Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: American character actress Kathy Najimy specializes in offbeat, theatrical characters. A substantial and energetic woman with distinctive curly hair and exotic features, Najimy has appeared on-stage, in feature films, and on television. She has also voiced cartoons. Film credits include The Fisher King, Soapdish (both 1991), Sister Act (1992), and Jeffrey (1996). In 1996, she appeared -- over 100 pounds thinner -- for a brief but memorable recurring role as a manic-depressive psychiatrist on the CBS TV series Chicago Hope. In 1997, she became a regular on the Kirstie Alley sitcom Veronica's Closet. Beginning in 1997 she spent thirteen seasons voicing Peggy Hill, the wife to tried and true Texan Hank Hill on the animated series King of the Hill. During the run of the show she appeared in a variety of big-screen projects including Bride of Chucky, Rat Race, Scream Team, and Say Uncle. She landed a recurring role on the TV series Numb3rs, and joined the Pixar family when she lent her vocal talents to WALL-E in 2008.

Trivia: "I'm not a comic," insisted Mary Wickes. "I'm an actress who plays comedy." True enough; still Wickes was often heaps funnier than the so-called comics she supported. The daughter of a well-to-do St. Louis banker, Wickes was an excellent student, completing a political science degree at the University of Washington at the age of 18. She intended to become a lawyer, but she was deflected into theatre. During her stock company apprenticeship, Wickes befriended Broadway star Ina Claire, who wrote the young actress a letter of introduction to powerful New York producer Sam Harris. She made her Broadway debut in 1934, spending the next five seasons in a variety of characterizations (never the ingenue). In 1939, she found time to make her film bow in the Red Skelton 2-reeler Seein' Red. After a string of Broadway flops, Wickes scored a hit as long-suffering Nurse Preen (aka "Nurse Bedpan") in the Kaufman-Hart comedy classic The Man Who Came to Dinner. She was brought to Hollywood to repeat her role in the 1941 film version of Dinner. After a brief flurry of movie activity, Wickes went back to the stage, returning to Hollywood in 1948 in a role specifically written for her in The Decision of Christopher Blake. Thereafter, she remained in great demand in films, playing an exhausting variety of nosy neighbors, acerbic housekeepers and imperious maiden aunts. Though her characters were often snide and sarcastic, Wickes was careful to inject what she called "heart" into her portrayals; indeed, it is very hard to find an out-and-out villainess in her manifest. Even when she served as the model for Cruella DeVil in the 1961 animated feature 101 Dalmations, Cruella's voice was dubbed by the far more malevolent-sounding Betty Lou Gerson. Far busier on TV than in films, Wickes was a regular on ten weekly series between 1953 and 1985, earning an Emmy nomination for her work on 1961's The Gertrude Berg Show. She also has the distinction of being the first actress to essay the role of Mary Poppins in a 1949 Studio One presentation. Throughout the 1960s, 1970s and 1980s, Wickes did a great deal of guest-artist work in colleges and universities; during this period she herself went back to school, earning a master's degree from UCLA. Maintaining her professional pace into the 1990s, Wickes scored a hit with modern moviegoers as Sister Mary Lazarus in the two Sister Act comedies. Mary Wickes' final performance was a voiceover stint as one of the gargoyles in Disney's animated Hunchback of Notre Dame; she died a few days before finishing this assignment, whereupon Jane Withers dubbed in the leftover dialogue.

Trivia: Studied classical harp as a child, playing at Carnegie Hall at age 10. Danced ballet with the Balanchine Company at the New York City Ballet, but was forced to quit dance after an injury at age 18. Made her Broadway debut in a 1987 production of Pygmalion. Has appeared regularly on stage, including 1987's Pygmalion with Peter O'Toole and 1996's The Shawl with Dianne Wiest.

Trivia: Character actor of stage, screen, and television, Barnard Hughes specializes in playing authoritarians and lovable old curmudgeons. During the 1970s, Hughes won a Tony for his portrayal of a dead but still intrusive Irish father whose memory bedevils his son in the drama Da. He reprised the role in the 1988 film version starring opposite Martin Sheen as the tormented playwright/son. Though he has worked in many films, Hughes may be most recognizable for his television filmography. Over his career, he has been a regular on four soap operas, including Dark Shadows, and starred in series such as Doc (1975-1976) and The Cavanaughs (1986-1989), as well as guest starred on such series as Cannon (1971-1976), The Bob Newhart Show (1972-1978), and Lou Grant (1977-1982), where Hughes won an Emmy for playing a senile judge.

Trivia: Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination. She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin.

Trivia: James Coburn was an actor whose style allowed him to comfortably embrace drama, action, and comedy roles, and many of his best-known performances found him blending elements of all these styles in roles that overflowed with charisma and a natural charm. Born in Laurel, NE, on August 31, 1928, Coburn relocated to California as a young man, and first developed an interest in acting while studying at Los Angeles City College. After appearing in several student productions, he decided to take a stab at acting as a profession, and enrolled in the theater department at U.C.L.A. Coburn earned his first notable reviews in an adaptation of Herman Melville's Billy Budd, staged at Los Angeles' La Jolla Playhouse, which starred Vincent Price. In the early '50s, Coburn moved to New York City, where he studied acting with Stella Adler, and began working in commercials and live television. In 1958, Coburn won a recurring role on a Western TV series called Bronco, and scored his first film role the following year in Budd Boetticher's Ride Lonesome, starring Randolph Scott. For a while, Coburn seemed to find himself typecast as a heavy in Westerns, most notably in The Magnificent Seven, and later starred in two action-oriented TV series, Klondike (which ran for 18 weeks between 1960 and 1961) and Acapulco (which lasted a mere eight weeks in 1961). However, after a strong showing in the war drama Hell Is for Heroes, Coburn finally got to play a big-screen hero as part of the ensemble cast of 1963's The Great Escape. In 1964, Coburn got a chance to show his flair for comedy in The Americanization of Emily, and in 1965 he appeared in Major Dundee, the first of several films he would make with iconoclastic director Sam Peckinpah. In 1966, Coburn finally hit full-fledged stardom in Our Man Flint, a flashy satiric comedy which put an American spin on the James Bond-style superspy films of the period. Coburn's deft blend of comic cheek and action heroics as Derek Flint made the film a major box-office success, and in 1967 he appeared in a sequel, In Like Flint, as well as two similar action comedies, Duffy and the cult film The President's Analyst (the latter of which Coburn helped produce). Moving back and forth between comedies (Candy, Harry in Your Pocket), Westerns (Pat Garrett and Billy the Kid), and dramas (The Last of Shelia, Cross of Iron), Coburn was in high demand through much of the 1970s. He also dabbled in screenwriting (he penned a script for his friend Bruce Lee which was filmed after Lee's death as Circle of Iron, starring David Carradine) and directing (he directed an episode of the TV series The Rockford Files, as well as handling second-unit work on Sam Peckinpah's Convoy). By the end of the decade, however, his box-office allure was not what it once was, although he remained a potent draw in Japan. Coburn remained busy in the 1980s, with supporting roles in theatrical films, larger roles in television projects, and voice-over work for documentaries. In 1979, Coburn was diagnosed with rheumatoid arthritis, and in the mid-'80s, when his illness failed to respond to conventional treatment, he began to cut back on his work schedule. But in the 1990s, a holistic therapist was able to treat Coburn using nutritional supplements, and he began appearing onscreen with greater frequency (he also appeared in a series of instructional videos on gambling strategies, one of Coburn's passions). He won a 1999 Academy Award as Best Supporting Actor for his intense portrayal of an abusive father in Paul Schrader's film Affliction, and the award kick-started Coburn's career. He would work on more than a dozen projects over the next two years, but Coburn then succumbed to a heart attack in 2002. Coburn was survived by two children, James H. Coburn IV and Lisa Coburn, his former spouse Beverly Kelly, and Paula Murad, his wife at the time of his death.

Trivia: With his trademark red moustache, personable smile, and childlike demeanor, longtime character actor Michael Jeter brought smiles to children nationwide with his role on Sesame Street as Mr. Noodle's Brother. Aside from his memorable role on that children's television mainstay, Jeter could also be seen in a number of memorable film roles in such efforts as Miller's Crossing (1990) and The Fisher King (1991). Chances are, if you don't recognize his name you would certainly recognize his face. Born in Lawrenceburg, TN, in August of 1952, Jeter first opted to follow a career in medicine, though a stint at Memphis State University found the creative young student leaning ever closer to a career as an actor. Taking on minor film roles beginning with 1979's Hairspray, the burgeoning young actor would subsequently appear in such films as Milos Foreman's Ragtime (1981) and Woody Allen's Zelig (1983), though early struggles with alcohol and substance abuse threatened to sideline his screen career in the mid-'80s. Abandoning the screen for a career as a legal secretary the same year that Zelig was released, fate guided Jeter back into his true calling when a producer, recalling his role in television's Designing Women, asked that he take a supporting role on the Burt Reynolds' sitcom Evening Shade. Accepting the role as assistant football coach Herman Stiles, Jeter's enthusiasm for acting was re-ignited as he was honored with an Emmy for the role in 1992. A busy stage actor as well, Jeter won a Tony in 1990 for his performance in Grand Hotel. From 1990 on, Jeter maintained his film career with a series of memorably quirky roles. Perhaps his most unique and affecting role came with the release of director Terry Gilliam's The Fisher King. As a homeless transvestite who croons for Amanda Plummer's character after making a flamboyant entrance into her quiet office, Jeter's carefree ditty was a highlight of the film. The 1990s proved a busy decade for Jeter, and roles in such popular films as Sister Act 2: Back in the Habit (1993), Air Bud (1997), and The Green Mile (1999) assured that his career would flourish well into the new millennium. Announcing that he had been infected with HIV in 1997, audiences could never have known how quickly the deadly virus would take its toll on the energetic and optimistic actor. Though Jeter would usher in the new millennium with roles in such prominent box-office releases as The Gift (2000) and Jurassic Park III (2001), it was his role on Sesame Street that endeared him to children and made good use of his genuinely playful nature. Sadly, Jeter succumbed to complications from the HIV virus in late March of 2003. Before his untimely death, Jeter would complete roles in Kevin Costner's Open Range (2003) and Robert Zemeckis' family fantasy The Polar Express (2004).

Trivia: American supporting actor Brad Sullivan trained at the University of Maine and at the American Theatre Wing in New York. His off-Broadway debut was in 1961's Red Roses for Me, after which he appeared in the London company of South Pacific. On Broadway, Sullivan headlined in The Basic Training of Pavlo Hummel and Working. Brad Sullivan's film work commenced in the late '70s, embracing such pictures as Slap Shot (1977) (as Wanchuk), Tin Men (1987), The Untouchables (1987) and Guilty By Suspicion (1991).

Trivia: A burly, but handsome, supporting player whose gruff exterior lent itself to tough characters with an underlying sentimentality, actor Robert Pastorelli overcame personal hardships to become a prominent fixture in both films and television. A New Jersey native and former boxer, his most challenging bout was a harrowing struggle with drug addiction. He later pursued a career in the New York theater, and initial stage roles in Rebel Without a Cause and Death of a Salesman led to an interest in films. He headed for Hollywood in 1982, and was a natural as rough-and-tumble characters on such popular TV shows as Cagney and Lacey, Hill Street Blues, and Newhart. In 1984, he made his movie debut with a small role in the made-for-TV feature I Married a Centerfold. Roles in Outrageous Fortune and Beverly Hills Cop II (both 1987) followed, and, in 1988, Pastorelli began a seven-year stint as Candice Bergen's housepainter on the popular sitcom Murphy Brown (for which he would earn an Emmy nomination). Two years later, he was cast in his most substantial big-screen role to date when he appeared as Kevin Costner's disheveled traveling companion in the epic Western Dances With Wolves, a performance which got Pastorelli more screen work in the '90s, including roles in such releases as Sister Act 2 (1993), Eraser (1996), and Michael (1996). In 1997 Pastorelli essayed a rare lead by taking the lead in the shortlived stateside adaptation of the popular UK mystery series Cracker. In later years, Pastorelli was increasingly active on the small screen with roles in such made-for-TV features as The Ballad of Lucy Whipple (2001), South Pacific (2001), and Women vs. Men (2002). He made a return to feature territory in 2004 with a supporting role in the eagerly anticipated Get Shorty sequel, Be Cool. Though Pastorelli's career had been experiencing a bit of a surge thanks to such projects as Be Cool, fans were dismayed when the actor was found dead in his Hollywood Hills home of a suspected drug overdose.

Trivia: Comes from a musical family: her teacher-mother played piano; her management consultant-father sang at weddings and family events; and her older brother played several instruments. Formed the Tranzlator Crew, a rap group, with Wyclef Jean and his cousin Prakazrel ("Pras") Michel in the late 1980s; they eventually renamed themselves the Fugees. Appeared on Showtime at the Apollo's "Amateur Night" when she was 13, singing Smokey Robinson's "Who's Lovin' You." Was friends with Zach Braff during high school. Was head cheerleader, class president and a straight-A student in high school. Pursued acting during her early teens, appearing on the soap opera As the World Turns and in the movie Sister Act 2: Back in the Habit. Her 1998 solo debut,The Miseducation of Lauryn Hill, sold more than eight million copies. Rolling Stone ranked The Miseducation of Lauryn Hill as the No. 5 best album of the 1990s, and the No. 312th best album of all time. Influences include Aretha Franklin, Gladys Knight, Roberta Flack and Marvin Gaye.

Trivia: Started acting at age 4. Studied at the Lee Strasberg Institute in Los Angeles. Wrote, directed and starred in the short film A Mi Amor, Mi Dulce (2003). At age 29, she portrayed a middle-aged woman for her role as a former housekeeper in Meet the Fockers (2004). Has does extensive voice-over work, including providing the voice of the lead character in the cartoon El Tigre: The Adventures of Manny Rivera. Has appeared in stage productions of Kindertransport, Club Soda and The Vagina Monologues. Wrote and performed in a one-woman play called Patriotic Bitch.

Trivia: Although many would likely recognize Bill Duke from his roles in such high-profile releases as Predator, Menace II Society, and Red Dragon, perhaps only a few connect the face in front of the camera with the name of the man who also directed such features as A Rage in Harlem and Hoodlum. A native of Poughkeepsie, NY, and the first in his family to graduate from college, the actor/director studied speech and drama at Boston University before earning his M.F.A. from New York University's Tisch School of the Arts. Subsequently penning off-Broadway plays and launching a film career with roles in Car Wash (1976) and American Gigolo (1979), Duke's early breakthrough came with a featured role in the critically acclaimed Alex Haley miniseries Palmerstown U.S.A. in 1980. Deciding to refine his skills behind the camera, the burgeoning actor later studied at the American Film Institute, where his student project The Hero earned him a solid reputation as a director to watch. In the years that followed, Duke earned a reputation as an efficient and effective television director as he took the helm for episodes of Hill Street Blues, Fame, Miami Vice, Spenser: For Hire, and Matlock. He soon moved into feature territory with the PBS drama The Killing Floor (which screened at the 1985 Cannes Film Festival and earned the Special Jury Prize at the Sundance Film Festival). In 1989, Duke's adaptation of A Raisin in the Sun showed that, although his directing had thus far been limited to the small screen, he also had the potential to launch a lucrative career in theatrical features. After acting in such features as Commando (1985), Predator (1987), and Bird on a Wire (1990), Duke's first theatrical feature, A Rage in Harlem, was released in 1991. An effective crime drama featuring a gangster's moll, a trunk load of gold, and a slew of unsavory heavies, the film was unfairly interpreted by audiences to be a rip-off of the popular 1989 comedy Harlem Nights. For the dark crime thriller Deep Cover, Duke teamed with future collaborator Laurence Fishburne for the first time, and after lightening things up a bit with The Cemetery Club (1993), Duke earned a direct hit at the box office with the popular sequel Sister Act 2: Back in the Habit the same year. The remainder of the '90s found the actor/director evenly dividing his duties on both sides of the camera, and, in 1997, he re-teamed with Fishburne for the throwback gangster drama Hoodlum. With all of his directorial duties, Duke found little time to accept onscreen roles, though performances in Payback and Fever in 1999 reminded audiences that he was still a compelling screen presence. Duke returned to the small screen the following year to direct an episode of City of Angels and the Nero Wolfe mystery The Golden Spiders, and remained in television to shoot episodes of Fastlane and Robbery Homicide Division. In 2003, Duke directed the moving, made-for-TV drama Deacons for Defense. As roles in Red Dragon (2002) and National Security (2003) continued to fuel his feature career, Duke was also seen on the small screen in episodes of Fastlane and the Out of Sight (1998) spin-off Karen Sisco.

Trivia: Personifying the type of teen spirit most commonly found in Noxzema ads and pep-squad meets, actress Jennifer Love Hewitt has brought new meaning to the word "effervescent." The '90s saw Hewitt go from relative obscurity to a bona fide teen queen, to say nothing of one of the most frequently enshrined actresses on the internet. Hewitt was born on February 21, 1979, in Waco, TX. She made her first appearance on television in 1984 in the show Kids Incorporated (which, coincidentally, once guest-starred Scott Wolf, her Party of Five co-star). She also did a multitude of commercials, even doing a stint as an L.A. Gear spokesgirl at the age of ten. After spending the majority of the '80s working in television, Hewitt got her first film role in the 1993 film Sister Act 2: Back in the Habit, but it wasn't until she got her big break as Sarah Reeves on Party of Five (1994) that she began to gain recognition. More recognition came first in the form of Trojan War (1997) and then I Know What You Did Last Summer (1997). The film, which capitalized on the growing trend in teen horror flicks catalyzed by Wes Craven's Scream (1996), proved to be immensely popular among audiences, if not critics; it was predictably followed by a sequel, the aptly titled I Still Know What You Did Last Summer (1998). In addition to her film work, which also included 1998's Can't Hardly Wait, Hewitt maintained her role in Party of Five and continued to star in commercials, most notably as the Neutrogena spokesgirl, as well as headlining her own Fox series, Time of Your Life, in which her Party of Five character, Sarah Reeves, moves to New York to look for her father.Affectionately known as Love by family and friends, Hewitt has had moderate success as a pop singer, as well as on the big screen. She made her American musical debut in 1995 with the release of Lets Go Bang, and could also be heard singing two tracks for the House Arrest (1996) soundtrack in addition to playing a lead role in the film itself. Can't Hardly Wait, a 1998 teen movie which featured Hewitt as the girl du jour, made enough of a splash in the genre to be parodied in 2002's Not Another Teen Movie. In 2000, Hewitt received some critical acclaim for her portrayal of Audrey Hepburn in The Audrey Hepburn Story, a made-for-television dramatization of Hepburn's life. The next year, Hewitt starred opposite Alien queen Sigourney Weaver in Heartbreakers, which featured the two actresses as mother-and-daughter con artists. The year 2002 brought Hewitt the opportunity to star opposite martial-arts favorite Jackie Chan in The Tuxedo, though the movie would tank among critics and audiences alike. After lending her vocal chords to a series of animated roles (The Adventures of Tom Thumb and Thumbelina [2002], Groove Squad [2003], and The Hunchback of Notre Dame II [2001]), Hewitt wouldn't return to a major theatrical role until 2004. She is scheduled to work with Val Kilmer in Marc F. Adler's Delgo, as well as play lead roles in Gil Junger's If Only and in the much anticipated 2004 adaptation of Garfield starring Bill Murray. A return to the small screen as a medium with the supernatural ability to communicate with the recently departed in Ghost Whisperer proved to be a major event for Hewitt, and she would stick with the show for five years.Over the coming years, Hewitt would remain a particularly strong actress in the realm of TV, appearing most notably on the saucy series The Client List. She joined Criminal Minds in season 10, playing an undercover FBI agent.

Trivia: Whenever a script called for a wacky old lady, character actor Ellen Albertini Dow was there to play the part. After a lifetime as a teacher, the Cornell graduate made her television debut on an episode of the Twilight Zone in 1985 when she was in her late sixties. She spent the rest of the '80s making TV guest appearances on family sitcoms (Mr. Belvedere, The Golden Girls, Family Matters, and Newhart, just to name a few). On the big screen, she appeared in innumerable supporting roles as a grandma, nun, or any random old lady, leading to choir parts in both Sister Act and Sister Act 2. She got to exploit her comedic shtick regularly in 1996 when she joined the cast of the Nickelodeon series Kenan & Kel in the role of Ethel Quagmire. If a cameo can be considered a breakthrough, she at least gained face recognition as the old lady, Rosie, who raps in The Wedding Singer by appearing in the film's commercial. She continued playing the sassy granny role as Disco Dottie in 54, Mrs. MacKenzie in Ready to Rumble, and Tom Green's grandma in Road Trip. In 2001, she returned to the small screen to play Grandma Harriet on the WB series Maybe It's Me. At the age of 84, she lent her voice to Adam Sandler's animated feature Eight Crazy Nights. In 2005, she played the foul-mouthed Grandma Cleary in the the box-office smash Wedding Crashers. Albertini Dow continued to work, mostly in TV guest appearances, including spots on My Name is Earl and New Girl, until 2013. She died in 2015, at age 101.

Trivia: A Tony-nominated actress of stage and screen whose ties with the American Conservatory Theater stretch back to their first stage production, Ruth Kobart found much success on stage before seguing into feature films and television. Born in Des Moines, IA, Kobart would later relocate to New York City to pursue a career in opera. Following an early career off-Broadway, Kobart toured with numerous productions before earning a Tony nomination for her role in the 1963 production of A Funny Thing Happened on the Way to the Forum. Kobart would continue to appear in ACT productions throughout her career, and after joining the group in 1967 she would remain an ACT player for 27 years. After making a splash with How to Succeed in Business Without Really Trying (1967) Kobart would appear in such features as Dirty Harry (1971) and Sister Act (1992), in addition to loaning her voice to such animated efforts as Jonny Quest. On December 13, 2002, Ruth Kobart died of cancer in San Francisco. She was 78.

Trivia: Best known for playing unapologetically mature, assertive, and intelligent adult women, African-American supporting actress Jenifer Lewis originally launched her career as a vocalist, singing in a church choir in Kinloch, MO. Lewis' passion (and gift) for singing carried her to the Great White Way, where she appeared in a number of sell-out Broadway musicals -- including Ain't Misbehavin' and Dreamgirls. She subsequently migrated to the West Coast for a string of appearances in TV programs such as Roc, A Different World, Murphy Brown, Hangin' with Mr. Cooper, Touched by an Angel, and The Fresh Prince of Bel-Air, and graduated to features in 1992. The films in which Lewis has appeared run the gamut of quality, from outstanding (What's Love Got to Do With It?, 1993) to satisfactory (Sister Act, 1992; The Preacher's Wife, 1996) to downright abominable (Frozen Assets, 1992); many, however, demonstrated her fine gifts. More recently, Lewis attained some much-deserved recognition (and ascended to higher than usual billing) with her multi-season portrayal of Lana Hawkins in the prime-time medical drama Strong Medicine (2000).

Trivia: A graduate of the Alvin Ailey Dance theater, Gabriel Trupin danced in the background of two feature films and was a dancer in pop singer Madonna's Blonde Ambition Tour. During this tour, he and two other dancers were filmed while discussing their homosexuality. The footage was used in Madonna's documentary Truth or Dare (1991), leading Trupin and the others involved to sue Madonna.

Trivia: Supporting actor Robin Gammell first appeared onscreen in the early '70s.

Trivia: Bespectacled Sidney Lassick looked more like a vice-principal or shop steward than an actor. This lack of showbiz slickness came in handy for the "everyman" roles assigned him. Lassick played the manic-depressive Cheswick in One Flew Over the Cuckoo's Nest (1975) and the sarcastic English teacher in Carrie (1976), to cite two roles among dozens. More recently, Sidney Lassick was seen in The Further Adventures of Tennessee Buck (1988) and Deep Cover (1992)