Trivia: Born in a multicultural New York City neighborhood, comedian Don Adams joined the Marines upon the outbreak of World War II. After Guadalcanal, Adams saw little action due to a life-threatening bout of blackwater fever (malaria) that kept him out of commission until the end of the war. As a civilian, Adams tried at first to carve out a career as a professional artist, taking outside jobs to support himself and his family. Blessed with a gift for mimicry, Adams and a friend teamed up for a comedy act but response was minimal, and soon Adams was involved in the cartographic and engineering business. Then in 1954, on a whim, he auditioned for Arthur Godfrey's Talent Scouts; his routine went over, and he was on his way. Collaborating with his close friend Bill Dana, Adams developed a topnotch act full of "inside" showbiz references that fortunately never went over the heads of the audience. His best monologue was "The Defense Attorney," wherein Adams adopted the clipped speech cadence of actor William Powell. Though he would be seen in a variety of sketches during his nightclub years and his early-1960s stint as a regular on The Perry Como Show, it was the Powell imitation that scored highest. Adams would use this voice for the cartoon character of Tennessee Tuxedo in 1963, and that same year expanded on the impression in the role of inept house detective Byron Glick on The Bill Dana Show. The "spy cycle" of 1965 enabled Adams to refine the Byron Glick character into the magnificently self-confident but monumentally inept secret-agent Maxwell Smart on the hit TV sitcom Get Smart, which ran until 1970. In addition to providing Adams a conduit for his beloved movie parodies, the series also gave him an opportunity to direct. In 1971, Adams moved onto another genre-spoof TV series, The Partners, in which he played police detective Lennie Crook. Hampered by weak scripts and a death-valley timeslot opposite All in the Family, The Partners perished after thirteen weeks. After this debacle, Adams found the going rough for a while, though he made a comfortable living with nightclub appearances and guest spots on such TV series as The Love Boat. He made no fewer than three attempts to revive Get Smart between 1980 and 1994, one of which actually resulted in a (very short-lived) weekly Fox network sitcom. Adams is best known to children of the 1980s as the voice of cartoondom's bionic blockhead, Inspector Gadget. Don Adams was the brother of another comic actor, the late Richard Yarmy; Adams' cousin Robert Karvelas played secret agent Larrabee on Get Smart.

Trivia: American actress Barbara Feldon claimed to be a lonely child, one whose escape from loneliness took the form of books and ballet. While studying drama at Carnegie Tech, she became an expert in Shakespeare, and in this capacity made her TV debut as a contestant on The $64,000 Question (kinescopes exist of this appearance; Barbara is instantly recognizable, though she hasn't quite lost all her baby fat). Feldon worked as a chorus girl in New York, then slimmed down considerably and became a high-priced fashion model. Commercials followed, in which Feldon pitched deodorant pads and--most famously--men's cologne. Few males who were going through adolescence in the early '60s will forget Feldon pitching Top Brass cologne to the "tigers" in the audience, staring into the camera with almost unbearable sultriness (the actress insisted that her come-hither glare was a result of nearsightedness). After doing the guest-star round on several TV dramatic programs, Feldon won the role of statuesque Agent 99 on the spy sitcom Get Smart. Part of the fun on this program was watching Feldon try to avoid revealing that she was a few inches taller than co-star Don Adams (in some scenes he was standing on an incline, as proven when the Nickelodeon cable network put together a montage of "who's taller?" scenes from Get Smart in the early '90s). Get Smart ran from 1965 through 1970, but Feldon has occasionally re-created Agent 99, once in a Smart TV-movie reunion, and more recently in a "return" series for the Fox Network, again starring with Don Adams. Feldon's film career has been less remarkable, save for her brilliant interpretation of a near-fanatic beauty contest organizer in the 1975 satirical comedy Smile. In the last few years, Barbara Feldon has distinguished herself as an expert voiceover artist in commercials and TV specials; she can be heard as the narrator of the PBS series Dinosaurs.

Trivia: American character actor Edward Platt is best remembered as the eternally exasperated Chief on the Get Smart series. Before making his screen debut in the mid-'50s, he worked as a singer for a band. In feature films, he was typically cast as generals and bosses.

Trivia: The son of a Boston barber, Leonard Nimoy was a star at the age of 8, when he played Hansel in a children's theatre production of Hansel and Gretel. Nimoy remained with his local kiddie theater troupe until 16 (one of his directors during this period was Boris Sagal). After studying drama at Boston College and Antioch College, he took acting lessons from Jeff Corey at the Pasadena Playhouse. In films from 1950, Nimoy played the title character in the low-budget Kid Monk Baroni and essayed bits and minor roles in such productions as Zombies of the Stratosphere (1951), Rhubarb (1951) and Them! (1954). In between acting assignments, he held down a dizzying variety of jobs: soda jerk, newspaper carrier, vacuum-cleaner salesman, vending machine mechanic, pet-shop clerk, cabbie and acting coach. During his 18 months in Special Services at Fort McPherson, Georgia, he acted with Atlanta Theater Guild when he could spare the time. Back in Hollywood in 1956, he became virtually a regular at the Ziv TV studios, playing villains in programs like Highway Patrol and Sea Hunt. For a short while, he specialized in the plays of Jean Genet, appearing in both the stage and film productions of The Balcony and Deathwatch. Impressed by Nimoy's guest turn on a 1963 episode of The Lieutenant, producer Gene Roddenberry vowed to cast the saturnine, mellow-voiced actor as an extraterrestrial if ever given the chance. That chance came two years later, when Roddenberry signed Nimoy to play Vulcanian science officer Spock on Star Trek. At first pleased at the assignment, Nimoy came to resent the apparent fact that the public perceived him as Spock and nothing else: indeed, one of his many written works was the slim autobiography I Am Not Spock. After Star Trek's cancellation, Nimoy joined the cast of Mission: Impossible in the role of "master of disguise" Paris (he replaced the series' previous master of disguise Martin Landau, who ironically had originally been slated to play Spock). In the early 1970s, Nimoy began racking up directorial credits on such series as Night Gallery. He also made his first Broadway appearance in 1973's Full Circle. And, perhaps inevitably, he returned to Spock, thanks to the popular demand engendered by the then-burgeoning Star Trek cult. His initial reacquaintance with the role was as voiceover artist on the 1973 Saturday-morning cartoon version of Star Trek. Then Spock went on the back burner again as Nimoy devoted himself to his theatrical commitments (a touring production of Sherlock Holmes, his one-man show Vincent), his writing and directing activities, and his hosting chores on the long-running (1976-82) TV documentary series In Search Of.... Finally in 1978, Nimoy was back in his Enterprise uniform in the first of several Star Trek theatrical features. The Spock character was killed off in the second Trek picture The Wrath of Khan, but Nimoy stayed with the franchise as director of the next two feature-length Trek entries (PS: Spock also came back to life). He went on to direct such non-Trek filmic endeavors as 3 Men and a Baby (1987), The Good Mother (1988), Funny About Love (1990) and Holy Matrimony (1994). He also produced and acted in the 1991 TV movie Never Forget, and served as executive producer of the 1995 UPN network series Deadly Games. Perhaps because he will always have dozens of professional irons in the fire, Leonard Nimoy now seems resigned to being forever associated with the role that brought him international fame; his most recent autobiographical work was aptly titled I Am Spock. In 2009 he returned to his iconic role portraying Spock in J.J. Abrams smash-hit reboot of the Star Trek franchise. He next took on a recurring role in the sci-fi series Fringe, playing scientist William Bell. Nimoy made a final cameo appearance in Star Trek Into Darkness (2013). He died in 2015, at age 83.

Trivia: When diehard American movie fans speak of Jack Lambert, they are generally not referring to the British character actor of that name, but of the New York-born supporting player who was most often seen in gangster roles. Following Broadway experience, Lambert came to Hollywood in 1943, to menace Kay Kyser in the MGM musical comedy Swing Fever. Usually a secondary bad guy, Lambert was the main menace -- a scarfaced thug with a hook for a hand -- in Dick Tracy's Dilemma (1947). A less malevolent Jack Lambert was seen on a weekly basis as Joshua on the 1959-60 TV adventure series Riverboat.

Trivia: This callow, mustachioed American actor showed up in utility roles in films beginning in the early 1930s. Usually playing bits in features, Brodie was given a wider range in short subjects, notably as gentleman thief "Baffles" in the 1941 El Brendel 2-reeler Yumpin' Yiminy. Some of his more notable credits include his voiceover work in the Disney cartoon feature Dumbo and his subtly sleazy portrayal of the used car salesman in the noir classic Detour (1946). He also worked off and on as a dialogue director.