Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: Breathes there a theatergoer or film fan on Earth who has not, at one time or another, fallen in love with the sublimely brilliant British comedic actress Dame Maggie Smith? The daughter of an Oxford University pathologist, Smith received her earliest acting training at the Oxford Playhouse School. In 1952, she made her professional stage bow as Viola in Twelfth Night. Four years later she was on Broadway, performing comedy routines in Leonard Sillman's New Faces of 1956; that same year, she made her first, extremely brief screen appearance in Child in the House (she usually refers to 1959's Nowhere to Go as her screen debut).In 1959, Smith joined the Old Vic, and in 1962 won the first of several performing honors, the London Evening Standard Award, for her work in the West End production The Private Ear/The Public Eye. Her subsequent theatrical prizes include the 1963 and 1972 Variety Club awards for Mary Mary and Private Lives, respectively, and the 1990 Tony Award for her performance in the Broadway play Lettice and Lovage. In addition, Smith has won Oscars for The Prime of Miss Jean Brodie (1969) and California Suite (1978), and British Film Academy awards for A Private Function (1985), A Room With a View (1986), and The Lonely Passion of Judith Hearne (1987).These accolades notwithstanding, Smith has had no qualms about accepting such "lightweight" roles as lady sleuth Dora Charleston (a delicious Myrna Loy takeoff) in Murder By Death (1976), the aging Wendy in Steven Spielberg's Peter Pan derivation Hook (1991), and the Mother Superior in Whoopi Goldberg's Sister Act films of the early '90s. During the same decade, she also took more serious roles in Richard III (1995), Washington Square (1997), and Tea With Mussolini (1999). On a lighter note, her role in director Robert Altman's Gosford Park earned Smith her sixth Oscar nomination. She earned a whole new generation of fans during the first decade of the next century when she was cast as Professor McGonagall in Harry Potter and the Sorcerer's Stone, a part she would return to for each of the film's phenomenally successful sequels. She worked in other films as well including Divine Secrets of the Ya-Ya Sisterhood, Becoming Jane, and Nanny McPhee Returns. In 2010 she earned rave reviews for her work in the television series Downton Abbey.Made a Dame Commander in 1989, Smith was elected to the Theatre Hall of Fame in 1994. Previously married to the late actor Sir Robert Stephens, she is the wife of screenwriter Beverly Cross and the mother of actors Toby Stephens and Chris Larkin.

Trivia: Sporting a Brooklyn accent and bulldog features, Harvey Keitel first gained recognition with a series of gritty roles in the early films of Martin Scorsese, and he was for a long time cast as one lowlife thug after another. His career experienced a renaissance in the 1990s, when roles in such films as Thelma & Louise, Bad Lieutenant, and The Piano demonstrated his versatility and his willingness to let it all hang out (literally) in the service of an authentic characterization.A product of Brooklyn, where he was born on May 13, 1939, Keitel grew up as something of a delinquent. At the age of 16, his truancy was put to an end when he was sent to Lebanon with the Marine Corps. Upon his return, he sold shoes and nurtured an interest in acting. He studied the craft with Lee Strasberg and Stella Adler and began appearing in off-off-Broadway productions. When he was 26, fate struck in the form of a casting ad placed by Scorsese, at that time a fledgling student director at New York University; Keitel's response to the ad began a collaboration that would last for years and produce some of the more memorable moments in film history. Keitel and Scorsese made their onscreen feature debuts with Who's That Knocking at My Door? (1968), in which the former played the latter's alter ego. Five years later, they collaborated on Mean Streets; that and their subsequent collaborations of the '70s, Alice Doesn't Live Here Anymore (1974) and Taxi Driver (1976), were some of the decade's most memorable films. Unfortunately, despite these achievements, Keitel's career suffered a great blow when he lost the lead in Francis Ford Coppola's Apocalypse Now to Martin Sheen. He spent much of the '80s appearing in obscure and/or forgettable films, save for Scorsese's controversial The Last Temptation of Christ (1988), and by the time he was cast in Thelma & Louise in 1991, he was in a career slump. 1991 and 1992 marked a turning point in Keitel's career: his role in Thelma and Louise as a sympathetic detective -- much like his role in that same year's Mortal Thoughts -- helped him break through the stereotypes surrounding him, and his Oscar nomination for his portrayal of gangster Mickey Cohen in Bugsy (1991) put him back in the forefront. Keitel's work in 1992's Bad Lieutenant, Reservoir Dogs, and Sister Act further established him as an actor of previously unappreciated versatility, and in 1993 he proved this versatility when he starred in Jane Campion's exotic art drama The Piano, in which he famously appeared in the nude as Holly Hunter's lover.Keitel continued to demonstrate his ability to play both hard-boiled gangsters and rough-edged nice guys throughout the rest of the decade, turning in one solid performance after another in such films as Pulp Fiction (1994), Clockers (1995), and Copland (1997). One of his most memorable characterizations, cigar shop owner Auggie Wren, came from his collaboration with Paul Auster on Smoke and Blue in the Face (both 1995); he also worked with Auster on his 1998 romantic drama Lulu on the Bridge. In 1999, Keitel could be seen in variety of films, notably Tony Bui's Three Seasons, in which he played an American soldier searching for his lost daughter in Vietnam, and Jane Campion's Holy Smoke, in which he played a man sent to deprogram Kate Winslet of the teachings she received while part of a religious cult.In 2001, Keitel's performance as the contemptuous Major Steve Arnold in Taking Sides was met with rave reviews; the same year, Keitel played a Holocaust victim in The Grey Zone. Keitel worked on and off throughout the 2000s, and landed a regular role in ABC's short-lived series Life on Mars in 2008.

Trivia: American character actress Kathy Najimy specializes in offbeat, theatrical characters. A substantial and energetic woman with distinctive curly hair and exotic features, Najimy has appeared on-stage, in feature films, and on television. She has also voiced cartoons. Film credits include The Fisher King, Soapdish (both 1991), Sister Act (1992), and Jeffrey (1996). In 1996, she appeared -- over 100 pounds thinner -- for a brief but memorable recurring role as a manic-depressive psychiatrist on the CBS TV series Chicago Hope. In 1997, she became a regular on the Kirstie Alley sitcom Veronica's Closet. Beginning in 1997 she spent thirteen seasons voicing Peggy Hill, the wife to tried and true Texan Hank Hill on the animated series King of the Hill. During the run of the show she appeared in a variety of big-screen projects including Bride of Chucky, Rat Race, Scream Team, and Say Uncle. She landed a recurring role on the TV series Numb3rs, and joined the Pixar family when she lent her vocal talents to WALL-E in 2008.

Trivia: Studied classical harp as a child, playing at Carnegie Hall at age 10. Danced ballet with the Balanchine Company at the New York City Ballet, but was forced to quit dance after an injury at age 18. Made her Broadway debut in a 1987 production of Pygmalion. Has appeared regularly on stage, including 1987's Pygmalion with Peter O'Toole and 1996's The Shawl with Dianne Wiest.

Trivia: "I'm not a comic," insisted Mary Wickes. "I'm an actress who plays comedy." True enough; still Wickes was often heaps funnier than the so-called comics she supported. The daughter of a well-to-do St. Louis banker, Wickes was an excellent student, completing a political science degree at the University of Washington at the age of 18. She intended to become a lawyer, but she was deflected into theatre. During her stock company apprenticeship, Wickes befriended Broadway star Ina Claire, who wrote the young actress a letter of introduction to powerful New York producer Sam Harris. She made her Broadway debut in 1934, spending the next five seasons in a variety of characterizations (never the ingenue). In 1939, she found time to make her film bow in the Red Skelton 2-reeler Seein' Red. After a string of Broadway flops, Wickes scored a hit as long-suffering Nurse Preen (aka "Nurse Bedpan") in the Kaufman-Hart comedy classic The Man Who Came to Dinner. She was brought to Hollywood to repeat her role in the 1941 film version of Dinner. After a brief flurry of movie activity, Wickes went back to the stage, returning to Hollywood in 1948 in a role specifically written for her in The Decision of Christopher Blake. Thereafter, she remained in great demand in films, playing an exhausting variety of nosy neighbors, acerbic housekeepers and imperious maiden aunts. Though her characters were often snide and sarcastic, Wickes was careful to inject what she called "heart" into her portrayals; indeed, it is very hard to find an out-and-out villainess in her manifest. Even when she served as the model for Cruella DeVil in the 1961 animated feature 101 Dalmations, Cruella's voice was dubbed by the far more malevolent-sounding Betty Lou Gerson. Far busier on TV than in films, Wickes was a regular on ten weekly series between 1953 and 1985, earning an Emmy nomination for her work on 1961's The Gertrude Berg Show. She also has the distinction of being the first actress to essay the role of Mary Poppins in a 1949 Studio One presentation. Throughout the 1960s, 1970s and 1980s, Wickes did a great deal of guest-artist work in colleges and universities; during this period she herself went back to school, earning a master's degree from UCLA. Maintaining her professional pace into the 1990s, Wickes scored a hit with modern moviegoers as Sister Mary Lazarus in the two Sister Act comedies. Mary Wickes' final performance was a voiceover stint as one of the gargoyles in Disney's animated Hunchback of Notre Dame; she died a few days before finishing this assignment, whereupon Jane Withers dubbed in the leftover dialogue.

Trivia: Pittsburgh native Bill Nunn's prolific career earned him such a long list of roles, it's hard to believe the actor didn't set foot onscreen until he was 35 years old. The Morehouse College graduate had a degree in English and his career sights had always been set on writing. It wasn't until a fellow Morehouse graduate, Spike Lee, offered him a role in his 1988 film School Daze that Nunn decided to try his hand at professional acting. His power onscreen was undeniable, and so was his natural acting ability. He appeared in Lee's next film, the groundbreaking Do the Right Thing, and his iconic role as Radio Raheem cemented him as a career actor. Memorable parts soon followed in 1990's Cadillac Man and 1991's controversial Mario Van Peebles film New Jack City. Critics and audiences were amazed that Nunn hadn't been learning the craft all his life, as he proved to be a bankable actor with the capacity to be both moving and funny. Nunn loved his work, too; he would continue to participate in multiple projects a year, amassing a resumé 50 roles long over the course of 20 years. Nunn's kind but steady gaze earned him a reputation for playing police officers, but from the political satire Canadian Bacon to the comic-book hero Spider-man movies, He appeared in the TV movie version of Raisin in the Sun in 2008 and made his last on-screen appearance as a series regular in the USA series Sirens. Nunn died in 2016, at age 63.

Trivia: Character actor Richard Portnow has worked steadily in theater, feature films, and on television for many years. On stage, he has appeared both on and off Broadway, as well as in many regional productions, and at London's Royal Court Theatre. Portnow made his feature film debut with a bit part in Susan Seidleman's Desperately Seeking Susan (1985). On television, Portnow has guest starred on many series, including Seinfeld, NYPD Blue, and The Nanny.

Trivia: Actor Joseph Maher found success on stage, television, and in cinema. Over his career, he received three Tony nominations, including one for Joe Orton's Loot. His film credits include turns as Warren Beatty's butler in Heaven Can Wait (1978) and as Bishop O'Hara in Sister Act (1992). On television, Maher guest starred on series such as Seinfeld and thirtysomething.

Trivia: Joined the United States Marine Corps with several of his close friends after graduating from high school.Previously worked as a newscaster and hosted jazz and classical music programs on Oklahoma City radio station KCSC.Made his professional stage debut as a student in a production of Rain at the Oklahoma Theatre Center in 1972.Worked with the Dallas Shakespeare Festival for 5 seasons.Served as historical consultant on 2006's Hollywoodland, the film about Superman actor George Reeves' life.

Trivia: Best known for playing unapologetically mature, assertive, and intelligent adult women, African-American supporting actress Jenifer Lewis originally launched her career as a vocalist, singing in a church choir in Kinloch, MO. Lewis' passion (and gift) for singing carried her to the Great White Way, where she appeared in a number of sell-out Broadway musicals -- including Ain't Misbehavin' and Dreamgirls. She subsequently migrated to the West Coast for a string of appearances in TV programs such as Roc, A Different World, Murphy Brown, Hangin' with Mr. Cooper, Touched by an Angel, and The Fresh Prince of Bel-Air, and graduated to features in 1992. The films in which Lewis has appeared run the gamut of quality, from outstanding (What's Love Got to Do With It?, 1993) to satisfactory (Sister Act, 1992; The Preacher's Wife, 1996) to downright abominable (Frozen Assets, 1992); many, however, demonstrated her fine gifts. More recently, Lewis attained some much-deserved recognition (and ascended to higher than usual billing) with her multi-season portrayal of Lana Hawkins in the prime-time medical drama Strong Medicine (2000).

Trivia: Whenever a script called for a wacky old lady, character actor Ellen Albertini Dow was there to play the part. After a lifetime as a teacher, the Cornell graduate made her television debut on an episode of the Twilight Zone in 1985 when she was in her late sixties. She spent the rest of the '80s making TV guest appearances on family sitcoms (Mr. Belvedere, The Golden Girls, Family Matters, and Newhart, just to name a few). On the big screen, she appeared in innumerable supporting roles as a grandma, nun, or any random old lady, leading to choir parts in both Sister Act and Sister Act 2. She got to exploit her comedic shtick regularly in 1996 when she joined the cast of the Nickelodeon series Kenan & Kel in the role of Ethel Quagmire. If a cameo can be considered a breakthrough, she at least gained face recognition as the old lady, Rosie, who raps in The Wedding Singer by appearing in the film's commercial. She continued playing the sassy granny role as Disco Dottie in 54, Mrs. MacKenzie in Ready to Rumble, and Tom Green's grandma in Road Trip. In 2001, she returned to the small screen to play Grandma Harriet on the WB series Maybe It's Me. At the age of 84, she lent her voice to Adam Sandler's animated feature Eight Crazy Nights. In 2005, she played the foul-mouthed Grandma Cleary in the the box-office smash Wedding Crashers. Albertini Dow continued to work, mostly in TV guest appearances, including spots on My Name is Earl and New Girl, until 2013. She died in 2015, at age 101.

Trivia: A Tony-nominated actress of stage and screen whose ties with the American Conservatory Theater stretch back to their first stage production, Ruth Kobart found much success on stage before seguing into feature films and television. Born in Des Moines, IA, Kobart would later relocate to New York City to pursue a career in opera. Following an early career off-Broadway, Kobart toured with numerous productions before earning a Tony nomination for her role in the 1963 production of A Funny Thing Happened on the Way to the Forum. Kobart would continue to appear in ACT productions throughout her career, and after joining the group in 1967 she would remain an ACT player for 27 years. After making a splash with How to Succeed in Business Without Really Trying (1967) Kobart would appear in such features as Dirty Harry (1971) and Sister Act (1992), in addition to loaning her voice to such animated efforts as Jonny Quest. On December 13, 2002, Ruth Kobart died of cancer in San Francisco. She was 78.

Trivia: A kohl-eyed actor who has oozed a steady stream of low-key testosterone through a series of films that include Dazed and Confused (1993), A Time to Kill (1996), and The Limey (1999), Nicky Katt has brought life to a stable of idiosyncratic, often dysfunctional characters that have established him as one of the more adventurous young performers in Hollywood. A former child actor who first worked on shows ranging from V to Father Murphy, Katt got his adult breakthrough in Richard Linklater's Dazed and Confused, a film that also helped to launch the careers of such castmates as Parker Posey, Matthew McConaughey, and Joey Lauren Adams. He went on to do prolific supporting work, showing up to particularly memorable effect as a one-armed convenience store clerk in Gregg Araki's The Doom Generation (1995), as a belligerent redneck in Joel Schumacher's A Time to Kill (1996), and as Renee Zellweger's ambitious attorney boyfriend in One True Thing (1998). One of his most memorable roles came courtesy of Steven Soderbergh's The Limey, which featured Katt as a dreadlocked, sociopathic hitman whose running (and largely improvised) commentaries on various passersby provided some of the film's most unnerving comic moments. Although he has been seen mainly in a supporting capacity, Katt has also done notable lead work, particularly in Linklater's SubUrbia (1997), in which he managed to stand out from a talented ensemble cast with his portrayal of an alcoholic and xenophobic ex-Air Force recruit. The actor also starred in and executive produced Adam Goldberg's Scotch and Milk (1998), an acclaimed post-noir drama that featured him as one of a group of aimless friends skulking and posing their way around Los Angeles. With a growing list of credits and further roles in such well-received films as Boiler Room (2000), which cast him as a money-grubbing broker, Katt began the 21st century on a very promising note. With roles in such high-profile releases as Insomnia and director Steven Soderbergh's Full Frontal (both 2002), Katt continued to hold that note, all the while maintaining a growing fan base with his role as geology teacher Harry Senate on the popular evening drama Boston Public.He continued to work steadily in a variety of projects including the indie I Love Your Work, doing a cameo for Richard Linklater in School of Rock, Planet Terror, and appearing opposite Jodie Foster in the vigilante drama The Brave One.

Trivia: Supporting actor Boyd has appeared onscreen from the '70s.