Trivia: Though he is most fondly remembered for his TV hosting duties of the 1950s, 1960s, and 1970s, New York newspaper columnist Ed Sullivan was a show business personality as far back as 1932. Hired by the CBS network as a potential rival for radio commentator Walter Winchell, Sullivan took to the air with a heady combination of gossip and entertainment. Among the future radio luminaries introduced on Sullivan's program were Jack Benny and Jack Pearl (aka Baron Munchhausen). In 1933 Sullivan made his film debut in Mr. Broadway, which he also wrote. His subsequent screenplay and story contributions included the screwball comedy There Goes My Heart (1938) and the Universal "pocket" musical Ma, He's Making Eyes at Me (1940). In 1947, he entered the fledgling medium of television to host a variety hour titled Toast of the Town, later re-christened The Ed Sullivan Show. Though hardly a likely candidate for TV stardom -- he appeared to have a permanently stiff neck, wandered aimlessly around the stage, slurred his words ("Rilllly big shew!"), and frequently mispronounced the names of his guest stars -- Sullivan remained a Sunday night fixture until his series left the air in 1971. As an adjunct to his TV fame, he appeared as "himself" in such films as Bye Bye Birdie (1961), The Patsy (1964), and The Singing Nun (1965), and was parodied by countless impressionists, most notably Will Jordan. To three generations of rock music fans, Ed Sullivan will always be remembered for those five immortal words, "Here they are -- THE BEATLES!"

Trivia: Lovers of '30s films enjoy pointing out their favorite obscure character actors and identifying them by name. One such actor, Philadelphia-born John Wray, is almost instantly recognizable for his grim countenance, piggish eyes, and chunky frame. He was one of the many Broadway actors to descend on Hollywood in the aftermath of the sound revolution, and as such, made an indelible impression on moviegoers. Though seldom playing anything more than a bit or minor role, Wray was lucky enough to have several indelible screen performances to his credit. In 1930, he played Himmelstoss, the meek postman who becomes a cruel Army drill instructor in the opening scenes of All Quiet on the Western Front; restored prints of this Oscar-winning classic have revealed that Wray's part was originally much larger, including a colorful "mad scene" when the sadistic Himmelstoss finds himself under enemy fire for the first time.Wray also played the Arnold Rothstein-like gangster in The Czar of Broadway (1930); and the contortionist the Frog in the remake of The Miracle Man (1932). Wray's portrayals of proletarian nastiness grew increasingly smaller as the decade progressed but he was very visible as the starving farmer threatening to kill Gary Cooper for throwing his money away in mid-Depression in Mr. Deeds Goes to Town (a scene that ends with Wray breaking down sobbing apologetically, inspiring Deeds to set up a financial incentive program to put down-and-outers back on their feet). Avid cinephiles may also remember Wray's portrayal of the warden in Fritz Lang's You Only Live Once (1937). This Wray is not to be confused with the American silent film director and playwright John Griffith Wray of the 1920s.