Trivia: While his police-chief father wanted him to become a soccer player, Austrian-born actor Arnold Schwarzenegger opted instead for a bodybuilding career. Born July 30, 1947, in the small Austrian town of Graz, Schwarzenegger went on to win several European contests and international titles (including Mr. Olympia) and then came to the U.S. for body-building exhibitions, billing himself immodestly but fairly accurately as "The Austrian Oak." Though his thick Austrian accent and slow speech patterns led some to believe that the Austrian Oak was shy a few leaves, Schwarzenegger was, in fact, a highly motivated and intelligent young man. After graduating from the University of Wisconsin with a degree in business and economics, he invested his contest earnings in real estate and a mail-order bodybuilding equipment company.A millionaire before the age of 22, Schwarzenegger decided to try acting. Producers were impressed by his physique but not his mouthful of a last name, so it was as Arnold Strong that he made his film bow in the low-budget spoof Hercules in New York (1970, with a dubbed voice). He reverted to his own name for the 1976 film Stay Hungry, then achieved stardom as "himself" in the 1977 documentary Pumping Iron. In The Villain (1979), a cartoon-like Western parody, he played "Handsome Stranger," exhibiting a gift for understated comedy that would more or less go unexploited for many years thereafter. With Conan the Barbarian (1982) and its sequel, Conan the Destroyer (1984), the actor established himself as an action star, though his acting was backtracking into two-dimensionality (understandably, given the nature of the Conan role). As the murderous android title character in The Terminator (1984), Schwarzenegger became a bona fide box-office draw, and also established his trademark of coining repeatable catchphrases in his films: "I'll be back," in Terminator, "Consider this a divorce," in Total Recall (1990), and so on.As Danny De Vito's unlikely pacifistic sibling in Twins (1988), Schwarzenegger received the praise of critics who noted his "unsuspected" comic expertise (quite forgetting The Villain). In Kindergarten Cop (1991), Schwarzenegger played a hard-bitten police detective who found his true life's calling as a schoolteacher (his character was a cop only because it was expected of him by his policeman father, which could have paralleled his own life). Terminator 2: Judgment Day (1991), wherein Schwarzenegger exercised his star prerogative and insisted that the Terminator become a good guy, was the most expensive film ever made up to its time -- and one of the biggest moneymakers. The actor's subsequent action films were equally as costly; sometimes the expenditures paid off, while other times the result was immensely disappointing -- for the box-office disappointment Last Action Hero (1992), Schwarzenegger refreshingly took full responsibility, rather than blaming the failure on his production crew or studio as other "superstars" have been known to do.A rock-ribbed Republican despite his marriage to JFK's niece, Maria Shriver (with whom he has four children), Schwarzenegger was appointed by George Bush in 1990 as chairman of the President's Council of Physical Fitness and Sports, a job he took as seriously and with as much dedication as any of his films. A much-publicized investment in the showbiz eatery Planet Hollywood increased the coffers in Schwarzenegger's already bulging bank account. Schwarzenegger then added directing to his many accomplishments, piloting a few episodes of the cable-TV series Tales From the Crypt as well as a 1992 remake of the 1945 film Christmas in Connecticut.Schwarzenegger bounced back from the disastrous Last Action Hero with 1994's True Lies, which, despite its mile-wide streak of misogyny and its gaping plot and logic holes, was one of the major hits of that summer's movie season. Following the success of True Lies, Schwarzenegger went back to doing comedy with Junior, co-starring with Emma Thompson and his old Twins accomplice Danny De Vito. The film met with critically mixed results, although it fared decently at the box office. Undeterred, Schwarzenegger continued down the merry, if treacherous, path of alternating action with comedy with 1996's Eraser and Jingle All the Way, the latter of which proved to be both a critical bomb and a box-office disappointment. In a move that suggested he had realized that audiences wanted him back in the world of assorted weaponry and explosives, Schwarzenegger returned to the action realm with 1997's Batman & Robin, which unfortunately proved to be a huge critical disappointment, although, in the tradition of most Schwarzenegger action films, it did manage to gross well over 100 million dollars at the box office and over 130 million dollars more the world over.The turn of the century found Schwarzenegger's star losing some of its luster with a pair of millennial paranoia films, 1999's End of Days and 2000's The 6th Day. The former film -- in which a security consultant has to save the world from Satan -- was critically lambasted and, despite a powerful opening weekend, failed to recoup its cost in the States. The latter film -- a cloning parable which bore more than a passing resemblance to Total Recall -- received more positive notices, but took in less than half the receipts Days did just one year prior. Perhaps as a response to these failures, Schwarzenegger prepped three films reminiscent of former successes, all scheduled for release in 2001 and 2002: the terrorist action thriller Collateral Damage, True Lies 2, and the long-anticipated Terminator 3. Though Collateral Damage received a chilly reception at the box office and the development of True Lies 2 fell into question, longtime fans of the cigar-chomping strongman rejoiced when Arnold resumed his role as a seriously tough cyborg in Terminator 3. Though he made a cameo in director Frank Coraci's adaptation of Around the World in 80 Days, Arnold's most notable role of the new millenium was political -- Schwarzenegger replaced Gray Davis as governor of California in the highly controversial recall election of 2003.In 2010, Schwarzenegger played the character of Trench in The Expendables, an action thriller following a group of tough-as-nails mercinaries as they deal with the aftermath of a mission gone wrong, and reprised the role for The Expendables 2 in 2012.

Trivia: Statuesque Danish actress Brigitte Nielsen was once married to Sylvester Stallone. As for her career achievements...uh....Statuesque Danish actress Brigitte Nielsen was once married to Sylvester Stallone. Well, let's be fair: she wasn't bad as the comic-book sword 'n' sorcery heroine Red Sonja in the 1985 film of the same name. And she certainly filled the costumes (what there were of them) in Domino (89) and Chained Heat 2 (93). To fully assess the thespic skills of Brigitte Nielsen, one must witness her starkly realistic performance as a curvaceous NASA detective in the lunar looney tune Murder by Moonlight (93). Appearances in minor films would continue for Nielsen throughout the 90's and 2000's, but the actress's second wind would come in the form of reality TV. After a memorable stint on VH1's The Surreal Life in 2004, Nielsen would go on to appear on Celebrity Rehab with Dr. Drew.

Trivia: Statuesque, icily beautiful blonde actress Sandahl Bergman started out as a Broadway dancer. Bob Fosse cast Sandahl as Cassie in the original production of A Chorus Line, and later spotlighted her in the legendary "topless" number in the 1979 film All That Jazz. Thereafter, virtually all of the actress' film roles were of a mythological bent: Muse 1 in Xanadu (1980), Valeria in Conan the Barbarian (1985), Queen Gedren in Red Sonja (1985), the title character in the 1985 remake of She, and Valkyrie in the made-for-TV TekWar: TekJustice. Befitting her impressive physique and athletic prowess, Sandahl Bergman has been seen to best advantage whenever her self-defense skills are called upon, notably as Spangle in Hell Comes to Frogtown (1987).

Trivia: British character actor Ronald Lacey had a distinguished career in British cinema and television. Lacey's unique face -- some called his looks diabolical -- was his ticket to a number of roles as the wicked, comedic, or the weird. His appearances in American film were few but memorable, since a medical condition kept him from traveling much overseas. Health problems plagued his entire life, and he died of liver failure in 1991, but not before achieving film immortality in his role as the nefarious Nazi Toht, in Steven Spielberg's Raiders of the Lost Ark.Born in London, Lacey served in the military, and then studied drama at the London Academy of Music and Dramatic Arts. He landed his first part in the British film The Boys in 1962. Hollywood called, and he was cast in the 1964 film adaptation of W. Somerset Maugham's Of Human Bondage. Thereafter, Lacey was called upon to play a variety of challenging roles, such as the village idiot in Roman Polanski's 1967 film The Fearless Vampire Killers, and a demented soldier in How I Won the War (1967). He also appeared in many BBC productions, including the starring role in the story of Dylan Thomas in 1978.His unusual persona brought him roles in fantasy productions, on both television and the big screen. Notable among these was his characterization of the crazed President of the United States in the 1984 cult film The Adventures of Buckaroo Banzai, and as the Bishop of Bath in British television's satire Blackadder II. He also excelled at two turns as transvestites in Trenchcoat (1982) and Invitation to the Wedding (1985).While Lacey will always be remembered for his inimitable performance in Raiders of the Lost Ark, his legacy is being carried on by daughters Rebecca Lacey and Ingrid Lacey, who have both followed their father into the acting profession.

Trivia: Scandinavian-born supporting actress of Italian and international films, onscreen from 1969.

Trivia: Norwegian dancer/choreographer Tutte Lemkow entered the British film industry as a bit player in the early 1950s. Lemkow went on to stage the dance sequences for such otherwise nonmusical efforts as The Captain's Paradise (1953) and Bonjour Tristesse (1958). Most of his screen appearances were confined to eccentric character roles in films like Ben-Hur (1959), The Wrong Box (1967), Theatre of Blood (1973) and Red Sonja (1985). Tutte Lemkow also essayed the non-speaking title role in the 1970 movie version of Fiddler on the Roof.