Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: The year (give or take a few) was 1929: Stepping on to the stage of New York's Mecca Theatre was 3-year-old Rose Marie Mazetta, offering a surprisingly full-throated rendition of the torch ballad "What Can I Say, Dear, After I Say I'm Sorry." By the time she'd finished dancing her Charleston, Rose Marie had won a trip to Atlantic City and a spot on a major radio program. Amazingly, Rose Marie's father, a professional singer-musician, had nothing to do with this star-making turn: the girl had been entered in the contest by her next-door neighbors. By 1932, Rose Marie--or rather, "Baby Rose Marie"--was one of the hottest stars on the NBC radio network. Her raspy, insinuating singing style was mature beyond her years, so much so that some people wrote into NBC, angrily accusing them of passing off an adult midget as a child. She successfully toured in vaudeville, was spotlighted in a handful of movies (the best-known was 1933's International House), then disappeared completely at the age of 12. No, Rose Marie wasn't washed up; her family had moved from New York to New Jersey and had placed their daughter in a convent school. Resuming her career at 17 as "Miss Rose Marie," the former child sensation endured a few lean years before establishing herself as a comedienne. Wearying of traversing the nightclub circuit by the 1950s--she now had a husband and daughter to look after--Rose Marie began accepting guest-star assignments on such dramatic TV series as Jim Bowie, Gunsmoke and M Squad. She was also seen in continuing roles on the video sitcoms Love That Bob and My Sister Eileen, and was co-starred with Phil Silvers in the 1953 Broadway musical Top Banana. In 1961, Carl Reiner cast Rose Marie as wisecracking, man-chasing Sally Rogers on The Dick Van Dyke Show. The close-knit camaraderie of her Dick Van Dyke co-stars helped her survive the untimely death of her husband, jazz musician Bobby Guy. Rose Marie's post-Van Dyke projects have included such films as Don't Worry, We'll Think of a Title (1966) and Cheaper to Keep Her (1980), frequent appearances on the daytime quiz show The Hollywood Squares, and regular roles on the prime time TVers The Doris Day Show (1969-71, as Myrna Gibbons), Scorch (1992, as Edna Bracken) and Hardball (1994, as Marge Schott-like baseball club owner Mitzi Balzer).

Trivia: Learning the ropes at the Bucks County Playhouse and New York's Neighborhood Playhouse, Jessica Walter, born January 31st, 1949, made her Broadway debut in 1961's Advise and Consent. The raven-haired leading lady was then seen on a regular basis in several Manhattan-based TV programs, including the daytimer Love of Life and the 1965 nighttime series For the People. In films from 1964, Jessica was one of eight young female "newcomers" (Candice Bergen, Elizabeth Hartman, Joanna Pettet et. al.) who went on to greater things after appearing en masse in Sidney Lumet's The Group (1966). Her flashiest screen role was as the dangerously possessive "number one fan" Evelyn Draper in Clint Eastwood's Play Misty for Me (1971). Of her many weekly-TV assignments, Walter's title role in the mid-'70s cop series Amy Prentiss garnered her the most attention; that is, until recently, when Walter found late-career acclaim on the award-winning sitcom Arrested Development. As the insensitive, materialistic matriarch of the Bluth family, Walter garnered a plum comedic role, and Emmy attention to boot. Walter continued to remain active in television appearances following the cancellation of Arrested Development, and joined the cast of the Broadway revival of Anything Goes in 2011.

Trivia: Lead actress, onscreen from the early '80s.

Trivia: Michael (aka Mickey) Callan gained fame at the age of 21 when he originated the role of Riff in the Broadway production of West Side Story. For several years, Callan specialized in similar roles on TV and films, while pursuing a second career as a nightclub singer. His gift for light comedy was first exploited in Disney's Bon Voyage (1962), then further refined in his performance as Jane Fonda's amour in Cat Ballou (1965). While Callan was co-starring with Patricia Hardy in the 1967 sitcom Occasional Wife, the two became husband and wife in real life as well as "reel" life. In 1982, Michael Callan both produced and starred in Double Exposure.

Trivia: The "sweetheart" of TV's The Mickey Mouse Club, American entertainer Annette Funicello began performing at age 10. The Disney people themselves sensed that Funicello had star quality, building several musical numbers around her on The Mickey Mouse Club and fashioning her own Club show-within-a-show miniseries, appropriately titled "Annette." Funicello's post-Mickey Mouse career was far more successful than that of many of her fellow Mouseketeers--and the reasons cannot be charged up to looks alone. She also was guest-starred on the Disney TV series Zorro and Wonderful World of Color, and was given sizeable roles in such Disney theatrical features as The Shaggy Dog (59) and Babes in Toyland (61). While still under contract to Disney, Funicello began appearing in American-International's Beach Party series, usually co-starring with Frankie Avalon. Though these films were distinguished by undulating, bikinied females, Walt Disney decreed that Funicello never be involved in any "suggestive" sequences--nor were her two-piece bathing suits permitted to uncover her navel. After playing an extended cameo role as Davy Jones' sweetheart in The Monkees' film vehicle Head (68), Funicello cut down on her professional appearances, preferring to spend time with her family. During the 1970s, she became spokeswoman for a popular brand of peanut butter, her commercial appearances constituting the bulk of her on-camera time during this period. In 1987, she and onetime cohort Frankie Avalon co-financed and starred in the nostalgic musical film Back to the Beach. In her later years, Funicellostruggled against the ravages of multiple sclerosis; her courage and high spirits in the face of intense pain and decreasing mobility were inspirational, as well as beneficial in helping to raise funds for further research of degenerative diseases. In 1994, Annette Funicello published her autobiography, the tone of which perfectly reflected the actress herself: discreet, ladylike and boundlessly cheerful. After suffering from multiple sclerosis for more than two decades, Funicello died from complications from the disease in 2013 at the age of 70.

Trivia: Funnyman Jack Carter (as he is invariably billed) was a successful nightclub comedian when he decided to dive headlong into the infant medium known as television. In January of 1949, Carter was hired to host ABC's minstrel-show effort Pick and Pat. By the spring of that year, Carter presided over the ABC variety program Jack Carter and Company. Later that same year, he was the first emcee of the DuMont Network's Cavalcade of Stars, remaining with the series until being replaced by Jackie Gleason in 1950. His last "regular" TV assignment was as host of 1956's Stage Show, though he kept busy as a sitcom guest star into the 1980s, frequently playing abrasive con artists (e.g. "Friendly Freddie" on Gomer Pyle USMC). In 1971, Carter made his directorial debut with an episode of Lucille Ball's Here's Lucy. Jack Carter's movie roles have ranged from comedy relief to raffish villain in such pictures as The Extraordinary Seaman (1969), The Amazing Dobermans (1976) and The Funny Farm (1982). Carter continued to work steadily into his 90s, with guest appearances on shows like Desperate Housewives, Parks & Recreation, New Girl and Shameless. Carter died 4 days after his 93rd birthday, in 2015.

Trivia: Solidly built, boyishly handsome American leading-man Christopher George was the son of Greek immigrants. Weaned on stories of the legendary Greek heroes, Christopher and his brother Nick (later a prominent fashion photographer) both quit high school to join the Marines. Completing his education after his tour of duty, George acted in numerous TV commercials, winning a New York Film Festival award for his efforts. After appearing in plays like A Streetcar Named Desire and films like Howard Hawks' El Dorado (1965), George became a TV star by virtue of the weekly wartime adventure series The Rat Patrol ('66-'68). He later starred in the science-fiction series The Immortal (70-71) then returned to filmmaking. In his last years, George was a frequent guest on the religious talk-show circuit. Christopher George died of a heart attack at the age of 54; he was survived by his wife and frequent co-star, actress Lynda Day George.

Trivia: Born in Chicago, Morey Amsterdam was raised in California, where his musician father was in charge of the San Francisco Symphony. Originally intending to be a cello player, Amsterdam instead gravitated to entertaining with words. A well-above-average student, Amsterdam was enrolled at the University of California at the age of 14, but quit after one year to go on the road with a comedy act. At 16, he was master of ceremonies at Colosimo's, a Chicago speakeasy run by Al Capone. Amsterdam got along fine with big Al, but after getting caught in the middle of a gangland shoot out, the young comic sought out safer work in California. He wrote gags and special material for such prominent laughmakers as Jimmy Durante, Fannie Brice and Will Rogers, and in 1939 made his television debut in an experimental Hollywood broadcast. He spent the war years touring with the USO, taking time out to write radio and movie scripts and to pen the popular novelty song "Rum and Coca-Cola." After the war, he was headlined on several radio and TV programs, notably NBC's Broadway Open House, the 1950 precursor to The Tonight Show. By the mid-1950s, Amsterdam was renowned far and wide as "The Human Joke Machine," able to come up with a joke on literally any topic without even pausing for breath. In 1960, his livelihood was sorely threatened when he suffered a head injury while appearing in the film Murder Inc.; for three tension-filled weeks, he completely forgot every one of the thousands of jokes he'd filed away in his memory banks. Happily, he recovered, and by 1961 he was gainfully employed as Buddy Sorrell on the long-running TV sitcom The Dick Van Dyke Show. After Van Dyke's series folded in 1966, Amsterdam continued to play nightclub dates and make TV guest-star appearances (he briefly produced and hosted a 1970 TV revival of the old radio series Can You Top This?) As funny as ever in his eighth decade, Morey Amsterdam surprised his fans by playing a villainous role on the CBS daytime drama The Young and the Restless. Amersterdam died of a heart attack on October 27, 1996.

Trivia: The daughter of Episcopal missionaries, Jayne Meadows was born in China; she spoke nothing but Chinese until her parents returned to America in the early 1930s. The sister of Honeymooners co-star Audrey Meadows, Jayne Meadows began her film career in the mid-1940s as a contract player at MGM. Her velvety voice and self-confident bearing ruled out her being cast as simpering ingénues: Meadows excelled as cold-blooded "other women," vitriolic divorcees, and neurotic murderesses. Her best screen role was the double- and triple-crossing Mildred Haveland in Lady in the Lake (1946). For nearly five decades, Jayne was harmoniously married to her second husband, TV personality Steve Allen, with whom she has co-starred on dozens of variety programs and game shows, as well as Steve Allen's memorable PBS miniseries Meeting of Minds. Both she and her husband were nominated for Emmy Awards for their joint guest appearance on the TV series LA Law. Her more regular TV work included the third-billed role of Nurse Chambers on Medical Center (1969-73) and the part of Ken Howard's mother on the 1983 "dramedy" It's Not Easy. Meadows made an indelible impression through the power of her voice alone as Billy Crystal's gushing, unseen mom in the two City Slickers film comedies of the 1990s. She continued acting and appearing on-screen until the late 2000s; she died in 2015, at age 95.