Trivia: Professional magician Harry Anderson made his living as a street performer until he was "discovered" on the talk-show circuit in the late '70s. Looking all the world like a young Willy Loman, Anderson delighted in flim-flamming his "suckers" and then revealing his chicanery. He made his film debut as, appropriately, a sideshow prestidigitator in The Escape Artist (1982) then appeared on a sporadic basis as wise guy thimblerig Harry the Hat on the TV sitcom Cheers. This led to his being cast as freewheeling Judge Harold T. Stone on the weekly Night Court which ran from 1984 to 1992. Despite his insouciant "hustler" persona, Anderson is an immensely appealing performer with a strong following among children, and starred in such Disney TV-movie productions as The Absent-Minded Professor (1988) and Harvey (1995). In 1993, Harry Anderson launched another long-running sitcom, playing real life newspaper humorist Dave Barry (whom he resembles not one whit!) in Dave's World.

Trivia: American actor John Larroquette began gaining public attention as a disc jockey. For several years, he paid the bills with TV and movie voiceovers, notably as the (uncredited) narrator of Tobe Hooper's The Texas Chainsaw Massacre (1974). Larroquette started getting on-camera assignments in the mid 1970s, making his network TV bow in the role of Dr. Paul Herman in the prime time weekly Doctors' Hospital (1975-76); this was followed by a two-year stint as Robert Anderson on the Robert Conrad TV vehicle Black Sheep Squadron (1976-78). From 1984 through 1992, Larroquette portrayed assistant DA and self-styled ladies man Dan Fielding on the popular sitcom Night Court, a role which won him four Emmy awards. In 1994, the actor starred in his own series, The John Larroquette Show, playing an erudite recovering alcoholic who manages a St. Louis bus depot.His film career never quite matched the success he found on the small- screen, but he had small parts in The Twilight Zone Movie and Choose Me before he reached the height of his Night Court Fame. He was a friend to Bruce Willis in the Blake Edwards comedy Blind Date and appeared opposite his fellow NBC sitcom star Kirstie Alley in the flop Madhouse. He was one o the adult leads in the 1994 version of Richie Rich. As the '90s came to a close he returned to the small-screen in Payne, an attempt to update the classic British series Fawlty Towers. As the new century began, Larroquete could be seen in The 10th Kingdom, and a few years later he lent his voice as the narrator of the remake of The Texas Chainsaw Massacre - just as he did for the original thirty years before. He appeared in diverse projects such as Beethoven's 5th, and the 2006 Southland Tales. He scored a recurring role for a couple of seasons on Boston Legal.

Trivia: A shy and withdrawn child, 11-year-old Paul Sanchez emerged from his shell upon joining Viola Spolin's Children's Theatre Workshop. Even at this early stage of the game, he was a gifted improvisational comedian, delighting friends and theatregoers alike with his inspired flights of fancy. After attending Los Angeles State College, he journeyed to Paris at his own expense, hoping to meet his idols Jean-Louis Barrault and Marcel Marceau. The latter was so impressed by his instinctive talents that he hired the young performer for his prestigious touring mime troupe. Upon returning to the states, he worked with Viola Spolin's son Paul Sills at Chicago's Second City; somewhere along the way, he changed his professional moniker from Sanchez to Sand. He appeared in the popular off-Broadway revue The Mad Show, then linked up with Sills again in Story Theatre, winning a Tony Award for his portrayal of an itching dog! Hired as a general-purpose comic actor by MTM productions at the recommendation of his old Story Theatre-cohort Valerie Harper, Paul was starred in his own sitcom, Paul Sand in Friends and Lovers. This fey, good-natured endeavor was widely touted as the sleeper of the 1974-75 television season. Unfortunately, viewers were not as enchanted by Sands' talents as "live" audiences had been, and Friends and Lovers was axed after 13 weeks. Paul Sand has continued to thrive as a supporting actor in films (his first was 1969's Viva Max) and such TV weeklies as St. Elswhere. Paul Sand's best showing of the 1980s was on the NBC sitcom Gimme a Break, in which he played Marty, an eccentric Manhattan-born restaurateur who posed as a flamboyant Mexican named Esteban for the benefit of his customers.

Trivia: An Australian actor with a cult following in England and America, Nick Tate has enjoyed a successful career on three continents since the 1970s. Nicholas John Tate was born in Sydney, Australia, into a family of British and Russian extraction, with actors (and singers) on both sides going back two generations -- his father, John Tate (1914-1979), was a busy character actor whose movie appearances later included roles in On the Beach (1959) and The Day of the Triffids (1962). A performing career might have seemed a natural choice for Nick, but his parents initially tried to discourage this, hoping that he would choose a more conventional career. By age 14, however, Tate was playing the title role in the Sydney Opera Company's production of Gian Carlo Menotti's Amahl and the Night Visitors. That led to an entrée to Australian radio and, later, the fledgling television industry, for which he intended to work behind the camera, as a technician and director, learning the technical side of the visual medium over the next few years. By the mid-'60s, however, Tate was once again pursuing aspirations as an actor, encouraged by those around him who felt his talent and his rugged good looks would translate well in any medium. After a two-year interruption for the army, Tate returned to civilian life and immediately began getting stage and television work. In 1965, he emigrated to England, in part to restore some kind of contact with his father, who had moved to England in the wake of the breakup of his marriage to Tate's mother. What work the younger Tate got was mostly in action and crime series, such as Dixon of Dock Green and Z Cars -- which, ironically enough, were also the kinds of series in which John Tate appeared -- along with small roles in major movies, including A Man For All Seasons and Battle of Britain. Tate subsequently returned to Australia to work in a musical version of The Canterbury Tales and out of that got a leading role in an Australian television series called Dynasty (1970), in a role that teamed him onscreen with his father, who retired following the run of the series. Tate continued to do theatrical work, juggling it with television appearances, but by the mid-'70s he had returned to England. It was on that occasion that he was called in to read for the producers of a pilot for an intended new science fiction series called Space: 1999, which was to be distributed internationally. He was originally cast as a lunar pilot who is killed off in the first episode, but he was good enough that, in a casting shuffle, he won the co-starring role of Alan Carter, the chief pilot of Moonbase Alpha, a part that had to be rewritten for him to play it as an Australian. Tate's two seasons on Space: 1999 gave him a worldwide following, and his was easily the most popular character on the series, a resourceful, no-nonsense man of action, a sort of futuristic equivalent to the RAF pilots of World War II. His work on the series didn't distract him from more serious roles, however, and he was also cast in Fred Schepisi's The Devil's Playground in the part of Brother Victor, a role for which he won several acting awards. Tate's subsequent films have included Summerfield, The Gold and the Glory, and Cry Freedom, and he has also done a large amount of television work in England and Australia; he even managed to slip in work in the late '80s on the FOX network series Open House, which, for a change of pace, was a sitcom. Tate has since appeared on Star Trek: The Next Generation and Star Trek: Deep Space Nine, Murder, She Wrote, and JAG, and also portrayed Noodler in Steven Spielberg's Hook. In the 1990s, he also established himself as a voice artist, including work on the new run of episodes of Jonny Quest, among other animated series. After the dawn of the new century, Tate brought his family and career back to Australia, where, in addition to acting, he went on to write and direct.

Trivia: Six feet tall by the time he was twelve, Richard Moll would eventually peak at 6'8". To ward off jokes about his height, Moll adopted the "class clown" pose in school, eventually developing a taste for play-acting. Moving from his hometown of Pasadena to Hollywood in 1968, Moll spent the next decade or so with various theatrical troupes, and for a while toured schools in the role of Abraham Lincoln. Whenever he made the movie and TV casting rounds, Moll was greeted with an astonished "What a monster!"; thus, a monster he became, playing a steady succession of "bikers and snake men and one-eyed mutants." He was one of the title characters in the 1972 TV movie Gargoyles, was seen as an abominable snowman in Caveman (1981), and played various and assorted hulking goons in such adventure flicks as Metalstorm (1982) and The Sword and the Sorceror (1984). He was finally allowed to exhibit his "human" side--not to mention his considerable flair for light comedy--as court guard Bull Shannon on the long-running (1984-92) TV sitcom Night Court. Back to monstrosities and villains again in the 1990s--this time by choice rather than necessity-- Richard Moll has continued appearing in sizeable (in more ways than one) TV guest-star roles, and has lent his vocal talents to the role of Harvey Dent, aka Two-Face, in Batman: The Animated Series.

Trivia: Burly black comedienne Marsha Warfield is best remembered for playing the caustic bailiff Roz on the popular television sitcom Night Court. Warfield made her film debut in the television movie The Marva Collins Story (1981). Prior to that she was a member of the sketch comedy cast on the short-lived, controversial Richard Pryor Show (1977). In addition to acting, Warfield is also a funny standup comedienne who often uses graphic language and descriptions of sex to describe the foibles of male/female interactions. Following the end of Night Court, Warfield hosted a short-lived talk show in 1990.