Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Ever since the '50s, each generation has had its definitive sitcom mom, the one woman who symbolizes the attitudes and ideals of the American household (at least according to the major networks). In the late '50s, it was Barbara Billingsley; Donna Reed ruled the '60s; Roseanne repped the '80s; and Florence Henderson was queen of the '70s. As Carol Brady, she was the polyester-clad personification of the "have a nice day" mentality on the Brady Bunch (1969-1974). Prior to becoming Mrs. Brady, Henderson had worked on television during the '50s, getting her start as the "Today Girl" on Today (1952) and as a regular on Sing Along (1958). She also made frequent appearances on the Tonight Show through the early '60s. Henderson was a successful star of Broadway musicals and in 1970, she starred in the musical feature-film biography of Scandinavian composer Edvard Grieg, Song of Norway (1970). Since the end of the Brady Bunch series, Henderson has basically made her living portraying and sometimes spoofing Carol Brady. There was a blessedly short-lived variety show sequel to the program, The Brady Bunch Hour (1977), and Brady Bunch reunion TV movies, such as The Brady Girls Get Married (1981) and A Very Brady Christmas (1988). The show that wouldn't die also spawned two more sequel series, The Brady Brides (1981) and the downbeat drama The Bradys (1990). In 1995, Henderson played a feisty grandmother, the antithesis of Carol, in the feature-film spoof The Brady Bunch Movie. She continued to appear on TV and in movies such as Dickie Roberts: Former Child Star, and the documentary Get Bruce!. In 2006 she was cast in season 6 of The Surreal Life, and in 2010 she returned to the small screen yet again to compete in the eleventh season of Dancing With the Stars. Henderson died in 2016, at age 82.

Trivia: Supporting actor Kent McCord is best known for co-starring in the long-running series Adam-12 (1968-1975). McCord made his film debut in the made-for-television movie The Outsider (1967). Following the demise of Adam-12, McCord continued appearing in TV films and in low-budget features such as Unsub (1985) and Return of the Living Dead 3 (1993).

Trivia: Brooklyn native Connie Stevens is the daughter of musician Teddy Stevens. She moved with her dad to L.A., where she enrolled at Sacred Professional School, sang professional, and appeared in local repertory productions. After several low-budget teen flicks, Stevens was given a break in an A-picture, Jerry Lewis' Rock-a-Bye Baby (1958). Soon afterward, she was signed by Warner Bros. to play bouncy nightclub thrush Cricket Blake on the TV detective series Hawaiian Eye. She also starred in such WB feature films as Susan Slade (1961), and became a popular recording artist with her rendition of the deathless "Kookie, Kookie, Lend Me Your Comb." Warners suspended Stevens in 1962 over several bones of contention, one of which was her snit-fit after being denied a chance to audition for the lead in the studio's My Fair Lady. She patched up her differences with Warners long enough to play a Gracie Allen clone in the George Burns-produced sitcom Wendy and Me (1964). After her flurry of fame in the 1960s, Stevens kept busy with nightclub appearances and summer theater productions. She appeared in the Broadway production of The Star Spangled Girl, guested in such all-star movie efforts as Sgt. Pepper's Lonely Hearts Club Band (1978) and Grease 2, and accepted a regular role on the 1986 TV series Rowdies. Among Connie Stevens' three husbands were actors James Stacy and Eddie Fisher.

Trivia: Whether playing a wiseacre waitress, an insane bioengineer, or a vengeful, darkly comic widow, Diane Ladd brings energy and accomplishment to her roles. Born Rose Diane Ladner in Meridian, MS, she moved to New York City as a teen. Before making her stage debut in Tennessee Williams' Orpheus Descending, Ladd worked as a model and a dancer at the Copacabana nightclub. In 1961, Ladd debuted in her first feature film, Something Wild. Though she subsequently appeared in a few more films during the '60s, including The Reivers (1969), Ladd focused on her stage career. In film, 1974 proved to be a great year for Ladd. Her portrayal of Flo, the tough waitress who helps out a recently widowed Ellen Burstyn in Martin Scorsese's Alice Doesn't Live Here Any More, garnered her nominations for an Oscar, a Golden Globe, and a British Academy Award. She then appeared opposite Jack Nicholson and Faye Dunaway in Roman Polanski's Chinatown. Beginning in 1976, Ladd became a familiar face in television movies like The Guyana Tragedy: The Story of Jim Jones (1980) and miniseries such as Black Beauty (1978). Though she continued to sporadically appear in feature films through the '80s, her movie career didn't perk up again until the early '90s. Formerly married to character actor Bruce Dern, Ladd is the mother of willowy leading lady Laura Dern. Mother and daughter have appeared in several films together, notably 1991's Rambling Rose and David Lynch's Wild at Heart (1990) -- the former film earned mother and daughter a place in Oscar history when they became the first such duo to be nominated for the same film (Ladd for Best Supporting Actress and Dern for Best Actress).

Trivia: Jill Whelan enjoyed an acting career as a child star, with a seven-season (1979-1986) portrayal of Vicki, Captain Merrill Stubing's young daughter, on the prime-time ABC situation comedy The Love Boat. After the series wrapped in 1986, Whelan returned for a number of Love Boat telemovies, acted in regional theater, and played a regular role on the daytime soap opera The Young and the Restless. Astute movie buffs may remember Whelan for a brief but memorable big-screen contribution that happened during her Love Boat tenure: she also portrayed Lisa Davis, the ailing child sent into convulsions when a singing nun knocks out her I.V., in the Zucker-Abrams-Zucker farce Airplane! (1980).

Trivia: Authoritative American character actor James Broderick is best known to filmgoers of the flower-power generation for his performance as Alice's husband in the 1969 film Alice's Restaurant. It was but one of many incisive film characterizations for Broderick, who was equally effective in such films as The Group (1966), The Taking of Pelham One Two Three (1973) and Dog Day Afternoon (1975). From 1976 through 1980, Broderick played lawyer/patriarch Doug Lawrence in the weekly TV drama Family; he had previously starred in the detective series Brenner, playing the rookie-cop son of Edward Binns (who wasn't that much older). James Broderick was the father of contemporary film star Matthew Broderick, who paid homage to his dad by prominently displaying the elder Broderick's photograph in the 1990 film The Freshman.