Trivia: Actress, tabloid fodder, provocative Vanity Fair cover piece: the husky-voiced brunette Demi Moore is nothing if not an unforgettable roadside attraction on the pop culture highway. Rising to prominence with a string of successful films during the '80s and early '90s, Moore became known for both her onscreen and offscreen ability to draw attention for everything from her grin-and-bare-it roles in films like Striptease to her well-publicized marriage to (and divorce from) Bruce Willis.Born Demetria Guynes in Roswell, NM, on November 11, 1962, Moore led a troubled childhood. To call it tumultuous would be something of an understatement: along with her mother, half-brother and stepfather, she moved no less than 30 times before her adolescence, thanks to her stepfather's job as a newspaper ad salesman. The problems that went along with such an itinerant lifestyle were compounded by the dysfunctional, sometimes abusive relationship between Moore's mother and stepfather. The latter committed suicide when Moore was 15, around the time that she discovered that he was not her biological father. She dropped out of school a year later and did some modeling in Europe. When she was 18, Moore married rocker Freddy Moore; the union lasted four years, during which time the actress landed her first role playing Jackie Templeton on the TV daytime drama General Hospital. Moore made her film debut in 1981, appearing in both the coming-of-age drama Choices and the schlock-tastic Parasite. Following a bit role in 1982's Young Doctors in Love, she had her first lead role in No Small Affair (1984) as an aspiring rock singer opposite Jon Cryer. Her real breakthrough came the next year, when she starred as an unstable member of a group of college friends in St. Elmo's Fire. Apparently, her onscreen instability mirrored her offscreen condition at the time; she was reportedly fired from the film at one point and then rehired after going into drug rehab. The film was a hit, and Moore, along with such co-stars as Emilio Estevez (to whom she was engaged for three years), Rob Lowe, and Ally Sheedy, became a member of the infamous "Brat Pack."Fortunately for Moore, she managed to avoid the straight-to-oblivion fate of other Brat Pack members, increasing her fame and resume with films like About Last Night (1986) and The Seventh Sign (1988). Her fame further increased in 1987 when she wed Bruce Willis in a Las Vegas ceremony presided over by singer Little Richard. In 1990, Moore had her biggest hit to date with Ghost, a romantic drama that cast her as the grieving girlfriend of the deceased Patrick Swayze. A huge success, Ghost secured Moore a place on the A-list, something she managed to sustain despite the subsequent twin flops of The Butcher's Wife and Mortal Thoughts, both released in 1991. That same year, Moore gained exposure of a different sort when she appeared nude and hugely pregnant on the cover of Vanity Fair; the resulting hoopla gained her more attention than either of her movies that year. She was back on the magazine's cover the following year, nude again but fetus-free and sporting a layer of artfully applied body paint. The controversy surrounding her cover-girl appearances may have helped Moore weather similar flak around her next feature, 1993's Indecent Proposal. The story of a woman (Moore) who agrees to a one-night stand with a wealthy man (Robert Redford) for one million dollars after she and her husband (Woody Harrelson) find themselves in dire financial straits, Proposal was decried by a number of feminist groups as well as various film critics and went on to be another big, if controversial, hit for Moore.Following the commercial success of Indecent Proposal, Moore's career hit something of a downward spiral. 1994's Disclosure proved a disappointment, and the following year's Now and Then (which she also produced) staged a similarly wan performance at the box office; however, it was Moore's other film that year, a "free,"or, as some would say, staggeringly misguided, adaptation of Nathaniel Hawthorne's The Scarlet Letter, that had critics howling and audiences cowering like small children being forced to watch German expressionist films. An unintentionally hilarious rendering of the classic tale, it featured Moore's Hester Prynne exposing plenty of skin, luxuriating in what must have been one of Puritan New England's few hot tubs, having steamy sex on a shifting bed of grain, and walking off into the sunset with her beloved Reverend Dimmesdale (a moody Gary Oldman). Following this debacle, Moore took refuge on safer grounds, lending her voice to Disney's animated The Hunchback of Notre Dame in 1996; however, that same year, she encountered another career pitfall in the form of Striptease. Based on Carl Hiaasen's satirical novel about a divorcée who turns to stripping so that she can raise money to win back custody of her daughter, the tonally inconsistent film proved a failure, despite titillating advertisements promising that Moore would bare all for audiences. The actress' career suffered a further blow with the disappointment of Ridley Scott's G.I. Jane in 1997, and she found herself getting more attention for her offscreen life as she was, by that point, embroiled in a very public divorce from Willis. The two formally separated in 1998. Although her career in front of the camera suffered, Moore managed to do well for herself as a producer. In 1997, she produced the hugely successful Austin Powers: International Man of Mystery and served in the same capacity for its mega-hit sequels, 1999's Austin Powers: The Spy Who Shagged Me and 2002's Austin Powers in Goldmember. In 2000, Moore returned to the screen to star in Alain Berliner's Passion of Mind, a psychological drama that cast the actress in a dual role as two women who lead different lives but are tied by a single identity.The year 2003 brought Moore back to the spotlight in a big way -- not only did the 41-year-old actress play the shockingly buff-bodied bad guy in Charlie's Angels: Full Throttle, she gave the paparazzi something of a godsend by dating Punk'd and That '70s Show heartthrob Ashton Kutcher, sixteen years her junior. The two wed in late September 2005, at a ceremony attended by hundreds, including Bruce Willis and his three daughters with Moore; they later divorced amid tremendous media scrutiny in 2011. Moore maintained a lower profile after this union, but returned to the spotlight for former flame Estevez's ambitious political period-ensemble Bobby, about the events leading up to Robert Kennedy's assasination. Among the star-studded cast, Moore was given a showy, standout role as an alcoholic lounge singer; there was room, too, for Kutcher, as an acid-dropping hippie. The film garnered decidedly mixed reviews, even if Moore attracted some attention for her part.In 2007 the actress joined the cast of director Bruce A. Evans's psychological thriller Mr. Brooks, as a tough-as-nails detective on the trail of Kevin Costner's titular, obsessive suburban serial killer. The movie suffered an ignominious fate at the box office, and Moore was singled out by critics for her implausibility. This didn't stop her from taking on new projects, however, starring with Parker Posey in the 2009 comedy Happy Tears in 2009, and playing the female lead in the 2011 Wall Street drama Margin Call, before joining the cast of the romantic comedy LOL in 2012.

Trivia: Critically acclaimed actor Viggo Mortensen made his feature-film debut playing Alexander Godunov's Amish brother in Witness (1985). The suave, handsome actor has subsequently portrayed a wide variety of characters, often unapologetic bad boys, opposite some of Hollywood's most popular actors, including Sylvester Stallone, Demi Moore, and Nicole Kidman.Born in New York City, on October 20, 1958, to an American mother and a Danish father, Mortensen spent his first years in Manhattan and the rest of his youth living in Argentina, Venezuela, and Denmark. Returning to Manhattan in the early '80s, he studied acting at Warren Robertson's Theatre Workshop and then embarked upon a stage career before moving to Los Angeles. There, he earned a Dramalogue Critics Award for his performance in a Coast Playhouse production of Bent and became a familiar figure on the L.A. punk scene (something that was aided by his brief marriage to Exene Cervenka, lead singer of the punk band X). Following his debut in Witness, Mortensen began working steadily in a number of diverse films, becoming a familiar but not instantly recognizable face to filmgoers. He did some of his more memorable work as a series of louts and villains, in such films as The Indian Runner (1991, written and directed by Sean Penn), which cast him as David Morse's morally questionable brother; Carlito's Way (1993), in which he played a paraplegic ex-con who tries to snitch on Al Pacino; and The Prophecy (aka God's Army) (1995), which required the actor, in the role of Lucifer, to rip out Christopher Walken's heart and then eat it. Mortensen finally attained a greater measure of recognition with his smoldering portrayal of one of Isabel Archer's (Nicole Kidman) suitors in Jane Campion's 1996 adaptation of The Portrait of a Lady. He then made another strong impression as Demi Moore's rough, tough, and buff training instructor in G.I. Jane (1997) and, the following year, he was one of the few redeeming features of A Perfect Murder, in which he supplied sexy menace (as well as his own art work) as Gwyneth Paltrow's murderous artist lover. He allowed his softer side to come through in Tony Goldwyn's acclaimed A Walk on the Moon (1999), which cast him as the hippie lover of a dissatisfied housewife (Diane Lane) in Woodstock-era upstate New York. His more romantic side was again in evidence in the romantic drama 28 Days (2000), in which he played recovering party girl Sandra Bullock's rehab honey. Replacing Irish actor Stuart Townsend in the role of Aragorn shortly after production had begun on director Peter Jackson's eagerly anticipated film adaptation of J.R.R. Tolkien's Lord of the Rings, Mortensen secured a strong screen presence through 2003, with the release of the trilogy's final installment, The Return of the King. In 2004, he proved that he could carry a film on his own when he starred as Wild West adventurer Frank T. Hopkins in the horse-racing period film Hidalgo. In 2005, the actor won critical raves when he headlined the visceral David Cronenberg crime thriller A History of Violence, vis-a-vis Ed Harris and William Hurt; as Tom Stall, a seemingly open-faced small-town Hoosier whose dark and brutal past comes to light during a diner robbery, Mortensen lent the film a great deal of momentum and held audiences rapt. History received two Academy Award nominations, though Mortensen failed to net one for Best Actor.Mortensen returned to period adventures in 2006 when he played the titular solider-turned-mercenary in Agustín Díaz Yanes' Spanish-language film Alatriste, set during Spain's 16th century imperial wars. In 2007 Mortensen teamed up for a second time with David Cornenberg, playing a Russian mob enforcer in Eastern Promises. His impressive work in the film garnered him strong reviews as well as an Oscar nomination for Best Actor. Unfortunately for Mortensen, that year brought some stiff competition in the form of Daniel Day Lewis, who ultimately took home the award for his powerful performance in Paul Thomas Anderson's There Will Be Blood. A grim trek through a post-apocalyptic wasteland followed when Mortensen took the lead in John Hillcoat's adaptation of Cormac McCarthy's The Road (2009), and in 2011 the actor continued his collaboration with Canadian auteur Cronenberg by playing none other than legendary psychologist Sigmund Freud (opposite Michael Fassbender's Carl Jung) in A Dangerous Method.

Trivia: A dark-haired, earthy beauty and a versatile actress, Anne Bancroft has actually had two film careers. The first, which took place during the 1950s, was generally undistinguished and featured her in films that usually failed to fully utilize her talents. The second, which began in the early '60s, established her as an actress of great acclaim in films like The Miracle Worker and granted her screen immortality with roles such as that of the iconic Mrs. Robinson in The Graduate. A first generation Italian-American hailing from the Bronx, Bancroft (born Anna Maria Louisa Italiano) was four years old when she began taking acting and dancing lessons. Billing herself as Anne Marno, she began appearing on television in 1950. Two years later she signed a contract with Fox and launched a six-year career in second-string Westerns and crime dramas that began with Don't Bother to Knock in 1952. By 1958, Bancroft had enough of Hollywood and turned her attentions to Broadway, where she spent the next five years. She proved her mettle as a serious dramatic actress by winning a Tony for Two for the Seesaw in 1958. Two years later, she won her second Tony and a New York Drama Critics Award for her portrayal of Annie Sullivan in The Miracle Worker. Armed with these triumphs, Bancroft returned to Hollywood to appear in the movie version of The Miracle Worker (1962), reprising her role opposite Patty Duke who played Helen Keller. Her performance earned her an Oscar for Best Actress; unable to attend the ceremony because she was performing on Broadway in Mother Courage, she was presented with the award by Joan Crawford a week later on the Broadway stage. Bancroft followed this victory with a string of emotional dramas that included The Pumpkin Eater, which was released in 1964, the same year she married filmmaker/comedian Mel Brooks. Just when it would look like she would be typecast in such dramas, Bancroft showed up in Mike Nichols' seminal comedy The Graduate, playing Mrs. Robinson, the ultimate "older woman," to Dustin Hoffman's confused Benjamin Braddock. Her role in the landmark film won her an Oscar nomination, to say nothing of a permanent dose of notoriety. Although Bancroft seemed destined for a stellar career and she remained one of the more well-respected actresses in Hollywood, a long string of so-so films kept her from reaching major stardom. Still, Bancroft turned in a number of memorable performances in films such as The Turning Point (1977), The Elephant Man (1980), To Be or Not to Be (her 1983 collaboration with husband Brooks), Agnes of God (1985), 84 Charing Cross Road (1986), and Torch Song Trilogy (1988). In 1980, Bancroft made her debut as a director/screenwriter in the darkly comic Dom DeLuise vehicle Fatso. Throughout the 1990s and into the new millennium, Bancroft continued to be visible onscreen, appearing in films like How to Make an American Quilt (1995), Home for the Holidays (1995), and Keeping the Faith (2000). Sadly, she became stricken with uterine cancer and succumbed to the disease in 2005. Her last performance would come postumously with a voice-role in the animated adventure Delgo.

Trivia: Attended high school with John F. Kennedy Jr. and actor David Duchovny. Father Renato Beghe was a U.S. Tax Court Judge, appointed by President George H.W. Bush. Once involved in Scientology, where he was featured in a promotional advertising campaign, but has since become a vocal critic of the church. Claims to have donated $1 million to Scientology during his 12 years as a member. Once spent three-and-a-half weeks in a coma following a car accident. Best man at David Duchovny's 1997 marriage to Téa Leoni, and Duchovny was his best man when he wed in 2000.

Trivia: Attended college on a basketball scholarship. Appeared on the cover of Life magazine on May 12, 1967, with his In Cold Blood costar Robert Blake and the book's author, Truman Capote. Was offered the opportunity to join the TV series The Walking Dead, which shoots in Senoia, GA, when he was visiting Atlanta in 2011 for his mother's 97th birthday. Played Polish saint Brother Albert in Our God's Brother, a film adapted from a drama written by Karol Wojtyla, who later became Pope John Paul II and granted Wilson a private audience. Received the Exemplary Achievement Award from the Floating Film Festival in 2006. Received the Ralph Morgan Award from the Screen Actors Guild in 2007.

Trivia: A stage-trained actress whose brief foray in daytime drama eventually led her into a feature-film career, Lucinda Jenney's star has been on the rise since the early 1980s. Alternating effortlessly between television and film throughout the course of her career, the talented and attractive blonde actress always had a slant toward the dramatic. A Long Island-native whose impressive run in the Broadway production of Gemini (1977-1981) proved the catalyst for her subsequent onscreen career, Jenney's first feature roles came with the made-for-TV efforts First Steps and Out of the Darkness (both 1985). Roles in Peggy Sue Got Married (1986) and Rain Man (1988) were quick to follow, and, in 1989, the actress rounded out her impressive first decade as John Belushi's onscreen wife in the biopic Wired. Though the film was widely panned, it proved Jenney's most substantial role thus far and she escaped relatively unscathed. As the 1990s rolled in, she was nominated for a Best Actress Independent Spirit Award for her performance in 1993's American Heart and a recurring role on the television series High Incident found her gaining something of a following on the small screen. With her performance as one of Demi Moore's sole allies in G.I. Jane (1997), Jenney continued to balance bit roles in such efforts as Leaving Las Vegas (1995) and Thinner (1996) with meatier, more dramatically substantial parts. Supporting roles in high-profile Hollywood releases became increasingly common for Jenney, and following key roles in Thirteen Days (2000) and The Mothman Prophecies (2002), she joined the cast of the acclaimed police drama The Shield. The following year, Jenney appeared in the action thriller S.W.A.T.

Trivia: Morris Chestnut's career makes a case for the argument that for the bulk of the '90s, there simply were not enough good roles for talented African-American actors. After making an impressive debut as Ricky in John Singleton's Boyz 'N the Hood, Chestnut spent several years wallowing in television, appearing in made-for-TV movies and doomed series. Chestnut, born in Cerrios, CA, on New Years Day 1969, majored in drama and finance at California State University. Little is known about his personal life. Chestnut admitted in a 2001 interview with Essence.com that he doesn't enjoy giving interviews or discussing his private life, but then let it slip that he is married.Chestnut's first professional acting role was in Boyz 'N the Hood in 1991. He followed that up with roles in various TV movies, as well as a part on Patti LaBelle's short-lived sitcom Out All Night. Chestnut continued to steadily, but he often had only bit parts in throwaway, big-budget films, like 1995's Under Siege 2 or 1997's G.I. Jane. But as the decade ended, movies about young, professional African-Americans and their problems with family and relationships began to fill the cineplexes, creating roles for Chestnut and all the other talented black actors stuck in minor TV and film roles. In 1999, Chestnut starred in The Best Man with Taye Diggs and Nia Long, playing a professional athlete who doesn't know that his soon-to-be wife dallied with his best man -- who is about to release those details in his first novel, a Roman à clef about their time in college. The Best Man earned pretty good reviews, did well at the box office, and even earned Chestnut a NAACP Image Award nomination for his performance. He followed it up with The Brothers, another film centering on the themes of fidelity and success among urban professionals. Chestnut joined Dwayne "The Rock" Johnson for a supporting role in The Game Plan (2007), a family-oriented sports comedy, and became known for his portrayal of Ryan Nicholas on V, a sci-fi television drama from ABC.

Trivia: Born September 12th, 1970 to former Kentucky congressman Larry Hopkins, Josh Hopkins' first onscreen acting job was in 1995's Parallel Sons when he was 25. He found steady work with roles in G.I. Jane and The Perfect Storm, but his real break came when he was cast on the show Ally McBeal in 2001. Hopkins' successful TV run continued as he was cast as a regular on Pepper Dennis, and in reoccurring roles on the shortlived Vanished and with his Ally McBeal cast mate Calista Flockhart on Brothers & Sisters. He was then cast as one of the lead roles in the 2007 series Swingtown. In 2009, Hopkins appeared as Dr. Noah Barnes in ABC's Private Practice, and took on a supporting role in ABC's Cougar Town the same year.

Trivia: With his soulful, deep-set blue eyes and a dark, eerily beautiful countenance, Jim Caviezel has inspired more than a few comparisons to Montgomery Clift. Thus, it was somewhat fitting -- and more than a little ironic -- that Caviezel first broke through to the American public as The Thin Red Line's Private Witt, a character loosely based on Clift's Private Prewitt in From Here to Eternity. A native of Washington state, Caviezel was born in Mount Vernon in 1968, one of five children in a devout Catholic family. A gifted athlete as a young man, he performed brilliantly on the basketball court and dreamt of joining the NBA. He attended Seattle's O'Dea High School, and later Burien Kennedy High, attending Bellevue Community College after graduation (where he continued to play ball), but a foot injury forced him to withdraw from the team and try acting instead. He debuted cinematically with a bit part as an airline clerk in Gus Van Sant's My Own Private Idaho (1991), Caviezel landed an equally minor role in Michael Ritchie's disappointing boxing yarn, Diggstown (1992). Accepted at Juilliard that same year, he declined the school's offer in favor of a supporting role in Lawrence Kasdan's 1994 Wyatt Earp. Unfortunately, this film (like Diggstown) flopped, and for the next several years, Caviezel bounced back-and-forth, between minor roles in big budget Hollywood films like The Rock (1996) and G.I. Jane (1997) and more substantial roles in turkeys such as Bill Couturie's Ed (1996). Fortunately, in 1998, the long-dormant Terrence Malick came calling with a role in his war opus The Thin Red Line (adapted from James Jones's Guadalcanal Diary) and Caviezel struck gold. The film received a number of Oscar nominations including Best Picture, and its stellar ensemble cast, which included Ben Chaplin, Sean Penn, George Clooney, and Nick Nolte, earned almost unanimous acclaim. The following year, Caviezel gained further recognition with his role as one of a group of renegade Civil War soldiers in Ang Lee's Ride With the Devil and his portrayal of a football coach's embittered son in Oliver Stone's Any Given Sunday. In 2000, Caviezel starred in the supernatural thriller Frequency, as a fireman who -- through a supernatural occurrence -- communicates with his long-dead father (Dennis Quaid) over a ham radio. The low-budgeted film became a modest hit.Later that same year, Caviezel starred in Mimi Leder's shameless tearjerker Pay it Forward as a homeless junkie befriended by a young boy (Haley Joel Osment). He then landed a role opposite Jennifer Lopez in the heady romantic drama Angel Eyes (2001); the picture died a quick death at the box office, yet Caviezel's performance in the film dramatically increased his prominence, and critics further took note of the actor's ability.The following year's period adventure The Count of Monte Cristo (2002) boasted a similarly fine lead performance by Caviezel, and though the film - and the actor's work - drew favorable reviews from critics, that motion picture failed to attract audiences. Before embarking on a blood-soaked revenge spree in Highwaymen (2004), Caviezel took a turn as a mysterious former Marine in High Crimes and a lower-key role in the Paul Feig drama I Am David. Audiences who had followed Caviezel's career thus far had no doubt taken note of the actor's vocal religious convictions. With his role as Jesus in Mel Gibson's The Passion of the Christ -- not to mention the actual suffering that he endured when his shoulder was separated during the crucifixion sequence -- the actor pushed to more extreme lengths than almost any performer of his generation. The story of the film is, by now, notorious; in time it became one of the highest grossers in movie history, capping $600 million worldwide, despite savaging critical assessments from many reviewers and accusations of anti-Semitism. Millions viewers flocked to the motion picture and turned it into one of the seminal moviegoing events of 2004, evi.As the 2000's and 2010's rolled on, Caviezel continued to enjoy success as a bankable actor, enjoying success on the new frontier of modern TV with shows like the remake of The Prisoner and the drama Person of Interest

Trivia: Boyishly handsome in a Rob Lowe sort of way, Boyd Kestner's career in front of the camera gained increasing momentum in the early to mid-'90s with roles in such television series as The Outsiders and Knot's Landing, eventually resulting in a feature career that pointed to great things ahead in the early years of the new millennium. A Manassas, VA, native who fell into acting after relocating to New York City, Kestner didn't find his true calling until laboring as a bartender among legions of aspiring actors. Prompted by his peers to take acting classes, and soon thereafter embarking on a seemingly endless series of auditions, Kestner finally got his break when he landed a role in the short-lived television series The Outsiders. Later toiling in made-for-television movies and minor film roles, fate once again smiled on Kestner when he landed his first major film role in director Ridley Scott's G.I. Jane (1997). The first in a series of minor roles in such major Hollywood films as The General's Daughter (1999) and Hannibal (2001, again with director Scott), Kestner's role as a houseguest who wears out his welcome in the psychosexual thriller Cleopatra's Second Husband (1998) earned him critical kudos and found him climbing the credit rungs. Taking his menacing act on the road for Snakeskin (2001) found Kestner establishing himself as an actor with the ability to maintain a curiously enigmatic screen presence, with roles in Scott's Black Hawk Down (also 2001) and the affectionate 2002 comedy-drama Divine Secrets of the Ya-Ya Sisterhood coinciding with a relocation to the West Coast and pointing to a promising future.

Trivia: Born February 12, 1963, John Michael Higgins is a character player who evinced a flair for comedic portrayals of middle-aged types, actor John Michael Higgins jump-started his career with a dead-on evocation of David Letterman in the made-for-cable comedy The Late Shift -- a picture about the cutthroat war between Letterman and Jay Leno to be crowned "King of Late Night Talk." Higgins followed this auspicious and covetable assignment with small roles in Barry Levinson's scathing political satire Wag the Dog (1997) and a guest appearance as one of Elaine's issue-ridden boyfriends on Seinfeld, but made his most substantial impression as an occasional character on Ally McBeal -- that of Steven Milter, an attorney who doubled as a psychoanalyst of Ally's. Beginning with Best in Show (2000), Higgins enjoyed a multi-film run on the big screen with Christopher Guest and his regular mockumentary collaborators that also included the farces A Mighty Wind (2003) and For Your Consideration (2006). He also had a recurring role as an attorney Wayne Jarvis on the critically acclaimed sitcom Arrested Development and supplied the voice of Mentok the Mindtaker for the animated comedy series Harvey Birdman, Attorney at Law. Back on the big screen, Higgins essayed two A-list supporting roles in 2007, in the Steve Carell-headlined farce Evan Almighty and the holiday-themedFred Claus starring Vince Vaughn. Higgins joined Vaughn again in Couples Retreat (2009), a romantic comedy following a group of couples who arrive on a tropical island only to find out they are required to participate in couples therapy in order to stay. He appeared on the FX television series Wilford in 2011, and joined the cast of the sitcom Happily Divorced, in which he co-stars with Fran Drescher (his real life ex-wife) as a man who amicably ended his marriage after coming to terms with his homosexuality. After working with Justin Timberlake and Cameron Diaz in the moderately successful comedy Bad Teacher in 2011, the actor played a small role in the 2012 adventure drama Big Miracle, which follows the plight of a journalist and volunteer who go to extreme lengths to save a beached whale.

Trivia: John F. Seitz was a prominent American cinematographer during the silent and sound eras. Seitz, the younger brother of director George B. Seitz, began his film career as a 16-year-old lab technician; by 1916, he had become a cameraman for feature films. Seitz collaborated with director Rex Ingram on films such as The Four Horsemen of the Apocalypse during the 1920s. It was in this time period that Seitz invented the matte shot (in which a large painting is photographed separately and later added to a scene to expand it, add unusual effects, or create a sense of depth in backgrounds); he also was noted for his innovations with low-key lighting. During the 1940s, he worked on many major productions, particularly those of Sturges and Wilder. Seitz retired from cinematography in 1960 and went on to perform many lab experiments resulting in 18 patents for his photographic inventions.

Trivia: Northwestern graduate David Bruce seemed a sure bet for stardom when signed by Warner Bros. in 1940. Bruce's somewhat haunted, sallow features prevented him from being cast in traditional leading man roles, though he was ideally suited for such melodramatic fare as Calling Dr. Death (1943) and The Mad Ghoul (1943), playing a scientist turned zombie in the latter. He remained a reliable supporting actor until deciding to retire from show business in 1955. Twenty-one years later, David Bruce resolved to make a film comeback, but died of a heart attack before those plans could come to fruition.