Trivia: Broadway actor Victor Garber was born on March 16th, 1940 in London, Ontario, Canada. Through years of working on-stage, he has earned several Tony and Drama Desk nominations. He earned his first Obie award for his performance in Wenceslas Square at the 1988 New York Shakespeare Festival. Some of his other stage credits include Macbeth, Sweeney Todd, Damn Yankees, and Yasmina Reza's Art. After playing Jesus on-stage in Toronto, Garber reprised his role in David Greene's 1973 film musical Godspell. He joined Greene again to play the lead in Liberace: Behind the Music (1988).Staying busy with theater, Garber occasionally acts in supporting roles on the big screen. He appeared in two of Nora Ephron's feature comedies: Sleepless in Seattle (1993) and Mixed Nuts (1994). He also appeared in the tense drama Exotica in 1994, directed by fellow Canadian Atom Egoyan. Throughout the '90s and beyond, he appeared in countless TV movies, from Woman on the Run: The Lawrencia Bembenek Story (1993) to Torso: The Evelyn Dick Story (2002). Some of his mainstream feature appearances include small parts in The First Wives Club, Titanic, and Legally Blonde. Meanwhile, he regularly appeared in a Canadian television mystery series, Criminal Instincts, based on the novels by Gail Bowen, starting with the first installment Love and Murder in 2000. He played Inspector Phillip Menard to head police detective Joanne Kilborne (Wendy Crewson). He also had a very comfortable home in Disney movies during this time, as he played the dad in Tuck Everlasting, the king in Rodgers & Hammerstein's Cinderella, and Daddy Warbucks in Rob Marshall's 1999 TV feature Annie.In 2001, Garber was cast as another dad in the dramatic spy series Alias. He played Jack Bristow, the CIA agent dad of Sydney Bristow (Jennifer Garner). He earned an Emmy nomination for his work on the show. Characters for 2003 included a mayor in the ABC musical The Music Man and a detective in the independent drama Home Room. The actor continued his work in Alias until 2005, and enjoyed further success on the television series' Justice and Eli Stone. In 2008, the actor took on the role of Mayor Moscone for the Academy Award-winning Milk, and lent his voice to Kung Fu Panda 2 in 2011.

Trivia: Actress Kathy Bates has been involved in the arts in one way or another since graduating from Southern Methodist University. Among the Memphis native's earliest jobs were a stint as a singing waitress in a Catskill resort and a sojourn as a gift shop cashier in New York's Museum of Modern Art. Bates was type-cast in character roles early on, which assured her a lot more work than the thousands of faceless ingenues in the business. Her film debut occurred with 1971's Taking Off, and she made her off-Broadway debut five years later in Vanities.For a long while, Bates made her name on the stage, only to see her roles go to other actresses in the plays' subsequent film adaptations. In 1983, she was nominated for a Tony award for her stage appearance as a garrulous would-be suicide in 'Night, Mother, a role played on screen by Sissy Spacek. She also appeared as Lenny McGrath in Beth Henley's Pulitzer Prize-winning play Crimes of the Heart, a role played on screen by Diane Keaton. And in 1987, playwright Terrence McNally wrote a part specifically tailored to Bates' talents: the much-abused waitress Frankie in Frankie and Johnny in the Clair de Lune, a role which won her an Obie award, and, following a familiar pattern, was played on screen by Michelle Pfeiffer.Bates finally got to star in a movie herself in 1990. And what a starring role it was: in Misery, she portrayed the psychotic "Number One Fan" of romance writer Paul Sheldon (James Caan), a searing performance which earned the actress an Academy Award and a Golden Globe. Appropriately enough, Hollywood screenwriters subsequently began making more room for Bates in their scripts. She worked steadily throughout the rest of the decade in films of greatly varying quality. Particular highlights included Fried Green Tomatoes (1991), A Prelude to a Kiss (1992), Dolores Claiborne (1995), Titanic (1997), and Primary Colors (1998), the latter of which featured Bates giving an Oscar and Golden Globe nominated performance as a political muckraker. Following her firey, foul-mouthed performance in that thinly veilied political biopic, Bates added a new credential to her resume, that of director. Initially taking the helm for the made-for-cable feature Dash and Lilly, Bates would subsequently direct episodes of the quirky HBO drama series Six Feet Under, simultaniously taking minor film roles before returning to more substantial roles with the CBS Hallmark Hall of Fame entry My Sister's Keeper. Roles in Love Liza and Dragonfly (both 2002) were soon to follow, and with her turn as an extroverted mother who catches the attention of Jack Nicholson in About Schmidt Bates would recieve her third Oscar nomination.She directed a number of episodes of the HBO series Six Feet Under before joining the cast in season 3 as Bettina. The next year she portrayed Queen Victoria in the big-budget remake of Around the World in 80 Days. She directed he feature Ambulance Girl in 2005. She continued to act steadily in a variety of projects including Failure to Launch, P.S. I Love You, Fred Claus, Bee Movie, and Revolutionary Road. She provided expert support for Sandra Bulock as the younger actress was winning an Oscar in The Blind Side, and Bates joined the cast of The Office in 2009. She was part of the large ensemble in 2010'ss Valentine's Day, and in 2011 starred as Gertrude Stein in Woody Allen's Oscar winning Midnight in Paris. That same year she launched her own network Drama series Harry's Law.

Trivia: A multi-talented performer who segued to acting out of an operatic vocal background, Audra McDonald began life in Berlin, the daughter of a U.S. Army employee father and an Affirmative Action officer mother. McDonald's dad subsequently transported the family to Virginia and then to Fresno, CA, where he taught school; meanwhile, McDonald set her eyes on show business at age nine. She sang and danced in cabaret and acted in dinner theater, and attended a junior high and high school designed expressly for youngsters interested in the performing arts. Soon, Juilliard beckoned, but even though McDonald gained acceptance at age 17, she reportedly felt less than enthusiastic during her time there -- complaining vocally about the instructors' insistence on leading her down an "operatic" path though she felt disinclined to go that way. This rectified itself when McDonald "found her way" into opera via dramatic readings of French literature. Many a stage musical followed for the blossoming diva, among them The Secret Garden, Carousel, and Master Class; throughout, she quickly attained a superior reputation for the dynamic range of her voice and the almost incomparable breadth of her vocal modulation. McDonald transitioned to non-musical film acting in the late '90s, with such productions as the made-for-television Having Our Say: The Delany Sisters' First One Hundred Years (1999) and Mike Nichols' cable movie Wit (2001); in the years to follow, she also joined the casts of the prime-time dramas Bedford Diaries (2006) and Private Practice (2007). The following year, McDonald carried her involvement in the 2004 Broadway revival of Lorraine Hansberry's seminal play A Raisin in the Sun to the next level by appearing opposite Sean "P. Diddy" Combs and Phylicia Rashad in the 2008 TV movie of that production. In 2011 she appeared Oren Moverman's bad-cop drama Rampart. She played the Mother Abbess in NBC's Sound of Music Live in 2013.

Trivia: Scottish, versatile, and for a long time underappreciated, Alan Cumming is chameleon-like in both his choice of roles and his ability to inhabit them convincingly. Born January 27, 1965, in Perthshire, Scotland, Cumming studied drama at the Royal Scottish Academy of Music and Drama before embarking on a career that would have its roots on the stage. For years, Cumming worked steadily in the theater as a member of repertory companies, such as the Royal Shakespeare Company. In 1992 he had his film debut in the largely unheard of Prague, which was essentially a historical overview of the city. In 1994 American audiences were introduced to the sound of Cumming's voice thanks to his role as the narrator of Black Beauty, but it wasn't until 1995 (Cumming's other 1994 film, Second Best notwithstanding) that they actually saw him, this time via his small but memorable role as a Russian computer programmer in Goldeneye.Wider exposure followed, thanks to two successful films. The first, Circle of Friends (1995), featured Cumming as Minnie Driver's slimy, unwelcome suitor, and the second, 1996's Emma, saw Cumming playing yet another unwelcome suitor, this time to Gwyneth Paltrow. More sympathetic roles followed in For My Baby, Buddy, and Romy and Michele's High School Reunion (in which he played a sweetly awkward nerd with a crush on Lisa Kudrow), all released in 1997. Work in Spice World came next in 1998, as did the stage role that was to give Cumming critical acclaim, a host of awards, and the wider respect he deserved. That role was Cabaret's Emcee, and Cumming managed to make the character -- previously the sole territory of Joel Grey -- all his own, giving a wickedly delicious performance that was unabashedly dark, sly, androgynous, and altogether terrifying. His performance won him all three New York theater awards: a Tony, a Drama Desk, and an Outer Critics Circle. This triumph resulted in a new range of opportunities for the actor, one of which was the chance to be a part of what was to be Stanley Kubrick's last film, Eyes Wide Shut (1999). Although Cumming's role as a hotel desk clerk was a small one, the actor turned in a sly and insinuating performance that reflected his ability to make the most out of even the most limited opportunities.Cumming was subsequently given almost unlimited opportunities to showcase his flamboyance in Julie Taymor's Titus, her 1999 adaptation of Shakespeare's Titus Andronicus. In his role as the queen's (Jessica Lange) debauched lover, he gave a performance that was as over-the-top and rococo as the film itself, leading some critics to say his portrayal had a little too much in common with a Christmas ham.Fortunately, Cumming surprised critics and audiences alike when he directed, with Jennifer Jason Leigh, The Anniversary Party (2001), a marital comedy-drama that starred him and Leigh as a husband and wife whose anniversary party exposes the many flaws of their fragile marriage. Featuring a cast that included Kevin Kline, Phoebe Cates, Gwyneth Paltrow, John C. Reilly, and Jennifer Beals, the film, which was shot on digital video, earned a fairly warm reception from critics, many of whom praised Cumming for his work both behind and in front of the camera.Cumming took the part of the bad guy in the first Spy Kids movie, a role he would repeat in the film's first two sequels. He also played the evil corporate manipulator in Josie and the Pussycats. He appeared in the musical remake of Reefer Madness in 2004, and that same year voiced a cat in the live action Garfield the movie. He worked steadily in a variety of projects including Gray Matters, Eloise: Eloise in Hollywood, and Dare, but found his biggest critical success on the small screen as part of the cast in the highly-respected CBS drama The Good Wife which began its run in 2009.

Trivia: Any fan of Kristin Chenoweth knows that the musical quality of her lilting timbre is more than just a nice speaking voice: the actress has been one of the most successful and well-known performers on Broadway for the past 15 years. The sprightly 4'11" actress attended Oklahoma City University on a full scholarship to study voice before going on to earn her master's in opera performance. Chenoweth's first Broadway role came in 1997 when she was cast in a production of Molière's Scapin. The next season, she was cast in Steel Pier, winning a Theatre World Award for her performance. Once Chenoweth's stage career was off and running, she quickly became one of the most well-known and best-liked Broadway actresses alive, working constantly and winning several awards, including a Tony for her performance in You're a Good Man Charlie Brown. She was particularly praised for her performance in 2003's Wicked, and her performance of selections from her album Let Yourself Go at a concert for Lincoln Center's fifth American Songbook.Chenoweth began a second career onscreen in 2001 with a short-lived NBC sitcom called Kristin. The mid-season replacement didn't last, but Chenoweth was soon delighting audiences with guest appearances on shows like Frasier, and in 2004, she began a recurring role on the critically acclaimed series The West Wing. In 2005, Nicole Kidman saw Chenoweth in a performance of Wicked and was so impressed with the songstress' talent and charisma that she had her cast in her upcoming film adaptation of Bewitched. This kicked off a series of appearances in comedies for the actress, who proved to have great comic timing. After roles in The Pink Panther, RV, and Deck the Halls, Chenoweth joined the cast of a new TV show called Pushing Daisies, about a man who falls in love with a deceased lady after he discovers how to bring people back from the dead. She followed the tragically cancelled show with a memorable arc on the exceedingly popular musical series Glee, as well as a starring role on the short-lived comedic series CGB. Chenoweth continued to alternate between films, television and the stage (and occasionally released an album) for the next several years.

Trivia: Made feature-film debut as Howard Stern's daughter in Private Parts (1997). Played orphan Molly in Peabody Award-winning TV-movie Annie (1999), and later portrayed the titular tot in a 2002 production of Annie at the Paper Mill Playhouse in Millburn, N.J. Made Broadway debut in 2006 as a 12-year-old Jacqueline Bouvier (later Jacqueline Kennedy Onassis) in Grey Gardens: The Musical, by Pulitzer- and Tony Award-winner Doug Wright (I Am My Own Wife). Has appeared with her father, Edward James Hyland, in two films (1998's The Object of My Affection and 1999's Cradle Will Rock), and with her brother, Ian, in Spanglish (2004). Suffers from kidney dysplasia and received a kidney from her father in April 2012.

Trivia: Character actor Ernie Sabella has made almost too many memorable turns in film and television to mention. The New York native studied theater at the University of Miami, where he performed at the prestigious Jerry Herman Ring Theatre. He subsequently began a professional acting career that would prove to be prolific both on-stage and in front of the camera. He would appear in production of such plays and musicals as Guys and Dolls, A Funny Thing Happened on the Way to the Forum, Chicago, Man of La Mancha, Sweet Charity, and others. Sabella's film and television career began with notable TV guest appearances on shows like Alice and Cheers. He played curmudgeonly boss Leon Carosi in the final season of Saved by the Bell in 1992, and in 1994, he provided the voice for Pumbaa the warthog in Disney's The Lion King. He would continue to play Pumbaa in the Lion King's sequels, and maintained a steady working relationship with Disney, playing Mr. Petrachelli on the hit tween series That's So Raven.

Trivia: Primarily a New York-based actor since the '40s, Michael Higgins' film appearances were relatively limited until the late '70s -- but that didn't stop him from doing some exceptional and memorable work on the big and small screens. Born in Brooklyn, he attended St. Michael's High School in the middle and late '30s, which was where he was first bitten by the acting bug -- while in his teens, he ended up joining the Shakespeare Fellowship of America, a semi-professional performing group that performed the Bard's plays in high schools. His theatrical aspirations were interrupted by the Second World War, during which Higgins served with the 337th Infantry in Italy, where he was wounded in combat and achieved the rank of lieutenant, and earned a Bronze Star as well as the Purple Heart. After the war, he resumed his career and made his Broadway debut with Katharine Cornell in Candida in 1946. His subsequent Broadway credits included Antigone, The Lark, and Romeo and Juliet, and he also became a familiar figure on the off-Broadway stage, in productions of Doctor Faustus, White Devil, The First Year, and The Crucible, the latter in the role of John Proctor opposite Barbara Barrie as Elizabeth Proctor. His other theatrical credits included J.B., which he did on tour with Basil Rathbone in 1959 and 1960. Apart from a few isolated instances -- an early appearance in Joseph Henaberry's 1948 documentary Shades of Gray, and a lead performance in Irving Lerner's independently produced crime drama Edge of Fury (1958) -- Higgins didn't start working in movies until he had 25 years under his belt in theater. He did do lots of television, however, including some exceptional performances on anthology shows such as Omnibus, Playhouse 90, Studio One, One Step Beyond, and The Outer Limits ("The Mice," playing the too-trusting lead scientist), and even managed one major sitcom appearance, on The Andy Griffith Show (in "Barney Hosts a Summit Meeting," a much-watched episode that featured a return appearance by co-star Don Knotts). Generally, however, he was associated with more serious vehicles -- John Crosby of the New York Herald Tribune, writing of his portrayal of Hector in The Iliad, in the 1955 season opener of Omnibus, called Higgins "easily the best actor on the premises." He racked up exceptional reviews on the stage throughout the '50s and '60s, including a memorable turn as Macbeth at the 1962 New York Shakespeare Festival. From 1969 onward, starting with Elia Kazan's The Arrangement, Higgins began appearing regularly on the big screen, in important supporting roles and the occasional lead, such as in Barbara Loden's Wanda (1970), working with such diverse talents as Francis Ford Coppola in The Conversation (1974), Bryan Forbes in The Stepford Wives (1975), and Woody Allen in New York Stories (1989), and in cult favorites such as King of the Gypsies (1978) as well as mega-hits like The Black Stallion (1979). All of this was interspersed with occasional returns to television in vehicles such as James Goldstone's Kent State (1981). Indeed, television audiences of the 21st century may know Higgins best for his award-caliber guest performances in two episodes of the series Law & Order, in "In Memory Of," in which he played a man hiding an unspeakably brutal, decades-old crime that he committed against a 10-year-old boy, who is willing to sacrifice even his own daughter's mental health to protect himself; and "Ramparts," playing a retired campus security guard implicated in a 35-year-old shooting who discovers that he was himself an unintended victim of a subterfuge by the very forces of law-and-order that he thought he was protecting. Michael Higgins made both episodes memorable by his presence and performances, in roles evoking widely divergent levels of sympathy.