Trivia: One of Hollywood's sexiest and most magnetic leading men, Denzel Washington's poise and radiantly sane intelligence permeate whatever film he is in, be it a socially conscious drama, biopic, or suspense thriller. More importantly, Washington's efforts, alongside those of director Spike Lee, have done much to dramatically expand the range of dramatic roles given to African-American actors and actresses.The son of a Pentecostal minister and a hairdresser, Washington was born in Mount Vernon, NY, on December 28, 1954. His parents' professions shaped Washington's early ambition to launch himself into show business: from his minister father he learned the power of performance, while hours in his mother's salon (listening to stories) gave him a love of storytelling. Unfortunately, when Washington was 14, his folks' marriage took a turn for the worse, and he and his older sister were sent away to boarding school so that they would not be exposed to their parents' eventual divorce. Washington later attended Fordham University, where he attained a B.A. in Journalism in 1977. He still found time to pursue his interest in acting, however, and after graduation he moved to San Francisco, where he won a scholarship to the American Conservatory Theatre. Washington stayed with the ACT for a year, and, after his time there, he began acting in various television movies and made his film debut in the 1981 Carbon Copy. Although he had a starring role (as the illegitimate son of a rich white man), Washington didn't find real recognition until he joined the cast of John Falsey and Joshua Brand's long-running TV series St. Elsewhere in 1982. He won critical raves and audience adoration for his portrayal of Dr. Phillip Chandler, and he began to attract Hollywood notice. In 1987, he starred as anti-apartheid activist Steve Biko in Richard Attenborough's Cry Freedom alongside Kevin Kline, and though the film itself alienated some critics (Pauline Kael called it "dumbfounding"), Washington's powerful performance earned him a Best Supporting Actor Oscar nomination.Two years later, Washington netted another Best Supporting Actor nod -- and won the award -- for his turn as an embittered yet courageous runaway slave in the Civil War drama Glory. The honor effectively put him on the Hollywood A-List. Some of his more notable work came from his collaboration with director Spike Lee; over the course of the 1990s, Washington starred in three of his films, playing a jazz trumpeter in Mo' Better Blues (1990), the title role in Lee's epic 1992 biopic Malcolm X (for which he received a Best Actor Oscar nomination), and the convict father of a high-school basketball star in He Got Game (1998).Washington also turned in powerful performances in a number of other films, such as Mississippi Masala (1991), as a man in love with an Indian woman; Philadelphia (1993), as a slightly homophobic lawyer who takes on the cause of an AIDS-stricken litigator (Tom Hanks); and Devil in a Blue Dress (1995), as a 1940s private detective, Easy Rawlins. Washington also reeled in large audiences in action roles, with the top box-office draw of such thrillers as The Pelican Brief (1993), Crimson Tide (1995), and The Siege (1998) attesting to his capabilities. In 1999, Washington starred in another thriller, The Bone Collector, playing a paralyzed forensics expert who joins forces with a young policewoman (Angelina Jolie) to track down a serial killer. That same year, he starred in the title role of Norman Jewison's The Hurricane. Based on the true story of a boxer wrongly accused of murdering three people in 1966, the film featured stellar work by Washington as the wronged man, further demonstrating his remarkable capacity for telling a good story. His performance earned him a number of honors, including a Best Actor Golden Globe and a Best Actor Oscar nomination.After another strong performance as a high-school football coach in Boaz Yakin's Remember the Titans, Washington cut dramatically against his "nice guy" typecast to play a corrupt policeman in Training Day, a gritty cop drama helmed by Antoine Fuqua. Washington surprised audiences and critics with his change of direction, but in the eyes of many, this change of direction made him a more compelling screen presence than ever before. (It also netted him an Oscar for Best Actor.) 2002 marked an uneven year for Washington. He joined the cast of Nick Cassavetes' absurd melodrama John Q., as a father so desperate to get medical attention for his ailing son that he holds an entire hospital hostage and contemplates killing himself to donate his own heart to the boy. Critics didn't buy the film; it struck all but the least-discriminating as a desperate attempt by Washington to bring credulity and respectability to a series of ludicrous, manipulative Hollywood contrivances. John Q. nonetheless performed healthily at the box (it grossed over a million dollars worldwide from a 36-million-dollar budget). That same fall, Washington received hearty praise for his directorial and on-camera work in Antwone Fisher (2002), in which he played a concerned naval psychiatrist, and even more so for director Carl Franklin's 2003 crime thriller Out of Time. Somewhat reminiscent of his role in 1991's crime drama Ricochet, Out of Time casts Washington as an upstanding police officer framed for the murder of a prominent citizen. In 2004, Washington teamed up with Jonathan Demme for the first occasion since 1993's Philadelphia, to star in the controversial remake of 1962's The Manchurian Candidate. Washington stars in the picture as soldier Bennett Marco (the role originally performed by Frank Sinatra), who, along with his platoon, is kidnapped and brainwashed during the first Gulf War. Later that year, Washington worked alongside Christopher Walken and Dakota Fanning in another hellraiser, director Tony Scott's Man on Fire, as a bodyguard who carves a bloody swath of vengeance, attempting to rescue a little girl kidnapped under his watch. Washington made no major onscreen appearances in 2005 -- and indeed, kept his activity during 2006 and 2007 to an absolute minimum. In '06, he joined the cast of Spike Lee's thriller Inside Man as a detective assigned to thwart the machinations of a psychotically cunning burglar (Clive Owen). The film opened to spectacular reviews and box-office grosses in March 2006, keeping Washington on top of his game and bringing Lee (whose last major feature was the disappointing 2004 comedy She Hate Me) back to the pinnacle of success. That same year, Washington joined forces once again with Tony Scott in the sci-fi action hybrid Déjà Vu, as an ATF agent on the trail of a terrorist, who discovers a way to "bridge" the present to the past to view the details of a bomb plot that unfolded days earlier. The Scott film garnered a fair number of respectable reviews but ultimately divided critics. Déjà Vu bowed in the U.S. in late November 2006. Meanwhile, Washington signed on for another action thriller, entitled American Gangster -- this time under the aegis of Tony Scott's brother Ridley -- about a drug-dealing Mafioso who smuggles heroin into the U.S. in the corpses of deceased Vietnam veterans.Washington appeared as New York City subway security chief Walter Garber in the 2009 remake of the 1974 thriller The Taking of Pelham One Two Three, and begun filming the post-apocalyptic drama The Book of Eli in the same year. He earned a Best Actor nomination in 2012 for his work as an alcoholic pilot in Robert Zemeckis' drama Flight.

Trivia: Kicking off an impressive career in front of the camera at the tender age of five, it was a mere three years later that actress Dakota Fanning would become the youngest person ever to be nominated for a Screen Actor's Guild Award for her role in the Sean Penn drama I Am Sam. She subsequently appeared in such efforts as Sweet Home Alabama (2002) and director Steven Spielberg's sci-fi miniseries Taken. A Conyers, GA, native whose acting abilities became apparent when, at the age of three, she acted out the entire process of pregnancy and childbirth (with her younger sister Elle substituting for the newborn baby) to her amused parents. Advised by an agent to take their daughter to Los Angeles, it wasn't long before young Fanning was cast in a commercial for Tide detergent. Television appearances in ER and Ally McBeal were quick to follow, and in 2001 she made her feature debut in the comedy Tomcats. Though the film was only seen by an unlucky few, her role in the same year's I Am Sam was a wide release that found the adorable young starlet a solid fan base. Later alternating between television and film with features such as Trapped and roles on such high-profile series as Spin City and Malcolm in the Middle, her part opposite Brittany Murphy in the 2003 comedy Uptown Girls found the precocious youngster playing well off of her older co-star. In 2003 Fanning could be spotted in The Cat in the Hat, and it wasn't long before she was gearing up to appear alongside Denzel Washington and Christopher Walken in the Tony Scott thriller Man on Fire.As the 2000's continued to unfold, Fanning appeared in a number of films, like Hide and Seek, War of the Worlds, and The Secret Life of Bees. By the time the actress was 16, she was playing legendary girl-band member Cherie Currie in The Runaways, setting the stage for adult roles to comes.

Trivia: A versatile character actor whose intense demeanor and slightly off-kilter delivery served him well in both comedies and dramas, Christopher Walken was at once one of the busiest and most respected actors of his generation, appearing in as many as five films in a year while still finding time for stage and occasional television work.Walken was born Ronald Walken in Queens, NY, on March 31, 1943, the youngest of three sons of Paul and Rosalie Walken; Paul ran a bakery, while Rosalie was convinced her sons had talent and was determined they take advantage of it. Ronald landed his first job in front of a camera at the age of 14 months when he posed for a calendar photo with a pair of kittens. Like his siblings, he received dance lessons as a youngster, and, by the age of ten, was making frequent appearances on television and radio shows, and was a regular on a short-lived sitcom, The Wonderful John Acton. Ronald and his brothers also enrolled at New York's Professional Children's School, and he spent a summer as a junior lion tamer with a circus, later recalling that the lion was quite old and docile.In 1961, Walken enrolled at Hofstra University. But, little more than a year later, he landed a role in the Broadway-bound musical Best Foot Forward (which starred one of his former classmates, Liza Minelli), and decided to leave college. Spending the next several years working in a variety of musicals -- both in New York and on the road -- the young actor appeared in a 1964 touring production of West Side Story, and there met actress and dancer Georgianne Thon. The two began dating, and eventually married in 1969. While appearing in a revue starring model-turned-singer Monique Van Vooren in 1965, Walken was told by the headliner he looked more like a Christopher than a Ronald; he decided to take her advice, and adopted Christopher Walken as his stage name. In 1966, he made his first appearance in a non-singing role as Phillip, the King of France, in a Broadway production of The Lion in Winter. By the end of the decade, Walken was devoting his energies to stage dramas, although he continued to keep up with his dance training.Walken made his movie debut with 1968's Me and My Brother -- a film directed by acclaimed photographer and experimental filmmaker Robert Frank -- and, in 1972, scored his first starring role in the low-budget sci-fi thriller The Mind Snatchers. Walken first caught the attention of critics with his performance as a bohemian ladies' man in Paul Mazursky's Next Stop, Greenwich Village, and landed a small but memorable role in Woody Allen's Annie Hall as suicidal preppie Duane. But Walken's real breakthrough came in 1978, with his role as Nick in The Deer Hunter. Playing a small-town boy who is irreversibly scarred by his experiences in Vietnam, the role won Walken an Oscar for Best Supporting Actor, and made him a bankable and recognizable name. He soon committed to director Michael Cimino's follow-up, which proved to be the infamous box-office and critically-panned flop Heaven's Gate, and later showed off both his acting and dancing skills as a villainous pimp in the musical drama Pennies From Heaven. While Walken remained a critical favorite, he fell short of becoming a major box-office draw due to the disappointing returns of many of his post-Deer Hunter films. But, by his own admission, Walken was always an actor who liked to work, and he maintained a busy schedule of both stage and screen roles. His willingness to take on edgy film characters with questionable commercial appeal (such as At Close Range, King of New York, and Communion) helped earn the actor a loyal cult following, and small but showy roles in True Romance and Pulp Fiction gave Walken's screen career a serious boost in the early '90s. By the time Walken turned 60, he had written, directed, and starred in an off-Broadway comedy called Him; received another Oscar nomination for his performance in Catch Me if You Can; appeared in films as varied as Sleepy Hollow, The Affair of the Necklace, and The Country Bears; and got to prove he was still a great dancer with his much-talked-about appearance in the music video "Weapon of Choice" by Fatboy Slim.Walken became one of the most popular recurring guest-hosts on Saturday Night Live creating recurring characters such as The Continental, and appeared in a host of classic skits including getting to deliver the catch phrase, "I need more cowbell!"As the 2000s progressed, Walken continued to take work in a variety of films from The Rundown, and Man on Fire, to Gigli, The Wedding Crashers, and the Adam Sandler comedy Click, all the while maintaining his status as one of the quirkiest and most gifted supporting actors of his time. In 2006 he took on a supporting role opposite Robin Williams in the Barry Levinson directed satire Man of the Year as a political consultant. He was in the musical remake of Hairspray, playing the husband of the character played by John Travolta in drag, and the comedy Balls of Fury in 2007. In 2010 he earned rave reviews for his work in the Martin McDonagh's play A Behanding in Spokane on Broadway, and the next year he worked with Todd Solondz, playing the father in Dark Horse.

Trivia: Small, blonde, and Australian, Radha Mitchell first made an impression on international audiences as the paramour of a heroin-addled photographer (Ally Sheedy) in Lisa Cholodenko's High Art (1998). Mitchell, a native of Melbourne, began acting when she was still in high school and had her professional debut on the popular Aussie soap Neighbours in 1994. Two years later, she made her film debut in the romantic comedy Love and Other Catastrophes, in which she starred as a college student experiencing a messy breakup with her girlfriend (Frances O'Connor). The film proved to be fairly popular in Australia, but it wasn't until she was cast in High Art that Mitchell gained an introduction to a wider audience. The critical success of High Art made it possible for her to do more international work, and her increasing popularity was reflected by her subsequent casting in a number of projects. Among them were Pitch Black (2000), a sci-fi horror film in which Mitchell played a pilot whose ship crashes on a hostile planet, and Everything Put Together (2000), a drama about a suburban woman (Mitchell) shunned by her peers after the death of her baby. Her career continued with a diverse run of films including Nobody's Baby, Man on Fire, Finding Neverland, and landing the lead in Woody Allen's Melinda and Melinda. Those last three films all hit screens in 2004, and although kept working steadily, she never quite capitalized on the buzz she generated that year. Her other credits include Silent Hill, Henry Poole Is Here, Surrogates, and the horror film The Crazies.

Trivia: Mickey Rourke originally aspired to careers as a pro baseball player and - later - a championship boxer, but did a 180 away from the ring and cut his chops as an actor instead. Rourke launched his career with small roles in 1941 (1979) and Heaven's Gate (1981) before gaining broader notice as a pyro expert in Body Heat (1981) and one of the raunchier leads in Barry Levinson's Diner (1982). He followed with admirable work in Rumble Fish (1983) and The Pope of Greenwich Village (1984), and gave a bravura performance as fanatically determined police captain Stanley White in Year of the Dragon (1985). When the film was slammed by critics, Rourke defended director Michael Cimino and snubbed all interview requests. He immediately gained a reputation as a perfectionist, agreeing only to work with directors and on projects that met with his high standards. His 1987 performances in Angel Heart, A Prayer for the Dying, and Barfly attest to this, but starring roles in Adrian Lyne's infamous 9 1/2 Weeks (1986) and Zalman King's Wild Orchid (1990) gave him a "Eurotrash" taint, only enhanced by his hot temper and maverick nature. These qualities, however, while career poison in the U.S., did nothing to hurt Rourke's reputation in France, where filmgoers adored him.From the late '80s through the early '90s, the career of this disillusioned actor with the potential of Robert De Niro spiraled down, down, down, with his co-starring appearance in Harley Davidson and the Marlboro Man (1991) just one nadir. He wrote, produced, and starred in Homeboy (1988), a film about a near brain-dead prize fighter. It skipped theatrical release and went straight to home video. The masochistic connection between this film and Rourke's subsequent resumption of his boxing career (from 1991-1994) was undeniable, though he continued to appear sporadically in small films and supporting roles. In 1997, Rourke reprised his role as an s&m fetishist in Another 9 1/2 Weeks, a virtual remake of the original, only sans the redeeming presence of Kim Basinger. Although Rourke's career consisted primarily of direct-to-video titles for several years, he had enough friends and respect among his contemporaries that he hung on to his rebound potential, and his small role in Francis Ford Coppola's 1997 adaptation of John Grisham's The Rainmaker marked something of a comeback. The following year, Vincent Gallo, an unapologetic fan of Rourke's, cast him as the antagonist in Gallo's directorial debut, Buffalo '66; the long-dormant Terrence Malick also cast Rourke in his critically-worshipped Thin Red Line (1998), but Malick excised the actor's scenes from the final cut, probably to reduce the film's whopping length. Rourke showed flashes of his former brilliance in Steve Buscemi's Animal Factory (2000), joined the cast of the Sly Stallone-headlined Get Carter remake that same year, and gave an impressive supporting performance in Sean Penn's police procedural-cum-harrowing study of obsession, The Pledge (2001). Rourke also signed on with director Robert Rodriguez for the third of that helmer's Mariachi films, Once Upon a Time in Mexico, in 2003. As a harbinger of things to come, a powerful creative bond formed between the weathered, iconic Rourke and the tireless director on the Mexico set. In 2005 the duo again teamed for Rodriguez's and Frank Miller's eagerly anticipated big screen adaptation of Miller's Sin City comics. Cast as lovelorn brute Marv, Rourke delivered an impressive performance as an imposing beast of a fellow bent on avenging the death of an angelic prostitute in this stylish noir comic book come to life, which gave him cult status among a new generation of fans. In 2004, Rourke delivered a memorable supporting performance in Tony Scott's Man on Fire alongside Denzel Washington; it marked the first film in a two-picture creative partnership between Scott and Rourke, the second half of which came to fruition with 2005's Domino.2006 saw Rourke appearing in Stormbreaker (co-starring Bill Nighy and Ewan McGregor) with Rourke as the nasty villain opposite Alex Pettyfer's "teen spy" Alex Ryder. Killshot, with Rourke as the hitman who attempts to rub out married Federal Witnesses Diane Lane and Thomas Jane, ended up being sitting on the studio's shelf for nearly three years. The film marked Rourke's first collaboration with Lane since Francis Coppola's critically-championed 1983 cult film Rumble Fish. With the release of 2008's The Wrestler, Rourke pulled off one of the most remarkable career comeback stories of the era. His role as the aging professional grappler Randy "The Ram" earned him the strongest reviews he'd received in over two decades, and secured him his first acting nomination from the Academy as well as a nod from Screen Actors Guild, and he took home the Golden Globe for best actor in a drama. Rourke would enjoy sustained success in the years to follow, appearing in films like Iron Man 2, The Expendables, and Immortals.Rourke was married to Debra Feuer from 1981-89 and Wild Orchid co-star Carre Otis from 1992-1998. Both marriages ended in divorce.

Trivia: Anglo-Latino actress Rachel Ticotin made her first film appearance in a bit role in 1978's King of the Gypsies. Rachel has since contributed well-rounded characterizations in a number of stage and TV productions, as well as a handful of films. She made one of her most vivid cinematic impressions as Melina, Arnold Schwarzenegger's "can she be trusted?" vis-a-vis in 1992's Total Recall. On television, Rachel was seen as Puerto Rican non-com Grave Pravlik in the military drama For Love and Honor (1983), DA Teresa Storm on the Pat Morita detective weekly Ohara (1987) and as LAPD detective Annette Ray on Crime & Punishment. Rachel Ticotin is married to actor David Caruso.

Trivia: Moved to Ures, Sonora when he was three years old. He still considers Ures as his hometown and has appeared on talk shows wearing Ures baseball caps. Performed in university theater in Mexico City with Miguel Corsica and Jose Ramon Enriquez. Appeared in the 2005 music video for 50 Cent's "Just a Lil Bit." Voices Manny the Mammoth in the Spanish-language version of the Ice Age movies. Nicknamed "Choby."

Trivia: Produced the musical Aventurera, which toured in Mexico and parts of the United States. Was honored in Veracruz in 2009 for her long artistic career. Won a Lifetime Achievement Award from the TVyNovelas Awards in 2013.

Trivia: Alberto Estrella was born on September 23, 1962 in Mexico; his brother Rodrigo went on to become a notable doctor in Mexico. Alberto made his first television appearance at age 11 on the Mexican version of Sesame Street as a character named Abelardo Montoya. He was billed as Alberto Rodriguez Estrella in his first role as an adult, in the 1986 film El otro. Several different roles in movie shorts and brief television arcs followed before Estrella earned a supporting role in 1990's Los fugitivos, alongside Daniel Balk and Guillermo Capetillo. Another notable role followed in the form of Guama Botero, one in a trio of brothers linked by blood and fate in the 1993 drama Principo y fin. The role earned him a Silver Ariel nomination for the Mejor Cactuacion Maculina (Best Supporting Actor) performance of the year. Roles followed over the next few years, including La reina de la noche (1994), En el sire (1995) and Salon Mexico (1996). Estrella then took the lead in the 2000 prison drama Tres reos, a performance which garnered critical acclaim. 2002's Pacas de a mil shined a light on Estrella once again. Later that same year, as Roberto in eXXXorcisms, Estrella delivered a powerhouse performance. Backed by a dense, heart-stopping plot delivered by writer/director Jaime Humberto Hermosillo, Estrella's turn was very well-received. The movie itself was nominated for four Ariel Awards, including Estrella's second nomination, and his first for a lead role. Most of Estrella's recent notable roles have come on the small screen. Reinventing himself as a convincing telenovela antagonist, Estrella has starred as a villain on three different shows since his most recent Ariel nomination, initially in Entre el amor y el odio as Marcial Andrade. After roles in Contra viento y marea and Lo que la vida me robo, Estrella resurfaced in the role of Danilo Vargas on the popular telenovela La malquerida, which premiered in 2014. Other telenovelas which Estrella has contributed to include El Equipo and the 2013-14 hit show What Life Took From Me (in the role of Juventino). Estrella also had a minor role as Adjutant AFI in the 2004 Denzel Washington vehicle Man on Fire.

Trivia: A natural athlete, his main interest as a teenager was to become a professional soccer player. After his first divorce, he decided to move to the United States to act in American television series and films. Won a Regional Emmy Award for Best Actor for his lead role in the telenovela Guadalupe in 1993. Was named "Mr. Amigo" by the Mr. Amigo Association in 2012, recognizing his acting contributions in both Mexico and the United States.

Trivia: Her father, Roberto Cantoral, was a famous and prolific Mexican songwriter. Made her TV debut at the age of 11 on the thriller series La telaraña. Has appeared on many telenovelas, beginning with La pícara soñadora and Muchachitas in 1991. Cohosted the Billboard Latin Music Awards in 2002. Dabbled in music, releasing the album Itati Cantoral—Canta a Roberto Cantoral in 2004. Her stage roles have included Sally Bowles in Cabaret at Mexico City's Teatro Insurgentes; and Annie Wilkes in a 2012 production of Misery (based on the Stephen King novel).

Trivia: Son of Argentine Jewish parents.Grew up in Spain.Developed his film career in Mexico.His work in Rambo: Last Blood (2019) was nominated for a National Film & TV Awards for Best Director and a Golden Raspberry Award for Worst Director.Worked as an assistant director with filmmakers like Oliver Stone, Martin Campbell, Jorge Ramírez Suárez, Alejandro G. Iñárritu, Peter Weir, Steven Soderbergh, among others.

Trivia: After college he took part in the Taller de Investigación Teatral de la UNAM (Theatre Research Workshop at the National University in Mexico City), directed by Nicolás Nuñez and Elena Guardia. Received the Ariel a Mejor Actor (Best Actor award from the Mexican Academy of Film) for his work on the 2007 film Dos Abrazos. Has performed in over 30 stage productions throughout Mexico, including Los Perdedores and La Repugnante Historia de Clotario Demoniax.