Trivia: Left fatherless at the age of four, American actress Lucille Ball developed a strong work ethic in childhood; among her more unusual jobs was as a "seeing eye kid" for a blind soap peddler. Ball's mother sent the girl to the Chautauqua Institution for piano lessons, but she was determined to pursue an acting career after watching the positive audience reaction given to vaudeville monologist Julius Tannen. Young Ball performed in amateur plays for the Elks club and at her high school, at one point starring, staging, and publicizing a production of Charley's Aunt. In 1926, Ball enrolled in the John Murray Anderson American Academy of Dramatic Art in Manhattan (where Bette Davis was the star pupil), but was discouraged by her teachers to continue due to her shyness. Her reticence notwithstanding, Ball kept trying until she got chorus-girl work and modeling jobs; but even then she received little encouragement from her peers, and the combination of a serious auto accident and recurring stomach ailments seemed to bode ill for her theatrical future. Still, Ball was no quitter, and, in 1933, she managed to become one of the singing/dancing Goldwyn Girls for movie producer Samuel Goldwyn; her first picture was Eddie Cantor's Roman Scandals (1933). Working her way up from bit roles at both Columbia Pictures (where one of her assignments was in a Three Stooges short) and RKO Radio, Ball finally attained featured billing in 1935, and stardom in 1938 -- albeit mostly in B-movies. Throughout the late 1930s and '40s, Ball's movie career moved steadily, if not spectacularly; even when she got a good role like the nasty-tempered nightclub star in The Big Street (1942), it was usually because the "bigger" RKO contract actresses had turned it down. By the time she finished a contract at MGM (she was dubbed "Technicolor Tessie" at the studio because of her photogenic red hair and bright smile) and returned to Columbia in 1947, she was considered washed up. Ball's home life was none too secure, either. She'd married Cuban bandleader Desi Arnaz in 1940, but, despite an obvious strong affection for one another, they had separated and considered divorce numerous times during the war years. Hoping to keep her household together, Ball sought out professional work in which she could work with her husband. Offered her own TV series in 1950, she refused unless Arnaz would co-star. Television was a godsend for the couple; and Arnaz discovered he had a natural executive ability, and was soon calling all the shots for what would become I Love Lucy. From 1951 through 1957, it was the most popular sitcom on television, and Ball, after years of career stops and starts, was firmly established as a megastar in her role of zany, disaster-prone Lucy Ricardo. When her much-publicized baby was born in January 1953, the story received more press coverage than President Eisenhower's inauguration. With their new Hollywood prestige, Ball and Arnaz were able to set up the powerful Desilu Studios production complex, ultimately purchasing the facilities of RKO, where both performers had once been contract players. But professional pressures and personal problems began eroding the marriage, and Ball and Arnaz divorced in 1960, although both continued to operate Desilu. Ball gave Broadway a try in the 1960 musical Wildcat, which was successful but no hit, and, in 1962, returned to TV to solo as Lucy Carmichael on The Lucy Show. She'd already bought out Arnaz's interest in Desilu, and, before selling the studio to Gulf and Western in 1969, Ball had become a powerful executive in her own right, determinedly guiding the destinies of such fondly remembered TV series as Star Trek and Mission: Impossible. The Lucy Show ended in the spring of 1968, but Ball was back that fall with Here's Lucy, in which she played "odd job" specialist Lucy Carter and co-starred with her real-life children, Desi Jr. and Lucie. Here's Lucy lasted until 1974, at which time her career took some odd directions. She poured a lot of her own money in a film version of the Broadway musical Mame (1974), which can charitably be labeled an embarrassment. Her later attempts to resume TV production, and her benighted TV comeback in the 1986 sitcom Life With Lucy, were unsuccessful, although Ball, herself, continued to be lionized as the First Lady of Television, accumulating numerous awards and honorariums. Despite her many latter-day attempts to change her image -- in addition to her blunt, commandeering off-stage personality -- Ball would forever remain the wacky "Lucy" that Americans had loved intensely in the '50s. She died in 1989.

Trivia: Described by TV producer Hy Averback as "a combination of Laurence Olivier andCharley Chase," bombastic comic actor Gale Gordon was the son of vaudeville performers. His father was "quick-change" artist Charles T. Aldrich, and his mother was actress Gloria Gordon (best known for her portrayal of Mrs. O'Reilly on radio's My Friend Irma). Born with a cleft palate, Gordon underwent two excruciating oral operations as a child. By the time he was 17, Gordon's diction was so precise and his "new" voice so richly developed that he was invited to study acting under the aegis of famed actor/manager Richard Bennett. After several years on stage, Gordon moved to California in 1929, where he worked in Los Angeles radio as a free-lance actor and announcer. He appeared in heroic and villainous "straight" parts on such syndicated radio series as The Adventures of Fu Manchu and English Coronets, but soon found that his true forte was comedy. Gordon played the flustered Mayor La Trivia on Fibber McGee and Molly, several prominent roles on The Burns and Allen Show, and, best of all, pompous principal Osgood Conklin on Our Miss Brooks. In films since 1933 (he played a bit at the end of Joe E. Brown's Elmer the Great), Gordon proved a formidable comic foil in such films as Here We Go Again (1942, again with Fibber McGee and Molly), and Jerry Lewis' Don't Give Up the Ship (1959) and Visit to a Small Planet (1960). It is impossible to have grown up watching television without at least once revelling in the comedy expertise of Gale Gordon. In addition to starring in the 1956 sitcom The Brothers, Gordon was also seen in the video versions of My Favorite Husband, Our Miss Brooks, The Danny Thomas Show, Dennis the Menace--and virtually every one of Lucille Ball's TV projects, including her last, 1986's Life with Lucy.

Trivia: The first person ever to appear on the cover of TV Guide, Desi Arnaz Jr. was not afforded this honor for his film or TV credits, but by virtue of his lineage. The son of television legends Lucille Ball and Desi Arnaz, Desi Jr. was born by Cesarean section on January 19, 1953--the very same day that his fictional counterpart "Little Ricky" was born on the immensely popular TV show I Love Lucy. So momentous was this event (at least to those people who had TV sets at the time) that it squeezed out the news of Eisenhower's inauguration on the front pages of the nation. When he was old enough to decide that he wanted to earn his celebrity rather than merely enjoy it, Desi helped form the rock band Dino, Desi and Billy with two teen-aged friends, one of whom was the son of Dean Martin. Desi made his acting debut (in a manner of speaking) on I Love Lucy in 1957, learned the rudiments of his craft in small parts on his mother's subsequent The Lucy Show (1962-68), then graduated to "regular" status on Mom's Here's Lucy. His first film appearance was in Red Sky at Morning in 1970. Although most of his films were not first rate, Desi Arnaz Jr.'s best film showing was in 1992's The Mambo Kings, in which he offered an intimidatingly accurate portrayal of Desi Arnaz Sr.

Trivia: Best known as the Gabor sister with talent, actress Eva Gabor began her career as a cabaret singer and ice skater in her native Hungary. Forced to emigrate to the U.S. at the outbreak of World War II, Gabor was able to secure film work in mystery-woman parts in such films as Forced Landing and Pacific Blackout (both 1941). The actress didn't truly achieve star stature until her Broadway appearance in The Happy Time (1950), though, curiously, she wasn't called upon to appear in the 1952 film version. Gabor's movie career, in fact, remained rooted in supporting roles, such as one of Vincent Price's victims in The Mad Magician (1954) and as Liane d'Exelmans in the Oscar-winning Gigi (1958). Like her sister Zsa Zsa Gabor, Eva has accrued plenty of press coverage thanks to her multiple marriages, but, unlike Zsa Zsa, Gabor has managed to stay off the police blotter -- except for a 1964 incident in which she was nearly killed fighting off a couple of vicious diamond robbers. Gabor's best-loved public appearances were manifested in her five-year run as Lisa Douglas on the popular TV sitcom Green Acres (1965-1970). Contrary to the Gabor Sisters' image of contentiousness, Eva was well liked on the Green Acres set by both co-star Eddie Albert and director Richard Bare, who had nothing but praise for her professionalism and comic timing. Gabor proved she hadn't lost her touch in 1990 when the inevitable Green Acres two-hour revival movie made its way to television. She died in 1995.

Trivia: American actress Lucie Arnaz was the first child of Lucille Ball and Desi Arnaz. Lucie was a genuine "miracle baby", delivered by C-section after her 40-year-old mother had suffered several miscarriages. In the public eye almost from birth, Lucie and her younger brother Desi Jr. frequently accompanied their parents to the set of I Love Lucy; both children, in fact, made their professional TV debuts as extras on the last Lucy half-hour filmed in 1957. Lucille Ball arranged for Lucie to play bits on her post-Desi TV series of the 1960s, The Lucy Show. When Lucie decided she enjoyed the limelight, her mother agreed to allow her to continue as a full supporting player on her next series, Here's Lucy (1968-74) -- but only on the condition that she kept apace in school and stayed out of trouble. The notion that Lucie would flounder without the support of her parents was quashed when she won a Theatre World Award for her 1978 Broadway debut in They're Playing Our Song. Lucie had earlier established herself as an actress of distinction in the 1976 TV movie Who Is the Black Dahlia?, and even managed to emerge from the painful Neil Diamond version of The Jazz Singer (1980) without any loss of reputation. She has also starred in two short-lived TV series, The Lucie Arnaz Show (1985) and Sons and Daughters (1991). Long married to actor Laurence Luckinbill, Lucie Arnaz has in recent years become the torchbearer of the Lucy/Desi legacy by marketing several reels of the Arnaz' 1940s home movies for TV and videocassette exposure.