Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Character actor, onscreen from the early '70s.

Trivia: Cathy Lee Crosby is the daughter of Hollywood actress Linda Hayes and Lawrence Welk Show announcer Lou Crosby. Crosby began her own showbiz career at five, appearing on her dad's local L.A. TV series, Crosbys' Calling. Like her sisters, Linda Lou and Lucinda Sue, Cathy Lee proved to be a superb athlete at an early age; before reaching the age of 21, she was a professional tennis player and recreational skydiver, windsurfer, and swimmer. Thus, she was uniquely qualified for the title role in the 1974 made-for-TV film The New, Original Wonder Woman. Intended as the pilot for a weekly series, Wonder Woman scored in the ratings, but was shot down by the critics; when a series did finally surface in 1976, Lynda Carter played the lead. Crosby cut her losses, made a few films in Europe (she is fluent in several languages), and returned to athletics. In 1980, she became one of the co-hosts of the popular "reality" TVer That's Incredible, a job she held down until 1984. Still hoping to be taken seriously as an actress, Cathy Lee Crosby made her off-Broadway bow in the 1988 production Almost Perfect; she has also remained active in a variety of charitable and prosocial organizations. Cathy Lee Crosby should not be confused with Live With Regis and Kathie Lee co-star Kathie Lee (Crosby) Gifford and she is not the daughter of Bing Crosby.

Trivia: British actor Roddy McDowall's father was an officer in the English merchant marine, and his mother was a would-be actress. When it came time to choose a life's calling, McDowall bowed to his mother's influence. After winning an acting prize in a school play, he was able to secure film work in Britain, beginning at age ten with 1938's Scruffy. He appeared in 16 roles of varying sizes and importance before he and his family were evacuated to the U.S. during the 1940 Battle of Britain. McDowall arrival in Hollywood coincided with the wishes of 20th Century-Fox executive Darryl F. Zanuck to create a "new Freddie Bartholomew." He tested for the juvenile lead in Fox's How Green Was My Valley (1941), winning both the role and a long contract. McDowall's first adult acting assignment was as Malcolm in Orson Welles' 1948 film version of Macbeth; shortly afterward, he formed a production company with Macbeth co-star Dan O'Herlihy. McDowall left films for the most part in the 1950s, preferring TV and stage work; among his Broadway credits were No Time for Sergeants, Compulsion, (in which he co-starred with fellow former child star Dean Stockwell) and Lerner and Loewe's Camelot (as Mordred). McDowall won a 1960 Tony Award for his appearance in the short-lived production The Fighting Cock. The actor spent the better part of the early 1960s playing Octavius in the mammoth production Cleopatra, co-starring with longtime friend Elizabeth Taylor. An accomplished photographer, McDowall was honored by having his photos of Taylor and other celebrities frequently published in the leading magazines of the era. He was briefly an advising photographic editor of Harper's Bazaar, and in 1966 published the first of several collections of his camerawork, Double Exposure. McDowall's most frequent assignments between 1968 and 1975 found him in elaborate simian makeup as Cornelius in the Planet of the Apes theatrical films and TV series. Still accepting the occasional guest-star film role and theatrical assignment into the 1990s, McDowall towards the end of his life was most active in the administrative end of show business, serving on the executive boards of the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. A lifelong movie collector (a hobby which once nearly got him arrested by the FBI), McDowall has also worked diligently with the National Film Preservation Board. In August, 1998, he was elected president of the Academy Foundation. One of Hollywood's last links to its golden age and much-loved by old and new stars alike -- McDowell was famed for his kindness, generosity and loyalty (friends could tell McDowall any secret and be sure of its safety) -- McDowall's announcement that he was suffering from terminal cancer a few weeks before he died rocked the film community, and many visited the ailing actor in his Studio City home. Shortly before he was diagnosed with cancer, McDowall had provided the voiceover for Disney/Pixar's animated feature A Bug's Life. A few days prior to McDowall's passing, the Academy of Motion Picture Arts and Sciences named its photo archive after him.

Trivia: Born to a well-to-do Massachusetts family, Tammy Grimes studied drama at Stephens College in Missouri (where one of her instructors was George C. Scott) and New York's Neighborhood Playhouse. Grimes made her off-Broadway debut in the 1956 production The Littlest Revue. In 1959, she won a Theatre World Award for her performance in Look After Lulu; the following year, she graduated to full stardom in the long-running musical The Unsinkable Molly Brown, for which she won the first of her two Tony Awards. She rapidly became typed as a flamboyant, plummy-voiced "kook," a characterization that worked just fine on stage but did not adapt so easily to the more intimate medium of film. Perhaps as a result, Grime's film appearances have been few and far between. In 1966, she starred on the TV sitcom The Tammy Grimes Show, which was axed after three episodes; to clear herself for this assignment, she'd turned down the role of Samantha on Bewitched, which lasted eight seasons. From 1956 through 1960, Tammy Grimes was married to actor Christopher Plummer; their daughter, Amanda Plummer, is an excellent stage and film actress in her own right.

Trivia: If awards were bestowed for versatility, the graceful and congenial African-American actress Debbi Morgan would take first place. A veritable decades-long mainstay in the casts of A-list dramatic features, soap operas, acclaimed prime-time series dramas, big-screen exploitationers, sitcoms, and telemovies, Morgan has proven herself equally adept at each, while the number of roles she tackles each year suggests a die-hard craftswoman with no signs of slowing down. Born September 20, 1956, in Dunn, NC, Morgan moved with her family to New York City at the age of three. Despite the family's residence in a South Bronx housing project, they managed without difficulty. Five years into the move, Morgan's father died, which forced her mother, Lora, to support the two children (Debbi and younger sister Terry) as a secretary; she funded the girls' parochial educations through the end of high school. The photogenic Debbi sought out an entertainment career in her teens -- initially against the wishes of her mother. Lora issued stringent objections, terrified that Debbi -- a high-honors student -- would drift in with a bad element and engage in aberrant behavior. This never occurred; Debbi rapidly launched herself as an actress -- first in a series of commercials, then onto the Broadway stage (in the 1975 play What the Wine Sellers Buy) and in feature films (with a role in, regrettably, the Richard Fleischer-directed debacle Mandingo). After moving to L.A. in her early '20s, Morgan commenced series television work, with guest appearances on such ethnically oriented sitcoms as What's Happening!!, Good Times, and Sanford. Morgan's crowning network achievement arrived at the tail end of the '70s, with her acclaimed portrayal of Elizabeth (Alex Haley's aunt) in the smash miniseries Roots: The Next Generations. After a stint on the CBS series Trapper John, M.D. during the early '80s, Morgan discovered, through her agent, that the producers of the wildly popular daytime soap All My Children needed a young African-American actress to portray the romantic interest of the character Jesse (Darnell Williams). Morgan auditioned for the role and signed instantly, recurring on the series, intermittently, for 14 years. During the early to mid-'80s, Morgan also memorably essayed the part of Ruth Owens, the love interest of track star Jesse Owens (Dorian Harewood), in the critically praised epic telemovie The Jesse Owens Story (1984); in fact, Morgan's plaintive, emotionally charged protests regarding Owens' discriminatory treatment gave the film several of its most memorable scenes and images. Morgan continued her TV work throughout the '80s, '90s, and early 2000s, with guest appearances on a myriad of series programs -- everything from The Cosby Show to Boston Public and Charmed. During the late '90s, however, Morgan broke from the small screen and made two enduring contributions to A-list features. She played Aunt Mozelle in Eve's Bayou, actress-cum-director Kasi Lemmons' acclaimed, finely wrought gothic drama of Southern life, and Mae Thelma Carter, the wife of wrongfully accused and incriminated boxer Rubin Carter (Denzel Washington), in Norman Jewison's Oscar-nominated biopic The Hurricane (1999). More recently, Morgan portrayed Twana in director Michael Schultz's cinematization of T.D. Jakes' play, Woman Thou Art Loosed (2004).