Trivia: A muscular, darkly handsome actor who defies easy categorization, Brendan Fraser has an enviable versatility that has allowed him to be equally convincing in comedies, dramas, and adventure films alike. The son of a Canadian tourism executive, Fraser was born in Indianapolis on December 3, 1968. Thanks to his father's job, Fraser and his family led a fairly peripatetic existence, living in locales as varied as Ottawa, London, Rome, and Seattle. During his time in London, Fraser became interested in theater and eventually enrolled in Seattle's Cornish Institute for training.After an early appearance in Dogfight (1991), Fraser got his break in 1992's Encino Man as a Stone-Age man unfrozen in modern-day California. He went on to gain audience prominence in diverse roles such as a Jewish football player in an all-WASP environment in School Ties (1992), a grunged-out musician in Airheads (1994), a Harvard student who loses his thesis in With Honors (1994), and a quirky baseball phenom in The Scout (1994). Fraser has been quoted in one magazine article as saying that he seeks out roles combining "silliness and sexiness"; his work during the second half of the '90s certainly reflected this. Particular highlights were George of the Jungle (1997), a satire of jungle adventure films; Gods and Monsters (1998), the acclaimed rendering of the last days of director James Whale, for which Fraser earned particular praise in his role as Whale's strapping gardener; the romantic comedy Blast From the Past (1999); and a big-budget remake of The Mummy (1999) that effectively showcased Fraser as a hero well-suited to old-school adventure. So successful were the extravagantly computer generated exploits of the revived Mummy soon became a franchise, birthing sequels like The Mummy Returns (2001) and The Mummy: Tomb of the Dragon Emperor (2008). Fraser would spend subsuquent years appearing in a number of varied projects, including comedies like Bedazzled and Dickie Roberts: Former Child Star, dramas like The Quiet American and Crash, and adventure movies, like Journey to the Center of the Earth and Inkheart.

Trivia: Born Jennifer Mary Butula on September 30, 1971, in Los Angeles, Elfman initially trained as a classical ballerina. However, a foray into acting brought with it new opportunities and Elfman found work in various television shows before being cast in a bit role in Grosse Point Blank in 1997. The same year, she won the role of Dharma in Dharma and Greg and was soon being touted as one of the most exciting new actors on television. She would go on to appear in movies like Can't Hardly Wait, EdTV, Keeping the Faith, Town & Country, and Friends with Benefits. Elfman would also continue to find success on the small screen on shows like Courting Alex and Accidentally on Purpose. If Elfman's last name sounds familiar, it's probably because she is related to Danny Elfman, composer of soundtracks ranging from The Simpsons to Good Will Hunting. The composer is uncle to Bodhi Elfman, whom Jenna Elfman married in 1995.

Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: British actor Timothy Dalton has excelled in roles calling for both panache and psychological complexity. His stage training has included stints at the National Youth Theatre, the Royal Academy of Dramatic Art, and the star-making Birmingham Repertory. Dalton's extensive work in the classics with the Royal Shakespeare Company led to his being cast as King Philip of France in the film The Lion in Winter (1968). In 1971, Dalton appeared in Mary, Queen of Scots, simultaneously launching a lengthy romantic involvement with that film's star, Vanessa Redgrave. When Roger Moore quit the James Bond film series in 1986, it looked for a while as though his successor would be television star Pierce Brosnan; instead, the Bond producers made the eleventh-hour decision to cast Dalton as secret agent 007 in The Living Daylights. Though dashing in a tuxedo and more than willing to perform his own stunts, Dalton was more effectively felt in the role of the dastardly movie swashbuckler-cum-Nazi spy in the breezy sci-fi film The Rocketeer (1991).Dalton would find his niche in the 90's and 2000's appearing in several made-for-TV productions, like 1992's Framed, and 1994's Scarlett, a mini-series based on Gone with the Wind in which Dalton played Rhett Butler. He would go on to appear in several more TV movies, like Hercules and Marple: The Sittaford Mystery. Dalton's also taken on numerous stage roles, notably playing Lord Asriel in the theater production of His Dark Materials in 2004.In 2007 he spoofed his own persona ever so lovingly in the action comedy Hot Fuzz. He became part of the Pixar family by voicing one of the dramatically inclined plaything in Toy Story 3. That same year he had a major part in the infamous bomb The Tourist.

Trivia: Blonde and buoyant actress Heather Locklear had the distinction of co-starring simultaneously in two weekly series within a year of her 1981 TV debut. Locklear played Steven Carrington's long-suffering wife Sammy Jo on Dynasty, then went down the block to essay the role of ever-imperiled lady cop Stacy Sheridan on T.J. Hooker. Since that time, Locklear has made several efforts to establish herself as a comedienne, ranging from a forgettable sitcom to her wiselipped heroine in Return of the Swamp Thing (1991). Far better at inducing feminine envy than laughs, Locklear was later seen as elegant villainess Amanda Woodward, on the Fox Network series Melrose Place, a show she is credited as saving from cancellation with her sexy but catty performance. Numerous television roles followed -- including appearances in Two and a Half Men, Boston Legal, and Hannah Montana -- and in 2009 Locklear returned to the character of Amanda Woodward in the shortlived Melrose Place revival series. When not participating in series television, Locklear has functioned as spokesperson for the Health and Tennis Corporation of America. Locklear was for several years married to rock star Tommy Lee; after their breakup she wed yet another rocker, Bon Jovi guitarist Richie Sambora. Lee in turn married another blonde TV icon, Baywatch star Pamela Anderson.

Trivia: One of Hollywood's funniest and most underappreciated actresses, Joan Cusack was for years relegated to playing the buddy sidekicks of her more glamorous co-stars and known primarily as John Cusack's older sister. Thanks to a couple of Oscar nominations and strong roles in a number of movies, Cusack finally began getting her due in the late 1990s, earning both recognition and respect for her singular talent.Born in New York City on October 11, 1962, Cusack grew up in the Chicago suburb of Evanston. The daughter of actor and filmmaker Richard Cusack, she and her siblings were encouraged to perform from an early age. As a result, Cusack grew up acting on the stage and training with the Piven Theatre Workshop. She broke into film while still in her teens, getting her start - -and often acting alongside her brother -- in such teen comedies as My Bodyguard (1980) and Sixteen Candles (1984). In 1985 she was offered a part on the Saturday Night Live roster, but felt constrained by the lack of quality material offered to women, and left the show after one season. Gradually getting better supporting work in such films as Broadcast News (1987) and Married to the Mob (1988), Cusack had her screen breakthrough in Working Girl (1988), earning a Best Supporting Actress Oscar nomination for her role as Melanie Griffith's street-smart best friend. More strong notices followed in 1989 for Cusack's work in the drama Men Don't Leave, in which she played a nurse who helps get Jessica Lange's life back on track after her husband's death. Though Cusack would move to Chicago for much of the 90's to focus on her family, she would appear in a handful of memorable titles, like My Blue Heaven (1990), Addams Family Values, Corrina, Corrina, Nine Months, and In & Out. Cusack would amp it up in the coming years, however, with appearances in a slew of popular films like Grosse Point Blank, Runaway Bride, High Fidelity, and Cradle will Rock. As the 2000's rolled onward, Cusack would continue to maintain her status as a go-to character actor, appearing in fims like Friends with Money, My Sister's Keeper and Mars Needs Moms, and on the critically acclaimed series Shameless.

Trivia: Pro-wrestler Bill Goldberg began his career with the NFL, playing for the Atlanta Falcons. He joined up with the WCW in the '90s, where he became a popular fixture on the scene. He would also go on to make other celebrity appearances onscreen, on shows like Law & Order: Special Victims Unit and Family Guy. He made his film debut in Universal Soldier: The Return, and followed that up with the wrestling comedy Ready to Rumble. After appearing in the remake of The Longest Yard, Goldberg competed in the ninth season of the reality program The Apprentice.

Trivia: Cornell University alumnus Mary Woronov fell under the influence of Andy Warhol's "Factory" when she was barely out of her teens. Billed as Mary Might, she showed up in such Warhol film projects as Chelsea Girls. She made her "mainstream" off-Broadway debut in 1968's Kitchenette, and seven years later won the Theater World Award for her performance in the Broadway comedy The Boom Boom Room. Though eminently employable for conformist Hollywood film and TV productions (she appeared in four consecutive episodes of the weekly series Flying Blind), Woronov was at her best in inexpensive, quasi-underground productions, often playing oversexed lesbians and/or physical culturalists. She frequently collaborated with actor/director Paul Bartel, appearing to excellent advantage in such Bartel efforts as Death Race 2000 (1975) and Rock 'n' Roll High School (1978). Best of all was Bartel's Eating Raoul, in which Woronov stars as one Mary Bland, who, in order to raise money for her husband's restaurant, poses as a dominatrix to lure lusty male customers into her home, then murders her clients in a variety of inventive ways. A gifted writer and artist, Mary Woronov has published two books, Wake for the Angels: Paintings and Stories (1994) and Swimming Underground: My Years in the Warhol Factory (1995).

Trivia: Large and muscular at an early age, American actor Dick Miller entered the Navy during World War II while still a teenager, distinguishing himself as a boxer. He attended CCNY, Columbia University and New York University, supporting himself with semi-pro football jobs, radio DJ gigs and as a psychological assistant at Bellevue. At age 22, he was host of a Manhattan-based TV chat show, Midnight Snack. Stage and movie work followed, and Miller joined the stock company/entourage of low-budget auteur Roger Corman. His first great Corman role was as the hyperthyroid salesman in Not of this Earth (1956); a handful of rock-and-roll quickies followed before Miller received his first sci-fi lead in War of the Satellites (1958). In Corman's Bucket of Blood (1959), Miller originated the role of Walter Paisley, the nebbishy sociopath who "creates" avant-garde sculpture by murdering his subjects and dipping them in plaster. He was then cast in the immortal Little Shop of Horrors (1960); Miller not only makes a terrific entrance by buying a bouquet of flowers and then eating them, but also narrates the picture. Miller stayed with Corman into the 1970s, at which time the director was in charge of New World Pictures. Seldom making a liveable income in films, Miller remained an unknown entity so far as the "big" studios were concerned -- but his teenaged fans were legion, and he was besieged on the streets and in public places for autographs. When the adolescent science-fiction fans of the 1950s became the directors of the 1980s, Miller began receiving some of the best roles of his career. In Joe Dante's Gremlins (1984), Miller was paired with his Little Shop costar Jackie Joseph, as a rural couple whose house is bulldozed by a group of hostile gremlins. Miller and Joseph returned in the sequel Gremlins 2: The New Batch (1989), in which the actor heroically helped squash the gremlins' invasion of New York. Miller's most Pirandellian role was as the "decency league" activist in Matinee (1993) who is actually an actor in the employ of William Castle-like showman John Goodman. Directed again by longtime Miller fan Dante, Matinee contains a wonderful "in" joke wherein Miller is identified as a fraud via his photograph in a Famous Monsters of Filmland-type fanzine -- the very sort of publication which canonized Miller throughout the 1970s.

Trivia: Kevin McCarthy and his older sister Mary Therese McCarthy both found careers in the entertainment industry, though in very different arenas -- Mary became a best-selling novelist, and Kevin became an actor after dabbling in student theatricals at the University of Minnesota. On Broadway from 1938 -- Kevin's first appearance was in Robert Sherwood's Abe Lincoln in Illinois -- McCarthy was critically hosannaed for his portrayal of Biff in the original 1948 production of Death of a Salesmen (who could tell that he was but three years younger than the actor playing his father, Lee J. Cobb?) In 1951, McCarthy re-created his Salesman role in the film version, launching a movie career that would thrive for four decades. The film assignment that won McCarthy the hearts of adolescent boys of all ages was his portrayal of Dr. Miles Bennell in Invasion of the Body Snatchers (1956). Bennell's losing battle against the invading pod people, and his climactic in-your-face warning "You're next!, " made so indelible an impression that it's surprising to discover that McCarthy's other sci-fi credits are relatively few. Reportedly, he resented the fact that Body Snatchers was the only film for which many viewers remembered him; if so, he has since come to terms with his discomfiture, to the extent of briefly reviving his "You're next!" admonition (he now screamed "They're here!" to passing motorists) in the 1978 remake of Invasion of the Body Snatchers. He has also shown up with regularity in the films of Body Snatchers aficionado Joe Dante, notably 1984's Twilight Zone: The Movie (McCarthy had earlier played the ageless title role in the 1959 Zone TV episode "Long Live Walter Jamieson") and 1993's Matinee, wherein an unbilled McCarthy appeared in the film-within-a-film Mant as General Ankrum (a tip of the cap to another Dante idol, horror-movie perennial Morris Ankrum). Kevin McCarthy would, of course, have had a healthy stage, screen and TV career without either Body Snatchers or Joe Dante; he continued showing up in films into the early 1990s, scored a personal theatrical triumph in the one-man show Give 'Em Hell, Harry!, and was starred in the TV series The Survivors (1969), Flamingo Road (1981), The Colbys (1983) and Bay City Blues (1984).

Trivia: After attending City College of New York, Marc Lawrence studied acting with Eva Le Gallienne. Among the many stage productions in which Lawrence appeared were Sour Mountain and Waiting for Lefty. First signed for films by Columbia in 1932, Lawrence's scarred face and growly voice made him indispensable for gangster parts, though he generally displayed an intelligence far higher than the average goon or gunman. Though usually limited to villainy, Lawrence was not always confined to urban roles, as witness his successful portrayals of a mountaineer in Shepherd of the Hills (1942) and a western saddle tramp in The Ox-Bow Incident (1943). The actor's own favorite role was Corio in 1947's Captain from Castille. During the House UnAmerican Activities Committee investigations of the 1950s, Lawrence reluctantly offered testimony implicating several of his coworkers as alleged communist sympathizers; the experience virtually destroyed his American career and left him embittered and defensive (he would always refuse to be interviewed by historians of the "Blacklist" era, referring to them as "ghouls"). Lawrence was forced to seek out work in Europe, where he'd emerge in the early 1960s as a director of crime films and spaghetti westerns. Back in the U.S. in the 1980s, Lawrence made several TV appearances and showed up in such films as The Big Easy (1987) and Newsies (1992), typecast once more as gangsters. In 1993, Lawrence privately published his memoirs, in which for the first time in print he addressed his dark days as an HUAC "friendly witness."

Trivia: A character actor beloved particularly for playing villains, Bill McKinney was born in Chattanooga, TN, in 1931. After spending some time in Los Angeles while on leave in the Navy, McKinney decided to settle there following his discharge in order to pursue his dream of becoming an actor. He studied at the Pasadena Playhouse and Lee Strausberg's Actors Studio while paying the bills as a high-school teacher before he began landing TV roles on shows like The Monkees and I Dream of Jeannie. In 1972, McKinney was cast as a sadistic mountain man in the thriller Deliverance alongside Burt Reynolds and Jon Voight. His visage was soon synonymous with ominousness and violence, leading to a slew of roles as baddies in a wide variety of films over the coming years, like Cleopatra Jones, The Shootist, First Blood, and The Parallax View. McKinney also began collaborating with Clint Eastwood on a series of films, including The Outlaw Josey Wales, The Gauntlet, Every Which Way but Loose, Any Which Way You Can, and Pink Cadillac. By the 2000s, the actor, now in his seventies, was still going strong. He appeared in such films as 2007's Lucky You, 2008's Pride and Glory, and 2010's How Do You Know before passing away in December 2011 at age 80.

Trivia: American actor George Murdock's uneven facial features enabled him to play many an offbeat part in his early professional years, none more offbeat than the ventriloquist's dummy come to life in the 1962 Twilight Zone episode "The Dummy." Murdock went on to play obnoxious and intrusive authority figures. He made Sammy Jackson's life hell as Captain Krupnick in the 1964 sitcom version of No Time for Sergeants, and fifteen years later did same for Hal Linden as an internal-affairs snoop on Barney Miller. In his later years, Murdock landed one of his best-known parts, as God in the disastrous Star Trek V: The Final Frontier.

Trivia: Yale alumnus Robert Picardo made his off-Broadway debut in David Mamet's one-act play Sexual Perversity in Chicago. That was in 1975; two years later, Picardo was first seen on Broadway in Gemini. He launched his TV career in the 1980 miniseries The Dream Merchants, and in 1981 made his first film, The Howling--one of several assignments for director Joe Dante. During his early TV years, he was all too often cast in "first husband" or "wrong boyfriend" supporting roles. Things improved in 1986, when he was hired to play the much-feared high school gym teacher Coach Cutlip in the weekly dramedy The Wonder Years. He went on to co-star as Dr. Dick Richard in the highly acclaimed Vietnam-era series China Beach (1989-91). A busy voiceover artist, Picardo has supplied a variety of vocal characterizations for such series as Dinosaurs and Batman. Undoubtedly you'll be reading even more about Robert Picardo in the future, by virtue of his being cast as the holographic Doc Zimmerman on TV's Star Trek: Voyager(1995- ). In the post Star Trek years, Picardo would find ongoing success on shows like The Lyon's Den, Stargate SG-1, and Stargate Atlantis.

Trivia: Ron Perlman grew up in the Washington Heights section of New York City, where his father was a radio/TV repairman and his mother an employee with the city's Department of Health. A profoundly unhandsome youth, Perlman was nonetheless very active in high school theater by virtue of his height (6-foot-2) and his deep, rolling voice. He continued studying drama at Lehman College and later at the University of Minnesota, where he graduated with a master's degree in theater arts. He went to work with New York's Classic Stage Company, an organization specializing in Elizabethan and Restoration plays. Perlman starred in several Manhattan and touring productions staged by Tom O'Horgan of Hair fame before accepting his first film role as a Neanderthal man in 1981's Quest for Fire. Emotionally drained, Perlman backed off from acting after finishing the movie, but was soon back in the groove, essaying such attention-getting roles as the hunchbacked Salvatore in The Name of the Rose (1986). Most often cast as brooding, inarticulate, villainous characters in films (such as Pap in 1993's The Adventures of Huck Finn), Perlman became best known for his performance as the beneficent, albeit hideously ugly, sewer-dwelling Vincent in the late-'80s TV series Beauty and the Beast. Though this remained the actor's defining role for years after the show's run had drawn to a close, he was busier than ever through the '90s. Appearing in everything from obscure arthouse hits (Cronos [1993] and The City of Lost Children [1995]) to voice-over work for television (Aladdin) and video games (Fallout, A Post Nuclear Role Playing Game) to overblown Hollywood blockbusters (Alien Resurrection), Perlman left few stones unturned in terms of flexibility and experimentation in new media. He continued this trend into the early 2000s, alternating between various arenas with remarkable ease and refusing to be pigeonholed, appearing in such high-profile releases as Titan A.E. (2000), Enemy at the Gates (2001), and Blade II (2002). Though his recognition factor seemed higher than ever, few could foresee the opportunity just ahead when Blade II and Cronos director Guillermo del Toro announced that Perlman would star in the film adaptation of Mike Mignola's popular comic book Hellboy, although it seemed highly unlikely that studios would invest the millions of dollars needed to bring the comic to life with an actor of such minimal "marquee value." They wanted Vin Diesel for the role, but del Toro, with the blessing and encouragement of character originator Mignola, eventually won out to have Perlman play the Nazi-creation-turned-superhero in the 2004 fantasy-action film.

Trivia: Stands 4'1" and has a rare form of dwarfism known as acromicric dysplasia. High-school extracurricular activities included football and drama club. Post-high school, made his acting debut at Radio City Music Hall, where he continued to perform for 10 years. In addition to acting, has worked as a stuntman since the early '90s; credits include movies such as Evan Almighty and Van Helsing. Is close friends with Little People, Big World stars Matt and Amy Roloff and appeared on their show several times. Is an accomplished soccer player who competed in the 2009 World Dwarf games as a member of soccer team the Statesmen. Works with the Coalition for Dwarf Advocacy, a nonprofit foundation formed to assist and advocate for people with dwarfism.