Trivia: A graduate of the Yale School of Drama, American actor Henry Winkler, born October 30th, 1945, first appeared on Broadway and in films (Crazy Joe, The Lords of Flatbush [both 1974]) before making the guest-star rounds on TV sitcoms. He worked several times for MTM productions, appearing in such roles as Valerie Harper's date on Rhoda and a charming thief undergoing psychoanalysis on The Bob Newhart Show. In 1973, Winkler was selected among hundreds of candidates (including ex-Monkee Micky Dolenz) to play the small recurring role of Arthur "Fonzie" Fonzarelli, a leather-jacketed auto mechanic, on the new TV sitcom Happy Days. Though the series' stars were ostensibly Ron Howard, Anson Williams, and Donny Most, the bulk of the fan mail sent to Happy Days during its first season was addressed to "the Fonz." By the time the second season rolled around, Winkler was afforded second billing and a larger slice of screen time on each week's episode. Soon the more impressionable TV fans of America were parroting such Fonzie catchphrases as "Aaaaay" and "Sit on it!," while the nonplussed Winkler, who always regarded himself as a Dustin Hoffman-esque character actor, climbed to teen-idol status, complete with fan magazine interviews, posters, and Fonzie dolls. He also enjoyed a substantial salary boost, from 750 dollars per episode to (eventually) 80,000 dollars. At first, the off-stage Winkler could be as testy and sarcastic as his on-stage persona, but as Fonzie assumed "role model" proportions, the actor began comporting himself in as polite and agreeable a manner as possible. Accordingly, Fonzie became less of a Marlon Brando-type hoodlum and more of a basically goodhearted, moralistic young fellow who happened to be a motorcycle-racing dropout. By the time Happy Days ended in 1983 (by which time Winkler was elevated to top billing), Fonzie was a "drop-in," with a good job as a high school shop teacher and the possibility of a solid marriage. During his Happy Days heyday, Winkler was determined to prove he was capable of playing parts above and beyond Fonzie by taking film roles as far removed from his TV character: the troubled Vietnam vet in Heroes (1977), the vainglorious actor-turned-wrestler in The One and Only (1981), a '30s-style Scrooge in An American Christmas Carol (1982), and the timorous morgue attendant in Night Shift (1983). Following the example of his Happy Days co-star Ron Howard, Winkler also began working his way into the production and direction end of the business. In addition, Winkler used his name value for the benefit of others, remaining active in charitable and political causes. After several years away from the camera, Winkler returned to acting in the 1991 TV-movie Absolute Strangers, playing the husband of a woman caught in the middle of a volatile pro-life/pro-choice argument. And in 1993, Henry Winkler starred in the brief TV sitcom Monty, portraying a bombastic Limbaugh-type conservative TV personality. Winkler appeared in Little Nicky (2006) and You Don't Mess With the Zohan (2008), both times playing himself. Winkler continued to take small roles and guest spots on television and film throughout the 2000s.

Trivia: Dividing his time more or less equally between big- and small-screen work, actor Ted McGinley enjoyed a considerably successful tenure as a character player, almost always appearing as beefcake heartthrob types. He began his career in the early '80s, with small roles in Garry Marshall's satirical farce Young Doctors in Love (1982) and the lurid Joan Collins telemovie Making of a Male Model (1983), but achieved his first significant break in the sitcom venue, as English teacher-cum-basketball coach Roger Phillips on the final four seasons of Happy Days (1980-1984). Fortuitously, at about the same time that Days folded, the producers of The Love Boat (on the same network, ABC) tapped McGinley to play photographer Ace Evans -- a last-ditch attempt to save the program from sagging ratings. The strategy ultimately failed when Boat ended its lengthy run in 1986, but in the meantime, McGinley landed what became a recurring role as jock Stan in the first three installments of Revenge of the Nerds. Eventually, McGinley also joined the cast of the long-running Married...With Children from 1991 through 1997, playing chauvinistic layabout Jefferson D'Arcy (second husband of the Bundys' neighbor Marcy Rhoades), and essayed roles in theatrical films including Physical Evidence (1989), Wayne's World 2 (1993), and Dick (1999). The late '90s and 2000s found McGinley evincing a heightened presence in television once again, first on Aaron Sorkin's critically worshipped yet short-lived seriocomedy Sports Night (1998-1999), then as Charley Shanowski on the sitcom Hope & Faith (2003-2006). In 2008 he competed in the reality program Dancing With the Stars, and in 2010 he appeared in the lighthearted, family-friendly Christmas with a Capital C. He would reach pop-culture immortality when the website Jumping the Shark named him as one of the signs that a TV show has run out of ideas.

Trivia: Connecticut native Linda Purl grew up in Japan, where her father, a Union Carbide executive, had been transferred. Under the watchful eye of her mother, a former ballerina, Purl began acting professionally in Japanese stage and TV productions at the age of seven. Ten years later, she made her American film debut in Jory (1972). Never a conventional ingenue, she has played everything from mentally retarded teens to rape victims to psychotic killers, as well as a few real-life personalities like Alice Roosevelt Longworth and globetrotting journalist Nellie Bly. Purl has the distinction of playing two different recurring characters on the same television series. During the 1974-75 season of Happy Days, she was seen as Richie Cunningham's (Ron Howard) high-school girlfriend Gloria; she returned to the series in 1982 as Ashler Pfister, a divorced mother with whom Fonzie (Henry Winkler) was briefly involved romantically. Linda has also appeared regularly on such series as The Secret Storm and Beacon Hill; more recently, she played an assistant DA put in charge of a group of young ex-convicts on the syndicated weekly adventure series Robin's Hoods (1994). Linda Purl was at one time married to Desi Arnaz Jr..

Trivia: While eating lunch with her mother in the MGM commissary, five-year-old Heather O'Rourke was spotted by filmmaker Steven Spielberg. Within months, little Heather was cast in the Spielberg-produced scare piece Poltergeist, playing the little girl who becomes the conduit for the film's TV-dwelling spectres. Before she was seven, Heather had entered the collective pop-culture consciousness of America with her Poltergeist catchphrases "They're here!" and "They're baa-aack!" In the fall of 1982, Heather joined the cast of TV's Happy Days as regular Linda Purl's daughter; she went on to appear in several guest-star spots, as well as the two Poltergeist sequels. On the first day of February of 1988, Heather O'Rourke was rushed to the Children's Hospital of San Diego, complaining of chest pains (later revealed to be the result of septic shock); while undergoing surgery, the 12-year-old actress died of heart failure.

Trivia: American leading actor Tom Hanks has become one of the most popular stars in contemporary American cinema. Born July 9, 1956, in Concord, CA, Hanks spent much of his childhood moving about with his father, an itinerant cook, and continually attempting to cope with constantly changing schools, religions, and stepmothers. After settling in Oakland, CA, he began performing in high-school plays. He continued acting while attending Cal State, Sacramento, and left to pursue his vocation full-time. In 1978, Hanks went to find work in New York; while there he married actress/producer Samantha Lewes, whom he later divorced.Hanks debuted onscreen in the low-budget slasher movie He Knows You're Alone (1979). Shortly afterward he moved to Los Angeles and landed a co-starring role in the TV sitcom Bosom Buddies; he also worked occasionally in other TV series such as Taxi and Family Ties, as well as in the TV movie Mazes and Monsters. Hanks finally became prominent when he starred opposite Daryl Hannah in the Disney comedy Splash!, which became the sleeper hit of 1984. Audiences were drawn to the lanky, curly headed actor's amiable, laid-back style and keen sense of comic timing. He went on to appear in a string of mostly unsuccessful comedies before starring in Big (1988), in which he gave a delightful performance as a child in a grown man's body. His 1990 film Bonfire of the Vanities was one of the biggest bombs of the year, but audiences seemed to forgive his lapse. In 1992, Hanks' star again rose when he played the outwardly disgusting, inwardly warm-hearted coach in Penny Marshall's A League of Their Own. This led to a starring role in the smash hit romantic comedy Sleepless in Seattle (1993).Although a fine comedic actor, Hanks earned critical respect and an even wider audience when he played a tormented AIDS-afflicted homosexual lawyer in the drama Philadelphia (1993) and won that year's Oscar for Best Actor. In 1994 he won again for his convincing portrait of the slow-witted but phenomenally lucky Forrest Gump, and his success continued with the smash space epic Apollo 13 (1995). In 1996, Hanks tried his hand at screenwriting, directing, and starring in a feature: That Thing You Do!, an upbeat tale of a one-hit wonder group and their manager. The film was not particularly successful, unlike Hanks' next directing endeavor, the TV miniseries From Earth to the Moon. The series was nominated for and won a slew of awards, including a series of Emmys. The success of this project was outdone by Hanks' next, Steven Spielberg's Saving Private Ryan (1998). Ryan won vast critical acclaim and was nominated for 11 Oscars, including a Best Actor nomination for Hanks. The film won five, including a Best Director Oscar for Spielberg, but lost Best Picture to Shakespeare in Love, a slight that was to become the subject of controversy. No controversy surrounded Hanks' following film, Nora Ephron's You've Got Mail (1998), a romantic comedy that paired Hanks with his Sleepless co-star Meg Ryan. Although the film got mixed reviews, it was popular with filmgoers, and thus provided Hanks with another success to add to his resumé. Even more success came soon after when Hanks took home the 2000 Golden Globes' Best Actor in a drama award for his portrayal of a shipwrecked FedEx systems engineer who learns the virtues of wasted time in Robert Zemeckis' Cast Away. Though absent from the silver screen in 2001, Hanks remained in the public eye with a role in the acclaimed HBO mini-series Band of Brothers as well as appearing in September 11 television special America: A Tribute to Heroes and the documentary Rescued From the Closet. Next teaming with American Beauty director Sam Mendes for the adaptation of Max Allan Collins graphic novel The Road to Perdition (subsequently inspired by the Japanese manga Lone Wolf and Cub, the nice-guy star took a rare anti-hero role as a hitman (albiet an honorable and fairly respectable hitman) on the lam with his son (Tyler Hoechlin) after his son witnesses a murder. That same year, Hanks collaborated with director Spielberg again, starring opposite Leonardo Dicaprio in the hit crime-comedy Catch Me if You Can.For the next two years, Hanks was essentially absent from movie screens, but in 2004 he emerged with three new projects: The Coen Brothers' The Lady Killers, yet another Spielberg helmed film, The Terminal, and The Polar Express, a family picture from Forrest Gump and Castaway director Robert Zemeckis. 2006 was a very active year for Hanks starting with an appearance at the Oscar telecast that talented lip-readers will remember for quite some time. In addition to helping produce the HBO Series Big Love, he scored a major international success by reteaming with director Ron Howard for the big-screen adaptation of {Dan Brown's novel The Da Vinci Code, which was such a success that he signed on for the sequel in 2009, Angels and Demons. His Playtone production company would have a hand in the animated feature The Ant Bully in 2008, and that same year he filmed The Great Buck Howard co-starring his son Colin Hanks. He also signed on to co-star with Julia Roberts in two different films: Mike Nichols' Charlie Wilson's War in 2008 and the romcom Larry Crowne in 2011. Later that same year, Hanks would make dramatic waves in the post-9/11 drama Extremely Loud and Incredibly Close, which was nominated for an Oscar for Best Picture.Ranked by Empire Magazine as 17th out of "The Top 100 Movie Stars of All Time" in October 1997, Hanks is married to actress Rita Wilson, with whom he appeared in Volunteers (1985). The couple have two children in addition to Hanks' other two from his previous marriage.

Trivia: Marian Ross dreamed of stardom from childhood, going so far as to change the spelling of her first name to Marion because she thought it would look nicer on a marquee. When her family moved from Minnesota to California, the 16-year-old aspiring actress plunged into the busy world of amateur theatricals in the San Diego area. She was voted Outstanding Actress at San Diego State University in 1950, then went on to work at the prestigious La Jolla Playhouse. Mel Ferrer, La Jolla's resident director, recommended that Ross try her luck in Hollywood. She worked steadily in TV and films from 1953 onward, but stardom was still outside her reach. Ross played a succession of maids, nuns, nurses, and that nebulous classification, the Heroine's Best Friend. She showed up in small roles in such films as Forever Female (1953), Lust for Life (1955), and Operation Petticoat (1959), earning the respect of her fellow workers but very little in the way of public recognition. "I've always had a way of not attracting attention," she would note with resignation later in life. On television, Marion played unstressed recurring roles on such series as Life with Father, Mrs. G Goes to College and Mr. Novak. She finally achieved stardom as Marion Cunningham, mother of 1950s high-schooler Richie Cunningham, on the weekly sitcom Happy Days. What started out as a shaky midseason replacement in January of 1974 ended up ABC's number-one hit; Ross hitched her wagon to the ever-rising Happy Days star until its final episode in 1983. During this period, she reactivated her stage career, with considerably more success than she'd enjoyed in the 1950s. Ross' post-Happy Days TV gigs included a 1986 guest shot as the new bride of Captain Stubing (Gavin MacLeod) on The Love Boat and the brief 1989 series Living Dolls. In 1991, Marion Ross earned an Emmy nomination for her portrayal of archetypal Jewish mother Sophie Berger on the TV "dramedy" Brooklyn Bridge. In the decades to come, Ross would find ongoing success with recurring roles on TV series like The Drew Carey Show and Gilmore Girls, as well as providing voice acting for animated series such as SpongeBob SquarePants and Handy Manny.

Trivia: While growing up in Chicago, Tom Bosley dreamed of becoming the star left-fielder for the Cubs. As it turned out, the closest Bosley got to organized athletics was a sportscasting class at DePauw University. After additional training at the Radio Institute of Chicago and two years' practical experience in various dramatic radio programs and stock companies, he left for New York in 1950. Five years of odd jobs and summer-theater stints later, he landed his first off-Broadway role, playing Dupont-Dufort in Jean Anouilh's Thieves' Carnival. Steadier work followed at the Arena Theatre in Washington, D.C.; then in 1959, Bosley landed the starring role in the Broadway musical Fiorello!, picking up a Tony Award, an ANTA Award, and the New York Drama Critics Award in the bargain. In 1963, he made his film bow as Natalie Wood's "safe and secure" suitor Anthony Colombo in Love With the Proper Stranger. Occasionally cast as two-bit criminals or pathetic losers (he sold his eyes to blind millionairess Joan Crawford in the Spielberg-directed Night Gallery TV movie), Bosley was most often seen as a harried suburban father. After recurring roles on such TV series as That Was the Week That Was, The Debbie Reynolds Show, and The Sandy Duncan Show, Bosley was hired by Hanna-Barbera to provide the voice of flustered patriarch Howard Boyle on the animated sitcom Wait Til Your Father Gets Home (1972-1973). This served as a dry run of sorts for his most famous series-TV assignment: Howard Cunningham, aka "Mr. C," on the immensely popular Happy Days (1974-1983). The warm, familial ambience of the Happy Days set enabled Bosley to weather the tragic death of his first wife, former dancer Jean Elliot, in 1978. In addition to his Happy Days duties, Bosley was narrator of the syndicated documentary That's Hollywood (1977-1981). From 1989 to 1991, he starred on the weekly series The Father Dowling Mysteries, and thereafter was seen on an occasional basis as down-to-earth Cabot Cove sheriff Amos Tupper on Murder, She Wrote. Reportedly as kind, generous, and giving as his Happy Days character, Tom Bosley has over the last 20 years received numerous honors for his many civic and charitable activities.

Trivia: Fans of the long-running sitcom Happy Days will remember dark-haired, blue-eyed Erin Moran as Joanie Cunningham, the feisty little sister of lead character Richie. A native of Los Angeles, the youngest of six children, Moran was age six when she did her first television commercial. Her first acting experience came from a supporting role on the outdoor adventure series Daktari (1968-1969). She next had a regular part in The Don Rickles Show (1972). During her early career, Moran frequently guest starred on other series, including The Courtship of Eddie's Father and Family Affair. Moran made her feature-film debut in 80 Steps to Jonah (1969). She would only appear a few more times in films. In 1982, she and Happy Days co-star Scott Baio left the show to star in the short-lived spin-off Joanie Loves Chachi. Following the new show's swift cancellation, Moran returned to the original show for its final year. After that, her television career consisted of the occasional guest appearance on other series, including Murder, She Wrote. She mostly retired from acting by the mid-1980s. Moran died in 2017, at age 56.

Trivia: Professionally, Ron Howard has come a long way from the tousle-haired, barefoot sheriff's son who trod the byways of idyllic Mayberry to reside in the heady company of Hollywood's most elite directors. Howard's films are pure entertainment; they are well-crafted efforts, frequently technically challenging from a production standpoint, and aimed at mainstream audiences. Though some of his lesser works have been criticized for possessing formulaic scripts, Howard's films approach even hackneyed subjects in fresh ways. Though he does not characterize himself as a risk taker, he loves the challenge of exploring different genres; therefore, his filmography includes B-movie actioners, domestic comedies, fantasies, sci-fi, suspense-thrillers, historical dramas, and big-budget action films. The son of actors Rance and Jean Howard, he made his theatrical debut at age two in a Baltimore production of The Seven Year Itch. He made his screen debut at age five in the suspenseful political drama The Journey (1959). The youngster became a hot property after that and appeared in several features, including The Music Man and The Courtship of Eddie's Father (both 1962). Through this period his father was a strong ally who kept Howard from being exploited by filmmakers. In a November 1996 interview with the Detroit News, Howard describes an incident in which he was six years old and during rehearsal could not cry on cue (Howard doesn't name the production), causing the director to threaten to flog him. Other children may have been terrified, but Howard felt secure because his father was on the set and would protect him. When producer Sheldon Leonard approached Rance Howard about casting Ronny (as he was billed during childhood) as Opie, the son of widowed sheriff Andy Taylor in The Andy Griffith Show (1960-1968), the elder Howard stipulated that his son be allowed time off for a normal childhood. It was as the mischievous but guileless Opie that Ronny Howard became famous. During the popular show's long run, Howard occasionally appeared in other feature films. While a series' demise often signals the death of a child actor's career, particularly if that child is obviously maturing, Howard managed the transition gracefully and continued working steadily. He was cast in a new television series, The Smith Family, in 1971 and starred opposite Henry Fonda, who became one of Howard's mentors, encouraging Howard to strive for creative growth and to take periodic risks to keep himself vital. The series lasted one season, but again Howard landed on his feet, making a bigger name for himself starring as a callow youth in George Lucas' smash hit American Graffiti (1973). The film spawned Garry Marshall's long-running hit, the '50s revival sitcom Happy Days (1974). Essentially reprising his role from the film, Howard (now billed as Ron Howard) starred as all-American youth Richie Cunningham. Again, Howard also worked simultaneously in films, notably in The Shootist (1976), where he played a teen who worshipped dying gunslinger John Wayne. Though playing a teenager on the series, Howard was in his early twenties and felt it was time to follow his longtime dream of becoming a director. Producer Roger Corman, who had recently starred Howard in Eat My Dust! (1976), let Howard helm the similarly themed Grand Theft Auto (1977). Howard also co-wrote the screenplay with his father and starred in the film. While not exactly an original masterpiece, the film earned praise for its fast-paced, high-energy action scenes. After leaving Happy Days in 1980, he directed Bette Davis in a television movie, Skyward, and managed to earn the great lady's respect with his filmmaking skills. Howard had his first big hit in 1982 with the black comedy Nightshift. It was to be the first of many instances in which he would work with producer Brian Grazer, who eventually became his partner and the co-founder of Howard's production company, Imagine Films Entertainment (established in 1985), and screenwriters Lowell Ganz and Babaloo Mandel, who formerly wrote for Happy Days. Howard had even greater success with the Tom Hanks/Darryl Hannah vehicle Splash (1984), which launched Disney's Touchstone Pictures and became the company's most successful live-action film to date. He followed this up with sentimental favorite Cocoon (1985). He had his first misstep after hitting it big with Willow, a George Lucas-produced fantasy extravaganza that never clicked with audiences, though it has since developed a devoted cult following. During the early '90s, Howard worked on a series of big-budget films such as Backdraft (1991) and Far and Away (1992), and Apollo 13 (1995), a gripping account of a failed moon mission. Apollo 13 was a huge international hit, nominated for nine Oscars (it won for Best Sound and Best Editing), and earned Howard the coveted Director's Guild award. In 1996, Howard attempted a new genre with the violent, bloody thriller Ransom, starring Mel Gibson. While an effective suspense thriller in it's own right, Ransom didn't darken Howard's sensibilities in any permanent terms, and after a few stints as producer on both the small screen (Felicity, Sports Night and the silver screen (Inventing the Abbots (1997) and Beyond the Mat (1999)), Howard was back in the director's chair for Ed TV in 1999, but itsuffered immediate and fatal comparisons to the more popular and strikingly similar Jim Carrey vehicle, The Truman Show. Undaunted, Howard next teamed with the rubber-faced star of Truman for How the Grinch Stole Christmas, which became a box-office smash. Once again turning back to reality after the marked departure of The Grinch, Howard helmed the sensitive real-life tale of paranoid schizophrenic mathematician turned Nobel Prize winning genius John Forbes Nash Jr. in A Beautiful Mind (2001). With Russel Crowe essaying the role of Nash and Jennifer Connelly as his faithful and enduring wife, the film gained generally positive reception upon release, and only seemed to cement Howard's reputation as one of the most versatile and gifted director's of his generation as the film took the Best Picture award at both the that year's Golden Globes and Oscars. Academy Award night proved to be an even bigger night for Howard as the film also took home awards for Best Actress, Best Adapted Screenplay and, of course, Best Director. Howard followed up his Oscar wins with the dark Western drama The Missing starring Tommy Lee Jones and Cate Blanchett. Unfortunately, neither critics or audiences were too fond of the over-long film. Lucky for Howard, his next project would see him re-team with A Beautiful Mind's Russell Crowe. The Depression-era boxing film Cinderella Man starred Crowe as real-life boxer Jim Braddock and was released in 2005 to positive reviews and Oscar-buzz. Next, he helmed the adaptation of Dan Brown's novel The Da Vinci Code, casting his old Splash leading man Tim Hanks in the lead. The film was as big a worldwide success as the book that inspired it. Howard followed the massive success with an adaptation of Peter Morgan's hit play Frost/Nixon. The film captured five Academy Award nominations including Best Picture, Best Actor, and Best Editing, as well as a nod for Howard's direction.As the 2000's continued to unfold, Howard would remain an extremely active filmmaker, helming movies like The Dilemma.