Trivia: The daughter of a boat manufacturer and a concert pianist, American actress Irene Dunne began voice training lessons before the age of thirteen. Dunne's diligence won her a scholarship to the Chicago Musical College, but her dreams of a career with New York City's Metropolitan opera faded when she failed the audition. Still, there was an outlet for her talents in musical comedy, which she began in a touring company of the popular stage production Irene. After her Broadway debut in 1923, Dunne was able to secure leading roles in several musicals, and marry Francis J. Griffin, a New York dentist, with whom she remained married until his death in 1965. In 1929, Dunne was cast as Magnolia in the Chicago company production of Show Boat; her superlative performance led to a movie contract with RKO, where after a few inconsequential programmers like Leathernecking (1930), she became one of the top dramatic stars at that studio. In Ann Vickers (1933), she plays a lady doctor who undergoes an illegal abortion, and in The Age of Innocence (1934), Dunne played the same role reprised by Michelle Pfeiffer in the 1994 remake of that film. Dunne was finally permitted to show off her singing talents in Sweet Adeline (1935), and in 1936 Universal Pictures cast her in her stage role as Magnolia in the studio's definitive film version of Show Boat (1936). After Show Boat, Dunne entered the second phase of her movie career as a comedienne, contributing hilarious performances to such screwball farces as Theodora Goes Wild (1936), The Awful Truth (1937), and My Favorite Wife (1940). It was back to dramatic roles in the early 1940s, and as age crept up on Dunne, she made a seamless transition to starring character roles in such films as Anna and the King of Siam (1946) and Life with Father (1947). Approaching fifty, Dunne retained her classically beautiful features and; in fact, Hollywood makeup artists were compelled to draw lines on her face and fit her with heavy body suits for her "aged" roles in I Remember Mama (1948) and The Mudlark (1950). Upon completion of It Grows on Trees (1952), Dunne retired from films, though she remained active on television, notably in such Catholic-oriented programs as The Christophers. In recognition of her charitable work and interest in conservative political causes, Dunne was appointed by President Eisenhower as one of five alternative delegates to the United Nations in 1957.

Trivia: The daughter of Norman Bel Geddes, the noted architect and theatrical set designer, Barbara Bel Geddes was a professional stage actress from age 18. She gained prominence as the ingenue in the original Broadway production of that summer-stock perennial Out of the Frying Pan. Other accomplishments in Barbara's years on stage included the New York critics circle award in 1945, and her performance as Maggie "The Cat" in the original 1955 production of Tennessee Williams' Cat on a Hot Tin Roof. Ms. Bel Geddes enjoyed a promising beginning in films in 1947's The Long Night (remake of Marcel Carne's Le Jour se Leve); one year later, she was nominated for an Oscar for her performance as Irene Dunne's daughter in I Remember Mama (1948). The House UnAmerican Activities Committee investigations effectively ended Ms. Bel Geddes' starring career in films. She returned before the cameras thanks to a few brave souls like Alfred Hitchcock, who cast Barbara in his famous "Lamb to the Slaughter" episode in his weekly TV anthology (as well as three additional installments), and in a strong supporting role in his theatrical feature Vertigo (1958). Beginning in 1978, Barbara Bel Geddes played Miss Ellie Ewing on the nigthttime TV serial Dallas, a role which earned her an Emmy award; she remained with Dallas until its cancellation in 1991, save for the 1984-85 season, when she temporarily retired due to heart surgery (the role of Miss Ellie was filled that year by Donna Reed).

Trivia: Beetle-browed, heavily-accented Viennese character actor Oscar Homolka graduated from the Royal Dramatic Academy in Vienna before going on to work on the Austrian and German stage, which led him to appear in many German silent and sound films. After Hitler came to power, he moved first to England, then to the U.S. in 1936. In Hollywood films and on Broadway he played imposing character roles, usually scheming or villainous but sometimes humorous or sympathetic. For his portrayal of gruff Uncle Chris in I Remember Mama (1948) he received a Best Supporting Actor Oscar nomination. Because of his coarse, Slavic features, he was frequently cast as heavies in films about foreign intrigue. He returned to England in the mid-'60s, intending to retire; instead, he continued appearing in films, and in 1975 came back to Hollywood to make two made-for-TV movies, One of Our Own and The Legendary Curse of the Hope Diamond, co-starring his wife, actress Joan Tetzel.

Trivia: Born Hein Van Der Niet, this handsome, deep-voiced leading man debuted onstage at age 14, going on to play leads in Dutch and European productions, in which he was billed as "Fritz Van Dongen." By the late '30s he was a popular matinee idol and screen actor. He moved to Hollywood when World War II broke out; beginning with Enemy Agent (1940) he played leads in numerous Hollywood films, often portraying refugees, anti-Nazi Germans, and Continental lovers. He began playing more mature roles in the late '40s, notably as Papa in I Remember Mama (1948) with Irene Dunne. Having long suffered from phlebitis, in 1945 he had the first of a series of strokes, which eventually ruined his voice; over the next few years he went on to have a heart attack and to require brain surgery. He returned to Europe in the early '50s and appeared in a number of films and plays; but following an injury in a stage accident he retired in 1955. He lived the last two decades of his life confined to his California home. He was married to Dutch actress Marianne Van Dam.

Trivia: British actor Sir Cedric Hardwicke's physician father was resistant to his son's chosen profession; nonetheless, the elder Hardwicke paid Cedric's way through the Royal Academy of Dramatic Arts. The actor was fortunate enough to form a lasting friendship with playwright George Bernard Shaw, who felt that Hardwicke was the finest actor in the world (Shaw's other favorites were the Four Marx Brothers). Working in Shavian plays like Heartbreak House, Major Barbara and The Apple Cart throughout most of the 1920s and 1930s in England, Hardwicke proved that he was no one-writer actor with such roles as Captain Andy in the London production of the American musical Show Boat. After making his first film The Dreyfus Case in 1931, Hardwicke worked with distinction in both British and American films, though his earliest attempts at becoming a Broadway favorite were disappointments. Knighted for his acting in 1934, Hardwicke's Hollywood career ran the gamut from prestige items like Wilson (1944), in which he played Henry Cabot Lodge, to low-budget gangster epics like Baby Face Nelson (1957), where he brought a certain degree of tattered dignity to the role of a drunken gangland doctor. As proficient at directing as he was at acting, Hardwicke unfortunately was less successful as a businessman. Always a step away from his creditors, he found himself taking more and more journeyman assignments as he got older. Better things came his way with a successful run in the 1960 Broadway play A Majority of One and several tours with Charles Laughton, Agnes Moorehead and Charles Boyer in the "reader's theatre" staging of Shaw's Don Juan in Hell. A talented writer, Hardwicke wrote two autobiographies, the last of these published in 1961 as A Victorian in Orbit. It was here that he wittily but ruefully observed that "God felt sorry for actors, so he gave them a place in the sun and a swimming pool. The price they had to pay was to surrender their talent."

Trivia: Edgar Bergen was still in grammar school when he sent away for a 25-cent ventriloquism instruction book. By the time he was 11, Bergen was driving his family crazy with his prankish voice-throwing. While attending medical school at Northwestern University, Bergen paid his tuition by performing a small-time ventriloquist act; it wasn't long before he dropped out of college to hit the vaudeville and tent-show circuit. After a tour of Europe and South America, Bergen filmed a series of one-reel short subjects for Vitaphone between 1930 and 1935; even in these early efforts, top billing went not to Bergen but to his creation, the impish, top-hatted dummy Charlie McCarthy. From time-to-time Bergen would test out other wooden alter egos, including hayseed Mortimer Snerd and man-hungry Effie Clinker, but Charlie would remain his star attraction. After gaining nationwide fame through his appearances on Rudy Vallee's radio program, Bergen launched his own radio series, The Charlie McCarthy Show, a top-rated endeavor which ran from 1937 through 1955. Bergen and Charlie made their feature film debuts in The Goldwyn Follies (1938). They went on to appear together in eight more films between in 1938 and 1948; curiously, however, Charlie McCarthy came across better on radio than he did on screen--partly due to the inescapable fact that Bergen tended to move his lips while throwing his voice. At his peak, Bergen was pulling down $10,000 weekly from his radio series and an additional $100,000 from Charlie McCarthy toys and merchandise. He was also the recipient of the only wooden Academy Award in history, a special Oscar bestowed upon himself and the pine-headed Charlie. On his own, Bergen co-starred in I Remember Mama (1948) as the shy Norwegian suitor of spinster Ellen Corby; he also played supporting parts in Captain China (1949) and Don't Make Waves (1965). After the cancellation of their radio series, Bergen and Charlie played nightclubs, summer stock and state fairs. They also hosted the 1956 TV quiz show Do You Trust Your Wife?. Emerging from a long professional slump, Bergen made a triumphant Las Vegas comeback in 1978--the evening before his death at the age of 75. His last screen appearance was in Jim Henson's The Muppet Movie (1979), which was dedicated to his memory. Edgar Bergen was the husband of actress Frances Bergen, and the father of film and TV star Candice Bergen.

Trivia: Born Hubert Vallee, he began playing the saxophone in his teens, then formed his own band in college. After graduating he formed another band, The Connecticut Yankees. He soon became popular as a singer on radio, in nightclubs, and on the stage; he became known as a "crooner," and his singing had a mysterious effect on some of the women in his audience, who were said to "swoon." He began appearing in films at the advent of the sound era; he starred in numerous light romantic films and shorts in the '30s, often seen holding his trademark, a megaphone. Later a second phase of his screen career began when he specialized in caricaturing stuffy, eccentric millionaires. From 1943-44 he was married to actress Jane Greer. He wrote two memoirs, My Time is Your Time (1962) and Let the Chips Fall (1975).

Trivia: Born to a blue-blooded New England family, Barbara O'Neil was 21 when she made her first Broadway appearance. During the summer season, she acted with the Provincetown Players, often in the company of her first husband, producer Joshua Logan. She made her film debut in 1937, marking time in traditional leading lady roles until cast as Scarlett O'Hara's mother in Gone With the Wind (1939), delivering an utterly convincing performance despite the fact that she was exactly three years older than her "daughter" Vivien Leigh. Her finest screen showing was as Charles Boyer's spiteful, dangerously neurotic wife in All This and Heaven Too (1940), for which she earned an Oscar nomination. Barbara O'Neil made only a handful of film appearances after that, retiring from show business after a successful run in the Broadway production Little Moon of Alban.

Trivia: By the time she first appeared as Grandma Walton in 1971, American actress Ellen Corby had been playing elderly characters for nearly thirty years--and she herself was still only in her fifties. The daughter of Danish immigrants, Ellen Hansen was born in Wisconsin and raised in Philadelphia; she moved to Hollywood in 1933 after winning several amateur talent shows. Her starring career consisted of tiny parts in low-budget Poverty Row quickies; to make a living, Ellen became a script girl (the production person responsible for maintaining a film's continuity for the benefit of the film editor), working first at RKO and then at Hal Roach studios, where she met and married cameraman Francis Corby. The marriage didn't last, though Ellen retained the last name of Corby professionally. While still a script girl, Ellen began studying at the Actors Lab, then in 1944 decided to return to acting full time. She played several movie bit roles, mostly as servants, neurotics, and busybodies, before earning an Oscar nomination for the role of Trina the maid in I Remember Mama (1948). Her career fluctuated between bits and supporting parts until 1971, when she was cast as Grandma Walton in the CBS movie special The Homecoming. This one-shot evolved into the dramatic series The Waltons in 1972, with Ms. Corby continuing as Grandma. The role earned Ellen a "Best Supporting Actress" Emmy award in 1973, and she remained with the series until suffering a debilitating stroke in 1976. After a year's recuperation, Ellen returned to The Waltons, valiantly carrying on until the series' 1980 cancellation, despite the severe speech and movement restrictions imposed by her illness. Happily, Ellen Corby endured, and was back as Grandma in the Waltons reunion special of the early '90s.

Trivia: American character actress Edith Evanson began showing up in films around 1941. Cast as a nurse, it is Evanson who appears in the reflection of the shattered glass ball in the prologue of Orson Welles' Citizen Kane (1941). Her larger screen assignments included Aunt Sigrid in George Stevens' I Remember Mama (1948) and Mrs. Wilson the housekeeper in Hitchcock's Rope (1948). Hitchcock also directed her in Marnie (1964). Edith Evanson is best remembered by science fiction fans for her lengthy, uncredited appearance as Klaatu's landlady Mrs. Crockett in The Day the Earth Stood Still (1951).

Trivia: Towheaded child actor Tommy Ivo played Cousin Arne in I Remember Mama (1948) but is perhaps better remembered for his appearances opposite Charles Starrett in Columbia's long-running "Durango Kid" Western series. Ivo popped up in no less than six entries, often mistaking the masked avenger for a real bandit but always wanting to emulate him by the fadeout -- just like the front-row kids of the day. Ivo was fairly busy in television in the late '40s and early '50s as well, so busy in fact that he earned the nickname "TV Tommy Ivo." When his career slowed down in the late '50s, Ivo found a new outlet for his talents -- as a professional hot rod driver.

Trivia: American actress Florence Bates had been a moderately successful lawyer for two decades when, as a lark, she started acting at California's Pasadena Playhouse in the mid 1930s. After playing a small role in the 1937 film Man In Blue (1937), Bates was "officially" discovered by Hollywood when she was cast as vainglorious dowager Mrs. Van Hopper in Alfred Hitchcock's Oscar-winning Rebecca (1940). From that point onward, Bates became one of Hollywood's favorite "society dragons," most effectively cast in comedies like Heaven Can Wait (1943), as one of Don Ameche's hell-bound old flames, and in The Secret Life of Walter Mitty (1948), as Danny Kaye's terrifying future mother-in-law. Her most significant "straight" part was in I Remember Mama (1948), as the forbiddingly famous author Florence Dana Morehead, whom Irene Dunne, as Mama, timidly approaches on behalf of Dunne's aspiring-writer daughter. Though in fragile health, Florence Bates entered television with the same forcefulness as she'd invaded movies, providing a welcome touch of professionalism to the otherwise atrocious early 1950s situation comedy The Hank McCune Show.

Trivia: Actor Stanley Andrews moved from the stage to the movies in the mid 1930s, where at first he was typed in steadfast, authoritative roles. The tall, mustachioed Adrews became familiar to regular moviegoers in a string of performances as ship's captains, doctors, executives, military officials and construction supervisors. By the early 1950s, Andrews had broadened his range to include grizzled old western prospectors and ageing sheriffs. This led to his most lasting contribution to the entertainment world: the role of the Old Ranger on the long-running syndicated TV series Death Valley Days. Beginning in 1952, Andrews introduced each DVD episode, doing double duty as commercial pitchman for 20 Mule Team Borax; he also became a goodwill ambassador for the program and its sponsor, showing up at county fairs, supermarket openings and charity telethons. Stanley Andrews continued to portray the Old Ranger until 1963, when the US Borax company decided to alter its corporate image with a younger spokesperson -- a 51-year-old "sprout" named Ronald Reagan.