical acclaim and garnered several major awards for star S. Epatha Merkerson. In the following years, Santiago-Hudson would find success on the popular series Castle.

Trivia: A native of Sarasota, FL, Gugino spent most of her youth being shuttled by her mother to various locations in California. At age 15, she and her mom were living in San Diego, when Gugino was convinced to try a modeling career in New York City. She succeeded, but soon found the fast pace of high-fashion modeling too much for her and moved to Los Angeles, where she took advice from an aunt, model Carol Merril, and enrolled in acting classes to study under drama coach Gene Bua. Gugino soon made her film debut in the comedy Troop Beverly Hills (1986). More features followed, until she got her first supporting major role, that of Norma in the Robert De Niro/Leonardo Di Caprio drama This Boy's Life (1993), and later scored a co-starring role on the Michael J. Fox sitcom Spin City. As her star continued to rise, Gugino would spend the subsuquent years appearing in a wide variety of high profile projects, like Spy Kids, Out of Sight, Sin City, Night at the Museum, Sucker Punch, Watchmen, and Mr. Popper's Penguins. Gugino would also find major success on the small screen, with roles on shows like Entourage and Californication.

Trivia: A tough and slightly surly character actor most at home in ethnically oriented Hollywood roles, John Ortiz often found himself cast as nefarious hoods and toughs. Ortiz landed one of his earliest assignments with a 1992 guest appearance on Law & Order, then branched out into A-list supporting roles in such features as Carlito's Way (1993), Ransom (1996), Piñero (2001), and Miami Vice (2006). Ortiz essayed two extremely different cinematic assignments in 2007: a part in the Ridley Scott-directed period crime drama American Gangster and one in the sci-fi-horror opus Aliens vs. Predator: Requiem.

Trivia: Distinguished and versatile actor Cuba Gooding Jr. spent many years in bit roles before finally becoming a star. The son of Cuba Gooding, lead singer for the '70s pop group the Main Ingredient, he was born in the Bronx on January 2, 1968, but moved to Los Angeles after his father's group had a hit single with "Everybody Plays the Fool" in 1972. Unfortunately, the elder Gooding abandoned his family two years later. The subsequently tumultuous nature of Gooding Jr.'s upbringing did not deter him from achievement: During his teens, he attended four different high schools but managed to become class president of three of them. Gooding Jr. made his professional debut in 1984 as a breakdancer for Lionel Richie's show at the Olympics. As an actor he was discovered by an agent while performing in a high school play, and began working steadily in television commercials, which led to a bit part on an episode of Hill Street Blues. The experience inspired him to take acting lessons and after attending workshops and classes, he began to get a few more parts in television and films. He made his first feature-film appearance in Coming to America (1988) in which he was credited as "Boy Getting Haircut." Gooding Jr.'s first real break came when he was cast as Tre Styles in Boyz 'N the Hood (1990). The film earned him considerable acclaim and seemed to offer the promise of a great career. Sure enough, Gooding began landing fairly substantial parts in feature films. Unfortunately, save for a few exceptions like A Few Good Men (1992), most of the films were not well regarded, and the actor continued to work in relative obscurity. The comic talents he demonstrated as Paul Hogan's sidekick in 1994's Lightning Jack were overshadowed by further mediocre films, and it was not until 1997 that he truly came into the spotlight. That year, he starred as a loyal football player in Cameron Crowe's Jerry Maguire and won a Best Supporting Actor Oscar for his efforts. Following this triumph, Gooding Jr. next appeared in the acclaimed As Good as It Gets alongside Jack Nicholson, Helen Hunt, and Greg Kinnear. Two relatively obscure films, the suspense drama A Murder of Crows and the mockumentary Welcome to Hollywood, followed before Gooding Jr. took part in another high-profile picture, What Dreams May Come. Starring opposite Robin Williams, Gooding Jr. played the deceased Williams' tour guide to heaven. Unfortunately, the film was critically savaged and failed to do much business at the box office. In 1999, Gooding Jr. kept busy with both television and film. In addition to starring in a series of Pepsi commercials, the actor appeared opposite Anthony Hopkins in Instinct and had a lead role in Chill Factor, an action extravaganza which featured him as an ice cream man trying to keep a top-secret military chemical safe with the help of a short-order cook (Skeet Ulrich). Gooding Jr. would star opposite screen legend Robert De Niro in 2000's military drama Men of Honor, in which he portrayed the real life experience of Carl Brashear, the first African-American to serve as a diver in the United States Navy. Just one year later, he stepped into the role of an ill-fated serviceman in Pearl Harbor, though he took a break from heady, big-budget war dramas in favor of comedies Rat Race (2001) and Snow Dogs (2002). The year 2003 would prove another busy year for the actor, who starred in three wildly different movies including Boat Trip, a comedy of errors in which he played an unwitting straight man aboard an entirely gay cruise; Radio, which featured Gooding Jr. as the film's mentally challenged protagonist; and The Fighting Temptations, a musical comedy starring Beyoncé Knowles. In 2004, the young actor lent his vocal chords to voice the role of Jake the Horse in Disney's Home on the Range. He next appeared in Lee Daniels' directorial debut, Shadowboxer, playing a contract killer opposite Helen Mirren. In 2007, he appeared in the critically reviled Norbit, playing a supporting role to Eddie Murphy, and also starred in Daddy Day Camp, the sequel to Daddy Day Care, replacing Murphy in the lead role. Gooding again played a Tuskegee pilot in 2012's Red Tails (he had previously appeared in the 1995 HBO made-for-TV movie The Tuskegee Airmen). In 2013, he re-teamed with director Daniels on The Butler and had a small role in Robert Rodriguez's Machete Kills.

Trivia: Relegated to a series of low-budget thrillers in his later years despite impressive appearances in such films as Paradise Alley (1978) early on, Emmy-winning actor Armand Assante can always be relied upon to turn in a solid performance despite the fact that full-fledged stardom has eluded him throughout his long and varied career. A New York City native and a graduate of Cornwall Central High School, the handsome Irish-Italian actor got an impressive start to his acting career when he was awarded one of the American Academy of Dramatic Arts' highest honors while still a student at the renowned school. Assante is well versed in both stage and screen, and after he cut his teeth on such television dramas as How to Survive a Marriage and The Doctors, the fledgling actor got his big break opposite Sylvester Stallone in 1978's Paradise Alley. High-profile roles in Private Benjamin (1980) and Unfaithfully Yours (1984) found Assante gaining screen momentum in the early '80s, though the dedicated thespian continued to moonlight with numerous stage roles throughout the decade. From 1984 on, the majority of Assante's screen work was of the television variety, and in 1989 he was nominated for a Golden Globe for his role in the made-for-television feature Jack the Ripper. Assante started off the 1990s with a bang, and after gaining momentum with such efforts as Q & A (1990), The Mambo Kings (1992), and Hoffa (1992), an unrelentingly goofy performance in Fatal Instinct (1993) proved that he did indeed have a sense of humor despite his suave composure. With Judge Dredd (1995), Assante's feature career came to something of a head in the mid-'90s, and upon returning to the small screen he would take home an Emmy for his chilling performance as the eponymous character in the 1996 crime drama Gotti. Kudos would continue to roll in when Assante took the lead role in the television production of The Odyssey (1997), and after a strong few years onscreen he would usher in the new millennium with a voice role in the animated adventure The Road to El Dorado (2000). After taking the lead in the made-for-television remake of Stanley Kramer's nuclear war drama, On the Beach (2000), Assante spent the following few years appearing in such obscure action thrillers as Federal Protection (2001) and Partners in Action (2002). Despite his low profile, the tireless actor was in fact busier than ever as he appeared in no less than five films in 2003 alone.

Trivia: Though he spent most of his childhood in Japan and Europe, Joe Morton, along with his mother and remaining family, moved from Germany to New York after the passing of his father. While he hadn't given acting an incredible amount of thought during his adolescence, Morton decided to pursue a career in the performing arts during his first day at Hofstra University. After his first professional acting job in an off-Broadway production of A Month of Sundays, Morton was cast in Hair (1968), and subsequently became a well-known name within Broadway circles. Morton's role in Raisin, a musical version of A Raisin in the Sun, earned him a Tony nomination. Though he didn't manage to snag the award, the young actor nonetheless found work on several popular television shows of the time, including M*A*S*H and Mission: Impossible. By the late '70s, Morton had appeared in a variety of equally acclaimed films, such as The Outside Man (1973), Between the Lines (1977), and ...And Justice for All (1979).After continuing his work in television, Morton made his first leading-man feature-film appearance as "The Brother," an intergalactic escaped slave, in John Sayles' 1984 hit The Brother From Another Planet. A year later, Morton could be seen in a supporting capacity alongside Lori Singer and Keith Carradine in the post-noir romantic drama Trouble in Mind (1985). Though Morton found no small amount of work during the 1980s, it wasn't until 1991 that he would play one of the most recognizable roles of his career: the cyborg-components researcher in Terminator 2: Judgment Day. However, Terminator 2 was by no means the peak in his career -- that same year, he reunited with Sayles and played a frustrated city councilman in City of Hope. In 1994, Morton portrayed a police captain in Speed, and, after a recurring role on NBC's Homicide: Life on the Street, starred in two highly lauded films: The Walking Dead (1995), in which he played a deeply religious marine, and Lone Star (1996), another John Sayles film. By this stage in his career, Morton had developed a reputation for playing scientists and government officials, and his role as an explosives expert in Executive Decision (1996) was no exception. However, Morton was certainly not incapable of more emotional fare, as demonstrated in his performance in HBO's Miss Evers' Boys, which won three Emmy awards in 1997. In 1998, Morton further avoided typecasting with his role in Blues Brothers 2000 as Cabel Chamberlain, the son of music man Curtis (Cab Calloway) from the original film.The early 2000s proved an equally busy time for Morton, who, aside from participating in numerous documentaries and made-for-television features, continued his role as Leon Chiles in NBC's Law & Order, and began regularly appearing as Dr. Steve Hamilton on the WB's Smallville. During this time, he could also be seen in supporting performances for What Lies Beneath (2000), Bounce (2000), and Ali (2001). 2003 found Morton playing another government agent in Paycheck, while 2004 brought another opportunity altogether -- Morton took the director's seat for Sunday on the Rocks. Also that year, Morton joined director Rob Cohen to film Stealth. A recurring role on the Pentagon television drama E-Ring found the actor continuing on his impressive television run, with a supporting role in the 2006 feature The Night Listener serving well to keep Morton's feature credits expanding as well.A contributing narrator of the long-running PBS series The American Experience, Morton became a familiar voice to television viewers who refused to switch their brains off for prime-time viewing. But it was recurring roles in both The Good Wife and Eureka that helped to keep him a familar face to more casual TV fans.

Trivia: Born in London on September 6, 1972, and raised in the Hackney borough, Elba pursued acting as a high school student at the behest of a drama teacher. Elba paid his dues with many supporting roles on British television, including such series as Bramwell, The Bill, Degrees of Error, The Ruth Rendell Mysteries, and The Governor. The actor grew deeply frustrated, however, over the seemingly irrepressible tendency of British casting directors to peg him in supporting roles. "Back in London," he later recalled, "I was always just going to be the best friend, or the crook or the detective on the side." When Elba could take no more of this, he immigrated to the United States. Within a few years, Elba landed a starring role on what would come to be known as one of the best TV series of all time, The Wire.Elba's performance as pusher "Stringer" Bell attained widespread popularity with viewers and helped put Elba on the map. Elba then transitioned into big-screen roles in movies like The Gospel, The Reaping, Tyler Perry's Daddy's Little Girls, 28 Weeks Later, and the Alien prequel Prometheus. Elba also enjoyed more stateside TV success on shows like The Office and Luther.

Trivia: Best known for his individualistic promulgation of jazz-rap during the 1990s -- a decade when gangsta rap threatened to take over much of the urban music scene -- underground rapper Common attained recognition for the sophisticated lyrics and ever-present political subtexts in his raps. Something of a critics' favorite, Common also achieved commercial success with such albums as Can I Borrow a Dollar? (1992, his debut), Like Water for Chocolate (2000), Electric Circus (2002), and Be (2005). During the first 15 years or so of his career, the Chicago native's filmed activity remained generally confined to music videos, performance films, and also urban and rap-themed documentaries such as the 2003 Soundz of Spirit, the 2004 Letter to the President, and 2005's jubilant Dave Chappelle's Block Party. By 2007, Common began branching out into dramatic roles. That year, the rapper landed supporting parts in such films as Joe Carnahan's darkly comic action thriller Smokin' Aces and Ridley Scott's period crime drama American Gangster.In 2008 he appeared in Wanted, and the next year he landed a role in the high-profile sequel Terminator Salvation. He played the part of an scary bad guy in the comedy Date Night in 2010, the same year he played the lead opposite Queen Latifah in the romantic comedy Just Wright. He was one of the many members of the ensemble cast in 2011's New Year's Eve, and lent his vocal talents to Happy Feet Two that same year. In 2012 he appeared in the family fantasy film The Odd Life of Timothy Green.

Trivia: Typically cast as a criminal or a cop, beefy, bald, American character actor Jon Polito has appeared on stage, television, and in feature films, notably the Coen brothers' Miller's Crossing (1990) and Barton Fink (1991). Polito can be recognized for his pencil-thin moustache. He launched his career on Broadway in 1977. In 1981, Polito debuted in the feature film The Killing Hour and then portrayed mobster Tommy Lucchese on the television series The Gangster Chronicles.

Trivia: One of the most successful rap MCs of the early 2000s, Tip Harris (born Clifford Harris in Atlanta in 1980, and occasionally credited by his musical pseudonym, T.I.), earned the moniker "the Jay-Z of the South" for his ability (like the said East Coast rapper) to meld toughness and smoothness with great dexterity. With such album releases as the 2003 Trap Muzik, the 2004 Urban Legend, and the 2006 King, T.I. not only seemed able to do no wrong in terms of numbers, but attained such popularity that he could soon be heard within a couple of hours on any major urban radio station.T.I. segued into film work in the mid-2000s with two parts: the lead in the gentle, slice-of-life ensemble drama ATL (2006) -- a picture about a young man and his friends growing up amid a difficult and confusing life in Atlanta -- and a small role in the Denzel Washington-headlined period crime drama American Gangster (2007), directed by Ridley Scott.

Trivia: One of the most prolific and reliably excellent actors on the independent film circuit, Kevin Corrigan has made a name for himself portraying a painfully memorable array of geeks, stoners, and generally pathetic losers. Consistently good at playing bad, he has elevated the expression of basic freakishness into something of an underrated art form.A native of the Bronx, where he was born on March 27, 1969, Corrigan first became interested in acting as a teenager. At the age of 17, his play The Boiler Room was produced by the Young Playwrights Festival of New York. The 1990s got off to a promising start for Corrigan with a supporting role as Ray Liotta's brother in Martin Scorsese's critically acclaimed Goodfellas (1990). More gangster action followed the next year with a part in Billy Bathgate, but Corrigan then took a turn toward smaller features with Zebrahead, a 1992 film that opened to generally positive reviews but little box-office action. After supporting roles in The Saint of Fort Washington and True Romance (both 1993), Corrigan had a substantial part in director Matthew Harrison's Rhythm Thief, a black-and-white drama that won Harrison a directing award at the 1995 Sundance Film Festival. The film marked the beginning of Corrigan's immersion in the growing and increasingly lucrative world of independent film, with supporting roles in Tom DiCillo's acclaimed Living in Oblivion (1995), in which the actor provided laughs as a dimbulb cameraman, and Trees Lounge (1996), the directorial debut of Corrigan's Oblivion co-star Steve Buscemi. The same year, Corrigan had substantial roles in the well-received independent comedy Walking and Talking, in which he had a memorable turn as a nebbishy video clerk who sleeps with Catherine Keener, and Illtown, a crime drama in which he starred with Lili Taylor and Zebrahead co-star Michael Rapaport. Following a turn as a stoner guitarist in the obscure Bandwagon (1996) and a supporting role in Hal Hartley's 1997 film Henry Fool, Corrigan co-wrote and starred in the comedy Kicked in the Head, his second collaboration with Rhythm Thief director Harrison. The film had the distinction of being executive produced by Martin Scorsese, who had signed on after being favorably impressed by Rhythm Thief. The movie was also notable for the fact that the misadventures of Corrigan's character -- a guy who gets kicked out of his apartment and dumped by his girlfriend -- were based on events in the actor's own life. He would later remark that the film was a form of therapy and followed it up with what was essentially a form of therapy for another director, Tamara Jenkins' The Slums of Beverly Hills (1998). Playing a Manson Family-obsessed stoner, Corrigan made a repugnantly vivid impression in the widely acclaimed movie and the same year made a similar impression with his role as Vincent Gallo's best friend in Buffalo '66. After a small part in Paul Auster's Lulu on the Bridge (which premiered at the 1998 Cannes Film Festival), Corrigan worked on two more independents, the romantic drama Roberta, which premiered at the 1999 Sundance Festival and featured Corrigan in a lead role as a shy computer expert, and Coming Soon, which opened at the Los Angeles Independent Film Festival in April of the same year.

Trivia: Many filmgoers first caught delicately beautiful Georgian actress KaDee Strickland via her portrayal of Kristen, one of the vivacious young woman who accompany world-weary playboy Jack Nicholson at the outset of the Nancy Meyers romantic comedy Something's Gotta Give (2003). This marked the beginning of a long sequence of small roles for the rising star, in such A-listers as The Grudge (2004), Fever Pitch (2005), and The Flock (2007). On the small screen, in 2007, Strickland had a regular role on the very short-lived comedy drama The Wedding Bells, which she quickly followed up with another regular part, this time on the highly successful Grey's Anatomy spin-off, Private Practice, playing Dr. Charlotte King. That same year she could be seen on the big screen in American Gangster, and the next year she appeared in Tyler Perry's The Family That Preys.

Trivia: The son of a musician, African American actor Clarence Williams III was raised by his grandmother. While attending his local YMCA branch as a teenager, Williams became interested in dramatics. After a two-year hitch with the Air Force, he began his acting career, making his New York debut in 1960's The Long Dream. Williams amassed an impressive list of Broadway credits, and in 1966 was artist in residence at Brandeis University. Still, he remained an unknown commodity in Hollywood until 1968, when he was cast as "hip" undercover cop Linc Hayes on the popular TV weekly The Mod Squad. After the series' cancellation in 1973, Williams divided his time between stage and film work, occasionally functioning as a director. Among his better-known assignments of recent years was the role of Prince's father in Purple Rain (1984) and the recurring part of Roger Hardy in the cult TV series Twin Peaks (1990). Clarence Williams III is married to actress Gloria Foster.

Trivia: The nephew of producer-turned-Variety editor-in-chief Peter Bart (Islands in the Stream), actor Roger Bart specialized in evenhanded portrayals of characters with "extreme" personalities that belied and offset the actor's seemingly average, everyman appearance. Among other accomplishments, Bart received critical laurels for his evocation of an outré homosexual in Frank Oz and Scott Rudin's uneven comedic update of The Stepford Wives in 2004. Bart followed that up by deftly playing the flamboyant Carmen Ghia, personal assistant to transvestite director Roger de Bries, in the 2005 Susan Stroman-directed musical comedy remake of Mel Brooks' The Producers, and then played one of two seriously disturbed American businessmen who buy into a thrill-kill franchise in Eli Roth's splatter-fest Hostel Part II (2007). Bart is perhaps best known, however, for his portrayal of George Williams on the prime-time black comedy hit Desperate Housewives (2004-2005).

Trivia: A male model-turned-actor, Norman Reedus is almost as recognizable from his hipster, late-'90s print ads for Prada clothes as for his collection of movie psychos. After leaving home at a young age, Reedus lived in London and Japan before landing in California. Supporting himself with various jobs, including fixing motorcycles, Reedus finally got his acting break in 1997. After a bit part in the Mira Sorvino horror film Mimic, Reedus captured critical attention as a creepy hitman in the independent black comedy Six Ways to Sunday. Playing off the sharply scruffy good looks that simultaneously made him the male face for ultra-fashionable clothing designer Prada, Reedus again took a walk on the wild side as a mysterious stranger in the indie Dark Harbor (1998) and as a prisoner in Joel Schumacher's reviled snuff film thriller 8MM (1999). Lead roles in the independent cop movie Boondock Saints (2000), opposite Willem Dafoe, and in the teensploitation movie Gossip (2000), as a malevolent college student, subsequently landed Reedus on Vanity Fair's April 1999 cover featuring young stars to watch. Gossip's poor reception, as well as the low profile of Boondock Saints and Reedus' other indie films -- including I'm Losing You (1999) and Preston Tylk (2000) -- did not make good on the Vanity Fair promise. And although Reedus followed up with three more films with similarly dismal returns, his re-teaming with Mimic director Guillermo Del Toro found Reedus back in blockbuster territory with his turn as a vampire hunter's technical assistant in Blade II (2002). Reedus has a son with Danish supermodel/companion Helena Christensen.