Trivia: Was a member of the National Youth Music Theatre, performing at the Edinburgh Festival and the Glasgow Music Festival. Played the dual roles of Taylor and Ella in a production of Vernon God Little at the Young Vic. Last name is a stage name that she adopted as a tribute to her father, Jamie, who died of cancer in 2000. Is an experienced singer with a mezzo-soprano range.

Trivia: With her regal and elegant visage, Aussie actress Cate Blanchett broke through the mob of aspiring actors and instantly ascended the ranks to Hollywood stardom with her Academy Award-nominated turn as Elizabeth I in Shekhar Kapur's Elizabeth (1998). Her concomitantly poignant and fierce portrayal won admiration from critics and filmgoers, but she had maintained a low enough profile in years prior (and her celebrity materialized so quickly) that the Elizabeth triumph appeared to pull the heretofore unseen actress from out of thin air and caught just about everyone off guard. Born in Melbourne on May 14, 1969, Catherine Elise Blanchett entered the world as the daughter of an Australian mother and a Texas-born American father, with two siblings. Her dad died of a heart attack when she was ten; her mother subsequently raised her. Blanchett studied economics and fine art at the University of Melbourne, but -- reeling from ennui and dissatisfaction -- she set off in search of an alternate vocation and traveled for a period of time, perhaps in search of herself. Blanchett ultimately landed in Egypt, where a chance bit part in an Arabic boxing film introduced her to a newfound love of acting. Taking this as a firm cue, Blanchett harkened back to Sydney, where she enrolled in (and ultimately graduated from) the highly esteemed National Academy of Dramatic Art. Blanchett later joined the Sydney Theatre Company, where she earned positive notices in a production of Caryl Churchill's Top Girls. A subsequent role in Timothy Daley's musical Kafka Dances won Blanchett a 1993 New Comer Award from the Sydney Theatre Critics Circle, an honor doubled that same year when she gleaned a Rosemont Best Actress Award for her performance opposite future Elizabeth co-star Geoffrey Rush in David Mamet's Oleanna. The considerable prestige that accompanied these theatrical triumphs led Blanchett to the small screen, where she appeared in various programs for the Australian Broadcasting Corporation, including the drama Heartland and the cop series Police Rescue. Her television performances caught the attention of director Bruce Beresford, who cast her in his 1997 POW drama Paradise Road as a shy Australian nurse, opposite Glenn Close and Frances McDormand. 1997 proved to be a busy year as it also found her staring in the comedy Thank God He Met Lizzie, for which she netted an Australian Film Institute Best Actress Award. By the end of the year she had an even bigger event than any successful acting gigs as she was married in December to British film technician Andrew Upton. With the considerable amount of praise and recognition Blanchett was receiving in her native country and a partner in her personal life to share it with, it was only a matter of time and opportunity before she became known to a wider audience. Her opportunity arrived that very same year, with her role in Gillian Armstrong's adaptation of Peter Carey's novel Oscar and Lucinda. Opposite Ralph Fiennes, Blanchett won almost uniform praise for her performance in a tepidly received film. Blanchett came first-billed in the following year's Elizabeth. The film drew swift and unequivocal praise, and Blanchett's portrayal of the queen turned her into Los Angeles' newest cause célèbre. A plethora of awards greeted Kapur's feature and Blanchett's performance, including a Best Actress Academy Award nomination and eight additional Oscar nods. The actress won a Golden Globe and British Academy Award, in addition to a host of critics' circle awards. With that experience under her belt, Blanchett starred opposite Angelina Jolie, John Cusack, and Billy Bob Thornton in the Mike Newell comedy Pushing Tin (1999). Although the film dive-bombed at the box office, critics singled out Blanchett's fine performance as a Long Island housewife. The same year, she played another domestic, albeit one of an entirely different stripe, in Oliver Parker's adaptation of Oscar Wilde's An Ideal Husband. Despite a uniformly strong cast including Jeremy Northam, Rupert Everett, and Julianne Moore, the film divided critics, although Blanchett herself again earned favorable notices.Blanchett maintained a busy schedule after the Newell project, appearing in a plethora films throughout the early 2000s. She joined Johnny Depp and Christina Ricci with her role as a kindhearted albeit materialistic showgirl in The Man Who Cried, then starred as a fortune-teller who holds the key to a mysterious murder in director Sam Raimi's The Gift, an unwitting accomplice in the crime comedy Bandits, a British schoolteacher in Tom Tykwer's Kieslowski update Heaven, and Galadriel, Queen of Lothlórien, in Peter Jackson's Lord of the Rings trilogy. Blanchett also appeared in 2001's The Shipping News (as Petal) and director Gillian Armstrong's Charlotte Gray as the title character. That same year, she gave birth to her first son, Dashiell John.Blanchett's appeared as ill-fated Irish journalist Veronica Guerin in director Joel Schumacher and producer Jerry Bruckheimer's eponymously titled 2003 biopic. The film drew very mixed reviews and died a quick death in cinemas during its late-autumn run, but those reviewers who did respond favorably again singled out the actress' stunning interpretation of the role. The following year, Blanchett appeared in Wes Anderson's quirky film The Life Aquatic with Steve Zissou alongside Bill Murray and Owen Wilson. Blanchett wore a prosthetic belly in the film for her role as a seven months pregnant journalist and, interestingly enough, she later found that she was actually pregnant during filming. She gave birth to her second son, Roman Robert, later that same year. First, however, she effortlessly lit up the screen with a performance as film legend Katharine Hepburn in director Martin Scorsese's lavish Howard Hughes epic The Aviator. If The Aviator's Best Picture loss to Million Dollar Baby proved somewhat disappointing to Scorsese fans when the Oscars were handed out, Blanchett landed her greatest triumph that evening: she won the Best Supporting Actress award for her turn as Hepburn. Perhaps despairing the paucity of solid scripts in Hollywood, Blanchett went global after the Scorsese affair. She returned to her native Australia for a low-key follow-up, Rowan Woods' harrowing and skillful Little Fish (2005). 2006's multi-national production Babel, directed by Alejandro González Iñárritu, won the Best Director Award at Cannes; one of the narrative strands in its array of subplots featured Blanchett and Brad Pitt as husband and wife, grieving over the death of a child, and thrust into a desperate situation. Babel turned out to be a major critical success, as did another film Blanchett appeared in that same year, Notes on a Scandal. In the film, Blanchett played a mother and schoolteacher who becomes deeply embroiled in a maze of power and deception when she betrays her job and family by carrying on an affair with a student. The tautly suspenseful and intimate film also starred Judi Dench as Blanchett's friend and confidant, who soon becomes a source of emotional blackmail. The actresses were each praised for their performances, and each received both Golden Globe and Oscar nominations for their work in the film. Blanchett went on to play Lena Brandt in The Good German, Steven Soderbergh and Paul Attanasio's tale of a man (George Clooney) searching for his former mistress (Blanchett) in post-WWII Berlin. She also signed on for Poison helmer Todd Haynes' I'm Not There: Suppositions on a Film Concerning Dylan, slated for release in 2007. The eccentric bio of the pop singer co-starred Richard Gere, Julianne Moore, Adrien Brody, and Charlotte Gainsbourg with numerous varied performers playing the musician in different sequences. Also set for release in 2007 was Blanchett's return to one of her greatest triumphs as Elizabeth I in The Golden Age, Shekhar Kapur's sequel to his 1998 arthouse hit Elizabeth, which would take place later in the Virgin Queen's reign. Geoffrey Rush agreed to reprise his role as Sir Francis Walsingham, and the film would also feature Clive Owen as Sir Walter Raleigh, establisher of the first New World colony and controversial figure of the Elizabethan court. Blanchett also agreed to join the cast of the David Fincher-directed fantasy The Curious Case of Benjamin Button -- a critically acclaimed hit of 2008 -- before moving on to play a nefarious baddie in the unique thriller Hanna in 2012. Soon, the actress was reprising the role of elvin queen Galadriel for the Lord of the Rings prequel, The Hobbit. In 2013, she won her second Academy Award, this time for Lead Actress, for her portrayal of an unhinged socialite in Woody Allen's Blue Jasmine. In 2015, Blanchett played the evil stepmother in the live-action version of Cinderella, took on a supporting role in Terrence Malick's Knight of Cups and earned her seventh Oscar nomination for Todd Haynes' Carol.

Trivia: Joined a youth drama group at age 11 and was soon cast in a film (as a rape victim in the 2000 drama Complicity); and appeared in a children's TV series (My Barmy Aunt Boomerang) at age 13. Was bullied in secondary school because of his childhood acting experience. Starred in a Globe Theatre production of Romeo and Juliet in London and on a UK tour while still a student at the Royal Scottish Academy of Music and Drama. Has also appeared on stage with the National Theatre of Scotland and the Royal Shakespeare Company. Costarred in Hope Springs, a 2009 BBC comedy-drama series about women ex-cons; and Sirens, a 2011 BBC comedy series about paramedics. Won the 2009 Scottish Style Award for Most Stylish Male and was named one of Scotland's "most eligible men" by the Scotsman newspaper in 2010.

Trivia: Perhaps the actress most widely identified with corsets and men named Cecil, Helena Bonham Carter was for a long time typecast as an antiquated heroine, no doubt helped by her own brand of Pre-Raphaelite beauty. With a tumble of brown curls (which were, in fact, hair extensions), huge dark eyes, and translucent pale skin, Bonham Carter's looks made her a natural for movies that took place when the sun still shone over the British Empire and the sight of a bare ankle could induce convulsions. However, the actress, once dubbed by critic Richard Corliss "our modern antique goddess," managed to escape from planet Merchant/Ivory and, while still performing in a number of period pieces, eventually became recognized as an actress capable of portraying thoroughly modern characters. Befitting her double-barreled family name, Bonham Carter is a descendant of the British aristocracy, both social and cinematic. The great-granddaughter of P.M. Lord Herbert Asquith and the grandniece of director Anthony Asquith, she was born to a banker father and a Spanish psychotherapist mother on May 26, 1966, in London. Although her heritage may have been defined by wealth and power, Bonham Carter's upbringing was fraught with misfortune, from her father's paralysis following a botched surgery to her mother's nervous breakdown when the actress was in her teens. Bonham Carter has said in interviews that her mother's breakdown first led her to seek work as an actress and she was soon going out on auditions.She made her screen debut in 1985, playing the ill-fated title character of Trevor Nunn's Lady Jane. Starring opposite Cary Elwes as her equally ill-fated lover, Bonham Carter made enough of an impression as the 16th century teen queen to catch the attention of director James Ivory and producer Ismail Merchant, who cast her as the protagonist of their 1986 adaptation of E.M. Forster's A Room With a View. The film proved a great critical success, winning eight Oscar nominations, including Best Picture and Best Director. The adulation surrounding it provided its young star with her first real taste of fame, as well as steady work; deciding to concentrate on her acting career, Bonham Carter dropped out of Cambridge University, where she had been enrolled.Unfortunately, although she did indeed work steadily and was able to enhance her reputation as a talented actress, Bonham Carter also became a study in typecasting, going from one period piece to the next. Despite the quality of many of these films, including Franco Zeffirelli's Hamlet (1990) and two more E.M. Forster vehicles, Where Angels Fear to Tread (1991) and Howards End (1992), the actress was left without room to expand her range. One notable exception was Getting It Right, a 1989 comedy in which she played a very modern socialite. Things began to change for Bonham Carter in 1995, when she appeared as Woody Allen's wife in Mighty Aphrodite and then had the title role in Margaret's Museum. Bonham Carter's work in the film prompted observers to note that she seemed to be moving away from her previous roles, and although she still appeared in corset movies -- such as Trevor Nunn's lush 1996 adaptation of Twelfth Night -- she began to enhance her reputation as a thoroughly modern actress. In 1997, she won acclaim for her performance in Iain Softley's adaptation of The Wings of the Dove, scoring a Best Actress Oscar nomination in the process.After playing a woman stricken with Lou Gehrig's disease opposite offscreen partner Kenneth Branagh in the poorly received The Theory of Flight (1998) and appearing with Richard E. Grant in A Merry War (1998), Bonham Carter landed one of her most talked-about roles in David Fincher's 1999 Fight Club. As the object of Brad Pitt's and Edward Norton's desires, the actress exchanged hair extensions and English mannerisms for a shock of spiky hair and American dysfunction, prompting some critics to call her one of the most shocking aspects of a shocking movie. But Bonham Carter was soon gearing up for another surprising turn in director Tim Burton's Planet of the Apes (2001). If critics were shocked by her unconventional role in Fight Club, they would no doubt be left dumbfounded with her trading of extravagant period-piece costumes for Rick Baker's makeup wizardry as the simian sympathyser to Mark Wahlberg's Homo sapiens' plight.Burton would become Bonham Carter's partner both in film and in life, as the two would go on to cohabitate and have children, as well as continue to collaborate on screen. The actress would appear in Burton's films like Big Fish, Charlie and the Chocolate Factory, Alice in Wonderland, Sweeny Todd, and Dark Shadows. Her often spooky personna in Burton's films no doubt helped her score the role of Beatrix Lestrange in the Harry Potter films, but Bonham Carter would also continue to take on more down to earth parts -- though for an actress of Bonham Carter's image, those roles included that of Queen Elizabeth in The King's Speech, and the crazed Miss Havisham in Great Expectations. She played Madame Thénardier in the 2012 adaptation of Les Misérables, and tackled screen icon Elizabeth Taylor in the television movie Burton & Taylor (2013).

Trivia: After her first week with Footsteps Theatre School at age 12, she was sent for an audition for The Goodbye Girl. She was cast and made her West End debut with the show at the London Palladium. Went on a national UK tour of Annie. Started a company with her then-boyfriend while at university called ThatSweetFeeling. Appeared in Jerusalem at the Apollo Theatre with Mark Rylance in 2011.

Trivia: Began her acting career at 6 on the British comedy series All Quiet on the Preston Front. Early TV roles on British series like Casualty and Dalziel and Pascoe often cast her as the troubled kid. In 2008, four of the characters she played on stage, film and TV wound up dead. Big-screen debut came with the 2009 British drama Awaydays. Made the leap to American TV when she was cast as Lucrezia Borgia on the Showtime historical drama The Borgias.

Trivia: A Swedish actor who has become known to American audiences thanks to roles in Breaking the Waves and Good Will Hunting, Stellan Skarsgård is one of Scandinavia's best-known and most well-respected performers. Renowned for giving measured characterizations that draw their strength from a delicate complexity, Skarsgård is one of those rare actors who is able to do strong work regardless of the quality of the material he is in, displaying the sort of quiet fortitude that allows him to survive even the worst screen fiascos.Born in Gothenburg on June 13, 1951, Skarsgård became a star in his country, when, as a teenager, he was cast on the TV series Bombi Bitt och jag. After his film debut in 1972, he did years of stage work with Stockholm's Royal Dramatic and made a number of dramas with the director Hans Alfredson, the most notable of which, Den Enfaldige Mordaren, featured Skarsgård in a Silver Berlin Bear-winning performance as a misunderstood man with a deformity. In 1988, Skarsgård got a tentative introduction to a transatlantic audience with a small role in Philip Kaufman's The Unbearable Lightness of Being; two years later, he had a similarly minor role in another international hit, The Hunt for Red October.Skarsgård's true international breakthrough came courtesy of his role as Emily Watson's husband in Lars Von Trier's highly acclaimed Breaking the Waves (1996). The actor more than held his own opposite Watson, who gave one of the year's most lauded performances, and he found previously unimagined opportunities available to him in Hollywood. In 1997, he starred as a frustrated mathematician in Gus Van Sant's award-winning Good Will Hunting and was also featured in Steven Spielberg's Amistad; his work in both films culminated in an Outstanding European Achievement in World Cinema award from the European Film Academy. Later that same year, the actor appeared in My Son the Fanatic as a German businessman with the unfortunate surname of Schitz -- he also gave a stellar portrayal of a detective who slowly loses his mind while investigating a murder in the Norwegian film Insomnia.A prolific actor, Skarsgård appeared in a number of small ambitious projects in 2000, including Passion of Mind with Demi Moore, Mike Figgis' Time Code, and Harlan County War. The following year, while he showed up in the poorly-received thriller The Glass House, Skarsgård gained critical praise for his performance in Taking Sides.2003 saw Skarsgård taking a role in Lars von Trier's highly anticipated Dogville and signing on for the oft-plagued The Exorcist: The Beginning. After several debacles, the prequel to the horror classic finally found its way to movie theaters in 2004, the same year the actor costarred in Antoine Fuqua's King Arthur. After going toe-to-toe with the Devil himself in 2005's Exorcist: The Beginning (as well as Paul Schrader's alternate cut Dominion: Prequel to the Exorcist), Skarsgård joined the crew of the Flying Dutchman in Pirates of the Caribbean: Dead Man's Chest and its follow-up Pirates of the Caribbean: At World's End, and went medieval in the Swedism Arn films. A chilling turn as the ruthless warden in the fact-based King of Devil's Island showed a downright malevolent side to Skarsgård, though it was subsequent roles in the Marvel Comics features Thor and the Avengers, as well as a turn as the mysterious Martin Vanger in David Fincher's The Girl with the Dragon Tattoo, that offered the veteran actor the most international exposure in the wake of his voyage on the high seas.

Trivia: One of Britain's most distinguished stage performers, Derek Jacobi is one of two actors (the other being Laurence Olivier) to hold both Danish and English knighthoods. Primarily known for his work on the stage, he has also made a number of films and remains best-known to television audiences for his stunning portrayal of the titular Roman emperor in I, Claudius.Born in Leytonstone, East London, on October 22, 1938, Jacobi was raised with a love of film, and he began performing on the stage while attending an all-boys school. Thanks to the school's single sex population, his first roles with the drama club -- until his voice broke -- were all female. It was with one of his first male roles that Jacobi earned his first measure of acclaim: playing Hamlet in a school production staged at the 1957 Edinburgh Festival, he made enough of an impression that he was approached by an agent from Twentieth Century Fox. Ultimately deemed too young to be signed to the studio, Jacobi instead went to Cambridge University, where he studied history and continued acting. His stage work at Cambridge was prolific and allowed him to work with classmates Ian McKellen and Trevor Nunn, and, thanks to his performance as Edward II, landed him his first job after graduation. Jacobi acted with the Birmingham Repertory Theatre until his portrayal of Henry VIII attracted the attention of Laurence Olivier. Olivier was so impressed with Jacobi's work that he invited him to London to become one of the eight founding members of the prestigious National Theatre.Jacobi went on to become one of his country's most steadily employed and respected actors, performing in numerous plays over the years on both sides of the Atlantic (in 1985, he won a Tony Award for his work in Much Ado About Nothing). He also branched out into film and television, making his film debut with a secondary role in Douglas Sirk's Interlude (1957). He acted in numerous film adaptations of classic plays, including Othello (1965) and The Three Sisters (1970). However, it was through his collaborations with Kenneth Branagh on various screen adaptations of Shakespeare that he became most visible to an international film audience, appearing as the Chorus in Branagh's acclaimed 1989 Henry V and as Claudius in the director's 1996 full-length adaptation of Hamlet. Jacobi made one of his most memorable (to say nothing of terrifying) screen impressions in Branagh's Hitchcock-inspired Dead Again (1991), portraying a hypnotist with a very shady background. In 1998, Jacobi earned more recognition with his portrayal of famed painter Francis Bacon in John Maybury's controversial Love Is the Devil: Study for a Portrait of Francis Bacon.On television, in addition to his celebrated work in I, Claudius, Jacobi has also earned praise for his roles in a number of other productions. In 1989, he won an Emmy for his performance in the 1988 adaptation of Graham Greene's The Tenth Man.In 1994 he began a successful run as a mystery-solving monk in the TV series Cadfael, a program that ran for three years. He had a Shakespeare heavy 1996 playing Claudius opposite Branagh's Hamlet, and appearing in Al Pacino's documentary Looking for Richard. He lent his voice to the animated version of Beowulf. He began the new century appearing in the Best Picture winner Gladiator, and was part of the rich ensemble compiled by Robert Altman for Gosford Park. In 2005 he was in the cast of the hit children's film Nanny McPhee, and two years later he was in The Golden Compass. In 2010 he appeared in another Oscar winning best picture when he was in The King's Speech. The next year he appeared in Anonymous as well as My Week With Marilyn.

Trivia: Parents came to England from Nigeria in the 1970s to go to school. Was one of the youngest actors to portray King Lear when he appeared in a Royal Shakespeare Company production in 2002. Won the Ian Charleston Award for his work as the title character in the Cheek by Jowl theatre company's production of Othello in 2005.

Trivia: English, soulful, darkly handsome, and no relation to Charlie, Ben Chaplin has been making a small yet significant impression on American audiences since his American film debut in 1996's The Truth About Cats and Dogs. Although not widely recognized by many Americans, the actor has enjoyed a steady career in British theater and television, and with his role in Terrence Malick's The Thin Red Line, gained the greater exposure that had previously been lacking in his career.Raised in Hampshire, England, Chaplin had his stage debut at the age of 16. He later trained at the renowned Guildhall School of Music and Drama, performing in a number of stage productions. He then acted on various BBC television shows and made his 1993 film debut in James Ivory and Ismail Merchant's The Remains of the Day, in which he was cast as a wayward servant. 1995's Feast of July followed, but it was with his turn in The Truth About Cats and Dogs that he began to garner transatlantic recognition. The film, in which he played the object of both Uma Thurman's and Janeane Garolfalo's affections, made him something of a thinking woman's crumpet and paved the way for his starring role in Agnieszka Holland's Washington Square (1997). Following this, he landed the part of Private Bell in The Thin Red Line. As part of a powerhouse cast that included George Clooney, Nick Nolte, Woody Harrelson, and John Travolta, Chaplin further cemented his standing as one of the more promising British imports to land on Hollywood soil.

Trivia: British actress Hayley Atwell rode to fame on the crest of her role as the female lead in Woody Allen's resonantly English, crime-themed black comedy Cassandra's Dream (2007), then signed for another prestigious assignment -- the lead in Julian Jarrold's period drama Brideshead Revisited (2008), adapted from the seminal novel by Evelyn Waugh. She tried her hand at period drama again with The Duchess, before switching gears with a role in the 2009 remake of The Prisoner for TV. In 2011 she landed her most high-profile success to that point playing the love interest of Steve Rogers in Captain America: The First Avenger.

Trivia: Met Ruth Jones while they were both at Porthcawl Comprehensive School. Joined Radio Wales at 20 years old. From 1994 he became the main presenter of Rave, BBC Radio 5s youth magazine and music program. For 2009 Comic Relief Brydon performed "(Barry) Islands in the Stream" with Ruth Jones and singer Tom Jones. It reached Number 1 in the UK Single Charts. On April 1, 2011 he replaced Ken Bruce on BBC Radio2 as one of his impersonations on April Fools' Day. Released his biography, Small Man in a Book in 2011. Voices the character Lewton in the Discworld computer game Discworld Noir. Took part in Channel 4s Comedy Gala 2010. Appointed an MBE (Member of the Order of the British Empire) in the Queen's Birthday Honours in 2013.

Trivia: Is of English and Zimbabwean descent.Won the Spotlight Prize in 2013 for her performance of How to Get Guys to Leave You Alone.Joined the Royal Shakespeare Company in 2013, performing with them until 2015.Played her first starring role in 2017, as Jekesai/Ester in a London production of The Convert.Is perhaps best known for her role in Netflix miniseries The Witcher.

Trivia: Gained an interest in acting after performing in a Cub Scout play as a young child. Chose the stage name Richard as a tribute to an English teacher he admired as an 11-year-old student. Was in the same term as fellow actor Mark Rylance while studying at the Royal Academy of Dramatic Art. Is a classical theatre actor who joined the Royal Shakespeare Company in 1986 and has regularly performed in RSC productions since. In 1989, played the role of Puck in an RSC production of A Midsummer Night's Dream. Originated the role of Christopher Marlowe in Peter Whelan's School of Night in 1993. Starred in the titular role in a national tour of Hamlet with Birmingham Repertory Theatre from 1999 until 2001. Performed the role of Romeo opposite Kathryn Hunter as Juliet in Ben Power's adaptation of the Shakespearean play titled A Tender Thing in 2012. Played the role of Ben Jonson opposite Patrick Stewart in a stage production of Bingo at the Old Vic. Made his Broadway debut as Prime Minister Harold Wilson in The Audience opposite Helen Mirren. Is an Associate Artist of the Royal Shakespeare Company.

Trivia: Prior to pursuing an acting career full time, worked in retail at both Waitrose and River Island. Lists No Country for Old Men as his favourite film, and, like its star Daniel Day Lewis, trained at the historic Bristol Old Vic Theatre School. Made his film debut in 2012 in The Eschatrilogy: Book of the Dead as an unnamed zombie. To train for his agrarian role in God's Own Country, Josh and his co-star Alec Secareanu worked on a West Yorkshire farm for a fortnight prior to filming, and during shooting had to pause the production to deliver a lamb. Is set to star as Marius in the BBC's upcoming adaptation of Victor Hugo's Les Misérables.