Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Jill Whelan enjoyed an acting career as a child star, with a seven-season (1979-1986) portrayal of Vicki, Captain Merrill Stubing's young daughter, on the prime-time ABC situation comedy The Love Boat. After the series wrapped in 1986, Whelan returned for a number of Love Boat telemovies, acted in regional theater, and played a regular role on the daytime soap opera The Young and the Restless. Astute movie buffs may remember Whelan for a brief but memorable big-screen contribution that happened during her Love Boat tenure: she also portrayed Lisa Davis, the ailing child sent into convulsions when a singing nun knocks out her I.V., in the Zucker-Abrams-Zucker farce Airplane! (1980).

Trivia: Loni Anderson's first acting appearance, at age 10, was in the auditorium of her St. Paul grammar school. An art student at the University of Minnesota, Loni worked her way through her freshman year by winning beauty contests. Married and divorced at 18, Loni was compelled to take a teaching job to support herself and her infant daughter, but she was able to eventually complete her college education. Still a brunette in the early stages of her professional career, Loni acted in Midwestern repertory companies and TV commercials before coming to Hollywood with her second husband in 1975. Three years later, a newly blonde Loni was cast as "look but don't touch" radio station receptionist Jennifer Marlowe on the popular sitcom WKRP in Cincinnati. After the series' cancellation in 1982, Loni appeared in films and starred in two subsequent series, Partners in Crime (1984) and Easy Street (1986), as well as a syndicated WKRP revival in 1990. One of the uncrowned queens of the TV movies, Loni has starred in the made-for-television biopics of Jayne Mansfield and Thelma Todd, and through the auspices of her own production company appeared in TV remakes of Leave Her to Heaven and Sorry Wrong Number. Loni Anderson's most recent husband was film superstar Burt Reynolds, whom she met on the set of Stroker Ace (1983); after several months of well-publicized courtroom histrionics (most stemming from a custody battle over their adopted son), Loni and Burt's marriage came to a comparatively swift and silent end in 1994.She would work in frequently from that point on, though she starred in 3 Ninjas: High Noon at Mega Mountain and appeared in the SNL adaptation A Night at the Roxbury. In 2011 she was one of the people who appeared in the affectionate documentary Carol Channing: Larger Than Life.

Trivia: Despite being an avid pre-'60s movie buff, Canadian born comedian/actor/singer (both in film and on-stage) Rich Little is known best for his vast repertoire of uncanny celebrity impressions. Little began his career at an early age; at 12 years old, he had taken to answering his teachers in their own voices. After spending time working as a disc jockey, Little was hired to impersonate Elvis Presley for an afternoon television program as part of an April Fool's joke, and successfully convinced hundreds of Elvis fans that their idol was at a local TV station. In 1963, Little was discovered in the United States by Mel Tormé, who asked him to audition for CBS's Judy Garland Show -- allegedly, Garland was immediately impressed and personally requested Little's presence on the show. Before long, Little starred in many a variety show and worked with the likes of Ed Sullivan, Jackie Gleason, Mike Douglas, and Dean Martin. Little would go on to host a Christmas special in 1978, contribute his voice to various animated series, and even star in John DeBello's 1987 spy comedy Happy Hour, which follows Little and Jamie Farr's plight to put an end to the corporate machinations of two rival beer companies. In 1988, Little took the reins for Rich Little: One's a Crowd, a one-man show which featured some of his best celebrity impressions, and offered tips on how to cheat at golf in Rich Little: Little Scams on Golf (1991). After lending his vocal chords to 1992's Bebe's Kids, Little played Johnny Carson in The Late Shift (1996), a made-for-cable docudrama chronicling the battle between Jay Leno and David Letterman, who both hoped to take over Johnny Carson's role as the king of late night television. In 2002, Little impressively portrayed every president of the United States between 1960 and 2002 -- not to mention Billy Carter, James Carville, Robert Kennedy, Jimmy Stewart, Henry Kissinger, and Walter Cronkite -- for Richard Little Staring in the Presidents (2002). Though the impressionist complains that today's "vanilla" entertainment icons don't have distinct enough voices, he continues to make jaws drop impersonating on the Las Vegas, Atlantic City, and New York show circuit.

Trivia: Marian Ross dreamed of stardom from childhood, going so far as to change the spelling of her first name to Marion because she thought it would look nicer on a marquee. When her family moved from Minnesota to California, the 16-year-old aspiring actress plunged into the busy world of amateur theatricals in the San Diego area. She was voted Outstanding Actress at San Diego State University in 1950, then went on to work at the prestigious La Jolla Playhouse. Mel Ferrer, La Jolla's resident director, recommended that Ross try her luck in Hollywood. She worked steadily in TV and films from 1953 onward, but stardom was still outside her reach. Ross played a succession of maids, nuns, nurses, and that nebulous classification, the Heroine's Best Friend. She showed up in small roles in such films as Forever Female (1953), Lust for Life (1955), and Operation Petticoat (1959), earning the respect of her fellow workers but very little in the way of public recognition. "I've always had a way of not attracting attention," she would note with resignation later in life. On television, Marion played unstressed recurring roles on such series as Life with Father, Mrs. G Goes to College and Mr. Novak. She finally achieved stardom as Marion Cunningham, mother of 1950s high-schooler Richie Cunningham, on the weekly sitcom Happy Days. What started out as a shaky midseason replacement in January of 1974 ended up ABC's number-one hit; Ross hitched her wagon to the ever-rising Happy Days star until its final episode in 1983. During this period, she reactivated her stage career, with considerably more success than she'd enjoyed in the 1950s. Ross' post-Happy Days TV gigs included a 1986 guest shot as the new bride of Captain Stubing (Gavin MacLeod) on The Love Boat and the brief 1989 series Living Dolls. In 1991, Marion Ross earned an Emmy nomination for her portrayal of archetypal Jewish mother Sophie Berger on the TV "dramedy" Brooklyn Bridge. In the decades to come, Ross would find ongoing success with recurring roles on TV series like The Drew Carey Show and Gilmore Girls, as well as providing voice acting for animated series such as SpongeBob SquarePants and Handy Manny.

Trivia: A performer who ultimately evolved into one of the most sought-after teen pop idols of the 1970s, singer and occasional actor Donny Osmond initially rode to fame as a member of the Osmonds vocal ensemble, alongside four of his siblings.Born in 1957 to George Osmond and Olive Osmond of Ogden, UT, Donald Clark Osmond grew up watching older brothers Alan, Wayne, Jay, and Merrill establish themselves as a stage act with barbershop quartet-style vocal performances at Disneyland and on The Andy Williams Show; Donny joined the rest in 1968, at the age of 11, and followed when the family migrated to The Jerry Lewis Show. The band encountered unchecked popularity following the rise of "family-themed" vocal groups such as the Jackson 5 and the fictional Partridge Family in the late '60s and early '70s. Thanks in no small part to the tutelage and guidance of MGM head Mike Curb, the Osmonds took advantage of this "family pop" trend and netted a massive fan base; in time, they gained a new member in the form of youngest child Little Jimmy Osmond, and received occasional vocal support from sister Marie Osmond. Through it all, Donny remained the centerpiece; his solo career also took off in the early '70s alongside that of the larger family, and commenced with 1971's The Donny Osmond Album. The popularity of this and subsequent efforts turned Osmond into a teenage heartthrob who ultimately rivaled David Cassidy, Michael Jackson, and others in popularity.Donny and Marie united for a musical variety show on ABC in 1976 and sustained it for three and a half long and successful years, but the program folded in May 1979. It took around ten more years for Donny to issue his debut solo record as an adult; his style (which earned occasional comparisons to George Michael) did connect with a sizeable audience, and though his popularity waned somewhat by the mid-'90s, he regained much of it via performances as Joseph of the Old Testament in the stage musical Joseph and the Amazing Technicolor Dreamcoat. Donny also co-headlined a talk program with Marie in the late '90s and continued issuing solo records from time to time. In 2002 he attempted a comeback as the host of a revamped version of the classic game show Pyramid, but the program was short-lived. Osmond appeared on the ninth season of the popular reality competition show Dancing With the Stars.

Trivia: Though he spoke most of his movie dialogue in a slow Western drawl, actor Slim Pickens was a pure-bred California boy. An expert rider from the age of four, Pickens was performing in rodeos at 12. Three years later, he quit school to become a full-time equestrian and bull wrangler, eventually becoming the highest-paid rodeo clown in show business. In films since 1950's Rocky Mountain, Pickens specialized in Westerns (what a surprise), appearing as the comic sidekick of Republic cowboy star Rex Allen. By the end of the 1950s, Pickens had gained so much extra poundage that he practically grew out of his nickname. Generally cast in boisterous comedy roles, Pickens was also an effectively odious villain in 1966's An Eye for an Eye, starting the film off with a jolt by shooting a baby in its crib. In 1963, director Stanley Kubrick handed Pickens his greatest role: honcho bomber pilot "King" Kong in Dr. Strangelove. One of the most unforgettable of all cinematic images is the sight of Pickens straddling a nuclear bomb and "riding" it to its target, whooping and hollering all the way down. Almost as good was Pickens' performance as Harvey Korman's henchman in Mel Brooks' bawdy Western spoof Blazing Saddles (1974). Slim Pickens was also kept busy on television, with numerous guest shots and regular roles in the TV series The Legend of Custer, B.J. and the Bear, and Filthy Rich.

Trivia: Blaxploitation superstar Richard Roundtree earned screen immortality during the 1970s as the legendary Shaft, "the black private dick that's the sex machine to all the chicks." Born July 9, 1942, in New Rochelle, NY, Roundtree attended college on a football scholarship but later gave up athletics to pursue an acting career. After touring as a model with the Ebony Fashion Fair, he joined the Negro Ensemble Company's acting workshop program in 1967. He made his film debut in 1970's What Do You Say to a Naked Lady?, but was still an unknown when filmmaker Gordon Parks Sr. cast him as Shaft. The role shot Roundtree to instant fame, launching the blaxploitation genre and proving so successful at the box office that it helped save MGM from the brink of bankruptcy. Thanks to the film's popularity -- as well as its two sequels, 1972's Shaft's Big Score! and the following year's Shaft in Africa, and even a short-lived television series -- Roundtree became an icon of '70s-era cool, and his image graced countless magazine covers. Outside of the Shaft franchise, he also appeared in films including the 1974 disaster epic Earthquake, 1975's Man Friday, and the blockbuster 1977 TV miniseries Roots. By the end of the decade, however, the blaxploitation movement was a thing of the past, and Roundtree's stardom waned; apart from the 1981 big-budget flop Inchon, he spent the 1980s appearing almost exclusively in TV roles or low-rent, direct-to-video features. Still, he continued working steadily, and in 1995 appeared in David Fincher's smash thriller Seven. The following year he co-starred in the acclaimed Once Upon a Time...When We Were Colored, and also teamed with fellow blaxploitation vets Pam Grier and Fred "the Hammer" Williamson in Original Gangstas. In 1997, Roundtree returned to series television in 413 Hope St.

Trivia: A graduate of the University of Michigan, actress Denise Nicholas made her first off-Broadway appearance in the 1966 revue Viet Rock. She later appeared in such New York productions as Ceremonies in Dark Old Men and Dame Lorraine, and was active with the Free Southern Theater and the Negro Ensemble Company. She co-starred with Bill Cosby in a number of films, including Let's Do It Again (1975), A Piece of the Action (1977), and Ghost Dad (1990). Nicholas was been a regular on three TV series, playing guidance counselor Liz McIntyre in Room 222 (1969-1974), for which she received three Golden Globe nominations; Olivia Ellis in Baby, I'm Back (1978); and Harriet De Long in In the Heat of the Night (1988-1994). She later starred as an alcoholic mother in domestic drama Ritual (2000). Nicholas is also author of The Denise Nicholas Beauty Book.

Trivia: The product of a tough, impoverished upbringing, African American actor Robert Guillaume fought his way out of the St. Louis slums by virtue of talent, persistence and an unwillingness to bow down to anyone. After military service and college, Guillaume held down short-term jobs ranging from cook to streetcar conductor, all the while training his voice for potential musical comedy work--training that paid off with his first Broadway show, 1961's Kwamina. Among his many stage credits were the musical versions of Golden Boy (with Sammy Davis Jr.) and Purlie Victorious, and the long-running review Jacques Brel is Alive and Well and Living in Paris. When New York stage work was scarce, Guillaume created his own opportunities by giving one-man concerts. After guesting in several of the black-oriented TV sitcoms of the 1970s, Guillaume was cast in 1977 as the imperious, outspoken family retainer Benson in the daytime-drama parody Soap (the actor would be first to admit that many of Benson's more contentious traits sprang from Guillaume's own prickly personality). The role won Guillaume a 1978 Emmy as "Outstanding Supporting Actor." In 1979, Guillaume carried over his Soap role into his own starring series, the now classic sitcom Benson, which ran until 1986 and which won Guillaume another Emmy, this time as "Outstanding Lead Actor." Robert Guillaume also headlined the appropriately titled 1989 series The Robert Guillaume Show, wherein for approximately five months he starred as divorced marriage counselor Edward Sawyer. In the several years to follow, Guillaume would star in shows like Sports night, as well as a number of films like Big Fish and Satin.

Trivia: Little Eunice Quedens' first brush with the performing arts came at age seven, when she won a WCTU medal for her recital of the pro-temperance poem "No Kicka My Dog." After graduating from high school, she became a professional actress on the California stock company circuit. Still using her given name, she played a blonde seductress in the 1929 Columbia talkie Song of Love then joined a touring repertory theater. After another brief film appearance in 1933's Dancing Lady, she was urged by a producer to change her name for professional purposes. Allegedly inspired by a container of Elizabeth Arden cold cream, Eunice Quedens reinvented herself as Eve Arden. Several successful appearances in the annual Ziegfeld Follies followed, and in 1937 Arden returned to films as a young character actress. From Stage Door (1937) onward, she was effectively typecast as the all-knowing witheringly sarcastic "best friend" who seldom got the leading man but always got the best lines. Her film roles in the 1940s ranged from such typical assignments as sophisticated magazine editor "Stonewall" Jackson in Cover Girl (1944) to such hilariously atypical performances as athletic Russian sniper Natalia Moskoroff in The Doughgirls (1944). In 1945, she earned an Oscar nomination for her portrayal of Joan Crawford's sardonic but sympathetic business partner in Mildred Pierce. In July of 1948, she launched the popular radio situation comedy Our Miss Brooks, earning a place in the hearts of schoolteachers (and sitcom fans) everywhere with her award-winning portrayal of long-suffering but ebullient high school teacher Connie Brooks. Our Miss Brooks was transferred to television in 1952, running five successful seasons. Less successful was the 1957 TVer The Eve Arden Show, in which the star played authoress Liza Hammond. This failure was neutralized by her subsequent stage tours in such plays as Auntie Mame and Hello, Dolly! and her well-received film appearances in Anatomy of a Murder (1959) and Dark at the Top of the Stairs (1960). In 1967, she returned to TV to co-star with Kaye Ballard on the chucklesome The Mothers-in-Law which lasted two years. And in 1978, she became a favorite of a new generation with her performance as Principal McGee in the phenomenally successful film version of Broadway's Grease. In 1985, Eve Arden came out with her autobiography, The Three Phases of Eve.

Trivia: The reigning queen of the 1970s blaxploitation genre, Pam Grier was born May 26, 1949, in Winston-Salem, NC. An Air Force mechanic's daughter, she was raised on military bases in England and Germany. During her teen years the family settled in Denver, CO, where at the age of 18, Grier entered the Miss Colorado Universe pageant. Named first runner-up, she attracted the attention of Hollywood agent David Baumgarten, who signed her to a contract. After relocating to Los Angeles, Grier struggled to mount an acting career, and worked as a switchboard operator at the studios of Roger Corman's American International Pictures. Finally, with Corman's aid, she made her film debut in the 1970 Russ Meyer cult classic Beyond the Valley of the Dolls, followed by an appearance in Jack Hill's 1971 cheapie The Big Doll House. For several years, Grier languished virtually unnoticed in grindhouse fare like 1971's Women in Cages and 1973's Arena (aka Naked Warriors) before winning the title role in Hill's 1973 action outing Coffy. Playing a nurse seeking vengeance against the drug dealers responsible for her sister's descent into heroin addiction, Grier immediately rose to the forefront of the so-called "blaxploitation" genre, a group of action-adventure films aimed squarely at African-American audiences. Portraying the 1974 superheroine Foxy Brown, she became a major cult figure, as her character's fierce independence, no-nonsense attitude, and empowered spirit made her a role model for blacks and feminists alike. At the peak of her popularity, Grier even appeared on the covers of Ms. and New York magazines. Her films' often racy content also made her a sex symbol, and additionally she posed nude for the men's magazine Players. Successive action roles as gumshoe Sheba Shayne in 1975's Sheba, Baby and as the titular reporter Friday Foster further elevated Grier's visibility, but fearing continued typecasting she shifted gears to star opposite Richard Pryor in the fact-based 1977 auto-racing drama Greased Lightning. She did not reappear onscreen for four years, resurfacing to acclaim in 1981 as a murderous prostitute in Fort Apache, the Bronx; however, no other major roles were forthcoming, and she spent much of the decade appearing on television and in straight-to-cable features. A major role in the 1988 Steven Seagal action hit Above the Law marked the beginning of a comeback, and after appearing in 1993's Posse, Grier starred with fellow blaxploitation vets Jim Brown, Richard Roundtree, and Fred "the Hammer" Williamson in 1996's Original Gangstas, a throwback to the films of the early '70s. In 1997, the actress' career resurgence was complete with the title role in Jackie Brown, written in her honor by director and longtime fan Quentin Tarantino. Grier's tough, sexy portrayal of a jaded flight attendant earned praise from critics far and wide, as well as the promise of steady work. She could subsequently be seen in a consistently wide range of films, like Jawbreaker (1999), Holy Smoke (1999), The Invited, and Larry Crowne, in addition to a host of successful TV roles on shows like Smallville and The L Word.