Trivia: The son of an Oklahoma art dealer, Tony Randall studied drama at Northwestern, then took further acting training at New York City's Neighborhood Playhouse. He also found time to squeeze in modern dance lessons from Martha Graham. Before he was 22, Randall had shared the stage with the likes of Ethel Barrymore and Katherine Cornell. He interrupted his career during the war to serve as a messenger center officer with the Signal Corps. After the war, Randall put in time as a radio actor, notably in the role of Reggie on the adventure serial I Love a Mystery. Randall's encyclopedic knowledge of radio trivia, indeed, of every kind of trivia, was one of the reasons that he was a much sought-after guest on TV game shows. His Broadway starring appearances in the 1950s included the lead in Oh, Captain, a musical version of the Alec Guinness film The Captain's Paradise, and Mencken-like journalist E.K. Hornbeck in Inherit the Wind. He entered films with 1957's Oh, Men, Oh Women, gaining a following as the pessimistic or drunken comic relief in such fluff as Pillow Talk (1959) and Lover Come Back (1961). His starring films include inconsequential farces like Fluffy (1964) and The Brass Bottle (1964); his favorite film assignment was his virtuoso multi-character work in Seven Faces of Dr. Lao (1964), a film he curiously refuses to discuss for interviews. Randall's extensive television work includes the roles of brash high school history teacher Harvey Weskit in Mr. Peepers (1952-1953) and archetypal neatnik Felix Unger in The Odd Couple (1969-1974). His other TV series include The Tony Randall Show (1976), in which he played a judge, and Love, Sidney (1981-1983) which became a cause célèbre over the issue of his character's homosexuality (or lack of same after the network censors had their way). He made a cameo appearance as himself in Martin Scorsese's 1983 film The King of Comedy. Active in several liberal and humanitarian causes, Randall was never afraid of putting his career on the line to espouse his opinions: after delivering an anti-Vietnam broadside on TV in the late '60s, Randall was yanked from his weekly appearances as an expert on Opera Quiz, an intermission feature on the Texaco Metropolitan Opera radio broadcasts (he later claimed that he was paid off on his contract, then donated the money to Eugene McCarthy's presidential campaign). Randall has also been unafraid to offer his anti-tobacco theories, to the extent of threatening job termination to anyone caught smoking in his presence. He also founded The Myasthenia Gravis Foundation; when asked why he chose this cause to support, he quipped, "My agent told me I needed a disease."In 1991, Randall created the National Actors Theater, a New York-based repertory company devoted to American and British classics. A year or so after the death of his first wife (circa 1995) Tony Randall reluctantly found himself a tabloid press target when he married Heather Harlan a National Actors Theater ingénue nearly fifty years his junior. Unphased by the gossip, Randall and Harlan stayed together and had two children. In December, 2003, Randall had a triple heart bypass - and subsequently contracted pneumonia -- at the New York University Medical Center, where he would remain for the next several months. On May 17, 2004, Randall died in his sleep at the hospital with Harlan by his side. He had made his final film appearance in Kevin Shinick's debut comedy It's About Time, released in 2005. Many movie and TV fans will most remember Tony Randall for roles in such cult classics as Will Success Spoil Rock Hunter? The 7 Faces of Dr. Lao, as well as his star turn as Felix Unger in the long running Odd Couple series. But his status is much broader than that of a character player - he remains one of the few performers to gracefully build a legacy for himself in the three "actor's mediums": film, TV, and most of all - stage - where he became a consummate master of George Bernard Shaw and William Shakespeare. His reputation will thus linger in the entertainment world for decades, as a standard by which new generations of comic actors are judged. As if confirming this status, the lights on Broadway dimmed for eight minutes on May 18, 2004 - the evening following Randall's death.

Trivia: Commenting on his notorious on-set irascibility in 1977, Jack Klugman replied that he was merely "taking Peter Falk lessons from Robert Blake," invoking the names of two other allegedly hard-to-please TV stars. Klugman grew up in Philadelphia, and after taking in a 1939 performance by New York's Group Theatre, Klugman decided that an actor's life was right up his alley. He majored in drama at Carnegie Tech and studied acting at the American Theatre Wing before making his (non-salaried) 1949 stage-debut at the Equity Library Theater. While sharing a New York flat with fellow hopeful Charles Bronson, Klugman took several "grub" jobs to survive, at one point selling his blood for $85 a pint. During television's so-called Golden Age, Klugman appeared in as many as 400 TV shows. He made his film debut in 1956, and three years later co-starred with Ethel Merman in the original Broadway production of Gypsy. In 1964, Klugman won the first of his Emmy awards for his performance in "Blacklist," an episode of the TV series The Defenders; that same year, he starred in his first sitcom, the 13-week wonder Harris Against the World. Far more successful was his next TV series, The Odd Couple, which ran from 1970 through 1974; Klugman won two Emmies for his portrayal of incorrigible slob Oscar Madison (he'd previously essayed the role when he replaced Walter Matthau in the original Broadway production of the Neil Simon play). It was during Odd Couple's run that the network "suits" got their first real taste of Klugman's savage indignation, when he and co-star Tony Randall threatened to boycott the show unless the idiotic laughtrack was removed (Klugman and Randall won that round; from 1971 onward, Odd Couple was filmed before a live audience). It was but a foretaste of things to come during Klugman's six-year (1977-83) reign as star of Quincy, M.E.. Popular though Klugman was in the role of the crusading, speechifying LA County Coroner's Office medical examiner R. Quincy, he hardly endeared himself to the producers when he vented his anger against their creative decisions in the pages of TV Guide. Nor was he warmly regarded by the Writer's Guild when he complained about the paucity of high-quality scripts (he wrote several Quincy episodes himself, with mixed results). After Quincy's cancellation, Klugman starred in the Broadway play I'm Not Rappaport and co-starred with John Stamos in the 1986 sitcom You Again?. The future of Klugman's career -- and his future, period -- was sorely threatened when he underwent throat surgery in 1989. He'd been diagnosed with cancer of the larynx as early as 1974, but at that time was able to continue working after a small growth was removed. For several years after the 1989 operation, Klugman was unable to speak, though he soon regained this ability. He continued working through 2011, and died the following year at age 90.

Trivia: Heavyset, hawk-nosed Italian-American character actor Al Molinaro maintained a constant association with two series roles throughout his career, both down-to-earth and sweet-natured, paternal types: that of Murray Greshner, better known as Murray the Cop, on the small-screen version of The Odd Couple (1970-1983), and that of Alfred Delvecchio, the second proprietor of Arnold's Drive-In, on Happy Days (a role maintained from 1976 through 1982). The Wisconsin-based location of Days hit close to home for Molinaro, as a real-life native of Kenosha, WI. Born in 1919, he began signing for acting roles in the early to mid-'50s and achieved his big break when very briefly cast as Agent 44 on Mel Brooks' spy spoof Get Smart (before Victor French replaced him). Molinaro reportedly met Odd Couple producer Garry Marshall while enrolled in acting classes with Marshall's sister, Penny, and thereby landed the part of Murray. That led, in turn, to the Happy Days casting in the fall of 1976 when series co-star Pat Morita left to headline his own short-lived series, Mr. T & Tina. Following Days, Molinaro signed for very infrequent guest roles on series and permanently settled in Los Angeles, where he did occasional theatrical performances and made public appearances. He retired from acting in the mid-'90s. Molinaro died in 2015, at age 96.