Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Jill Whelan enjoyed an acting career as a child star, with a seven-season (1979-1986) portrayal of Vicki, Captain Merrill Stubing's young daughter, on the prime-time ABC situation comedy The Love Boat. After the series wrapped in 1986, Whelan returned for a number of Love Boat telemovies, acted in regional theater, and played a regular role on the daytime soap opera The Young and the Restless. Astute movie buffs may remember Whelan for a brief but memorable big-screen contribution that happened during her Love Boat tenure: she also portrayed Lisa Davis, the ailing child sent into convulsions when a singing nun knocks out her I.V., in the Zucker-Abrams-Zucker farce Airplane! (1980).

Trivia: An actor since 1967, eternally boyish leading man Anthony Andrews first gained notice as one of the teenaged protagonists of the Irish-filmed TV drama A War of Children. Andrews played bits in a couple of films, then co-starred as Stephen Kelko in QB VII (1974), the first of his many TV miniseries appearances. Of his later ventures into serialized teledramas, Andrews' most famous assignment was the role of Sebastian Flyte in the internationally popular Brideshead Revisited (1981). He has also played the title characters in the early-1980s TV adaptations of The Scarlet Pimpernel and Ivanhoe, was seen as Nero in AD (1985), and impersonated Professor Moriarty in the 1990 Sherlock Holmes adventure Hands of a Murderer. Perhaps the best of Anthony Andrews' comparatively few theatrical-film stints was his performance as the half-brother of tosspot Albert Finney in John Huston's Under the Volcano.

Trivia: One of the most prolific actors in television history -- with starring roles in 11 different television series under his belt -- Harry Morgan is most closely identified with his portrayal of Colonel Sherman Potter on M*A*S*H (1975-83). But his credits go back to the 1930s, embracing theater and film as well as the small screen. Born Harry Bratsberg in Detroit, Michigan, in 1915, he made his Broadway debut with the Group Theatre in 1937 as Pepper White in the original production of Golden Boy, alongside Luther Adler, Phoebe Brand, Howard Da Silva, Lee J. Cobb, Morris Carnovsky, Frances Farmer, Elia Kazan, John Garfield, Martin Ritt, and Roman Bohnen. His subsequence stage appearances between 1939 and 1941 comprised a string of failures -- most notably Clifford Odets' Night Music, directed by Harold Clurman; and Robert Ardrey's Thunder Rock, directed by Elia Kazan -- before he turned to film work. Changing his name to Henry Morgan, he appeared in small roles in The Shores of Tripoli, The Loves of Edgar Allen Poe, and Orchestra Wives, all from 1942. Over the next two years, he essayed supporting roles in everything from war movies to Westerns, where he showed an ability to dominate the screen with his voice and his eyes. Speaking softly, Morgan could quietly command a scene, even working alongside Henry Fonda in the most important of those early pictures, The Ox-Bow Incident (1943). Over the years following World War II, Morgan played ever-larger roles marked by their deceptive intensity. And even when he couldn't use his voice in a role, such as that of the mute and sinister Bill Womack in The Big Clock (1948), he was still able to make his presence felt in every one of his scenes with his eyes and his body movements. He was in a lot of important pictures during this period, including major studio productions such as All My Sons (1948), Down to the Sea in Ships (1949), and Madame Bovary (1949). He also appeared in independent films, most notably The Well (1951) and High Noon (1952). One of the more important of those roles was his portrayal of a professional killer in Appointment With Danger (1951), in which he worked alongside fellow actor Jack Webb for the first time. Morgan also passed through the stock company of director Anthony Mann, working in a brace of notable outdoor pictures across the 1950s. It was during the mid-1950s, as he began making regular appearances on television, that he was obliged to change his professional name to Harry Morgan (and, sometimes, Henry "Harry" Morgan), owing to confusion with another performer named Henry Morgan, who had already established himself on the small screen and done some movie acting as well. And it was at this time that Morgan, now billed as Harry Morgan, got his first successful television series, December Bride, which ran for five seasons and yielded a spin-off, Pete and Gladys. Morgan continued to appear in movies, increasingly in wry, comedic roles, most notably Support Your Local Sheriff (1969), but it was the small screen where his activity was concentrated throughout the 1960s.In 1966, Jack Webb, who had become an actor, director, and producer over the previous 15 years, decided to revive the series Dragnet and brought Morgan aboard to play the partner of Webb's Sgt. Joe Friday. As Officer Bill Gannon, Morgan provided a wonderful foil for the deadpan, no-nonsense Friday, emphasizing the natural flair for comic eccentricity that Morgan had shown across the previous 25 years. The series ran for four seasons, and Morgan reprised the role in the 1987 Dragnet feature film. He remained a busy actor going into the 1970s, when true stardom beckoned unexpectedly. In 1974, word got out that McLean Stevenson was planning on leaving the successful series M*A*S*H, and the producers were in the market for a replacement in the role of the military hospital's commanding officer. Morgan did a one-shot appearance as a comically deranged commanding general and earned the spot as Stevenson's replacement. Morgan worked periodically in the two decades following the series' cancellation in 1983, before retiring after 1999. He died in 2011 at age 96.

Trivia: American actress Katherine Helmond spent nearly thirty years becoming an overnight success. Working fitfully in New York and regional theatre throughout the '50s and '60s, Helmond made ends meet by working as a drama teacher. Her first fleeting film appearances were in the Manhattan-based Believe in Me and The Hospital, both shot in 1971. She received a sizeable role in 1975's The Hindenburg, which utilized local repertory actors from throughout the midwest; she also worked with Hitchcock in 1976's Family Plot. In 1977, Katherine was cast as Jessica Tate, the scatterbrained, hedonistic matriarch on the TV sitcom Soap. She remained with the series until its cancellation in 1981; Soap left poor Jessica Tate facing a firing squad, and didn't reveal her fate until Helmond's guest appearance on the Soap spinoff Benson, wherein she played Jessica's ghost. In 1983, Katherine enrolled in the American Film Institute's Directing Workshop; she helmed the short subject Bankrupt and also several episodes of TV's Who's the Boss, in which she played Mona Robinson from 1984 through 1990. Keeping her hand in films, Katherine Helmond became a favorite of ex-Monty Python director Terry Gilliam, who cast the actress as a vain matron undergoing a really radical facelift in 1984's Brazil.

Trivia: During the 1970s, '80s, and '90s, Patrick Duffy quickly evolved into one of prime time's old standbys for handsome, sturdy, dependable, and reliable leading men. Two key patterns hallmarked the majority of Duffy's career choices: he culled his broadest appeal and most substantial workload on television in lieu of the big screen, and exceedingly rare were those occasions in which he played a villain. In terms of audience recognition, Duffy maintained his strongest ties with two ongoing series roles -- his famous portrayal of Southfork Ranch stalwart Bobby Ewing on the blockbuster CBS prime-time soap Dallas (1978-1991), and a subsequent tenure as Frank Lambert on the ABC "TGIF" Friday-night sitcom Step by Step (1991-1998). Born born March 17, 1949, in Townsend, MT, as the second child of two saloonkeepers, Duffy grew up in dire poverty. He attended high school in Everett, WA, then attended the actor's training program at the nearby University of Washington, graduating in 1971. The actor relocated to Southern California and began receiving screen credit only a few years after college, initially with roles in telemovies such as the 1976 Last of Mrs. Lincoln and the lead in the short-lived television series Man from Atlantis (as a half-man, half-fish). Dallas, of course, brought Duffy his big break, and as its ratings shot skyward, turning it into not simply the number one program on the air but an international phenomenon, Duffy's character became intertwined with the program's legacy. The series' premise is by now iconic -- it dealt with the Ewing family, a wealthy Texas oil clan with a history rooted in scandal. Its patriarch, John Ross "Jock" Ewing Sr. (Jim Davis), had driven himself into fabulous wealth by cheating his business partner out of a fortune and his one true love, with whom he started a family and launched an entire oil dynasty. Passing on the family torch were three sons: J.R. Ewing (Larry Hagman), the megalomaniacal evil brother; Bobby Ewing (Duffy), the decent and moral brother, who had married the daughter of his father's partner; and the weak-willed Gary (Ted Shackelford), who grappled continually with emotional problems and quickly snagged his own series.As Bobby, Duffy attained popularity second only to that of co-star Hagman -- popularity that prompted national headlines when Duffy opted to leave the program at the end of the 1984-1985 season. Series producer created and aired a scenario where he was killed by a hit-and-run driver, but the audience demand for Bobby Ewing grew so overwhelming during the following season that -- in an obvious bid to re-boost ratings and extend Dallas' longevity -- Hagman personally summoned Duffy to re-join the series. The writers then reposited the entire 1985-1986 season as the bad dream of Bobby's on-camera wife, Pam (Victoria Principal)! It may have seemed far-fetched to many, but as an attempt to bring the actor back to the program and draw a larger audience, it worked like a charm.Not long after Dallas finally wrapped in May 1991, Duffy turned up on ABC's aforementioned Step by Step, a kind of unofficial update of The Brady Bunch; he played Frank Lambert, a divorced Wisconsin contractor with several kids who impulsively married a widowed beautician (Suzanne Somers) with several tykes of her own. Episodes dealt with the complications wrought when the two clans moved under the same roof together. As produced by William Bickley and Michael Warren, that program also connected with a large audience. It folded in 1998.Duffy acted in several Dallas telemovies during Step by Step's run, and then ushered in guest roles on numerous additional series, including Touched by an Angel, Justice League, and Family Guy. Additional made-for-television feature credits in the late '90s and early to mid-2000s included such outings as Heart of Fire (1997), Don't Look Behind You (1998), Desolation Canyon (2006), and Falling in Love with the Girl Next Door (2006). Duffy landed another series assignment in 2006 with an ongoing role -- that of Stephen Logan Sr. -- on the CBS daytime drama The Bold and the Beautiful.

Trivia: Singer/actress Michelle Phillips was Holly Michelle Gilliam when she arrived in New York in 1962 to become a model. The 17-year-old ex-California girl met and fell in love with Greenwich Village folksinger John Phillips, ten years her senior. After Michelle and John were married, she devoted her time to raising MacKenzie, John's daughter from an earlier marriage, and occasionally singing in John's group, the Journeymen. Upon that group's breakup in 1963, John and Michelle teamed with Cass Elliot and Denny Doherty, both formerly of the defunct group The Mugwumps and the result was The Mamas and The Papas. This new singing aggregation was a success from its first 1965 release, "California Dreamin'," onward. Other hits followed: "Monday, Monday," "I Call Your Name," "Do You Wanna Dance," and on and on. In 1966, Michelle and John broke up; by 1967 Michelle was living with Dennis Hopper, and within three years the Phillips were divorced. The Mamas and The Papas also dissolved around this time, with "Mama" Cass Elliot opting for a solo career. The group's individual successes (including John's briefly best-selling songs) were ethereal, however, and in 1971 The Mamas and The Papas -- including Michelle, -- reunited. The results were dishearteningly bad, thus Michelle renounced singing for good, hoping instead to make her mark as an actress. Michelle Phillips' later press coverage was due more to her high-profile romances with the likes of Warren Beatty and Rudolph Nureyev than to her acting, though critics were kindly disposed towards her performance in Nureyev's 1977 film vehicle Valentino.

Trivia: Former cheerleader for the Los Angeles Rams, Jenilee Harrison's blonde hair and bubbly personality made her a shoe-in to replace Suzanne Somers on the hit TV show Three's Company in 1983. Playing the equally blonde and adorable cousin of Somers' character, Harrison stayed with the show until it ended and then assumed the role of Jamie Ewing Barnes on the hit show Dallas. She stayed with the series until 1986, when her character was killed off for a second time (after the first turned out to be a dream sequence). Harrison then moved on to participate in various projects, like the horror flick Curse III: Blood Sacrifice in 1991 and Illicit Behavior in 1992, as well as numerous infomercials.

Trivia: Well-proportioned blonde actress Donna Dixon was originally a pre-med student a George Washington University. After modelling experience, she was cast in the Tom Hanks/Peter Scolari sitcom Bosom Buddies in 1980. She was the second wife of comic actor Dan Ackroyd, with whom she appeared in Dr. Detroit (1983) and Spies Like Us (1985). While most of her appearances in the past decade have been on the big screen, Donna Dixon did have a recurring role as a sexy Swedish immigrant on the 1986 syndicated TV series What a Country!

Trivia: José Ferrer (born José Vincente Ferrer de Otero y Cintron in Puerto Rico) decided to become an actor while in college. Early in his career he appeared with James Stewart and Joshua Logan at the Triangle Theater. In 1935 he debuted on Broadway with a walk-on part; he soon began to land bigger roles and quickly established his reputation as a highly versatile actor, performing in roles ranging from the comic title role in Charlie's Aunt to the evil Iago in Othello, and he began directing Broadway productions in 1942. Ferrer debuted onscreen as the Dauphin opposite Ingrid Bergman in Joan of Arc (1948), for which he received a "Best Supporting Actor" Oscar nomination. He later became internationally famous, and won a "Best Actor" Oscar for reprising his theatrical lead in the film version of Cyrano de Bergerac (1950). Ferrer earned another Oscar nomination for his portrayal of painter Toulouse-Lautrec in Moulin Rouge (1952). While both roles definitely enhanced his career, he later complained that they lead him to become typecast, and sometimes went years between film offers. In the mid-'50s he began directing films (usually ones in which he appeared), starting with The Shrike (1955). Also in the mid-'50s he made several successful recordings with his third wife, singer Rosemary Clooney. After 1962 he gave up directing and concentrated on stage and screen character acting, usually being typecast in his films as a swarthy foreigner. He continued to appear frequently in films into the '90s, meanwhile doing much TV work. His first wife was actress Uta Hagen.