Trivia: Christian Bale is one of the few actors in Hollywood whose child stardom has successfully translated to steady and respectable adult employment. With a wistful handsomeness to complement his impressive, sometimes underrated talent, Bale has become something of a quiet sensation, netting choice roles in a number of unconventional, critically acclaimed films.Born January 30, 1974, in Pembrokeshire, Wales, Bale was raised in England, Portugal, and the U.S. The product of a creative family (his mother was a dancer and both of his grandfathers were part-time actors), Bale made his stage debut at the age of ten, playing opposite British comedian Rowan Atkinson in The Nerd. In 1986, he debuted on television as Alexis in the miniseries Anastasia: The Mystery of Anna. His film debut came the following year with the lead role in Steven Spielberg's adaptation of J.G. Ballard's Empire of the Sun. Although the film met with very mixed reviews, Bale received almost ubiquitous praise for his portrayal of a young boy interned in a Japanese prison camp during World War II. Following a starring role in a Swedish film, Mio min Mio, Bale next appeared in Kenneth Branagh's celebrated 1988 adaptation of Henry V and in 1990, starred opposite Charlton Heston in a highly-regarded cable adaptation of Treasure Island. In 1992, Bale appeared in his first adult role in the musical Newsies, in which he could be seen singing, dancing, and sporting a fairly convincing American accent. His next film, Swing Kids (1993), also featured him dancing, this time alongside Robert Sean Leonard in wartime Germany. Although the film failed to impress most critics, it succeeded in making a favorable impact on teenage girls and swing afficionados everywhere. The following year, Bale appeared as Laurie in Gillian Armstrong's acclaimed adaptation of Little Women and then went on to lend his voice to Disney's animated film Pocahontas, which proved to be one of 1995's biggest box-office draws. The actor next appeared in The Secret Agent (1996), which, despite a strong cast including Gérard Depardieu, Bob Hoskins, and Patricia Arquette, was widely unseen in the U.S. After a tragically small role in the same year's The Portrait of a Lady, Bale was finally given the opportunity to step into the limelight with the 1997 film Metroland, an adaptation of Julian Barnes' novel. Starring alongside Emily Watson, Bale played a young husband and father wallowing in discontented nostalgia and received overwhelmingly positive notices for his thoughtful, complex portrayal. The film was not released in the U.S. until the following year, when he also had lead roles in Todd Haynes' eagerly anticipated Velvet Goldmine and All the Little Animals, which premiered at the Cannes Film Festival to strong reviews. The following year, Bale starred alongside Kevin Kline, Michelle Pfeiffer, and Rupert Everett in a lavish adaptation of A Midsummer Night's Dream. In addition to the exposure he (literally) received in his role as Demetrius, Bale got a different kind of recognition for his part in the well-documented controversy surrounding the casting of Mary Harron's adaptation of Bret Easton Ellis' American Psycho. After winning and then losing the film's lead role to Leonardo DiCaprio, Bale then won it back, prompting a wave of media coverage and at least one publication's decision to describe him as everyone's favorite underdog. It was a title that, deserved or not, seemed to fit an actor who, beneath all of the hyperbole and hype, was one of Hollywood's most engaging and underrated treasures. Bale next starred in the humans versus dragons opus Reign of Fire (2002), followed by the dystopian thriller Equilibrium before returning to the present day with the low-key sexual comedy drama Laurel Canyon (2002). Bale was about to make a breakthrough move into blockbuster film, however, as he was cast as the superhero Batman in Christopher Nolan's latest entry in the franchise, Batman Begins. The franchise reboot would prove overwhelmingly successful, especially with the dark, crime-drama style sequel, The Dark Knight (2008). Though Bale would become something of an infamous fixture in viral media for an explosively angry outburst at an on-set crewmember that was caught on audio, this did nothing to upset the actor's star power. He would also collaborate with Nolan on The Prestige (2006), before starring in the critically acclaimed western 3:10 to Yuma. Bale would also take on the infamous role of John Conner in a long-awaited Terminator Salvation in 2009, before playing a hard-nosed FBI agent on the trail of Johnny Depp's John Dillinger in Public Enemies that same year. In 2010, Bale joined the cast of the hard hitting sports drama The Fighter, directed by David O. Russell, playing the troubled brother and coach of an underdog boxer played by Mark Wahlberg. Bale would take home the Oscar and Golden Globes for Best Supporting Actor for his performance, but he was soon onto his next project, the period war drama Flowers of War. Soon, he was gearing up to don the cowl once again, with the third and final installment in Nolan's Batman franchise, The Dark Knight Rises. He reteamed with Russell to play a con man in American Hustle, earning Bale a second Oscar nomination. In 2014, he played Moses in Ridley Scott's bible epic Exodus: Gods and Kings. The following year, he returned in the ensemble film The Big Short, garnering Bale a third Oscar nomination.

Trivia: Icon of British cool in the 1960s, leading action star in the late '70s, and knighted into official respectability in 1993, Michael Caine has enjoyed a long, varied, and enviably prolific career. Although he played a part in some notable cinematic failures, particularly during the 1980s, Caine remains one of the most established performers in the business, serving as a role model for actors and filmmakers young and old. The son of a fish-porter father and a charwoman mother, Caine's beginnings were less than glamorous. Born Maurice Micklewhite in 1943, in the squalid South London neighborhood of Bermondsey, Caine got his first taste of the world beyond when he was evacuated to the countryside during World War II. A misfit in school, the military (he served during the Korean War), and the job pool, Caine found acceptance after answering a want ad for an assistant stage manager at the Horsham Repertory Company. Already star struck thanks to incessant filmgoing, Caine naturally took to acting, even though the life of a British regional actor was one step away from abject poverty. Changing his last name from Micklewhite to Caine in tribute to one of his favorite movies, The Caine Mutiny (1954), the actor toiled in obscurity in unbilled film bits and TV walk-ons from 1956 through 1962, occasionally obtaining leads on a TV series based on the Edgar Wallace mysteries. Caine's big break occurred in 1963, when he was cast in a leading role in the epic, star-studded historical adventure film Zulu. Suddenly finding himself bearing a modicum of importance in the British film industry, the actor next played Harry Palmer, the bespectacled, iconoclastic secret agent protagonist of The Ipcress File (1965); he would go on to reprise the role in two more films, Funeral in Berlin (1966) and The Billion Dollar Brain (1967). After 12 years of obscure and unappreciated work, Caine was glibly hailed as an "overnight star," and with the success of The Ipcress Files, advanced to a new role as a major industry player. He went on to gain international fame in his next film, Alfie (1966), in which he played the title character, a gleefully cheeky, womanizing cockney lad. For his portrayal of Alfie, Caine was rewarded with a Golden Globe award and an Oscar nomination. One of the most popular action stars of the late '60s and early '70s, Caine had leading roles in films such as the classic 1969 action comedy The Italian Job (considered by many to be the celluloid manifestation of all that was hip in Britain at the time); Joseph L. Manckiewic's Sleuth (1972), in which he starred opposite Laurence Olivier and won his second Oscar nomination; and The Man Who Would Be King (1976), which cast him alongside Sean Connery. During the 1980s, Caine gained additional acclaim with an Oscar nomination for Educating Rita (1983) and a 1986 Best Supporting Actor Oscar for Hannah and Her Sisters. He had a dastardly turn as an underworld kingpin in Neil Jordan's small but fervently praised Mona Lisa, and two years later once again proved his comic talents with the hit comedy Dirty Rotten Scoundrels, in which he and Steve Martin starred as scheming con artists. Although Caine was no less prolific during the 1990s, his career began to falter with a series of lackluster films. Among the disappointments were Steven Seagal's environmental action flick On Deadly Ground (1994) and Blood and Wine, a 1996 thriller in which he starred with Jack Nicholson and Judy Davis. In the late '90s, Caine began to rebound, appearing in the acclaimed independent film Little Voice (1998), for which he won a Golden Globe for his portrayal of a seedy talent agent. In addition, Caine -- or Sir Michael, as he was called after receiving his knighthood in 2000 -- got a new audience through his television work, starring in the 1997 miniseries Mandela and de Klerk. The actor, who was ranked 55 in Empire Magazine's 1997 Top 100 Actors of All Time list, also kept busy as the co-owner of a successful London restaurant, and enjoyed a new wave of appreciation from younger filmmakers who praised him as the film industry's enduring model of British cool. This appreciation was further evidenced in 2000, when Caine was honored with a Best Supporting Actor Academy Award for his portrayal of an abortionist in The Cider House Rules. After launching the new millennium with both a revitalized career momentum and newfound popularity among fans who were too young to appreciate his early efforts, Caine once again scored a hit with the art-house circuit as the torturous Dr Royer-Collard in director Phillip Kaufman's Quills. Later paid homage by Hollywood icon Sylvester Stallone when the muscle-bound actor stepped into Caine's well-worn shoes for a remake of Get Carter (in which Caine also appeared in a minor role) the actor would gain positive notice the following year for his turn as a friend attempting to keep a promise in Last Orders. As if the Get Carter remake wasn't enought to emphasize Caine's coolness to a new generation of moviegoers, his turn as bespectacled super-spy Austin Powers' father in Austin Powers in Goldfinger proved that even years beyond The Italian Job Caine was still at the top of his game. Moving seamlessly from kitsch to stirring drama, Caine's role in 2002's The Quiet American earned the actor not only some of the best reviews of his later career, but another Oscar nomination as well. Caine had long demonstrated an unusual versatility that made him a cult favorite with popular and arthouse audiences, but as the decade wore on, he demonstrated more box-office savvy by pursuing increasingly lucrative audience pleasers, almost exclusively for a period of time. The thesp first resusciated the triumph of his Muppet role with a brief return to family-friendly material in Disney's Secondhand Lions, alongside screen legend Robert Duvall (Tender Mercies, The Apostle). The two play quirky great-uncles to a maladjusted adolescent boy (Haley Joel Osment), who take the child for the summer as a guest on their Texas ranch. The film elicited mediocre reviews (Carrie Rickey termed it "edgeless as a marshmallow and twice as syrupy") but scored with ticket buyers during its initial fall 2003 run. Caine then co-starred with Christopher Walken and Josh Lucas in the family issues drama Around the Bend (2004). In 2005, perhaps cued by the bankability of Goldfinger and Lions, Caine landed a couple of additional turns in Hollywood A-listers. In that year's Nicole Kidman/Will Ferrell starrer Bewitched, he plays Nigel Bigelow, Kidman's ever philandering warlock father. Even as critics wrote the vehicle off as a turkey, audiences didn't listen, and it did outstanding business, doubtless helped by the weight of old pros Caine and Shirley Maclaine. That same year's franchise prequel Batman Begins not only grossed dollar one, but handed Caine some of his most favorable notices to date, as he inherited the role of Bruce Wayne's butler, a role he would return to in both of the film's sequels, The Dark Knight and The Dark Knight Rises. Caine contributed an elegiac portrayal to Gore Verbinski's quirky late 2005 character drama The Weatherman, as Robert Spritz, the novelist father of Nic Cage's David Spritz, who casts a giant shadow over the young man. In 2006, Caine joined the cast of the esteemed Alfonso Cuaron's dystopian sci-fi drama Children of Men, and lent a supporting role to Memento helmer Christopher Nolan's psychological thriller The Prestige. In 2009 Caine starred as the title character in Harry Brown, a thriller about a senior citizen vigilante, and the next year worked with Nolan yet again on the mind-bending Inception.

Trivia: Whether playing a punk rocker, an assassin, a war vet, or a ghoul, Gary Oldman has consistently amazed viewers with his ability to completely disappear into his roles. Though capable of portraying almost any type of character, Oldman has put his stamp on those of the twisted villain/morally ambiguous weirdo variety, earning renown for his interpretations of the darker side of human nature.Born Leonard Gary Oldman in New Cross, South London, on March 21, 1958, Oldman was raised by his mother and two sisters after his father, an alcoholic welder, left them when Oldman was seven. Nine years later, Oldman left high school to work in a sporting goods store; in his spare time, he studied literature and later acting under the tutelage of Roger Williams. He went on to act with the Greenwich Young People's Theatre and, after attending drama school on a scholarship, worked with the Citizens Theatre in Glasgow. Oldman next worked in London's West End, where, in 1985, he won a Best Actor and a Best Newcomer award for his performance in The Pope's Wedding. By this time, he had made his film debut in Remembrance (1982) and had appeared in two television movies, notably Honest, Decent and True (1985). Oldman got his first big break when he was cast as Sid Vicious in Sid and Nancy (1986), Alex Cox's disturbing docudrama account of the punk rocker's tragic relationship with Nancy Spungen. Oldman's unnervingly accurate portrayal of the doomed rocker won rave reviews and effectively propelled him out of complete obscurity. The following year, he turned in a completely different but equally superb performance as famed playwright Joe Orton in Stephen Frears' Prick Up Your Ears and earned a Best Actor nomination from the British Academy of Film and Television Arts for his work. After moving to the U.S. that same year, Oldman appeared in Nicolas Roeg's Track 29 (1988), and in 1990, he had one of his most memorable -- to say nothing of cultish -- roles as Rosencrantz opposite Tim Roth as Guildenstern in Tom Stoppard's brilliant Rosencrantz and Guildenstern Are Dead.Oldman's first American role in a major Hollywood film was that of alleged assassin Lee Harvey Oswald in Oliver Stone's JFK (1991). He then gave a creepy, erotic performance in the title role of Francis Ford Coppola's rendition of Bram Stoker's Dracula (1992), a lavish film that proved to be the most commercially successful (next to JFK) of Oldman's career to date. In addition to playing such eccentrics as Drexl Spivey, a white pimp with dreadlocks who tries to prove himself a black Rastafarian in True Romance (1993), Oldman went on to play more conventional characters, as evidenced by his straightforward portrayal of a crooked cop in Luc Besson's The Professional (1994), his performance as Beethoven in Immortal Beloved (1994), and his role as Reverend Arthur Dimmesdale in the disastrous 1995 adaptation The Scarlet Letter.In 1997, Oldman made his directorial bow with Nil by Mouth, a bleak, semi-autobiographical drama about a dysfunctional blue-collar London family that Oldman dedicated to his late father. The film proved to be a controversial hit at that year's Cannes Festival, and the first-time director won a number of international awards and a new dose of respect for his work. He subsequently returned to acting with Luc Besson's The Fifth Element that same year, made while he took a break from editing Nil by Mouth. He also gave an enduringly cheesy portrayal of the sinister Russian terrorist bent on wresting world domination from American president Harrison Ford in the blockbuster Air Force One (1997) and followed that up by playing yet another villain in the 1998 feature-film version of the classic TV series Lost in Space.Two years later, the veteran actor was earning accolades on screens big and small with both his critically acclaimed performance in Rod Lurie's Oscar-nominated political drama The Contender, and his Emmy-nominated guest appearance in the popular TV sitcom Friends. Meanwhile, after escaping the clutches of the silver screen's most notorious cannibal in Ridley Scott's Hannibal (2001), Oldman joined the casts of not one but two of the most successful film franchises of the 2000s: The Harry Potter Series and Christopher Nolan's brooding Batman saga. As benevolent wizard Sirius Black in the former, he helped Hogwarts' most famous student battle the forces of evil, and as Lt. Jim Gordon in the later, he aided The Dark Knight in defeating some of Gotham's most powerful supervillains. And while he wasn't performing exorcisms in The Unborn or searching unlimited power in The Book of Eli, Oldman was showing his versatility by voicing characters in such popular video games as The Legend of Spyro: A New Beginning and Call of Duty: Black Ops. In 2011, as if to remind audiences that he could still be a compelling lead in addition to a strong supporting player, Oldman tackled the role of veteran MI6 spy George Smiley -- who comes out of retirement to sniff out a Russian mole in Tinker Tailor Soldier Spy. A highly stylized take on the classic John le Carre novel, the film not only drew rave reviews from critics, but also an Academy Award-nomination for Oldman. Oldman wrapped up his work in Harry Potter the same year, with a cameo in Harry Potter and the Deathly Hallows - Part 2 and Nolan's Batman trilogy finished the following year with The Dark Knight Rises. In 2014, he appeared in the remake of RoboCop, followed by a major role in Dawn of the Planet of the Apes.

Trivia: An actress whose first big screen gig also proved to be her breakthrough, Anne Hathaway became a familiar face to millions of moviegoers thanks to her starring role in Garry Marshall's 2001 hit The Princess Diaries. Cast as a clumsy high school girl who finds out she is the princess of a small country, Hathaway was able to prove her comedic timing opposite no less than Julie Andrews.Hailing from Brooklyn, where she was born November 12, 1982, Hathaway became involved in the theater at a young age, and as a teenager performed with the Barrow Group, a prestigious New York theatre company. She did her first industry work in the short-lived but critically praised TV series Get Real before auditioning for Marshall, who, according to legend, cast the actress as the accident-prone princess after she fell off a chair during her audition. The success of The Princess Diaries opened a number of doors for Hathaway, but she chose the one that led to Vassar College, where she enrolled in 2000, taking some time off from film.Though a supporting performance in the 2002 box-office disappointment Nicholas Nickleby offered Hathaway little chance to shine, a lead performance as the eponymous character in thefantasy-themed romantic comedy Ella Enchanted (2004) found her stepping into some big slippers for another Cinderella-style story not unlike the obligatory Princess Diaries 2 that same year. As if to anounce her acendancy out of the teen fantasy ghetto, Hathaway plunged into edgier territory with the gritty teen drama Havoc (also 2004), although the explicit film merited only a video release. It was her next two roles, however, that would announce the young actor's arrival into adulthood. As one of the two quietly suffering wives in Ang Lee's acclaimed Brokeback Mountain, Hathaway exhibited an irrepressible rodeo-girl spirit broken down over the course of a sham marriage. As the co-star of the chick-lit adaptation The Devil Wears Prada in 2006, she entered the world of contemporary, high-fashion power players, suffering the slings and arrows of a deliciously evil (and Oscar-nominated) Meryl Streep. The film played throughout the summer, becoming a bona-fide sleeper hit. Although initially cast in 2007's runaway summer comedy, Knocked Up, Hathaway backed out of the role that eventually went to Katharine Heigl. She chose instead to follow the period-romance path with Becoming Jane, a Shakespeare in Love-style speculative fiction on the life and one true love of Jane Austen.2008 turned out to be a banner year for the actress who scored a box office hit starring opposite Steve Carell in the big-screen adaptation of Get Smart, and garnered the best reviews of her career thus far for her work as a recovering addict in Jonathan Demme's Rachel Getting Married. That role earned her a number of year-end critics awards, as well as Best Actress nominations from the Screen Actors Guild and the Academy. Hathaway would subsuquently find herself free to enjoy leading lady status, appearing in a number of iconic projects over the coming years, like the White Queen in Alice in Wonderland and a slinky Selina Kyle/Catwoman inThe Dark Knight Rises. In 2012 she landed the part of Fantine in Tom Hooper's adaptation of the phenomenally successful stage musical Les Miserable. Getting to deliver the production's most beloved song, "I Dreamed a Dream", Hathaway made the most of the small but juicy part and was rewarded with the Oscar for Best Supporting Actress.In 2014, Hathaway appeared in the indie film Song One and reteamed with her Dark Knight Rises director Christopher Nolan for the sci-fi epic film Interstellar. She next starred in The Intern, opposite Robert De Niro, and reprised her role Alice Through the Looking Glass.

Trivia: Hailing from South West London, dashing and luscious-lipped young actor Tom Hardy started off his career in war dramas alongside other hunky newcomers. He began his studies at the prestigious Drama Centre, but left early for a part in the award-winning HBO miniseries Band of Brothers. He made his feature film debut in Ridley Scott's Black Hawk Down, with Josh Hartnett. He then appeared with Paul Bettany in The Reckoning, a British film based on the novel Morality Play. In 2002, he remained in the U.K. for the independent film Dot the I, sharing the bill with the handsome Gael García Bernal. He then traveled to North Africa for Simon: An English Legionnarie, a story of the French Foreign Legion. In the same year, he gained some heavy international exposure as Shinzon, a clone of Captain Picard in Star Trek: Nemesis. He returned to England for the 2003 thriller LD 50. He was in the 2004 crime film Layer Cake, but scored prime roles in a number of 2005 films including Minotaur and Elizabeth I: The Virgin Queen. Sofia Coppola cast him in Marie Antoinette in 2006, and two years later he had a crucial role in the international hit Bronson. He scored his biggest American hit to that point in 2010 when he was part of the crew in Christopher Nolan's Inception. He played one of two battling brothers in 2011's Warrior, and had a major part in the Oscar nominated remake of Tinker, Tailor, Soldier Spy. He enjoyed is highest profile role to date playing the bad guy Bane in Christopher Nolan's The Dark Knight Rises in the summer of 2012. Hardy had a monster 2015, taking over the title role in the hugely successful Mad Max: Fury Road and scoring his first Oscar nomination for his turn in Alejandro G. Iñárritu's The Revenant.

Trivia: At once earthy and modern, yet effortlessly capable of projecting the aura of a glamorous, silent-era film starlet, French actress Marion Cotillard has achieved fame in her home country with substantial roles in such high-profile blockbusters as the Taxi series, and such critically acclaimed arthouse hits as Jean-Pierre Jeunet's A Very Long Engagement and Olivier Dahan's La Vie en Rose. The Paris native got in tune with her desire to become a performer early in life, and soon began honing her talents as both an actress and a singer. As fate would have it, Cotillard's parents were both active members of the Paris theater community who lovingly nurtured their daughter's creative talents and encouraged her to pursue a career on the stage and screen. Cotillard debuted onscreen at just 16 years old, in the 1994 Philippe Harel romance The Story of a Boy Who Wanted to Be Kissed. While Cotillard's sensitive performance in the film indeed marked the arrival of a skilled young actress, it wasn't until the release of Taxi in 1998 that audiences truly perked up to the promise of this emerging talent. Cotillard was nominated for a Most Promising Actress award at the 1999 César ceremonies thanks to her performance in that movie. She went on to appear in the second and third installments of the series while simultaneously drawing notice for performances in Haute Tension director Alexandre Aja's 1999 debut, Furia, and Gilles Paquet-Brenner's dark family drama Pretty Things -- which earned Cotillard her second César nomination. While the elusive César award had been well within her grasp twice before, Cotillard finally won the coveted trophy as the result of her role in Amélie director Jeunet's A Very Long Engagement. Cast as a vengeful prostitute who sets out to punish the person responsible for the death of her love, Cotillard was awarded the Best Supporting Actress César in 2005, cementing her arrival as a formidable onscreen talent.At this point in her career, Cotillard was an increasingly familiar face to stateside film fans thanks to supporting roles in such films as Tim Burton's Big Fish and Jeunet's international arthouse hit, yet as with any great actress, she was still willing to take the kind of risks needed to take her career to the next level. Subsequent roles in Guillaume Nicloux's A Private Affair and Abel Ferrara's Mary proved that she was most certainly up to the task, serving nicely to offset the mainstream sweetness of efforts like the airy 2003 romance Love Me If You Dare. In 2006, Cotillard was back on stateside screens, this time opposite international superstar Russell Crowe in director Ridley Scott's A Good Year. If anyone at this point had doubted Cotillard's abilities as an actress, those reservations would be put to the ultimate test when she assumed the role of a lifetime in the 2007 Edith Piaf biopic La Vie en Rose. Cast as the enigmatic French songstress who went from being a common street busker to a national icon, Cotillard found the perfect cinematic vehicle to combine her duel interests in acting and music (though audio recordings of Piaf were used in the film), and drew near unanimous praise from critics both foreign and domestic. In addition to netting another César, she captured a host of year-end accolades in the States including Best Actress awards from the Golden Globes and the L.A. Film Critics, as well as a nomination from the Screen Actors Guild. Most impressive of all, Cotillard won the much-coveted Best Actress Oscar, launching her into another level of international success and marketability. Her next roles were of the prestigious Hollywood variety, in the Michael Mann period crime drama Public Enemies, opposite Johnny Depp and Christian Bale, and the Rob Marshall musical drama Nine, alongside Javier Bardem and Penélope Cruz.In 2010 she showed up as the woman of Leonardo DiCaprio's nightmares in Inception for director Christopher Nolan - and earned a spot in 2012's The Dark Knight Rises in the process. 2011 saw the Oscar winner tackling both Steven Soderbergh's killer virus thriller Contagion as well as Woody Allen's Oscar winning comedy Midnight in Paris. In 2014 she scored strong reviews in a pair of dramas that included The Immigrant and Two Days, One Night. Her work in the latter film garnered a number of year-end accolades including an Oscar nomination for Best Actress.

Trivia: Born in Los Angeles, Joseph Gordon-Levitt grew up in front of the camera as a child and teen actor. Winning his first major role at age seven in the TV movie Stranger on My Land (1988), Gordon-Levitt appeared in a number of TV movies and series during the late '80s and early '90s, including a recurring role on the hit sitcom Roseanne from 1993 to 1995. After making his feature film debut as the young version of Craig Sheffer in A River Runs Through It (1992), the young actor garnered further notice as the boy whose prayers are answered in the sleeper Angels in the Outfield (1994) and as Demi Moore's son in The Juror (1996). Gordon-Levitt achieved considerable TV fame, though, when he was cast in NBC's critical and popular hit Third Rock From the Sun (1996-present). As old/young alien Tommy Solomon, he cracked wise with multiple Emmy-winner John Lithgow and attracted teen fans. Making the most of the late-'90s teen movie resurgence during the series' hiatuses, Gordon-Levitt appeared in the teen slasher sequel Halloween: H20 (1998) and starred as one of the romantic schemers in the popular Shakespeare-via-high school comedy 10 Things I Hate About You (1999). After voicing the lead in the expensive animated flop Treasure Planet, Levitt made a conscious decision to shed his TV image. He appeared in a series of challenging indie films including Mysterious Skin, Brick, and The Lookout, and succeeded in redefining his public image. He appeared in Spike Lee's Miracle At St. Anna and the Iraq War drama Stop-Loss in 2008. The next year he starred in the big-budget action film G.I. Joe: The Rise of Cobra, but earned better reviews and more respect as the lead in the hit indie romantic comedy (500) Days of Summer. He was cast opposite Leonardo DiCaprio in Inception the next year, and earned arguably the best reviews of his career in 2011 when he starred in the cancer comedy 50/50 as a young man learning to cope with an unexpected, and possibly lethal, illness. He would team with director Chriotpher Nolan again in 2012 as part of the cast in The Dark Knight Rises, and Steven Spielberg cast him as Robert Todd in the director's long gestating biopic Lincoln. Levitt made his feature-length directorial debut in 2013, with Don Jon, which he also wrote and starred in.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: Standing a burly 6'4", Liam Neeson was once described by a theatre critic as a "towering sequoia of sex." To say that he has undeniable charisma is certainly accurate, but it is a charisma composed as much of impressive talent as of broken-nosed physical appeal. Bearing both versatility and quiet forcefulness, Neeson has been touted as one of the most compelling actors of the late 20th century.Born June 7, 1952, in Ballymena, Northern Ireland, Neeson had an upbringing partially defined by his involvement in boxing. He became active in the sport as a teenager, earning his distinctive broken nose in the process; he stayed with boxing until he began experiencing black-outs from repeated blows to the head. Initially interested in a career as a teacher, Neeson attended Belfast's Queens College, but he aborted his studies after developing a desire to act. In 1976, he joined Belfast's Lyric Theatre, and two years later he began performing the classics at Dublin's famed Abbey Theatre. While he was with the Abbey, Neeson was discovered by director John Boorman, who cast him as Gawain in 1981's Excalibur. Following his part in that action fantasy, Neeson had supporting roles in such films as The Mission (1986), and he was featured in leads opposite Cher in Suspect (1987) and Diane Keaton in The Good Mother (1988). He got his first starring vehicle in 1990 with Sam Raimi's Darkman; unfortunately, the film was a relative disappointment. Neeson continued to do starring work in such films as Big Man (1991), which featured him as a boxer, Ethan Frome (1992), and Under Suspicion (1992), but ironically, it was his work on the stage that led to his true screen breakthrough. In 1992, the actor was turning in a Tony-nominated performance in Anna Christie opposite Natasha Richardson (whom he would marry in 1994) on Broadway. His work attracted the notice of Steven Spielberg, who was so impressed with what he saw that he cast Neeson as Oskar Schindler in his landmark Holocaust drama Schindler's List (1993). Neeson received Best Actor Oscar and British Academy Award nominations for his performance, and he subsequently didn't have to worry about finding work in Hollywood, or elsewhere, again.More high-profile work followed for Neeson, who went on to star in such films as Nell (1994), Rob Roy (1995), and Michael Collins (1996). However acclaimed his previous work had been, none of it received the hype of one of Neeson's 1999 projects, Star Wars: Episode I - The Phantom Menace. Although the film, which starred Neeson as a Jedi master, ultimately earned a galaxy's worth of negative reviews, it mined box office millions. Its success further enhanced Neeson's status as one of the world's most visible actors, and it even helped to downplay the disappointment of The Haunting, his other film that year.Neeson would enter the new millennium with a variety of projects on his to-do list, appearing in the Martin Scorsese period piece Gangs of New York in 2002, and the extremely popular romantic comedy Love Actually in 2003. The following year would find him tackling a meatier role, however, as he singed on to portray pioneering scientist and researcher on human sexuality Alfred Kinsey in the biopic Kinsey. The part would earn Neeson a Golden Globe nomination, and Neeson would follow its success with performances in Ridley Scott's Kingdom of Heaven, as well as one in the blockbuster superhero reboot Batman Begins in 2005. He would also sign on to provide the voice of lion king Aslan in the Chronicles of Narnia fantasy franchise.In 2008, Neeson starred in the thriller Taken, portraying a former CIA officer who employs his brutal skills learned on the job to find his kidnapped daughter. Audiences weren't accustomed to seeing the actor hold down the lead in an action film, but Neeson succeeded and the film was a categorical success. Sadly, the following year, Liam's wife actress Natasha Richardson died suddenly after suffering a severe head injury during a skiing accident. Neeson was left in care of their two children, Michael and Daniel, but was later able to resume his career. Neeson would find himself appearing in many action/adventure films over the coming years. He starred as the cigar-chomping ohn "Hannibal" Smith in the big-screen adaptation of The A-Team in 2010, and a man fleeing for his life and fighting for his identity in 2011's Unknown. The following year, Neeson played an oil driller stranded amid a pack of wolves in The Grey.

Trivia: After only a handful of TV guest spots, New York-born actor Nestor Carbonell landed a starring role on the Brooke Shields sitcom Suddenly Susan. After the show's four-year run, Carbonell appeared on the cult superhero comedy The Tick as Batmanuel before being cast as the lead on the short-lived CBS drama Century City in 2004. In 2007, Carbonell took a recurring role on ABC's hit mindbender Lost as the mysterious and seemingly ageless Richard Alpert. Following that stint, he was cast along with Jimmy Smits as one of the leads on CBS's family drama Cane. Over the coming years, Carbonell would continue to find success on the small screen, starring on shows like Lost and Ringer, and appearing in movies like The Dark Knight Rises.

Trivia: The daughter of director Julien Temple (The Great Rock 'n' Roll Swindle) and producer Amanda Temple, English actress Juno Temple distinguished herself onscreen via a unique presence in such acclaimed dramas as Notes on a Scandal (2006), as the backward and slightly brooding daughter of schoolteacher Cate Blanchett, and Atonement (2007), as a sexually curious young woman. She continued to work steadily in a variety of projects including The Other Boleyn Girl, Year One, Greenberg, The Three Musketeers, and Killer Joe.

Trivia: Born in Los Angeles, California, where his father was a professor of linguistics at UCLA, the family moved back to their native London when he was 7. Went by the name BB Burn when he competed as a beatboxer. His big television breakthrough came in BBC's Bleak House, an adaptation of the Charles Dickens novel, in the role of William Guppy. Appeared in the 2009 West End revival of Oliver! as Bill Sikes, opposite Rowan Atkinson; he was nominated for Best Supporting Actor in a Musical in the Whatsonstage Theatre Awards for the role. He and his wife had a third child, a daughter, Rosa in 2014. The couple split up in 2017.

Trivia: Matthew Modine probably developed his love of performing through multiple viewings of films exhibited in the many Utah drive-in theaters managed by his father. His family moved a lot, so his adaptability as an actor may have grown out of learning to adapt as a child, as well. After dropping out of college and working a variety of odd jobs, Modine moved to New York, where he studied acting with Stella Adler and eventually began appearing in TV commercials and soap operas. He made his screen debut in 1983 in the film comedy Baby It's You, and won the Venice Film Festival's Best Actor award that year for his work in Robert Altman's Streamers. Refusing to trade on his freshly scrubbed, all-American good looks, Modinemade a point of treating each film role as a challenge and a chance to grow. How many other pretty-boy Brat Packers would have been willing to play a disturbed Vietnam vet who's thinks he's a bird in 1984's Birdy? His other film roles included dual characters in The Hotel New Hampshire (1984); Private Joker in Stanley Kubrick's Full Metal Jacket (1987); love-struck FBI agent Mike Downey in Married to the Mob (1988); swashbuckler William Shaw in Cutthroat Island (1995); and the title role in the made-for-cable Biblical spectacle Jacob (1994). Modine was nominated for an Emmy for his performance as aloof AIDS researcher Don Francis in the 1993 TV movie And the Band Played On, and continued to accept occasional stage roles in between his film and TV projects. He made his screen directorial debut in 1994 with a short subject entitled Smoking. Modine woulds spend the next few decades appearing in a number of interesting projects, like Funky Monkey, Transporter 2, and The Dark Knight Rises.

Trivia: Although many thought his work in such features as Merry Christmas, Mr. Lawrence and Reuben, Reuben might lead to a high-profile film career, Tom Conti never found the same success in his later work. Equally adept at comedy or drama, the longtime stage and screen actor gave lively, but finely tuned, performances regardless of the medium in which he appeared. Born to an Italian immigrant father and a Scottish mother in Paisley, Scotland, Conti was trained as a classical pianist at Glasgow's Royal Scottish Academy of Music and Drama before shifting his attention to the stage. He made his stage debut with the Citizen's Theater in the late '50s and flourished in the theater for nearly a decade before making his first film in the 1975 musical drama Flame. As his sensitive and multi-layered portraits of deeply troubled characters began to earn the actor nods from the theater community, Conti began appearing in a series of memorable British television productions (highlighted by The Glittering Prizes [1976] and The Norman Conquests [1977]). In 1979, he was awarded a Tony for his portrayal of a paralyzed sculptor in a stage production of Whose Life Is It Anyway? Thanks to increased international exposure, he began to get more film roles, as well; they were usually only supporting parts in such movies as Galileo (1975) and Eclipse (1976), however, and he had still not landed a role that would leave a lasting impression. All that changed (at least temporarily) with an impressive pair of films in 1983. Conti's unforgettable portrayal of the eponymous character in the war drama Merry Christmas, Mr. Lawrence almost stole the spotlight from marquee draw David Bowie. That same year, Conti gave an Oscar-nominated performance as a drunken Scottish lothario in Reuben, Reuben. It should have turned the actor into a box-office draw, but superstardom continued to elude him, despite leading roles in such later efforts as American Dreamer (1984), Heavenly Pursuits (1985), and Shirley Valentine (1989). His turn as a Holocaust survivor in Nazi Hunter: The Beate Klarsfeld Story earned Conti a Golden Globe nomination, and he alternated between the stage and screen in subsequent years. He starred in the CBS series The Wright Verdicts in 1995, but it was canceled after only a three-month run. Later roles in such features as Someone Else's America (1995) and Something to Believe In (1998) offered memorable screen appearances sandwiched between Conti's frequent stage roles. He continued to make both film and TV appearances in the '90s, including small-screen roles in such series as Deadline and Friends (in which he played Ross' snooty father-in-law Stephen).

Trivia: Began acting at age 4. Has done national commercials for Life cereal, AT&T and McDonald's. Was the official spokesperson for D.E.A.R. (Drop Everything and Read) Day in 2010. That same year she recorded the song "Ramona Blue" with her sister, with proceeds going to the charity First Book. In 2011, received a Young Artist Award (Best Performance in a Feature Film, Leading Young Actress 10 and Under) for her portrayal of beloved book heroine Ramona Quimby in the film Ramona and Beezus (2010). Appeared in the video for Taylor Swift's song "Mean" (2011). Received a pet pig as a birthday present from Jay Leno and named the pig Jay Jay.

Trivia: A character actor with a knack for playing blustery Southerners and military men (comic and dramatic), Chris Ellis was, appropriately enough, born and raised in Mississippi. While hardly a radical, 18-year-old Ellis discovered his interest in the arts, and his slightly longer than average hair made him a less than welcome presence in Mississippi. In 1968, he began studying acting with a theater troupe in Memphis, TN, where he made his stage debut. After completing his studies, Ellis moved to New York City, where he began working in off-Broadway and regional theater. However, keeping his foot in the door proved difficult for Ellis, and he found himself without steady work through most of the '80s, getting by thanks to the kindness of friends who would often invite him over for dinner. In 1990, Ellis' luck began to change when he was cast as the memorable Harlan Hoogerhyde in the Tom Cruise vehicle Days of Thunder. By the mid-'90s, Ellis was working steadily in film and television, making small but notable appearances in Apollo 13, That Thing You Do!, and Armageddon, and making guest appearances on such series as The X-Files, Millennium, and Chicago Hope.

Trivia: A native of Houston, TX, Brett Cullen graduated from that city's university, also finding time to compete in fencing and contribute to the Houston Shakespeare Festival. Opting for a shot at stardom over continuing his theater studies, Cullen landed a role on The Chisholms as his first breakthrough. He achieved much attention as Bob Cleary in the highly successful miniseries The Thorn Birds, which led to a stint on the nighttime soap Falcon Crest. He continued to work steadily on both the stage and the screen including production of Guys and Dolls, The Little Foxes, and numerous Shakespearean plays. His film credits include Courage Under Fire and Apollo 13, a role that led to him joining the cast of the Tom Hanks-produced television spectacle From the Earth to the Moon. Cullen has had recurring roles on such respected programs as Ugly Betty, Friday Night Lights, The West Wing, and Lost. In 2007, he starred opposite Uma Thurman in the drama In Bloom. That same year, Cullen starred in the pilot for the television program Life Is Wild, but he was replaced when the show went to series by D.W. Moffett. He had a major role in 2008's The Life Before Her Eyes as well as Brothel. Two years later he played the dad of the troubled lead singer of The Runaways, and he followed that up with a part in the teen comedy Monte Carlo. In 2012 he could be seen in the blockbuster The Dark Knight Rises.

Trivia: Lead actor, onscreen from the '80s.

Trivia: "Sunjata," originally his middle name, is a Guinean word for "hungry lion" and was given to him by his adoptive parents. Played on two state championship football teams in high school. Performed in a student play his sophomore year at Florida A&M, which prompted him to switch majors from business to fine arts. Began making a name for himself on stage in the late 1990s, particularly in Twelfth Night with Helen Hunt, and then on TV, most notably as a sailor attempting to woo Sarah Jessica Parker on a 2002 episode of Sex and the City. In 2003 won a Theater World Award and earned his first Tony nomination for playing a gay baseball player in Take Me Out. In 2003 was named by People magazine as one of the 50 most beautiful people of the year. Came to the public's attention as New York firefighter Franco Rivera on Rescue Me in 2004 and as Nurse Eli on Grey's Anatomy in 2010. Has shown support for the 9/11 Truth Movement that wants the 9/11 attacks to be reinvestigated; in a 2009 interview with Russia Today said he believes the 9/11 attacks were an inside job.

Trivia: The embodiment of the line "when Irish eyes are smiling, they're up to something bad," Aidan Gillen oozed ruthless charisma and wicked sex appeal in his role as the sexually prolific Stuart Alan Jones in the 1999 British TV series Queer As Folk. Bringing wry humor and understatement to a potentially over-the-top role, Gillen earned a reputation as one of the U.K.'s most compulsively watchable new performers.Born in Dublin, Gillen got his professional start in the late '80s, appearing in minor film roles. He worked steadily through the 1990s, in film and on television, popping up in such diverse offerings as Circle of Friends (1995), Some Mother's Son (1996), and Jez Butterworth's Mojo (1997). His major breakthrough role was inarguably that of Queer As Folk's Stuart, an arrogant, vain, and thoroughly sexy PR executive who strips countless men of both their clothing and resistance. The success of the controversial miniseries ensured that it -- and its talented actors -- would be back for a second go-round, which followed in 2000. That same year, Gillen found accompanying acclaim on the big screen, in Jamie Thraves' acclaimed directorial debut The Low Down, in which he starred as an amiable but frustrated commercial artist whose life changes when he meets a radiant, ambitious woman. He appeared in both My Kingdom and Lorna Doone, as well as the action comedy Shanghai Knights before joining the cast of the revered HBO series The Wire in that show's third season. When his time on that program came to a close he was in the action film 12 Rounds, and then was cast in the series Identity.