Trivia: Jim Nabors, he of the vacuous expression and the dumbstruck expletives "Gawwwleee" and "Shazzayam," graduated from the University of Alabama with a degree in business administration. Nabors' first TV job was as an apprentice film cutter; shortly afterward, he launched a fitfully successful career as a cabaret singer. In 1963, he was hired to play the one-shot role of gas station attendant Gomer Pyle on the top-rated The Andy Griffith Show. Essentially a build-up to a punchline (Griffith explained to a nonplused stranger that the goofy Gomer planned to become a brain surgeon), Nabor's hayseed character proved so popular that he became a regular on the series. In 1964, with Griffith's manager Richard O. Linke calling the shots, Nabors was spun off into his own weekly sitcom, Gomer Pyle USMC, which ran for five successful seasons. Televiewers got their first inkling that there was more to Nabors than Gomer when, on a 1964 Danny Kaye Show, he revealed his rich, well-modulated baritone singing voice. He went on to record 16 popular record albums, utilizing his high-pitched Gomer voice in only one of them (1965's Shazzam). Nabors' larynx was further deployed on his TV variety series The Jim Nabors Show (1969-72), on the 1967 opening episode (and every subsequent season opener) of The Carol Burnett Show, and in countless personal appearances all over the world. Additionally, Nabors starred in such 1970s Saturday morning kiddie efforts as Krofft Supershow, The Lost Saucer and Buford and the Galloping Ghost (voice only). He played his first serious role as a vengeful hillbilly on a 1973 episode of TVs The Rookies, and essayed comic supporting parts in such good-ole-boy films as Cannonball Run (1978) and The Best Little Whorehouse in Texas (1982), both starring his close friend Burt Reynolds. Because Nabors never married, he found himself the target of numerous ugly and unfounded rumors concerning his private life. When he became deathly ill in the mid-1980s, there were those who jumped to the conclusion that Nabors had contacted AIDS. In fact, he had fallen victim to a particularly vicious form of hepatitis, picked up (according to Nabors) when he cut himself while shaving in India. Nabors recovered from his ailment after a highly publicized liver transplant saved his life.

Trivia: Joyce Jameson was a classic example of the professional "dumb blonde" with a diametrically opposite off-screen personality. Entering films as a chorus member in the 1951 version of Showboat, Jameson honed her musical comedy talents in several satirical revues staged by her onetime husband Billy Barnes. Intelligent, sensitive, and extremely well read, Jameson nonetheless found herself perpetually cast as an airhead or golddigger. In films, she was seen in such roles as a Marilyn Monroe wannabe in The Apartment (1960) and a call-girl who runs screaming from her room when she thinks Jack Lemmon is about to paint her body in Good Neighbor Sam (1963). One of her more unorthodox film assignments was as the vulgar, unfaithful wife of Peter Lorre in Roger Corman's Tales of Terror (1963), in which she and her paramour Vincent Price are walled up in Lorre's wine cellar. One year later, she was reteamed with Lorre and Price in the raucous A Comedy of Terrors (1963), where she was more typically cast as a nitwit. Her later films include The Outlaw Josie Wales (1976) and Hardbodies (1981). Joyce Jameson was a fixture of 1950s and 1960s TV, playing a variety of buxom "straight women" for such comedians as Steve Allen, Red Skelton and Danny Kaye.