Trivia: Like many small-screen veterans who headline a hit network series for multiple seasons, the fresh-faced, genial American actor Richard Dean Anderson will forever be associated with one role -- that of Angus MacGyver, the multilingual, crack Special Forces agent and science expert capable of using common household substances and implements to perform feats of wonder, on the Henry Winkler-produced action-adventure series MacGyver. Although Anderson's resumé packs in a number of key telemovies and a recurrent starring role on the popular Stargate SG-1, the actor is best known for turning MacGyver into a veritable American icon for Gen-Xers during the mid- to late '80s and early '90s.Anderson was born on January 23, 1950, in Minneapolis, MN, to a schoolteacher father, Stuart Anderson, who taught English, humanities, and drama at an area high school, and an artist mother. During middle school and high school, Anderson's plans to embark on a career as a professional hockey player were curtailed by two unfortunate accidents in which he broke both arms, encouraging the young man to pursue drama as an alternate option. After high school, Anderson enrolled in both St. Cloud State University and Ohio University, where he studied acting, but -- feeling listless -- he dropped out before receiving his degree, and spent time in San Francisco and Manhattan, then moved permanently to L.A. In Southern California, Anderson held down gigs as a street mime, juggler, and aquatic performer at Marineland, then appeared in the stage production Superman in the Bones at the Pilgrimage Theatre.Aficionados of 1970s American television might recall that Anderson's "breakthrough" arrived not as MacGyver, but as Dr. Jeff Webber on the long-running ABC soap opera General Hospital, circa 1976 -- then in production for 13 years. Not long after two failed series attempts on CBS -- the adventure drama Seven Brides for Seven Brothers in 1982 and the Dennis Weaver-headlined military drama Emerald Point, N.A.S. in 1983 -- Anderson auditioned for Henry Winkler and others to portray MacGyver on that character's eponymous action series. The premise found MacGyver enlisting as a member of a "think tank" called "The Phoenix Foundation," devoted to traveling around the world and thwarting criminal activity. The program's gimmick revolved around scientist MacGyver's abhorrence of guns, and his ability to use seemingly innocent, harmless objects -- such a candy bar, a paperclip, a toothpick, and (of course) his ever-present Swiss Army knife -- to blow up buildings, escape from deathtraps, save lives, etc. Winkler and his co-producers purportedly gave Anderson the part because of his request to wear eyeglasses during the reading -- an act that suggested humility to them and thus meshed perfectly with the character. MacGyver debuted on ABC on September 29, 1985, and lasted seven seasons, retaining a faithful audience despite at least 11 shifts in its night and time slot. It finally wrapped on August 8, 1992. Two telemovies, MacGyver: Trail to Doomsday and MacGyver: Lost Treasure of Atlantis, aired in 1994, both produced by Anderson.Alongside the MacGyver series run and shortly thereafter, Anderson signed for key roles in several network telemovies, including Ordinary Heroes (1985), Through the Eyes of a Killer (1992, which uncharacteristically cast him as a psychotic stalker), Beyond Betrayal (1994), and the epic-length disaster miniseries Pandora's Clock (1996). These proved moderately successful, but Anderson's two additional attempts to produce a network series through his Gekko film production company during the early '90s (Firehouse and Legend) died quick deaths.Anderson nevertheless caught his second wind and returned to series television (garnering a loyal cult following among sci-fi buffs) as Col. Jack O'Neill in the 1997 series Stargate SG-1, which originated on Showtime. Adapted from the hit 1994 movie Stargate, the program found O'Neill emerging from semi-retirement and continually traveling to interstellar "stargate" portals to protect the universe from hostile alien invasions. Stargate SG-1 bowed to extraordinary reviews and ratings and became a permanent hit; Anderson stayed with the series through its eighth season, and appeared as a guest star occationally during the rest of its run. He would go on to appear on the spin off SGU Stargate Universe, as well as the dramedy series Fairly Legal.Though Anderson has never married, he has been romantically linked with such actresses as Marlee Matlin, Deidre Hall, Sela Ward, Teri Hatcher, and Lara Flynn Boyle, and the champion skater Katarina Witt. In 1996, Anderson entered an ongoing romantic relationship with Apryl Prose, and the two had a daughter, Wylie Quinn Annarose Anderson, born in August 1998. Anderson divides his time between residences in Vancouver, Los Angeles, and northern Minnesota.

Trivia: Brusque character actor Dana Elcar was usually assigned roles calling for blunt imperiousness. He became especially handy in films and TV shows of the 1970s, portraying curt, dour, meticulously groomed authority figures at odds with dishevelled "hippie" and "gonzo" types. Elcar's first film after many years' stage work was 1968's Pendulum; other film credits include Soldier Blue (1969), W.C.Fields and Me (1976), and The Nude Bomb (1980). In 1985, Dana Elcar was cast as Peter Thornton, boss of troubleshooting Richard Dean Anderson, on the TV series MacGiver; Elcar continued playing the role into the 1990s, at which time the actor's real-life blindness required him to incorporate dark glasses and a cane into his characterization.

Trivia: Husky American actor Bruce McGill made his film debut in Citizen's Band (1978), but it was his next film role, frat-brat "D Day" in National Lampoon's Animal House, that gained him a following. McGill repeated his D-Day characterization in the spin-off TV series Delta House (1979), then co-starred with David Hasselhoff in the 1980 weekly-TV version of the 1977 theatrical football comedy Semi-Tough. He went on to play a string of brusque authority types in films (Cliffhangers) and television (MacGiver, Live Shot). Fans of the fantasy series Quantum Leap (1989-93) may recall McGill's occasional guest shots, which ranged from mildly eccentric to truly weird. In 1987, Bruce McGill enjoyed one of his few feature-film leading roles in Waiting for the Moon. But it wasn't until the 1990s that casting directors really began to utilize McGill's unique range, and though he never won any awards, he shifted between film (A Perfect World, Timecop, The Insider) and television (Babylon 5, Star Trek: Voyager) with the skill of a seasoned pro. Any genre was fair game, and all were tackled with equal aplomb. At the dawn of the 2000s McGill seemed to shift his focus toward feature films, with roles in Ali, The Sum of All Fears, and Collateral helping to make him both a Michael Mann regular, and one of those welcomed faces that seems to turn up everywhere. Still TV just seemed to be in McGill's blood and after lending his voice to both Family Guy and The Cleveland Show he could be seen as a regular on the TNT detective series Rizzoli and Isles.

Trivia: Although many people assume that The Exorcist (1974) was American actress Linda Blair's film debut, she had actually been working in commercials since age six. Blair was chosen from a field of 500 hopefuls for Exorcist because of her resemblance to the film's star, Ellen Burstyn. To the casual viewer, the film, which dealt with the Devil's possession of an innocent preteen girl, was hardly the sort of fare that any responsible parent would allow their child to appear in. But the Exorcist's director, William Friedkin, was careful to prearrange the special effects (head turning around, bloody body wounds, vomiting green bile) with the least amount of danger or trauma for Blair. From all reports, she handled the assignment like a trouper, though she balked at having her hair messed up for the purposes of the plot. Blair was nominated for an Academy Award for her Exorcist work, but this campaign was scuttled when it was learned that, not only had the girl been extensively doubled by a dummy, but her horrendous "Satan" voice, explicit obscenities and all, had been dubbed by adult actress Mercedes McCambridge. A major celebrity at 15, Blair was able for a while to parlay her Exorcist work into a series of demanding film and TV roles, most of which cast her as a much-abused victim. Her rape scene in the TV movie Born Innocent was so graphic that the network was forced to cut the scene when the film was rerun. In other appearances, Blair played a teen alcoholic, a kidnap victim, a heart-transplant patient on an endangered airliner, and her Exorcist role again in Exorcist II (1977). By this time, Blair was unable to maintain the equilibrium of her career, which degenerated into exploitative crime or girls-in-prison films. More recently, Blair was seen in Repossessed (1990), a ham-handed spoof of the film that made her famous.

Trivia: Born to a Syrian-Lebanese family in Brooklyn, Victor Tayback grew up learning how to aggressively defend himself and those he cared about, qualities that he'd later carry over into his acting work. Moving to California with his family, the 16-year-old Tayback made the varsity football team at Burbank High. Despite numerous injuries, he continued his gridiron activities at Glendale Community College, until he quit school over a matter of principle (he refused to apologize to his coach for breaking curfew). After four years in the navy, Tayback enrolled at the Frederick A. Speare School of Radio and TV Broadcasting, hoping to become a sportscaster. Instead, he was sidetracked into acting, working as a cab driver, bank teller and even a "Kelly Girl" between performing gigs. Shortly after forming a little-theatre group called the Company of Angels, Tayback made his movie debut in Door-to-Door Maniac (1961), a fact he tended to exclude from his resumé in later years. His professional life began to improve in 1967, when he won an audition to play Sid Caesar's look-alike in a TV pilot. Throughout the early 1970s the bulging, bald-domed actor made a comfortable living in TV commercials and TV guest-star assignments, and as a regular on the detective series Griff (1973) and Khan (1975). In 1975, he was cast in the secondary role of Mel Sharples, the potty-mouthed short-fused owner of a greasy spoon diner, in the theatrical feature Alice Doesn't Live Here Anymore. When the film evolved into the weekly TV sitcom Alice in 1976, Tayback was engaged to recreate his "Mel" characterization. He remained with the program for the next nine years. In contrast to his gruff, abusive screen character, Tayback was dearly loved by the rest of the Alice cast, who regarded him a Big Brother and Father Confessor rolled into one. Five years after Alice's cancellation, Vic Tayback died of cancer at the age of 61; one of his last screen assignments was the voice of Carface in the animated feature All Dogs Go to Heaven.