Trivia: One of Hollywood's most prominent strong, silent types, Kevin Costner was for several years the celluloid personification of the baseball industry, given his indelible mark with baseball-themed hits like Bull Durham, Field of Dreams, and For Love of the Game. His epic Western Dances with Wolves marked the first break from this trend and established Costner as a formidable directing talent to boot. Although several flops in the late '90s diminished his bankability, for many, Costner remained one of the industry's most enduring and endearing icons.A native of California, Costner was born January 18, 1955, in Lynnwood. While a marketing student at California State University in Fullerton, he became involved with community theater. Upon graduation in 1978, Costner took a marketing job that lasted all of 30 days before deciding to take a crack at acting. After an inauspicious 1974 film debut in the ultra-cheapie Sizzle Beach USA, Costner decided to take a more serious approach to acting. Venturing down the usual theater-workshop, multiple-audition route, the actor impressed casting directors who weren't really certain of how to use him. That may be one reason why Costner's big-studio debut in Night Shift (1982) consisted of little more than background decoration, and the same year's Frances featured the hapless young actor as an off-stage voice.Director Lawrence Kasdan liked Costner enough to cast him in the important role of the suicide victim who motivated the plot of The Big Chill (1983). Unfortunately, his flashback scenes were edited out of the movie, leaving all that was visible of the actor -- who had turned down Matthew Broderick's role in WarGames to take the part -- to be his dress suit, along with a fleeting glimpse of his hairline and hands as the undertaker prepared him for burial during the opening credits. Two years later, a guilt-ridden Kasdan chose Costner for a major part as a hell-raising gunfighter in the "retro" Western Silverado (1985), this time putting him in front of the camera for virtually the entire film. He also gained notice for the Diner-ish buddy road movie Fandango. The actor's big break came two years later as he burst onto the screen in two major films, No Way Out and The Untouchables; his growing popularity was further amplified with a brace of baseball films, released within months of one another. In Bull Durham (1988), the actor was taciturn minor-league ballplayer Crash Davis, and in the following year's Field of Dreams he was Ray Kinsella, a farmer who constructs a baseball diamond in his Iowa cornfield at the repeated urging of a voice that intones "if you build it, he will come."Riding high on the combined box-office success of these films, Costner was able to make his directing debut. With a small budget of 18 million dollars, he went off to the Black Hills of South Dakota to film the first Western epic that Hollywood had seen in years, a revisionist look at American Indian-white relationships titled Dances With Wolves (1990). The supposedly doomed project, in addition to being one of '90s biggest moneymakers, also took home a slew of Academy Awards, including statues for Best Picture and Best Director (usurping Martin Scorsese's Goodfellas).Costner's luck continued with the 1991 costume epic Robin Hood: Prince of Thieves; this, too, made money, though it seriously strained Costner's longtime friendship with the film's director, Kevin Reynolds. The same year, Costner had another hit -- and critical success -- on his hands with Oliver Stone's JFK. The next year's The Bodyguard, a film which teamed Costner with Whitney Houston, did so well at the box office that it seemed the actor could do no wrong. However, his next film, A Perfect World (1993), directed by Clint Eastwood and casting the actor against type as a half-psycho, half-benign prison escapee, was a major disappointment, even though Costner himself garnered some acclaim. Bad luck followed Perfect World in the form of another cast-against-type failure, the 1994 Western Wyatt Earp, which proved that Lawrence Kasdan could have his off days.Adding insult to injury, Costner's 1995 epic sci-fi adventure Waterworld received a whopping amount of negative publicity prior to opening due to its ballooning budget and bloated schedule; ultimately, its decent box office total in no way offset its cost. The following year, Costner was able to rebound somewhat with the romantic comedy Tin Cup, which was well-received by the critics and the public alike. Unfortunately, he opted to follow up this success with another large-scaled directorial effort, an epic filmization of author David Brin's The Postman. The 1997 film featured Costner as a Shakespeare-spouting drifter in a post-nuclear holocaust America whose efforts to reunite the country give him messianic qualities. Like Waterworld, The Postman received a critical drubbing and did poorly with audiences. Costner's reputation, now at an all-time low, received some resuscitation with the 1998 romantic drama Message in a Bottle, and later the same year he returned to the genre that loved him best with Sam Raimi's baseball drama For Love of the Game. A thoughtful reflection on the Cuban missile crisis provided the groundwork for the mid-level success Thirteen Days (2000), though Costner's next turn -- as a member of a group of Elvis impersonating casino bandits in 3000 Miles to Graceland -- drew harsh criticism, relegating it to a quick death at the box office. Though Costner's next effort was a more sentimental supernatural drama lamenting lost love, Dragonfly (2002) was dismissed by many as a cheap clone of The Sixth Sense and met an almost equally hasty fate.Costner fared better in 2003, and returned to directing, with Open Range, a Western co-starring himself and the iconic Robert Duvall -- while it was no Dances With Wolves in terms of mainstream popularity, it certainly received more positive feedback than The Postman or Waterworld. In 2004, Costner starred alongside Joan Allen in director Mike Binder's drama The Upside of Anger. That picture cast Allen as an unexpectedly single, upper-middle class woman who unexpectedly strikes up a romance with the boozy ex-baseball star who lives next door (Costner). Even if divided on the picture as a whole, critics unanimously praised the lead performances by Costner and Allen.After the thoroughly dispiriting (and critically drubbed) quasi-sequel to The Graduate, Rumor Has It..., Costner teamed up with Fugitive director Andrew Davis for the moderately successful 2006 Coast Guard thriller The Guardian, co-starring Ashton Kutcher and Hollywood ingenue Melissa Sagemiller.Costner then undertook another change-of-pace with one of his first psychological thrillers: 2007's Mr. Brooks, directed by Bruce A. Evans. Playing a psychotic criminal spurred on to macabre acts by his homicidal alter ego (William Hurt), Costner emerged from the critical- and box-office failure fairly unscathed. He came back swinging the following year with a starring role in the comedy Swing Vote, playing a small town slacker whose single vote is about to determine the outcome of a presidential election. Costner's usual everyman charm carried the movie, but soon he was back to his more somber side, starring in the recession-era drama The Company Men in 2010 alongside Chris Cooper and Tommy Lee Jones. As the 2010's rolled on, Costner's name appeared often in conjunction with the Quentin Tarantino film Django Unchained prior to filming, but scheduling conflicts would eventually prevent the actor from participating in the project. He instead signed on for the latest Superman reboot, playing Clark Kent's adoptive dad on Planet Earth in Man of Steel.

Trivia: The daughter of Cissy Houston and a cousin of Dionne Warwick, singer Whitney Houston burst on the music scene with her inaugural album in 1985, becoming the first woman performer to debut at the number one slot in the Billboard charts. Houston could have remained merely a fabulously successful songstress, but in 1992 she decided to make her film debut in The Bodyguard. Playing an ill-tempered rock star, Houston was paired with Kevin Costner, who portrayed an ex-cop hired to protect her from a stalking fan. Written years earlier by Lawrence Kasdan as a vehicle for Steve McQueen, The Bodyguard made a pile at the box office, providing Whitney Houston with yet another vocal hit: a new version of the Dolly Parton standard "I Will Always Love You", which became the biggest-selling single in the history of pop music. Houston was married to oft-arrested funk singer Bobby Brown from 1992-2007, with whom she had a daughter, Bobbi.

Trivia: Character actor Bill Cobbs began his acting career relatively late in life after working odd jobs in Cleveland, OH. At the age of 36, he moved to New York and joined the Negro Ensemble Company, making his Broadway debut in First Breeze of Summer. His film career started in the late '70s with small film roles and guest appearances on television. In the early '80s, he worked on several performances for the NBC Live Theatre series and a PBS anthology with Ossie Davis and Ruby Dee. Usually cast as the token old black man dispensing words of wisdom, Cobbs' weathered-yet-honest looks got him several guest spots on TV shows from Good Times to The West Wing. He did end up with a few reoccurring roles on sitcoms like The Slap Maxwell Story, The Gregory Hines Show, and The Michael Richards Show. He even had a part in The Others, the NBC sci-fi drama answer to The X-Files. Perhaps his most memorable television appearance is his role as Regina Taylor's father on I'll Fly Away as well as in the TV movie version I'll Fly Away: Then and Now. Throughout his film career, he has built a long list of credits playing kindly fathers, grandfathers, and even Moses (in The Hudsucker Proxy). He was Whitney Houston's manager in The Bodyguard, an old man in New Jack City, and Grandpa Booker in The People Under the Stairs. Though he appears in nearly all genres of Hollywood films, he occasionally gets meatier roles in made-for-TV dramas like Carolina Skeletons, Nightjohn, and Always Outnumbered. In 2002, he played wisened elders in Sunshine State, Enough, and Sweet Deadly Dreams.

Trivia: Upon earning his BA at Bucknell University, Ralph Waite embarked upon no fewer than three careers before deciding upon acting. First, Waite was a social case worker in New York's Westchester County, a job he quit after running into the stone walls of indifference and bureaucracies. Then, after spending three years at the Yale School of Divinity, he was a practicing Presbyterian minister; this, too fell by the wayside due to Waite's unwillingness to conform to church protocol and his disenchantment over the perceived hypocrisy of his fellow clerics. Finally, he worked as a religious editor for the publishing firm of Harper & Row. This job might have panned out, but Waite, separated from his wife and suffering an identity crisis, felt the need to "prove himself" by entering a tougher, more competitive field. Thus, at the age of 30, Waite began taking acting lessons. His professional debut in the off-Broadway production The Balcony proved so disastrous that it is little wonder he chooses to regard his 1965 Broadway bow in Hogan's Goat as the true beginning of his career. After an excellent showing as Jack Nicholson's impotent brother in Five Easy Pieces (1971) the offers began pouring in. In 1972, Waite was cast as John Walton in the immensely popular TV series The Waltons. During the nine-season run of that ratings bonanza, Waite helped form the Los Angeles Actors' Theatre. He also was prominently featured in the blockbuster miniseries Roots (1977), and wrote and directed (but did not star in) the 1980 film On the Money. His post-Walton credits included the TV series Mississippi, the film Cliffhanger (1993) and TV movies Crash and Burn and Sin and Redemption. Towards the end of his career, he had a recurring role on Day of Our Lives as Father Matt, and played the father of two leading men on two long-running series - Gibbs on NCIS and Booth on Bones. Waite died in 2014 at age 85.

Trivia: Though a multihyphenate ad extremis who racked up a litany of influential accomplishments in the theater, modern art, and film worlds, distinguished Tomas Arana is perhaps best known for his contributions to cinema as a character actor, where he initially specialized in portrayals of period figures from ancient times. Over the course of his career Arana set himself apart from the pack by refusing to limit himself to productions from one country; he seemed equally at home working in the U.S., Italy, and Japan.A native of San Francisco, Arana received formal, classical training in stage work at the American Conservatory Theatre, then hitchhiked all over Europe, working as an itinerant artist and collaborating with giants including Andy Warhol, Robert Rauschenberg, and Joseph Beuys. Upon returning to the States, Arana began signing for film roles; memorable studio parts included Lazarus in Martin Scorsese's The Last Temptation of Christ (1988), Leginov the cook in The Hunt for Red October (1990), and Quintus in Ridley Scott's Best Picture winner Gladiator (2000). As time rolled on, Arana also turned up in independent films such as the porn star coming of age drama This Girl's Life (2003) and the natural horror shlockfest Frankenfish (2004). International directors with whom he collaborated include Liliana Cavani, Carlo Verdone, and Michele Soavi. Theatrically, Arana made headlines by serving as producer and starring in numerous productions with the Naples-based theatrical ensemble Falso Movimento.

Trivia: A character actor whose beefy, imposing build (a magazine once listed him as 6'3" and 245 pounds) typecast him as thugs, hoods, and underworld heavies, performer Mike Starr was raised in the Manhattan area, as the son of a meatpacker and a five-and-dime clerk. He attended Long Island's Hofstra University on a drama scholarship, and -- after graduation -- toiled at menial jobs as a bartender and club bouncer before landing his first film role in William Friedkin's gay-themed cop thriller Cruising (1980). Many projects ensued over the following decades, including The Natural (1984), Uncle Buck (1989, in a memorable bit as a drunken clown), Ed Wood (1994), and Jersey Girl (2004). Fans of the gangster-themed comedy Mad Dog and Glory (1993), in particular, might remember Starr -- he played Harold, the wife-beater husband who gets on David Caruso's bad side, and physically suffers for it. In 2007, Starr essayed a rare lead in the character comedy Osso Bucco; he played a gangster unknowingly targeted for death and due for extermination by his cousin.

Trivia: Although he has a laid back Huck Finn demeanor, actor/writer/director Robert Wuhl is one of the hardest-working denizens of Tinseltown. He began as a comedy writer, functioning as story editor on the cult TV series Police Squad and winning Emmys for his work (in collaboration with Billy Crystal) on the annual Academy Awards telecast. A film actor since 1980's Hollywood Knights, Wuhl is best remembered for his portrayal of the feckless reporter Alexander Knox in Batman: The Movie (1988), and for his starring stint in Mistress (1992). One of the more noteworthy aspects of Robert Wuhl's career is his ongoing association with baseball -- he played the bullpen-chattering minor league coach in Bull Durham (1988), and the beleaguered biographer of contentious ballplayer Ty Cobb in Cobb (1993); and, taking a brief breather from film work, Wuhl wrote the chapter on Roger Maris in author/editor Danny Peary's 1989 compendium Cult Baseball Players.

Trivia: At the peak of her career, actress Debbie Reynolds was America's sweetheart, the archetypal girl-next-door. Best remembered for her work in Hollywood musicals, she appeared in the genre's defining moment, Singin' in the Rain, as well as many other notable successes. Born Mary Frances Reynolds on April 1, 1932, in El Paso, TX, she entered the film industry by winning the Miss Burbank beauty contest in 1948, resulting in a contract with Warner Bros. However, the studio cast her in small roles in only two films -- 1948's The June Bride and 1950's The Daughter of Rosie O'Grady -- and she soon exited for the greener pastures of MGM, where she first appeared in Three Little Words. A more significant turn in 1950's Two Weeks With Love garnered Reynolds strong notices, and soon she was touted as the new Judy Garland, with a role in 1951's Mr. Imperium also on the horizon.Though star Gene Kelly initially opposed her casting in his 1952 musical Singin' in the Rain, Reynolds acquitted herself more than admirably alongside the likes of Donald O'Connor and Jean Hagen, and the film remains one of the greatest Hollywood musicals ever produced. A series of less distinguished musicals followed, among them 1953's I Love Melvin, The Affairs of Dobie Gillis, and Give a Girl a Break. On loan to RKO, she scored a major success in 1954's Susan Slept Here, and upon returning to MGM she was awarded with a new and improved seven-year contract. However, the studio continued to insert Reynolds into lackluster projects like the health-fad satire Athena and the musical Hit the Deck. Finally, in 1955, she appeared opposite Frank Sinatra in the hit The Tender Trap, followed by a well-regarded turn as a blushing bride in The Catered Affair a year later.Additionally, Reynolds teamed with real-life husband Eddie Fisher in the musical Bundle of Joy. The couple's children also went on to showbiz success: Daughter Carrie Fisher became a popular actress, novelist, and screenwriter, while son Todd became a director. In 1957, Reynolds starred in Tammy and the Bachelor, the first in a series of popular teen films which also included 1961's Tammy Tell Me True, 1963's Tammy and the Doctor, and 1967's Tammy and the Millionaire. Her other well-received films of the period included 1959's It Started With a Kiss, 1961's The Pleasure of His Company, and 1964's The Unsinkable Molly Brown, for which she earned an Academy Award nomination. In 1959, Reynolds' marriage to Fisher ended in divorce when he left her for Elizabeth Taylor. The effect was an outpouring of public sympathy which only further increased her growing popularity, and it was rumored that by the early '60s, she was earning millions per picture. By the middle of the decade, however, Reynolds' star was waning. While described by the actress herself as her favorite film, 1966's The Singing Nun was not the hit MGM anticipated. Its failure finally convinced the studio to offer her roles closer to her own age, but neither 1967's Divorce American Style nor the next year's How Sweet It Is performed well, and Reynolds disappeared from the screen to mount her own television series, the short-lived Debbie Reynolds Show. In 1971, she appeared against type in the campy horror picture What's the Matter with Helen?, but when it too failed, she essentially retired from movie making, accepting voice-over work as the title character in the animated children's film Charlotte's Web but otherwise remaining away from Hollywood for over a decade.Reynolds then hit the nightclub circuit, additionally appearing on Broadway in 1974's Irene. In 1977, she also starred in Annie Get Your Gun. By the 1980s, Reynolds had become a fixture in Las Vegas, where she ultimately opened her own hotel and casino, regularly performing live in the venue's nightclub and even opening her own museum of Hollywood memorabilia. In 1987, she reappeared in front of the camera for the first time in years in the TV movie Sadie and Son, followed in 1989 by Perry Mason: The Case of the Musical Murder. In 1992, Reynolds appeared briefly as herself in the hit film The Bodyguard, and a small role in Oliver Stone's 1993 Vietnam tale Heaven and Earth marked her second tentative step toward returning to Hollywood on a regular basis. Finally, in 1996 she accepted the title role in the acclaimed Albert Brooks comedy Mother, delivering what many critics declared the best performance of her career. The comedies Wedding Bell Blues and In and Out followed in 1996 and 1997. She continued to work in animated projects, and often allowed herself to be interviewed for documentaries about movie and dance history. She made a cameo as herself in Connie and Carla, and in 2012 she had her most high-profile gig in quite some time when she was cast as Grandma Mazur in One for the Money. In 2015, Reynolds was awarded the Jean Hersholt Humanitarian Award by the Academy of Motion Picture Arts and Sciences. Reynolds died in 2016, at age 84, just one day after her daughter Carrie Fisher died.

Trivia: Character actor Richard Schiff has done prolific work on both the large and small screens, and has appeared in films ranging from Seven (1995) to Living Out Loud (1998). Appearing as a cross between Wallace Shawn and Kevin Spacey, Schiff, a native of the East Coast, began his career as a stage director in New York. After founding and serving as the artistic director of the Manhattan Repertory Theatre and directing a number of on- and off-Broadway productions, he realized that he wanted to act. As such, Schiff began performing on both the stage and in independent films, then moved to Los Angeles so as to better pursue an acting career. He continued to work in the theatre, joining Tim Robbins' Actors Gang, and gradually broke into film. Appearances in such films as Spike Lee's Malcolm X (1992), the Coen Brothers' The Hudsucker Proxy (1994), and Steven Spielberg's The Lost World: Jurassic Park (1997) helped to put Schiff on the map as a character actor and led to substantial roles in Living Out Loud, which cast him as Danny De Vito's brother, and Dr. Dolittle (1998), in which he played one of Eddie Murphy's fellow men of medicine.Schiff also continued to do a great deal of work on television, appearing in shows ranging from Ally McBeal to E.R. In 2000, he joined the cast of the acclaimed NBC series The West Wing, playing the Chief Press Advisor to the President (Martin Sheen). That same year, he received a Best Supporting Actor in a Drama Series Emmy nomination for his portrayal. In the years to come, Schiff would remain active on screen, appearing on TV series like Past Life, The Cape, and House of Lies.

Trivia: Perhaps best known for his work in American and British theater, Nathaniel Parker occasionally appears in feature films and on television. Born and raised in London, Parker studied drama at the London Academy of Music and Dramatic Art; he began his professional career in1986, in a Young Vic's production of Romeo and Juliet. After that, he spent two years with the Royal Shakespeare Company where he garnered international acclaim for his performance opposite Dustin Hoffman in Sir Peter Hall's production of The Merchant of Venice, which played on both sides of the Atlantic. Parker made his feature debut in War Requiem, the first British made-for-television film to receive theatrical release. Some of his more notable films include Squanto: A Warrior's Tale (1995) and Mel Gibson's version of Hamlet (1990), in which Parker played Laertes.

Trivia: Though he made his first film appearance in 1959's Pork Chop Hill, American character actor Bert Remsen did not achieve prominence until the 1980s. On TV, Remsen was seen as Mario the Chef in It's a Living (1980-81) and as wildcat oil man Harrison "Dandy" Dandridge during the 1987-88 season of Dallas. In films, he was featured in several Robert Altman productions, and also essayed the title character in Daddy's Dyin'...Who's Got the Will? (1990). In addition, he occasionally worked as a Hollywood casting director. Bert Remsen's most recent credit (as of 1996) was as one of the "expert witnesses" during the Bruno Richard Hauptmann trial in the made-for-cable Crime of the Century.

Trivia: Lead actor, onscreen from the '80s.