Trivia: As the son of comedians Jerry Stiller and Anne Meara Ben Stiller's decision to establish himself as a comic writer and actor surprised almost no one.Born in New York City on November 30, 1965, Stiller began to shoot his own comic films from the age of ten. After high-school graduation, Stiller attended UCLA and landed bit parts in several features, notably the Steven Spielberg-directed, Tom Stoppard and Menno Meyjes-scripted, late 1987 opus Empire of the Sun.Meanwhile, Stiller continued to turn out comedy shorts, including the 30-minute Elvis Stories (1989), a spoof of obsessive Elvis fans featuring an already-established John Cusack. One of Stiller's shorts, a Tom Cruise parody called The Hustler of Money, won him a spot as a writer and player on Saturday Night Live in 1989. His stint on the show was short-lived, but led to his own eponymous series, The Ben Stiller Show, first on MTV (1990) and later on Fox (1992-1993). The program failed to draw a substantial audience, and folded within a couple of months on each network, but Stiller netted an Emmy for comedy writing in 1993.The following year, Stiller debuted as a feature film director with the twentysomething angst romcom Reality Bites (1994), in which he also starred alongside Winona Ryder and a memorably grungy Ethan Hawke. The film was a relative critical and commercial success and scored with Gen-Xers; unfortunately, Stiller's next directorial effort, 1996's The Cable Guy failed to register with critics and audiences. After a small part as nursing-home orderly Hal in the Adam Sandler comedy Happy Gilmore (1996), Stiller rebounded with a starring role in David O. Russell's Flirting With Disaster (1996). The relatively positive reception afforded to that comedy helped to balance out the relative failure of Stiller's other film that year, If Lucy Fell. It was not until two years later, however, that Stiller truly stepped into the limelight. Thanks to starring roles in three wildly, wickedly different films, he emerged as an actor of versatility, equally adept at playing sensitive nice guys and malevolent hellraisers. In the smash gross-out comedy There's Something About Mary (1998), Stiller appeared as the former type, making comic history for outrageous sight gags that involved misplaced bodily fluids and mangled genitalia. That same summer, Stiller did time as a gleefully adulterous theatrical instructor in Neil LaBute's jet-black evisceration of contemporary sexual mores, Your Friends and Neighbors. Finally, Stiller starred in the intensely graphic and disturbing addiction drama Permanent Midnight, earning critical acclaim for his portrayal of writer-cum-heroin addict Jerry Stahl -- a personal friend of the Stiller family from Stahl's days scripting the TV series ALF. Now fully capable of holding his own in Hollywood, with the license to prove it, Stiller starred alongside William H. Macy, Paul Reubens, Hank Azaria, and pal Janeane Garofalo in the fantasy comedy Mystery Men (1999) as the leader of a group of unconventional superheroes. Stiller also landed a supporting role in The Suburbans, a comedy about the former members of a defunct new wave band. The following year, Stiller starred as a rabbi smitten with the same woman as his best friend, a Catholic priest (Edward Norton), in the well-received romantic comedy Keeping the Faith (2000), which Norton also co-produced and directed. Stiller found his widest audience up to that point, however, with the Jay Roach-directed madcap comedy Meet the Parents. As the tale of a nutty father-in-law to be (Robert De Niro) who wreaks unchecked havoc on his daughter's intended (Stiller) via covert CIA operations and incessant interrogation, this disastrously humorous tale of electrical interference gone wild scored with ticket-buyers and qualified as the top box-office draw during the holiday season of 2000.In the autumn of 2001, Stiller brought one of his most popular MTV Video Music Awards incarnations to the big screen in the outrageously silly male-model comedy Zoolander, in which he successfully teamed with (real-life friend) Owen Wilson to carry stupidity to new heights.In 2001 Stiller once again teamed with Wes Anderson collaborator Wilson for the widely praised comedy drama The Royal Tenenbaums. Cast as the estranged son of eccentric parents who returns home, Stiller infused his unmistakable comic touch with an affecting sense of drama that found him holding his ground opposite such dramatic heavies as Gene Hackman and Anjelica Huston. Though his work in 2002 offered little more than a few cameo performances and some vocal contributions to various animated children's shows, the busy comedic actor returned to the big screen for the 2003 comedy Duplex, directed by Danny DeVito. Though the film pairs Stiller and Hollywood bombshell Drew Barrymore as a couple willing to go to horrific extremes to land the much-desired eponymous living space, reviews were unkind and the comedy died a quick death at the box office. Stiller's next film -- the romantic comedy Along Came Polly -- fared considerably better on a fiscal level, but suffered from an implausible premise.Spring 2004 promised a rebound when the electrifying duo of Stiller and Owen Wilson returned to the big screen with director Todd Phillips' celluloid recycling job Starsky & Hutch. Though Stiller and Wilson seemed the ideal pair for such a conceptually rich re-imagining of 1970s television, and the film boasted wonderful villainous turns by rapper Snoop Dogg and Vince Vaughn, reviews were once again lackluster and the film struggled to find an audience. Yet Starsky & Hutch did actually reap a profit, which (in a business sense) placed it miles ahead of Stiller's next film. Released a mere two months after Starsky & Hutch, the Barry Levinson comedy Envy sports a wacky premise; it explores the comic rivalry that erupts between two longtime friends and neighbors when one invents a product that makes dog excrement disappear. It also boasts a marvelous cast, replete with Stiller, the maniacal Jack Black, and the brilliant Christopher Walken. But for whatever reason (speculated by some as the film's inability to exploit the invention at the story's center) the film's sense of humor failed to catch fire and Envy died a quick box-office death. Stiller fared better with the ribald, anarchic summer 2004 comedy Dodgeball: A True Underdog Story, starring himself, Vince Vaughn, and Rip Torn. For the following two years, Stiller once again contented himself largely with bit parts (2004's Anchorman: the Legend of Ron Burgundy, 2006's Tenacious D in the Pick of Destiny) until the Christmas 2006 release A Night at the Museum. In this effects-heavy fantasy, adapted from the popular children's book by Milan Trenc, Stiller plays Larry Daley, the new night watchman at New York City's Museum of Natural History, who discovers that the exhibits all spring to life after hours, from a giant skeletal Tyrannosaurus Rex to a waxen Teddy Roosevelt -- and seem content to hold Larry hostage. The effort split critical opinion, but shot up to become one of the top three box-office draws during the holiday season of 2006.Meanwhile, Stiller signed on to team with the Farrelly brothers for The Heartbreak Kid (2007), a remake of the 1972 Elaine May comedy of the same title; he also produced Blades of Glory, a comedy with Will Ferrell and Jon Heder as rival figure-skating champions vying with one another for Olympic gold. He wrote, directed and starred in the hit comedy Tropic Thunder (2008) as a moronic Hollywood actor toplining a war film, voiced Alex in the same year's animated picture Madagascar: Escape 2 Africa, and in 2009, reprised his Larry Daley role for Night at the Museum: Battle of the Smithsonian. Stiller's emphasis on sequels then continued with 2010's Little Fockers and 2012's Madagascar 3. In 2013, Stiller picked up the role originally made famous by Danny Kaye, as the lead in the remake The Secret Life of Walter Mitty, which Stiller also directed and produced. The following year, he appeared in the next film in the Night at the Museum series, Secret of the Tomb.

Trivia: Considered one of the best actors of his generation, Robert De Niro built a durable star career out of his formidable ability to disappear into a character. The son of artists, De Niro was raised in New York's Greenwich Village. The young man made his stage debut at age 10, playing the Cowardly Lion in his school's production of The Wizard of Oz. Along with finding relief from shyness through performing, De Niro was also entranced by the movies, and he quit high school at age 16 to pursue acting. Studying under Stella Adler and Lee Strasberg, De Niro learned how to immerse himself in a character emotionally and physically. After laboring in off-off-Broadway productions in the early '60s, De Niro was cast alongside fellow novice Jill Clayburgh in film-school graduate Brian De Palma's The Wedding Party (1969). He followed this with small movies like Greetings, Hi, Mom!, Sam's Song, and Bloody Mama.De Niro's professional life took an auspicious turn, however, when he was re-introduced to former Little Italy acquaintance Martin Scorsese at a party in 1972. Sharing a love of movies as well as their neighborhood background, De Niro and Scorsese hit it off. De Niro was immediately interested when Scorsese asked him about appearing in his new film, Mean Streets, conceived as a grittier, more authentic portrait of the Mafia than The Godfather. De Niro's appearance in the film made waves with critics, as did his completely different performance as a dying simple-minded catcher in the quiet baseball drama Bang the Drum Slowly (1973). Francis Ford Coppola was impressed enough by Mean Streets to cast De Niro as the young Vito Corleone in the early 1900s portion of The Godfather Part II. Closely studying Brando's Oscar-winning performance as Don Corleone in The Godfather, and perfecting his accent for speaking his lines in subtitled Sicilian, De Niro was so effective as the lethally ambitious and lovingly paternal Corleone that he took home a Best Supporting Actor Oscar for the role.De Niro next headed to Europe to star in Bernardo Bertolucci's opus, 1900 (1976) before returning to the U.S. to collaborate with Scorsese on the far leaner (and meaner) production, Taxi Driver. After working for two weeks as a Manhattan cabbie and losing weight, De Niro transformed himself into disturbed "God's lonely man" Travis Bickle. One of the definitive films of the decade, Taxi Driver earned the Cannes Film Festival's top prize and several Oscar nominations, including Best Picture and De Niro's first nod for Best Actor. Controversy erupted about the film's violence, however, when would-be presidential assassin John W. Hinckley cited Taxi Driver as a formative influence in 1981.De Niro and Scorsese would reteam for the lavish musical New York, New York (1977), and though the film was a complete flop, De Niro quickly recovered with another risky and ambitious project, Michael Cimino's The Deer Hunter (1978). One of the first wave of Vietnam movies, The Deer Hunter starred De Niro as one of three Pennsylvania steel-town friends thrown into the war's inferno who emerged as profoundly changed men. Though the film provoked an uproar over its portrayal of Viet Cong violence as (literally) Russian roulette, The Deer Hunter won several Oscars.Returning to the realm of more personal violence, De Niro followed The Deer Hunter with his and Scorsese's masterpiece, Raging Bull, a tragic portrait of boxer [%Ray La Motta]. Along with his notorious 60-pound weight gain that rendered him unrecognizable as the middle-aged Jake, De Niro also trained so intensely for the outstanding fight scenes that La Motta himself stated that De Niro could have boxed professionally. Along with his physical dedication, De Niro won over critics with his ability to humanize La Motta without softening him. Raging Bull received eight Oscar nominations, including Best Picture.Though he was well suited to star in Sergio Leone's epic homage to gangster films, Once Upon a Time in America (1984), Leone's tough, transcendent vision couldn't survive the studio's decision to hack 88 minutes out of the American release version. De Niro next took a breather from films to return to the stage, playing a drug dealer in the New York Public Theater production Cuba and His Teddy Bear. During his theater stint, De Palma made De Niro a movie offer he couldn't refuse when he asked him to play a small role in his film version of The Untouchables (1987). As the rotund, charismatic, bat-wielding Al Capone, De Niro was a memorable adversary for Kevin Costner's upstanding Elliot Ness, and The Untouchables became De Niro's first hit in almost a decade. De Niro followed The Untouchables with his first comedy success, Midnight Run (1988), costarring as a bounty hunter opposite Charles Grodin's bail-jumping accountant.Though he earned an Oscar nomination for his touching performance as a patient in Penny Marshall's popular drama Awakenings (1990), movie fans were perhaps more thrilled by De Niro's return to the Scorsese fold, playing cruelly duplicitous Irish mobster Jimmy "The Gent" opposite Ray Liotta's turncoat Henry Hill in the critically lauded Mafia film Goodfellas (1990). De Niro worked with Scorsese again in the thriller remake Cape Fear (1991), sporting a hillbilly accent and pumped-up physique. It was Scorsese and De Niro's biggest hit together and earned another Oscar nod for the star. De Niro subsequently costarred as a geeky cop in the Scorsese-produced Mad Dog and Glory (1993).De Niro also revealed that he had learned a great deal from his work with Scorsese with his own directorial debut, A Bronx Tale (1993). A well-observed story of a boy torn between his father and the local mob, A Bronx Tale earned praise, but De Niro was soon back to working with Scorsese, starring as Vegas kingpin Sam Rothstein in Casino (1995) -- based on the story of real-life handicapper Frank "Lefty" Rosenthal -- staged with Scorsese's customary visual brilliance and pairing De Niro with his Raging Bull brother and Goodfellas associate Joe Pesci.Appearing in as many as three films a year after 1990, De Niro was particularly praised for his polished reserve in Michael Mann's glossy policer Heat (1995), which offered the rare spectacle of De Niro and Pacino sharing the screen, if only in two scenes. After indifferently received turns in The Fan (1996), Sleepers (1996), and Cop Land (1997), De Niro stepped outside his comfort zone to play an amoral political strategist in Barry Levinson's sharp satire Wag the Dog (1997) and a dangerously dimwitted crook in Quentin Tarantino's laid-back crime story Jackie Brown (1997). De Niro was front and center -- and knee deep in self-parody -- in the comedy Analyze This (1999), aided and abetted by a nicely low-key Billy Crystal as his reluctant psychiatrist. De Niro would continue to lampoon his own tough-guy image in the sequel Analyze That, as well as the popular Meet the Parents franchise. As the decade wore on, De Niro took on roles that failed to live up to his acclaimed earlier work, such as with lukewarm thrillers like The Score, Godsend, Righteous Kill, and Hide and Seek. However, De Niro continued to work on his ambitious and long-planned next foray behind the camera, the acclaimed CIA drama The Good Shepherd.He continued to work steadily in a variety of projects including Stardust, What Just Happened, and Everybody's Fine. He became a Kennedy Center honoree in 2009. He reteamed with Ben Stiller for Little Fockers in 2010, and played a corrupt politician in Machete that same year. In 2011 he appeared opposite Bradley Cooper in the thriller Limitless, which seemingly laid the groundwork for their reteaming as father and son in the 2012 comedy Silver Linings Playbook. For his work in that movie, De Niro earned an Oscar nomination for Best Supporting Actor.

Trivia: After toiling for a decade in low-grade films and a host of TV shows, Teri Polo finally earned a helping of recognition, topped off with a dollop of critical appreciation, for her portrayal of Ben Stiller's would-be fiancée in Jay Roach's 2000 autumn blockbuster Meet the Parents. The casting of Polo as the daughter of über-WASP suburban gentry (Robert De Niro and Blythe Danner) capitalized on her Pepsident-blond, all-American looks, and the film's success effectively provided the actress with the exposure that would allow her to move beyond the confines of weeknight television spots.The daughter of a stereo systems designer and a homemaker, Polo was born in Dover, DE, and raised there in the company of two older brothers. A ballet student from the age of five, she spent most of her childhood and adolescence in a dance studio, but after being rejected by a performing arts school at 17, Polo re-evaluated what she wanted to do with her life; her subsequent win in a Seventeen magazine modeling contest led to her decision to drop out of school and pursue an acting career in New York.Roles on TV shows ranging from the ABC soap opera Loving to Northern Exposure followed, as did starring work as the object of Ethan Hawke's affections in the thankless, straight-to-video comedy Mystery Date (1991). After moving to Los Angeles in 1995 to better pursue her career, Polo found more work on television, guest-starring on such shows as Felicity and Sports Night. With Meet the Parents in 2000, the actress' years of hard work seemed finally to have paid off, as she enjoyed mention in the national media and a crop of studio offers. She followed up that big success with Domestic Disturbance and Beyond Borders, but was back on board for the sequel Meet the Fockers in 2004. She was away from screens for three years after that, returning in Full of It, and the short-lived TV series The Wedding Bells. She appeared in The Hole, and in 2010 returned to her career defining role in Little Fockers.

Trivia: American actress Blythe Danner brings a kind of classy elegance to her work that betrays her real-life background: the daughter of a Philadelphia bank executive, she enjoyed an expensive prep school education and undergraduate study at Bard College. Her earliest theatrical work was with the Theater Company of Boston and the Trinity Square Playhouse of Boston; by the time she was 25, Danner had won the Theatre World Award for her performance in the Lincoln Center Rep's production of The Miser. In 1970, she earned a Tony for her performance in Butterflies are Free; based on the true story of a blind attorney, Danner played the central character's free-spirit love interest. Given the tenor of '70s newspaper publicity, Danner was featured in several magazine and newspaper photo spreads because she spent much of Butterflies' first act clad in nothing but her underwear. Subsequently, the actress was frequently cast opposite fellow up-and-comer Ken Howard, notably in the short-lived 1973 TV sitcom Adam's Rib. She worked so well with Howard that many fans assumed that the two were married; in fact, Danner's longtime husband is Broadway and TV producer Bruce Paltrow.A "critic's darling" thanks to her husky voice and pleasantly mannered acting style, Danner has worked with distinction in TV and on stage, though her film roles have tended to be few and far between. She was memorable as Robert Duvall's long-suffering wife in The Great Santini (1980) and as Nick Nolte's wife in The Prince of Tides (1991), while in 1986's Brighton Beach Memoirs, the decidedly WASPish Danner surprised fans by portraying a middle-aged Jewish woman. Danner's film appearances became more frequent during the latter half of the '90s: she did starring work in such films as To Wong Foo: Thanks for Everything, Julie Newmar (1995), The Myth of Fingerprints (1997), The X-Files (1998), and The Love Letter (1999). A memorable turn opposite Robert DeNiro in the 2000 comedy found the established dramatic actress reaching the apex of a particularly impressive comedy run, and a year after reprising her role in the 2004 sequel Meet the Fockers, Danner would make showbiz history by earning a record three Emmy nominations for her roles in Huff, Will and Grace, and Back when We Were Grownups. When the smoke cleared and all of the winners had been announced, Danner did ineed come out on top when she took home the "Best Supporting Actress in a Drama Series" award for Huff, with nominations for both Huff and Will and Grace at the following year's ceremony offering telling testament as to just how strong her work truly was. In 2006 Danner could be seen performing opposite Zack Braff in the romantic comedy drama remake The Last Kiss. She continued to work steadily, often in comedies such as Paul, Little Fockers, and What's Your Number, and she starred in the 2012 drama The Lucky One.Frequently seen in TV guest roles (she managed to make her Mrs. Albert Speer in 1982's Inside the Third Reich sympathetic, no mean feat), Danner could be seen on television on a regular basis in the brief 1989 series Tattingers, produced by her husband. In 1992, she did stellar work in the made-for-TV movie Cruel Doubt, in which she played the matriarch of a broken family. Her daughter Gwyneth Paltrow was also featured in the movie.

Trivia: Whether he's acting or co-writing brilliantly quirky character studies with director/writing partner Wes Anderson, Owen C. Wilson's work exudes an insouciant yet earnest charm and eccentric comic sensibility, making him one of the most promising new talents to emerge in the 1990s.Born in Dallas on November 18th, 1968, Wilson raised enough hell in high school to get expelled from one institution in tenth grade, but he managed to attend college at the University of Texas in Austin and graduate in 1991. Along with his degree, Wilson's Austin years resulted in a budding partnership with a like-minded creative classmate, aspiring filmmaker Wes Anderson. Their first film together, a short about a bookstore heist called Bottle Rocket, played at the 1993 Sundance Film Festival, attracting the attention of producer Polly Platt and writer/director James L. Brooks. With Brooks' support, Wilson and Anderson expanded the short into a feature, indie cult favorite Bottle Rocket (1996). Though it made little impression at the box office, Anderson and Wilson's distinctly offbeat, wry, and optimistic tale about aspiring criminal Dignan and his best friend Anthony (played by Wilson's brother Luke Wilson) earned ardent fans among cinéastes. Wilson's inspired performance as Dignan, not to mention his blond hair, large grin, and affable drawl, became his Hollywood calling card. That same year, Wilson also began a fertile association with actor/director Ben Stiller, appearing in one memorable scene as a smooth, ill-fated date in Stiller's black comedy The Cable Guy (1996).Alternating between supporting roles in Hollywood spectacles, collaborations with Anderson and Stiller, and smaller independent projects, Wilson worked steadily for the rest of the 1990s. Though he always seemed to fill the generic slot of Guy Marked for Death, Wilson still managed to bring a reliably laid-back, humorous spark to the bombastic proceedings in Anaconda (1997), Armageddon (1998), and The Haunting (1999). On a more artistically successful front, Wilson's next script with Anderson resulted in the lauded coming-of-age film Rushmore (1998). With its singular cast of characters, distinctive combination of deadpan humor and true emotion, and superb performances by Jason Schwartzman as teen prodigy Max Fischer and Bill Murray as depressed millionaire Blume, Rushmore earned prizes from the critics (if not the Academy) and proved that Bottle Rocket was no fluke. As far as acting, Wilson's ability to suggest complexity beneath a breezy surface earned positive notice for his unsettling performance as a laconic, self-styled Good Samaritan serial killer in indie thriller The Minus Man (1999).By 2000, Wilson began to take center stage in larger Hollywood projects as well. Though it was another Jackie Chan vehicle, Wilson's hilarious co-starring turn as a surfer dude-tinged outlaw in the chop socky Western Shanghai Noon (2000) nearly stole the movie. Wilson's brief appearance as a Jesus-loving, super rich romantic rival to Ben Stiller's put-upon Greg Focker was a comic highlight of the hit Meet the Parents (2000). Stiller's supermodel farce Zoolander (2001) further sealed Wilson's status as a superlative comic actor. As Zoolander's rival Hansel, Wilson's offbeat timing made him the ultimate bubble-headed mannequin; his catwalk competition with Stiller provided the biggest laughs in a hit-or-miss movie. Even as he flourished in broad Hollywood comedy, Wilson continued his partnership with Wes Anderson, co-writing with Anderson and co-starring (with his brother Luke and Stiller among others) in the unusual family story The Royal Tenenbaums (2001). Branching out into serious roles, Wilson then co-starred with The Royal Tenenbaums patriarch Gene Hackman in the military drama Behind Enemy Lines (2001). An increasingly prevalent figure in action films following the millennial turnover, Wilson followed Behind Enemy Lines with I Spy (2002) and the Shanghai Noon sequel Shanghai Knights (2003) before appearing opposite Morgan Freeman in the critical and commercial disappointment The Big Bounce and co-starring in the underwhelming big screen adaptation of Starsky & Hutch. He made his third appearance in a Jackie Chan vehicle in the 2004 Disney production Around the World in 80 Days; though poised to be a blockbuster, the mega-budgeted film was one of the biggest flops of the season.A rebound was in order, and if his supporting turn in the 2004 holiday-season blockbuster sequel Meet the Fockers wasn't enough, Wilson found his greatest leading-man success to date as foil to the bawdy Vince Vaughn in 2005's raunchy, runaway hit The Wedding Crashers. The Wilson-Vaughn pairing challenged the Wilson-Stiller hilarity quotient as a pair of divorce consultants who bide their free time crashing weddings to get laid. The $200-million smash was indeed a tough act to follow, and while 2006's You, Me and Dupree - a thematic reprise of his Wedding Crashers role in which he plays an irritating houseguest who refuses to vacate - was something of a letdown, Wilson more than made up for it that same year with a leading voice role in Pixar's Cars and a supporting turn in Stiller's special-effects comedy A Night at the Museum.For the next couple of years, Wilson continued to stick with what worked - collaborations with Anderson (The Darjeeling Limited (2007), Fantastic Mr. Fox (2009) and The Grand Budapest Hotel (2014)) and sequels in his hit franchises (Night at the Museum: Battle for the Smithsonian (2009), Little Fockers (2010) and Cars 2 (2011)). He also starred in Woody Allen's Mightnight in Paris (2011), earning a Golden Globe nomination for Best Actor in a Musical or Comedy.Romantically linked, by turns, with a pre-Ashton Demi Moore, rocker Sheryl Crow, and actress Kate Hudson, Wilson, with his shaggy blond mane, blue eyes, and (as one magazine cited humorously in its front cover headline) "unusual nose," also found himself the unlikely forebear of a new wave of Hollywood sex symbols.

Trivia: One of America's most recognizable character actors, James Rebhorn was a veteran of over 100 television shows, feature films, and plays. While best known for portraying lawyers, politicians, doctors, and military men, he delivered equally notable performances in a variety of other roles, including that of a brutal serial killer on NBC's Law & Order, a shipping magnate in Anthony Minghella's The Talented Mr. Ripley (1999), and a comically doomed restaurateur in Billy Morrisette's Scotland, PA (2001).Born in Philadelphia, PA, on September 1, 1948, Rebhorn moved to Anderson, IN, as a child. A devout Lutheran, he attended the Evangelical Lutheran Church in America's Wittenburg University in Ohio, where he studied political science. After graduating in 1970, Rebhorn moved to New York City, where he earned a Master's of Fine Arts in acting from Columbia University's School of the Arts and joined the metropolitan theater scene.After making his television debut on the NBC soap opera The Doctors in 1977, Rebhorn starred on Another World: Texas and The Guiding Light, as well as earned a 1989 Soap Opera Digest Award for his performance as Henry Lange on As the World Turns. He displayed his comic talents during a recurring role on Kate and Allie, and in an unforgettable turn as the district attorney who jails the Seinfeld gang in the show's final episode. He also garnered recurring roles on some of television's most heralded dramas -- including Law & Order, Third Watch, Now and Again, and The Practice -- and memorable telefilms -- including Sarah, Plain and Tall (1981), North and South (1985), Skylark (1993), From the Earth to the Moon (1998), and A Bright Shining Lie (1998).Rebhorn's feature-film career began in the early '80s with roles such as "Lawyer" in Soup for One (1982), "Los Alamos Doctor" in Silkwood (1983), and "Drunken Business Man" in Cat's Eye (1985). As the decade progressed, his parts increased in importance and he emerged in the '90s as an established supporting actor with roles in several high-profile films. After appearing in 1991's Regarding Henry with Harrison Ford and Annette Bening, Rebhorn gave stand-out performances opposite Marisa Tomei and Joe Pesci in My Cousin Vinny (1992), Sharon Stone and Michael Douglas in Basic Instinct (1992), Chris O'Donnell and Al Pacino in Scent of a Woman (1992), and Susan Sarandon and Nick Nolte in Lorenzo's Oil (1992). He went on to earn prominent roles in Carlito's Way (1993), Guarding Tess (1994), I Love Trouble (1994), Up Close & Personal (1996), Independence Day (1996), If Lucy Fell (1996), and My Fellow Americans (1996). Rebhorn rounded out the '90s by playing the mysterious Consumer Recreation Services representative in The Game (1997), the prosecuting attorney in Snow Falling on Cedars (1999), and Jude Law's shipping magnate father in the above-mentioned The Talented Mr. Ripley (1999). The new millennium saw him starring as Robert De Niro's future in-law in Meet the Parents (2000) and a modern-day version of Macbeth's Duncan in the above-mentioned Scotland, PA, before gearing up for the Eddie Murphy sci-fi vehicle The Adventures of Pluto Nash (2002), and Todd Haynes' long-awaited return to directing, Far From Heaven (2002).Towards the end of his career, Rebhorn returned to television, playing recurring characters on several different shows, playing the CEO of Abbadon Industries on HBO's Enlightened, an FBI special agent on USA's White Collar and, his final role, Carrie Mathison's father on Showtime's Homeland.While juggling his film and television work, Rebhorn frequently returned to the stage. He appeared at the Manhattan Theater Club, Playwright's Horizons, the New York Shakespeare Festival, the LaJolla Playhouse, the Ensemble Studio Theater, and Lincoln Center. In 2002, he earned rave reviews for his performance in the Roundabout Theater's production of Arthur Miller's first play, The Man Who Had All the Luck, with Chris O'Donnell and Samantha Mathis.Rebhorn was diagnosed with melanoma in 1992 and struggled with the disease for the next two decades, before succumbing in 2014 at the age of 65.

Trivia: Was on the wrestling team in high school and developed his film Win Win with one of his former teammates based on their experiences. During his time at Boston College, was a member of the school's improv comedy group, My Mother's Flea Bag. Was a member of Yale Cabaret while studying at Yale School of Drama along with his classmate Paul Giamatti who would later star in his film Win Win. Made his Broadway debut as Garry Lejeune in the 2001 revival of Noises Off. Received the 2008 Arts Council Alumni Award for Distinguished Achievement from Boston College.

Trivia: Known to many as Dr. Sydney Heron on the medical drama Grey's Anatomy, Kali Rocha seems to be an eternally familiar face, due to her numerous appearances in such a variety of projects. After growing up in Rhode Island, Rocha attended the Carnegie Mellon School of Drama before embarking on a professional acting career with a role in 1996's The Crucible. Subsequent projects found her playing everything from a fun-loving demon on Buffy the Vampire Slayer to an all-business social worker in White Oleander.

Trivia: In his public appearances, standup comedian Judah Friedlander usually wears big glasses and a trucker hat over his shaggy head of dark hair. He's one of those guys who has the decency to appear untainted by his own mediocre brand of stardom. In other words, he can play in Hollywood movies that show at major theaters, yet still maintain a safe comedic distance from slimy show business. This has mostly been accomplished by doing short scenes in smallish comedies, starting with Meet the Parents (starring Ben Stiller). Friedlander then did the walk-on role of no-good husband Ron in the hilarious spoof Wet Hot American Summer. (He was the guy with sideburns to trying to win back his wife [Molly Shannon].) Other bit parts came about in the mock documentary Endsville and the MTV movie Spring Break Lawyer. He worked with Stiller again in Zoolander and had a small part in the stoner comedy How High. In 2002, he had a brief speaking role in the terrible action comedy Showtime, starring Eddie Murphy and Robert De Niro. Friedlander is perhaps best known for his unforgettable portrayal of Genuine Nerd Toby Radloff in American Splendor, the innovative documentary/biography about comic book author Harvey Pekar. The film was a festival success and earned Friedlander a nomination for Best Supporting Actor at the Independent Spirit Awards. Television audiences may remember him as the guy who gives out hugs in the popular Dave Matthews Band video for "Everyday." He's also made numerous appearances on late-night variety shows and various sitcoms. Projects for 2004 include Along Came Polly (starring Stiller again) and Palindromes (directed by Todd Solondz).In 2006 he began work on the award-winning sitcom 30 Rock playing Frank Rossitano, the ball-cap wearing, most vulgar member of the TGS writing staff. This was his most high-profile success to date, but he continued to land pars in big-screen projects like the Project Greenlight horror film Feast, The Wrestler, Meet Dave, and Beware the Gonzo.

Trivia: Supporting player Russell Hornsby joined the casts of numerous features and television series during the 1990s and 2000s. He made his first significant appearance in the Jada Pinkett Smith urban comedy Woo (1998), then followed it up with scattered, multi-episode roles in such series as Law & Order, Gideon's Crossing, and Playmakers, and parts in the movies After the Sunset (2004), Get Rich or Die Tryin' (2005), and Something New (2006). Hornsby attained greater recognition and a higher profile with his lead role of Eddie Sutton in the ABC series drama Lincoln Heights. Over the coming years, Hornsby would appear on TV series like In Treatment and Grimm.

Trivia: Sure, he may have yet to land the role that would launch him from popular child star to serious young actor, but the fact that Spencer Breslin has appeared in such notable blockbusters as Disney's The Kid, The Santa Clause 2, and The Cat in the Hat by the age of 12 certainly isn't a bad start. A native of New York City who once voiced the hope to one day study football at Notre Dame, young Breslin had traveled the globe by the time he was only ten. He'll be the first to point out that his mother has been indispensable in terms of developing his screen talents. Though he may be remarkably capable of running the gamut of emotions for such a young star, Breslin admits that the one thing that does come hard to him is the ability to cry onscreen, a weakness which only his mother could help him overcome. Following his television debut in the series Soul Man, Breslin was cast in a small role in Stephen King's television miniseries Storm of the Century. Not only did the part offer the young actor the chance to meet one of the most popular writers of contemporary horror fiction, but it also gave him the chance to hone his onscreen persona. By the time casting was underway for Disney's The Kid, Breslin was talented and confident enough to beat out nearly 2,000 other hopefuls. A brief appearance in the same year's Meet the Parents soon followed, and after a quick pair of television appearances, Breslin was back on the big screen with the boy-meets-talking-koala charmer Ozzie (2001). In 2002, Breslin ventured into the world of animation by lending his voice to the popular television cartoon Teamo Supremo, with the same year's Return to Neverland offering even more vocal work. Of course, Breslin is primarily a live-action star, and after gaining feature face time in The Santa Clause 2 (2002), the rising star signed on for the eagerly anticipated feature The Cat in the Hat. The film starred Mike Myers as the titular character and featured Breslin and Dakota Fanning as the hapless children who are sucked into his surreal world. It wasn't long before Breslin was back up on the big screen in the 2004 comedy drama Raising Helen. A brief dalliance with royalty followed when Breslin was cast as the young prince Jacques in The Princess Diaries 2: Royal Engagement, and after seeing his father literally go to the dogs in the 2006 Tim Allen comedy The Shaggy Dog, it was time to join a ragtag group of superpowered adolescents charged with the sizeable task of saving the world in the family oriented adventure Zoom.