Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Born Sophie Kosow, Sidney was an intense, vulnerable, waif-like leading lady with a heart-shaped face, trembling lips, and sad eyes. The daughter of Jewish immigrants from Russia, she made her professional acting debut at age 16 in Washington after training at the Theater Guild School. The following year she made her first New York appearance and quickly began to land lead roles on Broadway. She debuted onscreen as a witness in a courtroom drama, Through Different Eyes (1929). In 1931 she was signed by Paramount and moved to Hollywood. In almost all of her roles she was typecast as a downtrodden, poor but proud girl of the lower classes -- a Depression-era heroine. Although she occasionally got parts that didn't conform to this type, her casting was so consistent that she had tired of film work by the late '40s and began devoting herself increasingly to the stage; she has since done a great deal of theater work, mostly in stock and on the road. After three more screen roles in the '50s, Sidney retired from the screen altogether; seventeen years later she made one more film, Summer Wishes, Winter Dreams (1973), for which she received a Best Supporting Actress Oscar nomination, the first Oscar nomination of her career. In 1985 she portrayed a dying woman in the TV movie Finnigan, Begin Again. Her first husband was publisher Bennett Cerf and her second was actor Luther Adler.

Trivia: The daughter of actor John Mills and novelist-playwright Mary Hayley Bell and the sister of actress Hayley Mills, she first appeared onscreen as an 11-week-old baby in her father's film In Which We Serve (1942), which was co-directed by her godfather, Noel Coward. Before the age of ten she acted in two more of her father's films. Her first adult role (and lead role) was in No, My Darling Daughter (1961), after which her film work was intermittent; she was rarely onscreen after the mid '70s. Her main focus has been the stage, mostly in London and occasionally on Broadway. She starred in the TV sitcom Nanny and the Professor and starred in a number of TV productions, winning an Emmy for her work in the TV movie QB VII (1975). She is married to actor Maxwell Caulfield, who is 18 years her junior.

Trivia: Blonde, British-born leading lady Joanna Pettet was raised in Canada and studied acting at New York's Neighborhood Playhouse. Along with several other promising young actresses, Pettet made her movie debut in the 1966 filmization of Mary McCarthy's The Group. While most of that film's cast went on to dramatic or character roles, Pettet gravitated to sexpot characters, notably silky secret agent Mata Bond (the illegitimate daughter of Mata Hari and James Bond!) in Casino Royale (1967). Joanna Pettet's many TV-movie credits include The Weekend Nun (1972) and The Return of Frank Cannon (1980).

Trivia: Began pursuing musical theater as a senior in high school because of a girl he liked. Studied opera at the Boston Conservatory of Music. Quit school to perform at Chateau DeVilles dinner theaters. Worked as a dance and voice teacher; also drove a cab and sold candy at Radio City Music Hall. Made his Broadway debut in The Lieutenant in 1975. Appeared opposite his Laverne & Shirley costar Cindy Williams in a touring production of Grease in 2000.

Trivia: One of the most beloved of movie clichés concerns the violinist who must give up his music for sports -- or vice versa. Gary Conway was lucky enough to be able to keep up with his violin studies (and even play at the Hollywood bowl) while remaining heavily active in high school athletics. Conway was also an accomplished painter in his teen years, winning a scholarship to the Otis Art Institute, and later transferring to the art department at U.C.L.A. Invited to participate in a campus production of Volpone, Conway switched his major to drama. In films and TV from 1956, Conway's best-known (and, in many ways, most notorious) screen role was the title character in the deathless I Was a Teenage Frankenstein (1957). In 1963, Conway was cast as detective Tim Tilson in the lighthearted TV cop series Burke's Law. He left the show in 1965, hoping to go on to "a wider spectrum of creative challenge." One such challenge was the 1968 Irwin Allen weekly Land of the Giants, in which, as Captain Steve Burton, Conway spent his time reacting in amazement at king-sized special effects. After Giants left the air in 1970, he went into films as an actor, producer (1977's The Farmer) and screenwriter (1987's American Ninja 2: The Confrontation). He has also worked as a drama teacher. Gary Conway was married to former Miss America Marian McKnight.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).