Trivia: More coolly charismatic than drop-dead handsome, Richard Gere was one of the most successful sex symbols of the '80s and early '90s. Possessing something of an actual talent in addition to his good looks, Gere has proven himself to be a versatile actor since first starring as the pick-up artist who creeps out Diane Keaton in Looking For Mr. Goodbar. Capable of playing everything from romantic leads and action heroes to medieval knights and ruthless villains, Gere has moved beyond his role as cinematic eye candy to become one of the more enduring actors of his generation. Born in Philadelphia on August 31, 1949, Gere had a strict Methodist upbringing in upstate New York. Following his 1967 high school graduation, he studied philosophy and film at the University of Massachusetts -- only to leave school to pursue an acting career two years later. Gere became a professional actor and sometime musician, performing theatrically in Seattle and New York and attempting unsuccessfully to form a rock band. In 1973 the young actor landed in London, where he gained prominence playing Danny Zuko in Grease, a role he would later reprise on Broadway. While in London, Gere gained the privilege of becoming one of the few Americans ever to work with Britain's Young Vic Theater, with which he appeared in The Taming of the Shrew.Back in the U.S., Gere made his feature film debut in 1974 with a tiny part in Report to the Commissioner. He returned to the stage the following year as part of the cast of an off-Broadway production of Sam Shepard's Killer's Head; following Gere's turn in the 1977 Looking for Mr. Goodbar, he and Shepard would again collaborate in Terrence Malick's breathtaking Days of Heaven (1978). In 1979, Gere won considerable theatrical acclaim for his performance in the Broadway production of Martin Sherman's Bent, and the next year enjoyed his first shot at screen stardom with the title role in Paul Schrader's American Gigolo. Though the film was not a major critical or box-office success, it did earn recognition for the actor, who had taken the role after John Travolta turned it down. Gere did not become a real star until he appeared opposite Debra Winger in An Officer and a Gentleman in 1982, but his bona fide celebrity status was jeopardized with roles in several poorly received films including King David (1985). A lead role in Francis Ford Coppola's 1984 The Cotton Club also failed to perk up the actor's career; despite a legendary director and stellar cast, the film received mixed reviews and poor box-office turnout. With no recent major successes behind him by the end of the decade, it looked as if Gere's career was in a tailspin. Fortunately, he abruptly pulled out of the dive in 1990, first as a cop/crime lord in Mike Figgis' Internal Affairs and then as a ruthless businessman who finds true love in the arms of prostitute Julia Roberts in the smash romantic comedy Pretty Woman. Back in the saddle again, Gere continued to star in a number of films, including Sommersby (1993), Intersection (1994), and First Knight (1995). In 1996, he was highly praised for his portrayal of an arrogant hot-shot attorney in Primal Fear, and in 1999 found further financial, if not critical, success starring opposite Julia Roberts in Runaway Bride. The following year the actor enjoyed some of his best reviews to date as a gynecologist at once devoted to and bewildered by all of the women in his life in Robert Altman's aptly titled Dr. T & the Women; many critics noted that Gere seemed to have finally come into his own as an actor, having matured amiably with years and experience. In 2002, Gere played the too-perfect-for-words husband to Diane Lane in Unfaithful. While the film was not a huge critical success, Gere was praised for a game performance, and Lane was nominated for an Oscar. Unfortunately for Gere, a starring role in The Mothman Prophecies didn't do too much for his resume -- while critics once again lauded the actor's intensity, the film itself was widely hailed as too slow-paced to properly showcase his talents. Luckily, the same couldn't be said for his performance in the multiple Oscar winning Chicago, which found Gere in the role of another hotshot lawyer, this time alongside a diverse and talented cast including Catherine Zeta-Jones, Renée Zellweger, and Queen Latifah. In 2004, Gere starred opposite Jennifer Lopez and Oscar-winning Hollywood veteran Susan Sarandon in Peter Chelsom's Shall We Dance?.On- and offscreen, Gere uses his acting clout to promote his various political ventures. A devout Buddhist, Gere has been deeply involved with the struggles surrounding the Dalai Lama and the worldwide struggle for human rights -- the documentaries Return to Tibet (2003) and Shadow Over Tibet: Stories in Exile (1994) featured Gere as a prime interviewee, while 1997's Red Corner starred the versatile actor as a victim of a grossly corrupt Chinese court system.In 2005, Gere played a professor of religious studies in director David Siegel's drama Bee Season, and enjoyed success in 2007 with The Hoax, an edgy biographical drama, and The Hunting Party, a political tragi-comedy in which he played a discredited reporter mistaken as a member of a CIA hit squad. The actor joined the casat of Nights in Rodanthe in 2008, and worked with Hilary Swank in Amela, the 2009 Amelia Earhart biopic. Gere took on the role of a burnt out cop in Training Day (2009), director Antoine Fuqua's gritty crime drama Brooklyn's Finest.

Trivia: Largely underappreciated for years in Hollywood before her Oscar-nominated turn as the First Lady in Nixon (1995), Joan Allen has had a distinguished career encompassing the stage, screen, and television. A native of Rochelle, Illinois, where she was born August 20, 1956, the blond, swanlike actress developed an interest in acting while in high school. Voted Most Likely to Succeed by her senior class, Allen went on to study theatre at Eastern Illinois University. She then moved to Chicago, where she became one of the founding members of the vaunted Steppenwolf Theatre Company, along with such respected talents as Gary Sinise and John Malkovich.Allen made her screen debut with a small role in the 1985 film Compromising Positions and a year later played two wildly different characters in Manhunter and Peggy Sue Got Married. Her portrayals of a tragically confused young woman who attempts to seduce a serial killer in the former film and a brainy high school student in the latter impressed a number of critics, but it was on the stage that Allen was most appreciated. In 1988, she won a Tony award for her Broadway debut performance in Burn This, and a year later she earned her second Tony nomination for her role in Wendy Wasserstein's highly acclaimed The Heidi Chronicles.Following increasingly substantial roles in such films as In Country (1989), Ethan Frome (1992), and Searching for Bobby Fischer (1993), Allen won a Best Supporting Actress Oscar nomination for her stunning portrayal of First Lady Pat Nixon in Oliver Stone's Nixon. The acclaim surrounding her performance in the 1995 film finally gave Allen the Hollywood recognition she deserved; the following year this recognition was further enhanced with her Oscar-nominated turn as the long-suffering Elizabeth Proctor in Nicholas Hytner's adaptation of The Crucible.More praise came Allen's way in 1997, when she headlined a stellar ensemble cast in Ang Lee's lauded adaptation of Rick Moody's The Ice Storm. Starring as a troubled upper middle-class Connecticut housewife alongside the likes of Kevin Kline, Sigourney Weaver, Christina Ricci, and Tobey Maguire, Allen gave repression a stirring, beautifully nuanced name. That same year she went in a completely different direction, starring as the wife of an FBI agent (John Travolta) in John Woo's popular action thriller Face/Off. Allen returned to the realm of the repressed housewife in 1998, starring (and reuniting with Maguire) in the acclaimed 1950s-set comedy drama Pleasantville. The turn of the century found Allen taking leads in a trio of issue-oriented dramas: In the multi-character handgun treatise All the Rage (released on video in 2000), she played the wife of a short-fused lawyer (reuniting with Pleasantville's Jeff Daniels in the process); in the Irish production When the Sky Falls, she teamed with The Long Good Friday (1980) director John Mackenzie to tell the true, tragic story of a Dublin crime reporter; and in Rod Lurie's The Contender, Allen nabbed her biggest role to date -- and her first Best Actress Oscar nomination -- as a would-be U.S. vice president who finds herself at the center of a sex scandal.After all the attention for The Contender, the savvy Allen continued to oscillate between big roles in low-profile independent films and small roles in big-budget popcorn fare, to even greater success. She featured prominently in two of the biggest box-office hits of 2004: the sentimental romance The Notebook and the wildly successful second installment of the Jason Bourne franchise, The Bourne Supremacy. In the latter, she dug into a meaty, sympathetic supporting role as an all-business CIA agent who pursues the framed title character. Spring 2005 saw the near-concurrent release of two of her indie films, both of which premiered at Sundance Festivals from years prior: Campbell Scott's lapsed-hippie family drama Off the Map and Mike Binder's Terms of Endearment-ish saga The Upside of Anger. The former cast Allen against type as a let-it-all-hang-out New Mexico naturalist who finds her family coming apart at the seams in the mid-1970s. More widely acclaimed was her Anger appearance: As a drunk, headstrong, suburban Detroit housewife who lashes out at her four daughters -- and everyone else -- after her husband leaves the family, Allen turned in a performance that was both caustic and relatable, and garnered some of the best notices of her film career.In 2008 she played the bad guy in the action film Death Race, and the year after that she starred as Georgia O'Keefe in the biopic about her directed by Bob Balaban. She returned to the role of Pamela Landy for The Bourne Legacy, the Tony Gilroy directed reboot of the popular franchise that featured Jeremy Renner taking over the title role.

Trivia: Charismatic, muscular, handsome, and often exuding a dangerous sexuality, Cary-Hiroyuki Tagawa specializes in playing the evilest of vile villains, most of whom despite their exceptional martial arts skills, are skilled in spectacular manners. Tagawa's willingness to accept villainous roles such as that of the wicked sorcerer Shang Tsung in Mortal Combat (1995) has drawn criticism from certain Asian American groups, who fear that he is perpetuating negative stereotypes, but Tagawa offers an interesting perspective, citing the fact that the action film is the most popular genre worldwide. When Tagawa plays a bad guy, he plays it to the hilt, trying to imbue his villains with depth to demonstrate that in order to be so successful at being bad, they must possess a certain amount of positive qualities, including discipline, intelligence, and commitment. In his personal life, Tagawa is the antithesis of the characters he plays. He is known for his unusual courtesy, non-violent demeanor, his wisdom, and for his unflagging devotion to helping young people. A deeply spiritual man, Tagawa has developed a unique philosophical approach to martial arts, Chun Shin, which primarily centers on developing the inner state and spirituality of the practitioner rather than on the physical movements of fighting. The purpose of the exercises of Chun Shin is to release the energy centers within, creating a harmony between mind and body. Tagawa was born in Tokyo, Japan, the son of a Japanese American father and a Tokyo actress. His father, a native of Hawaii, worked for the U.S. military and when Tagawa was five, his family moved to Texas. This was during the 1950s, when racism was rampant throughout the South. For Tagawa, the change from a supportive environment to a hostile one was a great shock. As a young adult, Tagawa briefly attended the University of Southern California where he studied martial arts. The following year, he returned to Japan to further his studies at a prestigious school under the tutelage of master Nakayama, one of the most highly regarded fighters in Japan. But for Tagawa, there was a spiritual component missing from training -- that, and perhaps the feeling that he was not accepted into Japanese society, led him to return to the U.S.Although he had been interested in acting for many years, Tagawa did not become an actor until he was 36 years old. He made his feature film debut in The Last Emperor (1984) and went on to work steadily in feature films and on television. Many of his film appearances have been in the direct-to-video category. Still, Tagawa has managed to develop a devoted following and has at least one web site devoted to him on the Internet. As mentioned, Tagawa specializes in villains, but occasionally he plays different roles as he did in the much-honored independent drama Picture Bride (1994) in which he plays a sugar cane farmer who orders a Japanese mail-order bride 25 years younger than himself. The latter 1990s also found Tagawa's Hollywood work coming more frequently and in larger profile releases. After small roles in such films as Vampires (1998) and Snow Falling on Cedars (1999), Tagawa could be seen in such eagerly anticipated large-scale productions as Pearl Harbor and Planet of the Apes (both 2001).

Trivia: Born in California in 1984, actress Sarah Roemer first gained the attention of moviegoers with a supporting part in the 2006 horror sequel The Grudge 2. The following year, she received greater prominence opposite Shia LaBeouf in the psychological thriller Disturbia, which became a surprise hit, perching atop the box-office charts for several consecutive weeks. Following Disturbia, Roemer scored her first lead role, starring in the 2007 supernatural horror film Asylum. Roemer would go on to find success on the small screen on shows like The Event and Daybreak. In 2013, she joined the online series Chosen.

Trivia: Most everyone who went to high school in Livingston, NJ, with Newark-born Jason Alexander knew that the lad was destined to become a major actor. Though inclined to stoutness -- and baldness -- from age 16 onward, Alexander had such a commanding stage presence that he was invariably cast as the star in school plays, in roles ranging from romantic leads to elderly character parts. While attending Boston University, the 20-year-old Alexander was cast in the lead of the Stephen Sondheim Broadway musical Merrily We Roll Along, which might have made him an overnight star had it not closed almost as soon as it opened. Alexander's first film role was in 1981's The Burning; that same year he made his TV-movie bow in Senior Trip. By 1989, Alexander had two major industry awards to his credit: the Tony and Grammy, both for his participation in Jerome Robbins' Broadway. In 1990, he was cast as clueless loser George Costanza in the popular sitcom Seinfeld (the character was allegedly based on series co-creator Larry David). And in 1994, his voice could be heard each week on the USA cable network as the web-footed, sex-obsessed private eye hero of the animated cartoon series Duckman. Though still best-known for his portrayal of George Costanza, Alexander's feature film career picked up speed during the '90s as both a character actor in major comedies such as Dunston Checks In and a voice-over artist on such animated Disney features as Aladdin and The Hunchback of Notre Dame. In 1997, he played a more dramatic role as an AIDS-afflicted drag queen who finds romance in Love! Valour! Compassion! (1997). After a disappointing blink-and-you-miss-it comeback to the small screen as a self-help guru in Bob Patterson, Alexander leapt back to the big screen opposite Jack Black in the Farrelly brothers' Shallow Hal. He directed the sex comedy Just Looking in 1999. He had another small-screen misfire with Listen Up. But he continued to appear regularly in movies including the documentary The Aristocrats, the improvised poker movie The Grand, and Snoop Dogg's Hood of Horror. He has lent his voice to a handful of animated projects over the years, and in 2012 he appeared in the family film A Fairly Odd Movie: Grow Up Timmy Turner.

Trivia: From his earliest days, character actor Erick Avari's family knew that he would eventually end up with a career in show business -- though given the fact that his grandparents on both sides of the family owned movie theaters throughout India and Asia (not to mention that his great-grandfather was a Victorian-era theater producer often credited with introducing women into Indian theater), they no doubt thought he would lean more towards the "business" side and less towards the "show." The majority of Avari's childhood was spent in Darjeeling, India. Though young Avari's primary language was English, he also mastered Nepali, Bengali, Hindi, and Gujarati over the course of his childhood. A steady diet of English-language films viewed at one of his father's two theaters no doubt aided the aspiring actor in bettering his English skills, and following a small role in Satyajit Ray's Kanchenjungha and a chance meeting with the Kendall family theater troupe, Avari's career was soon moving in the right direction. Following several years of college in India, Avari was awarded a scholarship to the College of Charleston, SC, where he studied acting before moving to New York to pursue a stage career. Roles in New York's Joseph Papp Public Theater and in the Broadway production of The King and I were quick to follow, and Avari made his feature debut with a role in the 1984 fantasy comedy Nothing Lasts Forever. Through the remainder of the '80s and the '90s, Avari carved a successful niche in film as the go-to guy for roles that called for mysterious men from the Far East, and roles in such wide-release films as Encino Man, For Love or Money, Stargate, and The Mummy kept him in the public eye. By the millennial turnover, audiences were no doubt familiar with Avari's face, with roles in Planet of the Apes, Mr. Deeds, The Master of Disguise, and Daredevil cementing his status as a talented character actor with impeccable comic timing.