Trivia: Born on December 31, 1937, as the only son of a baker, Welsh actor Anthony Hopkins was drawn to the theater while attending the YMCA at age 17, and later learned the basics of his craft at London's Royal Academy of Dramatic Art. In 1960, Hopkins made his stage bow in The Quare Fellow, and then spent four years in regional repertory before his first London success in Julius Caesar. Combining the best elements of the British theater's classic heritage and its burgeoning "angry young man" school, Hopkins worked well in both ancient and modern pieces. His film debut was not, as has often been cited, his appearance as Richard the Lionhearted in The Lion in Winter (1968), but in an odd, "pop-art" film, The White Bus (1967).Though already familiar to some sharp-eyed American viewers after his film performance as Lloyd George in Young Winston (1971), Hopkins burst full-flower onto the American scene in 1974 as an ex-Nazi doctor in QB VII, the first television miniseries. Also in 1974, Hopkins made his Broadway debut in Equus, eventually directing the 1977 Los Angeles production. The actor became typed in intense, neurotic roles for the next several years: in films he portrayed the obsessed father of a girl whose soul has been transferred into the body of another child in Audrey Rose (1976), an off-the-wall ventriloquist in Magic (1978), and the much-maligned Captain Bligh (opposite Mel Gibson's Fletcher Christian) in Bounty (1982). On TV, Hopkins played roles as varied (yet somehow intertwined) as Adolph Hitler, accused Lindbergh-baby kidnapper Bruno Richard Hauptmann, and the Hunchback of Notre Dame.In 1991, Hopkins won an Academy Award for his bloodcurdling portrayal of murderer Hannibal "The Cannibal" Lecter in The Silence of the Lambs. With the aplomb of a thorough professional, Anthony Hopkins was able to follow-up his chilling Lecter with characters of great kindness, courtesy, and humanity: the conscience-stricken butler of a British fascist in The Remains of the Day (1992) and compassionate author C. S. Lewis in Shadowlands (1993). In 1995, Hopkins earned mixed acclaim and an Oscar nomination for his impressionistic take (done without elaborate makeup) on President Richard M. Nixon in Oliver Stone's Nixon. After his performance as Pablo Picasso in James Ivory's Surviving Picasso (1996), Hopkins garnered another Oscar nomination -- this time for Best Supporting Actor -- the following year for his work in Steven Spielberg's slavery epic Amistad. Following this honor, Hopkins chose roles that cast him as a father figure, first in the ploddingly long Meet Joe Black and then in the have-mask-will-travel swashbuckler Mask of Zorro with Antonio Banderas and fellow countrywoman Catherine Zeta-Jones. In his next film, 1999's Instinct, Hopkins again played a father, albeit one of a decidedly different stripe. As anthropologist Ethan Powell, Hopkins takes his field work with gorillas a little too seriously, reverting back to his animal instincts, killing a couple of people, and alienating his daughter (Maura Tierney) in the process.Hopkins kept a low profile in 2000, providing narration for Ron Howard's live-action adaptation of Dr. Seuss' How the Grinch Stole Christmas and voicing the commands overheard by Tom Cruise's special agent in John Woo's Mission: Impossible 2. In 2001, Hopkins returned to the screen to reprise his role as the effete, erudite, eponymous cannibal in Ridley Scott's Hannibal, the long-anticipated sequel to Jonathan Demme's Silence of the Lambs (1991). The 160-million-dollar blockbuster did much for Hopkins' bank account but little for his standing with the critics, who by and large found Hannibal to be a stylish, gory exercise in illogical tedium. Worse yet, some wags suggested that the actor would have been better off had he followed his Silence co-star Jodie Foster's lead and opted out of the sequel altogether. Later that year, the moody, cloying Stephen King adaptation Hearts in Atlantis did little to repair his reputation with critics or audiences, who avoided the film like the plague.The long-delayed action comedy Bad Company followed in 2002, wherein audiences -- as well as megaproducer Jerry Bruckheimer -- learned that Chris Rock and Sir Anthony Hopkins do not a laugh-riot make. But the next installment in the cash-cow Hannibal Lecter franchise restored a bit of luster to the thespian's tarnished Hollywood career. Red Dragon, the second filmed version of Thomas Harris' first novel in the Lecter series, revisited the same territory previously adapted by director Michael Mann in 1986's Manhunter, with mixed but generally positive results. Surrounding Hopkins with a game cast, including Edward Norton, Ralph Finnes, Harvey Keitel and Emily Watson, the Brett Ratner film garnered some favorable comparisons to Demme's 1991 award-winner, as well as some decent -- if not Hannibal-caliber -- returns at the box office.Hopkins would face his biggest chameleon job since Nixon with 2003's highly anticipated adaptation of Philip Roth's Clinton-era tragedy The Human Stain, a prestige Miramax project directed by Robert Benton and co-starring Nicole Kidman, fresh off her Oscar win for The Hours. Hopkins plays Stain's flawed protagonist Coleman Silk, an aging, defamed African-American academic who has been "passing" as a Jew for most of his adult life. Unfortunately, most critics couldn't get past the hurtle of accepting the Anglo-Saxon paragon as a light-skinned black man. The film died a quick death at the box office and went unrecognized in year-end awards.2004's epic historical drama Alexander re-united Hopkins and Nixon helmer Oliver Stone in a three-hour trek through the life and times of Alexander the Great. The following year, Hopkins turned up in two projects, the first being John Madden's drama Proof. In this Miramax release, Hopkins plays Robert, a genius mathematician who - amid a long descent into madness - devises a formula of earth-shaking proportions. That same year's comedy-drama The World's Fastest Indian saw limited international release in December 2005; it starred Hopkins - ever the one to challenge himself by expanding his repertoire to include increasingly difficult roles - as New Zealand motorcycle racer Burt Munro, who set a land speed record on his chopper at the Utah Bonneville Flats. The quirky picture did limited business in the States but won the hearts of many viewers and critics.He then joined the ensemble cast of the same year's hotly-anticipated ensemble drama Bobby, helmed by Emilio Estevez, about the events at the Ambassador Hotel in Los Angeles just prior to RFK's assassination. Hopkins plays John Casey, one of the hotel proprietors.Hopkins long held true passions in arenas other than acting - specifically, painting and musical composition. As for the former, Hopkins started moonlighting as a painter in the early 2000s, and when his tableaux first appeared publicly, at San Antonio's Luciane Gallery in early 2006, the canvases sold out within six days. Hopkins is also an accomplished symphonic composer and the author of several orchestral compositions, though unlike some of his contemporaries (such as Clint Eastwood) his works never supplemented movie soundtracks and weren't available on disc. The San Antonio Symphony performed a few of the pieces for its patrons in spring 2006.Hopkins would remain a prolific actor over the next several years, appearing in films like The Wolfman, Thor, and 360.Formerly wed to actress Petronella Barker and to Jennifer Lynton, Hopkins married his third wife, actress and producer Stella Arroyave, in March 2003.

Trivia: Equally at home playing leads and character roles, actor Alec Baldwin is known for his work in just about every genre, from action thrillers to comedies to dramas. Born April 3, 1958, in Massapequa, Long Island, he was the second of six children (brothers William, Daniel, and Stephen would also become actors). Baldwin was a political science major at George Washington University before he decided to become an actor; following his change in vocation, he studied drama at NYU and the Lee Strasberg Theatre Institute. Early in his career, Baldwin was a busy man, simultaneously playing a role on the TV daytime drama The Doctors and performing in Shakespeare's A Midsummer Night's Dream on-stage in the evenings. A few years after making his 1980 Broadway debut, the actor moved to Los Angeles, where he landed a part in the television series Knots Landing. He made his film debut in 1987 with a starring role in Forever, Lulu, which led to work in a number of major films. From 1988 to 1989 alone, Baldwin appeared in no less than seven films, including Tim Burton's black comedy Beetlejuice, Mike Nichols' Working Girl, Jonathan Demme's Married to the Mob, and Oliver Stone's Talk Radio. In 1990, Baldwin achieved big-budget success playing ace CIA agent Jack Ryan in the undersea thriller The Hunt for Red October. The film's popularity won him acclaim, so Baldwin surprised many by foregoing the opportunity to reprise his role in the sequel Patriot Games (he was replaced by Harrison Ford) in favor of returning to Broadway to star as Stanley Kowalski in A Streetcar Named Desire. Although his decision paid off -- he received a Tony nomination for his performance -- it also marked the point at which Baldwin's star wattage began to flicker. His 1991 film, The Marrying Man proved to be an all-out flop (although it did provide him an introduction to co-star Kim Basinger, whom he would marry in 1993), and the critical success of his next two films, Prelude to a Kiss and Glengarry Glen Ross was overshadowed by a subsequent string of flops, including Malice (1993), The Getaway (1994), and The Juror (1996). The actor rebounded a bit with his role in Al Pacino's acclaimed documentary Looking for Richard (1996) but then had the unfortunate luck of starring in the 1998 Bruce Willis disaster Mercury Rising. However, the following year proved more fortuitous for Baldwin, as he starred in the coming-of-age comedy Outside Providence, as well as in the crime drama Thick As Thieves and the ethical drama The Confession, appearing alongside Amy Irving and Ben Kingsley. In addition, the actor made an uncredited appearance in Notting Hill, sending up his macho Hollywood persona as Julia Roberts' piggish actor boyfriend.Baldwin started off the 2000s by re-teaming with David Mamet on the Hollywood satire State and Main as a lecherous leading man with a weakness for underage girls. He provided narration for Wes Anderson's The Royal Tenenbaums, and was one of the few people to escape unscathed from Michael Bay's Pearl Harbor. Although he continued to make headlines because of his politics, as well as his ongoing legal scuffles with now ex-wife Kim Basinger, Baldwin continued to do strong work in the comedies Along Came Polly (2004) and Fun with Dick and Jane (2005), and scored his first-ever Academy Award nomination for Best Supporting Actor playing a menacing casino manager in 2003's The Cooler. He became a part of Martin Scorsese's stock company playing Juan Trippe in 2004's The Aviator, following it up as a federal agent in love with the Patriot Act in 2006's The Departed.Baldwin's longstanding association with the venerable sketch comedy show Saturday Night Live (he has hosted over ten times) paid great dividends when he was hired to play the part of the boss on former SNL head writer Tina Fey's fall 2006 sitcom 30 Rock. He earned universal raves for his work on the show, and would earn a Golden Globe nomination every single year of the show's run, winning the award three times. He'd also pick up no less than five Emmy nods, winning that award twice as well. Baldwin was positively beloved on the series, but he would also continue to work in film as well, most notably in the 2009 romcom It's Complicated, which he starred in with Meryl Streep, and the 2012 Woody Allen ensemble film To Rome with Love.

Trivia: Gorgeous Elle MacPherson successfully negotiated her supermodel status into a film career. A millionaire's daughter and a native of Sydney, Australia, MacPherson (born Eleanor Gow) was raised by her mother after her parents divorced. Standing six feet tall, the willowy but curvaceous blonde first gained fame after she was selected to appear in one of Sports Illustrated's famous swimsuit editions. One of the periodical's most popular models, she appeared on its cover four times and, in 1986, she graced the cover of Time magazine. That year, she became the unofficial ambassador for the Australian tourist commission. Her status as a supermodel secured, MacPherson branched out into films, appearing opposite Tara Fitzgerald, Hugh Grant, and Sam Neill in Sirens, an erotic portrait of a preacher's wife who comes to accept her sensuous nature during a visit to the home of notorious Aussie artist Norman Lindsey. The role required MacPherson to gain 30 pounds to soften her model's angularity, giving her a soft, but still pleasing appearance. She lost the pounds and then appeared opposite William Hurt in Jane Eyre, following that up with a role in Barbra Streisand's The Mirror Has Two Faces (both 1996). She appeared in the indie romantic comedy If Lucy Fell, had a bit part in the infamous flop Batman & Robin, and enjoyed a recurring role on the hit sitcom Friends. After years away from screens, she appeared in 2009 as part of the cast of the soap opera The Beautiful Life. In addition to her film and modelling careers, MacPherson has also proven herself a shrewd businesswoman. She owns a lucrative lingerie company in Australia. She is a single mother and has homes in the U.S., London, and Australia.

Trivia: An accomplished young actor who has graced the stage, screen, and television, Harold Perrineau Jr. has earned a well-deserved reputation as a performer willing to take on just about anything, with roles ranging from drag queens to hardened criminals. A native of Brooklyn, Perrineau studied music and theatre at the Shenandoah Conservatory, but began his career as a dancer with the Alvin Ailey Company, performing with the troupe for a year and a half. A gradual shift to acting led Perrineau to the theatre, where he acted in a number of shows including Dreamgirls, the critically acclaimed Avenue X, and the off-Broadway revival of Godspell.While he was working on the stage, Perrineau also began appearing on TV in such shows as The Cosby Show, The Days and Nights of Molly Dodd, I'll Fly Away, and Law & Order. He segued onto the big screen in the late '80s, but had his first memorable role as Rashid Cole, a young man searching for his long-absent father (Forest Whitaker) in Smoke, an acclaimed 1995 drama directed by Wayne Wang and based upon the writings of Paul Auster. The following year he gained further exposure for his flamboyant, explosive portrayal of Mercutio in Baz Luhrmann's William Shakespeare's Romeo + Juliet. At one point outfitted in a glitter miniskirt and platform heels, Perrineau proved a worthy, if idiosyncratic, foil for Leonardo Di Caprio's Romeo and gave a performance that marked him as one of the more distinctive Mercutios in the play's history.Perrineau subsequently appeared in a number of supporting roles in films ranging from Auster's Lulu on the Bridge (1998) to The Best Man (1999), a celebrated romantic comedy directed by Malcolm D. Lee (cousin of Spike Lee) that saw Perrineau share the screen with other members of a group widely billed as a new generation of African-American actors, including Taye Diggs, Morris Chestnut, and Nia Long. In addition to appearances in various independent films, Perrineau starred in Woman on Top (2000), a comedy that cast him as the drag queen best friend of a young woman (Penelope Cruz) experiencing romantic woes.In 1997, Perrineau made the move to the small screen, assuming the role of paraplegic convict and narrator Augustus Hill on the acclaimed HBO series Oz. The brutally violent, hard-hitting series generated Perrineau thousands of fans, and he stayed with the show until 2003 - the same year he took up the role of Link in The Matrix Reloaded, the second film in the explosive Matrix franchise. He would reprise the role the next year for the third and final installment in the series, The Matrix Revolutions, before returning to television just months later for the role of Michael on the cryptic ABC sci-fi/mystery/drama Lost. Playing a conflicted and sometimes morally ambiguous character, Perrineau soon proved to be a vital member of the cast, taking a hiatus from the series in 2007 only to return in 2008.Despite becoming a pivotal component of primetime TV, the actor remained as active in movies as ever. He took on the role of Flynn in the 2007 horror sequel 28 Weeks Later, and starred alongside Michael Madsen in the 2008 thriller The Killing Jar. After Lost ended in 2010, Perrineau continued to alternate between TV and film, playing the villain in season 5 of Sons of Anarchy and a decidedly lighter role as the bass player in a wedding band in the short-lived TBS comedy Wedding Band. He also played a supporting role in the controversial Oscar-nominated film Zero Dark Thirty (2012).

Trivia: What do actors Gig Young, Anne Shirley, and L.Q. Jones have in common? All of them lifted their show-biz names from characters they'd portrayed on screen. In 1955, University of Texas alumnus Justice McQueen made his film debut in Battle Cry, playing a laconic lieutenant named L.Q. Jones. McQueen liked his character so much that he remained L.Q. Jones offscreen ever after (though he never made it legal, still listing himself as Justice Ellis McQueen in the 1995 edition of Who's Who). A natural for westerns both vocally and physically, Jones played supporting roles in several big-screen oaters, and was seen on TV as Smitty on Cheyenne (1955-58) and as Belden on The Virginian (1964-67). Jones gained a measure of prominence in the films of Sam Peckinpah, notably Ride the High Country (1961) and The Wild Bunch (1969). Turning to the production side of the business in the early 1970s, L. Q. Jones produced and co-starred in the 1971 film Brotherhood of Satan; he also co-produced, directed, adapted and played a cameo (as a porn-movie actor!) in the fascinating 1975 cinemazation of Harlan Ellison's A Boy and His Dog, a tour de force that won Jones a Hugo Award from America's science fiction writers.

Trivia: Sturdy, dependable actress Kathleen Wilhoite adroitly tackled supporting roles in American films from the early '80s (amid her late adolescence) onward. She began with feature work, in pictures of somewhat dubious quality, such as the 1983 exploitationer Private School, the disappointing Sidney Lumet thriller The Morning After (1986), and the disastrous superhero saga Brenda Starr (1993). Wilhoite scored, however, on the small screen with three memorable series portrayals: Rosalie Hendrickson on L.A. Law, Chloe Lewis on ER, and Liz Danes on Gilmore Girls. She returned to features in 2007, with a supporting role in the quirky Michael Douglas comedy The King of California.

Trivia: Renowned as both an actor and an activist, Gordon Tootoosis was born into a large family in Saskatchewan, Canada in 1941. Though Tootoosis' family lived a traditional Cree lifestyle, and were committed to preserving the culture of their native people, he was removed from his home and taken to a government run residential school at a young age, where he was forbidden from speaking his native language or practicing its traditions. This would help inspire the young man to commit even more strongly to his heritage, and he would go on to remain a vocal advocate for aboriginal rights, in addition to playing numerous roles that showcased native cultures, including Joe Saugus in the 2002 series Auf Wiedersehen, Pet, and Albert Golo on North of 60. Tootoosis would also help found the Saskatchewan Native Theatre Company, and serve as vice president of the Federation of Saskatchewan Indian Nations. Tootoosis passed away in 2011 at the age of 69.