Trivia: Farce, satire, and parody come together with Vaudeville roots and manic energy to create the Mel Brooks style of comedy. Born Melvin Kaminsky to a Russian Jewish family in Brooklyn, NY, the writer/producer/director/actor was one of very few people to win an Oscar, Emmy, Grammy, and Tony award. After serving in the U.S. Army during World War II, he worked as a standup comic at resorts in the Catskills and started writing comedy. Along with Woody Allen, Neil Simon, and others, he wrote for Sid Caesar's Your Show of Shows, which later became Caesar's Hour. Teaming up with fellow staff writer Carl Reiner, he developed the award-winning "2000 Year Old Man" comedy skit, which led to several recordings, television appearances, and a 1998 Grammy. He and writer Buck Henry also created the spy-parody TV series Get Smart (1965-1970) starring Don Adams. During this time, he produced theater, married actress Anne Bancroft, and made his first film: an Oscar-winning animated short parody of modern art called The Critic. He then put together a screenplay based upon his experiences working with Broadway executives that led to his feature-length debut The Producers. He cast stage legend Zero Mostel in the lead role and got B-movie producer Joseph Levine to put up the funds, but the movie didn't get distributed until Peter Sellers saw it and encouraged its release. Brooks ended up winning an Oscar for Best Screenplay and, in 2000, adapted the film into a highly successful Broadway musical. By 1970, after the release of his next film The Twelve Chairs, Hollywood thought his work was "too Jewish." In 1974, Brooks made the marketable move toward parodies with the Western spoof Blazing Saddles, winning him a Writer's Guild award and introducing his stock actors Harvey Korman and Madeline Kahn. Finding his niche, he would continue to make parodies throughout his career by spoofing horror (Young Frankenstein), silent movies (Silent Movie), Hitchcock (High Anxiety), historical epics (History of the World -- Part I), and science fiction (Spaceballs). Working simultaneously as writer, director, and lead actor, Brooks started to generate negative press about his excessive style. In 1983, appearing opposite Bancroft, he concentrated on just acting for the remake of the Ernst Lubitch classic To Be or Not to Be. He continued working with his production company Brooksfilms during the '80s as an executive producer on projects as varied as The Fly, The Elephant Man, Solarbabies, and 84 Charing Cross Road (starring Bancroft). His brief stray into non-parody films in 1991 (Life Stinks) was universally dismissed, so he returned to form with Robin Hood: Men in Tights and Dracula: Dead and Loving It. Other than the occasional cameo or random appearance as voice talent, Brooks spent the late '90s winning awards and playing Uncle Phil on the NBC series Mad About You. In 2001, the Broadway musical version of The Producers (starring Nathan Lane and Matthew Broderick) led to a successful national tour and broke a new record by winning one Grammy and 12 Tony awards. The stage version would lead to a new big screen adaptation in 2005, creating a whole new generation of fans. Over the coming years, Brooks would lend his voice to Spaceballs: The Animated Series and Jakers! The Adventures of Piggley Winks.

Trivia: Though best known as an outspoken comedienne, Whoopi Goldberg is also a talented dramatic actress. By virtue of her distinctive appearance and a persona that is both no-nonsense and empathic, Goldberg has emerged as one of the most recognizable celebrities of the '80s and '90s.Born Caryn Johnson on November 13, 1955 in New York City, Goldberg began her long career when she was eight years old, performing with New York's Helena Rubenstein Children's Theater. She then went on to study with the Hudson Guild children's arts program and attended the prestigious High School for the Performing Arts. After graduating, Goldberg occasionally won small parts in Broadway productions such as Hair, Pippin and Jesus Christ Superstar, but also supported herself doing odd jobs like bricklaying and serving as a funeral parlor make-up artist. In 1975, Goldberg moved West and helped found the San Diego Repertory Theater, where she appeared in a number of plays, including Brecht's Mother Courage and Marsha Norman's Getting Out. After several stints with the Spontaneous Combustion improvisational troupe and work in avant-garde productions at Berkeley's Blake Street Hawkeyes theater, Goldberg devised The Spook Show, a one woman satirical production in which she played several characters. The show, which originated in San Francisco, eventually toured the U.S. and Europe, earning acclaim and the attention of director Mike Nichols. Nichols went on to direct a 1984 Broadway version of the show, which earned Goldberg Drama Desk and Theatre World awards, as well as a Grammy for the album recording.Goldberg made an auspicious Hollywood debut with her portrayal of Celie, the lead character in Steven Spielberg's controversial 1985 adaptation of Alice Walker's novel. Goldberg's moving performance was rewarded with an Oscar nomination and Best Actress Golden Globe, as well as instant stardom for the actress. Although Goldberg's film career looked promising, the actress unfortunately spent much of the decade's remainder appearing in terrible action comedies such as Fatal Beauty and Burglar (both 1987) that did not do her comic gifts justice. Her one partial success during this period was her first action comedy, Jumpin' Jack Flash (1986), which did relatively well at the box office and gave her a certain cult status. In 1988, Goldberg took a break from comedy with a memorable turn as a worldly Jamaican nanny in the otherwise unremarkable Clara's Heart. She also made numerous appearances in television specials, most notably as a co-host for the annual Comic Relief benefit for the homeless. Her attempt at sitcoms failed with the short-lived series Bagdad Cafe, but she did find greater television success with a small but crucial recurring role as the sagacious intergalactic bartender Guinan on the syndicated Star Trek: The Next Generation. Around the same time, Goldberg's film career underwent a sharp turn-around. She won acclaim playing a selfless housekeeper opposite Sissy Spacek in the provocative Civil Rights drama The Long Walk Home (1989), and then played an eccentric con artist possessing unexpected psychic powers in the 1990 smash hit Ghost. Goldberg's funny yet moving performance earned her her first Oscar and the widespread opinion that this marked her comeback performance. After a couple of missteps that had a few people rethinking this verdict, Goldberg scored again with the 1992 hit comedy Sister Act. Nominated for Golden Globes and two NAACP awards, the film spawned mass ticket sales and an unsuccessful 1993 sequel, Sister Act 2: Back in the Habit. Meanwhile, Goldberg also continued her television work with a 1992 late night talk show. A laid back affair that ran for 200 episodes, it was praised by critics but failed to secure high ratings and went on permanent hiatus after only six months. However, Goldberg continued to appear on TV with her recurring role as a Comic Relief co-host and as an MC for the Academy Awards ceremony, a role she reprised multiple times. At the same time, Goldberg continued to work in film, doing both comedy and drama and experiencing the obligatory highs and lows. Some of her more memorable roles included that of a single mother who discovers that Ted Danson, not a black genius, fathered her daughter in Made in America (1993), a lesbian lounge singer in Boys on the Side (1995), a white-middle-aged corporate executive in The Associate (1996), Angela Bassett's best friend in the 1998 hit How Stella Got Her Groove Back, and a private detective in the drama The Deep End of the Ocean (1999). In addition, Goldberg also appeared in two notable documentaries, The Celluloid Closet (1995), and Get Bruce! a piece about comedy writer Bruce Vilanch that also featured fellow comedians such as Robin Williams, Billy Crystal, Nathan Lane and Bette Midler.As the new decade dawned, Goldberg could be seen in supporting roles in projects like Rocky and Bullwinkle and the ensemble comedy Rat Race. Then, in 2003, she tried her hand at a starring sitcom role for the first time with Whoopi. The show found Goldberg playing an irreverent hotel owner and was met with mixed reviews before being cancelled mid-season.In 2004, Goldberg focused her career on voice work with appearances in Doogal, The Lion King 1 1/2, and P3K: Pinocchio3000. She continued this trend in the following years with such films as Racing Stripes and Everyone's Hero. Then, in 2007, Goldberg returned to the small-screen, replacing Rosie O'Donnell on the ABC panel show The View. Goldberg lent her voice to Pixar's Toy Story 3 in 2010, and as the narrator for 2011's documentary Being Elmo: A Puppeteer's Journey.

Trivia: Born December 3rd, 1960, the older sister of actress Page Hannah and niece of cinematographer Haskell Wexler, leading lady Daryl Hannah trained for the ballet before switching to acting at the Goodman Theatre. Taking the stage would prove quite a daunting task for the girl who suffered from agoraphobia and was once such a wallflower that she was diagnosed as borderline autistic, and though it would take Hannah a few years to become truly comfortable in front of an audience, she eventually overcame her fear to stunning results. In addition to ballet Hannah also exuded a certain grace on the high school soccer field. Her interest in film was sparked by a severe case of insomnia early in life, and young Hannah would spend hours on end soaking in film into the wee hours of the night. Before completing her theatrical training under the guidance of Stella Adler, the young hopeful appeared in the Brian De Palma film The Fury (1978) at the age of 18 . After delivering a remarkable performance as a tough android in Blade Runner (1982), Hannah achieved full stardom with her winsome portrayal of a mermaid in Splash (1983). Not all of her subsequent films -- nor her performances -- have been as successful, though she was highly praised for her interpretation of a nerdish hairdresser in Steel Magnolias, and was treated kindly by the press and public for her characterization in the title role of the made-for-TV Attack of the 50 Ft. Woman (1992). Her often turbulent private life achieved an even keel with her long-term relationship with lawyer/ publisher John F. Kennedy Jr. Sadly, their relationship was doomed from the start due to Jacqueline Kennedy-Onassis' disapproval of her son marrying an actor, the two eventually parted ways. In 1996 Kennedy wed Carolyn Besette, and the rest of their story is history. Despite public perception that Hannah withdrew from acting in the later 1990s, it was simply an unfortunate series of career missteps that kept the enigmatic actress out of the multiplexes and in such mediocre fare as The Last Days of Frankie the Fly and Gun (both 1997). Of course not all was lost during the 1990s, and audiences could indeed catch memorable performances by Hannah in Grumpy Old Men (1993) (as well as that film's 1995 sequel), the Emmy-nominated mini-series The Last Don and the Robert Altman thriller The Gingerbread Man. As the millennium turned Hannah was still stuck in a sort of celluliod limbo, though such edgy efforts as Cord and Dancing at the Blue Iguana (both 2000) showed the actress had a fearless side that had been left virtually unexplored since her days in The Fury and Blade Runner. Of course Hannah still had a soft spot, and following a supporting performance in Mark and Michael Polish's quirky 2001 drama Jackpot she went family friendly with the mini-series Jack and the Beanstalk: The Real Story and the comparitively earnest and innocent teen drama A Walk to Remember (2002). Having formed a friendly working relationship with the Polish brothers with Jackpot, Hannah returned to the screen for the filmmakers in their acclaimed 2003 drama Northfork. The critical success of Northfork marked the beginning of a critical year for the veteran actress. A turn as a contract killer with a conscience followed with The Job, and after a trip to the middle of nowhere in The Big Empty Hannah aspired to adopt a Mexican orphan in John Sayles Casa de los Babys. Teamed with a powerhouse cast that included Lili Taylor, Maggie Gyllenhaal and Marcia Gay Harden, the critically acclaimed drama cemented the comeback that would continue with Kill Bill Vol. 1 just a few short months later. Cast as deadly assassin Elle Driver (Codename: California Mountain Snake), Hannah's eye-patch wearing killer was inspired by the exploitation roughie Thriller (also known as They Call Her One Eye). Though Hannah was still breathing at the end of Kill Bill Vol. 1, audiences held their breath to discover the ultimate fate of her viscous character until the release of Kill Bill Vol. 2 four months later.

Trivia: Grammy award-winning country music singer Reba McEntire was raised on a ranch in Oklahoma, where her father competed in rodeos. Immersed in Southern country culture from birth, McEntire learned to ride as well as to sing from an early age, and she formed a singing group with her brother and sister when she was young called the Singing McEntires. She enrolled at Southeastern Oklahoma State University in Durant in the mid-'70s, where she majored in teaching, but in 1975, after singing a crowd-pleasing rendition of the "Star Spangled Banner" at a local rodeo, McEntire was inspired to travel to Nashville to pursue a music career. She scored a major-label record deal and released her first album the same year she got married.It took a few years for her career to truly take off, but by the mid-'80s, McEntire was one of the most successful country singers in the industry. Though she was divorced in 1987, she remarried Narvel Blackstock, her then-manager and steel guitar player in 1989. Soon, the singer decided to branch out in her creative pursuits, appearing in the horror comedy Tremors with Kevin Bacon in 1990, the same year she gave birth to her son. Her warmth and charisma shone through onscreen, and McEntire began to cultivate a second career in acting, appearing in projects like 1994's North and 1995's Buffalo Girls. In 2001, the singer decided to switch career focuses for a while and pursue acting full-time, playing a single mom on her own sitcom, Reba. The show was a huge hit, earned her a Golden Globe nomination, and would continue to run for six seasons. She attempted to return to television in 2012 on ABC's Malibu Country, but the show was cancelled after the first season.

Trivia: Born June 13, 1986, in Sherman Oaks, CA, Ashley Olsen is one-half of the multimillion-dollar franchise known as The Olsen Twins. Long before the identical pair had unwittingly indoctrinated themselves into the hearts and minds of adoring pre-pubescent girls (and vaguely creepy fraternity boys), however, Ashley and her sister, Mary-Kate Olsen, were simply the youngest members of the long-running sitcom Full House, which hired them just a year after their birth. Because of U.S. child-labor laws, the girls took turns playing Full House's resident cute baby girl, Michelle Tanner. Before long, Ashley and Mary-Kate had their own catchphrase ("You got it, dude"), which reverberated in the ears of Uncle Jesse (John Stamos) and throughout American audiences loudly enough to merit a TVQ rating -- the sitcom world's most prominent popularity contest -- second only to Bill Cosby. Ashley Olsen continued her part-time role as Michelle until Full House came to a close in 1995, though she took time out to film several family-oriented straight-to-video releases, including To Grandmother's House We Go (1992), Double, Double, Toil and Trouble (1993), and How the West Was Fun (1994). Luckily for Olsen, the demise of Full House hardly marked the end of her career. Along with her sister, Ashley's success in the family-oriented video market planted the seeds for what would eventually become a multimillion-dollar empire with enough punch to land the twins the 83rd spot in Forbes magazine's list of the world's 100 most powerful celebrities in 2003. 1995 marked Ashley's big-screen debut as the wealthy, worldly twin-sister in It Takes Two, a thinly veiled send-up of The Parent Trap opposite Kirstie Alley and Steve Guttenberg. Olsen also participated in the short-lived 1998 television series Two of a Kind, which, like Full House, followed a widower's efforts to raise his children. This time, however, Ashley and Mary-Kate's identical status served as a gimmick rather than an irksome legal necessity. (The producers of Full House had insisted on crediting the twins as "Mary Kate Ashley Olsen" in an effort to hide their sisterhood.) By the early 2000s, Ashley had established herself as part of a verifiable marketing gold mine and, oddly enough, the not-quite-legal forbidden fruit of American pop culture. In addition to a juvenile book series, magazine, scads of videos and DVDs, countless talk show appearances, The Adventures of Mary-Kate & Ashley TV series, a clothing line, perfume, and an estimated combined net worth of more than 300-million dollars, the girls also attracted the unwanted attention of hundreds of decidedly less-wholesome Internet sites counting the days until their 18th birthday. The girls deemed this attention, as well as their number 61 ranking in For Him Magazine's "100 Sexiest Women in the World" in 2003 as, simply, "gross." After a bit part in Charlie's Angels: Full Throttle that same year, Ashley both co-produced and starred in New York Minute (2004), which follows a set of identical twins whose attempt at a day in Manhattan lands them in the midst of a high-profile political scandal.

Trivia: Born June 13th, 1986, in Sherman Oaks, CA, Mary-Kate Olsen is one-half of the multimillion-dollar franchise known as The Olsen Twins. Long before the pair had unwittingly indoctrinated themselves into the hearts and minds of adoring pre-pubescent girls (and vaguely creepy fraternity boys), however, Mary-Kate and her sister, Ashley Olsen, were simply the youngest members of the long-running sitcom Full House, which hired them just a year after their birth. Because of U.S. child-labor laws, the girls took turns playing Full House's resident cute baby girl, Michelle Tanner. Before long, Mary-Kate and Ashley had their own catchphrase ("You got it, dude"), which reverberated in the ears of Uncle Jesse (John Stamos) and throughout American audiences loudly enough to merit a TVQ rating -- the sitcom world's most prominent popularity contest -- second only to Bill Cosby. Mary-Kate continued her part-time role as Michelle until Full House came to a close in 1995, though she took time out to film several family-oriented straight-to-video releases, including To Grandmother's House We Go (1992), Double, Double, Toil and Trouble (1993), and How the West Was Fun (1994). Luckily for Olsen, the demise of Full House hardly marked the end of her career. Along with her sister, Mary-Kate's success in the family-oriented video market planted the seeds for what would eventually become a multimillion-dollar empire with enough punch to land the twins the 83rd spot in Forbes magazine's list of the world's 100 most powerful celebrities in 2003. 1995 marked Mary-Kate's big-screen debut as the scrappy, orphaned twin sister in It Takes Two, a thinly veiled send-up of The Parent Trap opposite Kirstie Alley and Steve Guttenberg. Olsen also participated in the short-lived 1998 television series Two of a Kind, which, like Full House, followed a widower's efforts to raise his children. This time, however, Mary-Kate and Ashley's identical status served as a gimmick rather than an irksome legal necessity. (The producers of Full House had insisted on crediting the twins as "Mary Kate Ashley Olsen" in an effort to hide their sisterhood.) By the early 2000s, Mary-Kate had established herself as part of a verifiable marketing gold mine and, oddly enough, the not-quite-legal forbidden fruit of American pop culture. In addition to a juvenile book series, magazine, scads of videos and DVDs, countless talk show appearances, The Adventures of Mary-Kate & Ashley TV series, a clothing line, perfume, and an estimated combined net worth of more than 300-million dollars, the girls also attracted the unwanted attention of hundreds of decidedly less-wholesome Internet sites counting the days until their 18th birthday. The girls deemed this attention, as well as their number 61 ranking in For Him Magazine's "100 Sexiest Women in the World" in 2003 as, simply, "gross." After a bit part in Charlie's Angels: Full Throttle that same year, Mary-Kate both co-produced and starred in New York Minute (2004), which follows -- what else? -- a set of identical twins whose attempt at a day in Manhattan lands them in the midst of a high-profile political scandal. Olsen would spend the next several years appearing in a number of films like The Wackness and Beastly, in addition to a successful run on the series Weeds. Olsen then turned her attention to her and Ashley's growing fashion empire, letting acting her acting career take a backseat.

Trivia: A small, delicate-looking, perky actress, Thompson studied dance as a child, and was dancing professionally by age 14; she won scholarships to the Pennsylvania Ballet, American Ballet, and the San Francisco Ballet. However, she felt she was too short to become a prima ballerina and gave up dance in favor of acting. After moving to New York she appeared in some 20 Burger King TV commercials, then debuted onscreen in Jaws 3-D (1983). Shortly thereafter she got her first important role, opposite Tom Cruise in the hit All the Right Moves (1983). She is best known for her multiple roles in the three Back to the Future movies; aside from those highly successful movies, she has not gone on to appear in any hit productions. She also appeared in the TV movies Nightbreaker (1989), Montana (1990), and the PBS playhouse co-production The Wizard of Loneliness (1988).

Trivia: His no-nonsense glare and distinctive comb-over as instantly recognizable as his landmark, the Fifth Avenue skyscraper, Donald Trump, born on June 14th, 1946, established himself as one of Manhattan's most successful real-estate developers before moving on to become the catchphrase-spouting host of reality television's most competitive series -- The Apprentice, and eventually, politics.As a young, aspiring businessman the Queens, NYC native wheeled and dealed alongside his father, Fred, in the pair's Sheepshead Bay office for five years, later striking out on his own to construct not only the world-renowned Trump Tower, but such luxury residential building as Trump Palace, Trump Plaza, Trump Parc, Trump World Tower, and Trump Park Avenue as well. Of course, Trump was never one to shy away from a challenge, so in addition to the residential construction he also found success in the gaming arena by establishing The Trump Organization as one of the world's largest operators of hotels and casinos. After opening three world-class casinos and hotels in Atlantic City, NJ (including Trump Plaza, Trump Marina, and Trump Taj Mahal), Trump boldly began expanding westward with the construction of The Trump Casino in Buffington, IN, and Trump 29 Casino in Palm Springs, CA. Trump also catered to the wealthy elite with construction of various high-profile golf clubs and luxury private clubs throughout the United States.Trump's outspoken nature repeatedly found the tireless business tycoon making headlines throughout the 1990s, and moving into the new millennium it began to appear that Trump's high-profile career in real estate was taking a back seat to his increasingly prolific public persona. Trump also became the subject of much gossip as a result of his turbulent marriages to former wives Ivana Trump and Marla Maples. He expounded on his personal philosophy of profit in such best-selling books including The Art of the Deal, Surviving at the Top, and The America We Deserve. However popular his writings were, it was his stint as the host of the Miss USA and Miss Universe pageants that began to move Trump to the forefront of popular culture. In 2004, any question of Trump's status as a media icon was instantly put to rest with the premiere of the hit reality television series The Apprentice. An instant hit with audiences, The Apprentice showcased the heated competition between a variety of contestants as they vied for the coveted position of personal assistant to The Donald himself. Each episode, one unfortunate contestant would be coldly dispatched by Trump with the decidedly curt and unmistakable catchphrase "You're Fired," which instantly became as essential a component of the public lexicon as The Fonzie's "Heeeeeeeeey!," Arnold's "Whatch talkin' 'bout Willis?" or Ralph Kramden's "One of these days, Alice" had in decades previous. Trump's position in popular culture only grew in the years following, as The Apprentice continued to fare well, despite a notorious feud with Martha Stewart following poor ratings on her season hosting the series in 2005. Trump openly discussed the possibility of running for public office many times over the course of the 2000's, suggesting himself as a candidate for everything from Governor of New York to President of the United States, and considering affiliations ranging from the Reform Party to the GOP. Always looking for the most attention grabbing position, Trump registered with the Democratic Party in 2001, but later sided with the Republicans in 2009. In 2011, he announced he was beginning a primary campaign to run for president on the Republican ticket in 2012, and subsequently began seeking publicity through stunts like affiliating himself with the conspiracy-theorist "birther" movement, and dropping the f-bomb in public statements about gas prices. He eventually ran for president in 2016, and garnered enough electoral college votes to become the presumptive candidate for the Republican party. After defeating Hillary Clinton in the 2016 general election, Trump became the 45th President of the United States on January 20, 2017.

Trivia: There's no mystery concerning the hometown of George Wendt. The heavyset, curly haired actor never misses a talk show opportunity to cheer on his beloved Chicago "Cubbies" or "Da Bears." After theater work in Chicago and New York and a handful of TV appearances on sitcoms like M*A*S*H and Alice, Wendt inaugurated his signature role of burly, unemployed barfly Norm Peterson on TV's long-running Cheers (1983-1993); so far as it can be determined, he still hasn't paid his bar tab, which according to TV Guide totalled up to 64,218 dollars at the end of 11 seasons. He starred in the short-lived The George Wendt Show, and continued to work steadily on both the small and big screen in a variety of projects including Spice World, Outside Providence, Teddy Bears' Picnic, and Edmond. He also reprised his iconic role of Norm on an episode of the successful Cheers spinoff Frasier.

Trivia: Raven-Symone earned a fond place in the hearts of Cosby Show fans around the world when she joined the cast of that seminal '80s sitcom as pint-sized Olivia Kendall, the daughter of Lt. Martin Kendall (Joseph C. Phillips) and Denise Huxtable Kendall (Lisa Bonet) during the hit program's sixth season. The series wrapped within a few years of Symone's enlistment, but the young actress continued her ascent by establishing herself as a force to be reckoned with in the multiple venues of television, pop music, and feature film.Born in Atlanta, GA, in December 1985, Raven-Symoné Christina Pearman began modeling diapers at the age of two and landed the Cosby assignment by the age of three. By 1993 (one year after Cosby took its final bow), Symone had joined the cast of yet another sitcom, ABC's Hangin' With Mr. Cooper (1992-1997), then a year into production; she would remain with Cooper until it folded in 1997, but in the mean time branched off into another venue altogether as an R&B recording artist. MCA quickly signed her and issued her rap-infused album Here's to New Dreams in 1993; unfortunately, it failed to connect with a sizeable audience, and it would be six years before Symone emerged with a sophomore recording, the R&B-flavored Undeniable (1999). That album unabashedly showcased the young performer's desire to become a teen pop sensation, and revealed her vocal skills much more transparently than its predecessor, as did its follow-up efforts. Meanwhile, Symone landed bit parts and supporting roles in movies, including Dr. Dolittle (1998) and Dr. Dolittle 2 (2001); she also voiced the character of Monique on the animated television series Kim Possible (2002) and headlined her own Disney Channel sitcom, That's So Raven. The smash program cast Symone as a 15-year-old girl whose gaffes get her family into a seemingly endless series of outrageous difficulties. Symone then starred in the hit telemovies The Cheetah Girls and The Cheetah Girls 2, lent a supporting role to the theatrical feature The Princess Diaries 2: Royal Engagement (2004), and signed to star in the big-screen outing College Road Trip, opposite funnyman Martin Lawrence. In that comedy, Symone plays a young woman on a college-scouting trip with her policeman father.

Trivia: Frail-looking but iron-willed American actor Henry B. Walthall set out to become a lawyer, but was drawn to the stage instead. After several seasons appearing opposite such luminaries as Henry Miller and Margaret Anglin, Walthall was firmly established in New York's theatrical circles by the time he entered films in 1909 at the invitation of director D.W. Griffith. Clearly, both men benefited from the association: Griffith was able to exploit Walthall's expertise and versatility, while Walthall learned to harness his tendency to overact. The best of the Griffith/Walthall collaborations was Birth of a Nation (1915), in which Walthall portrayed the sensitive Little Colonel. Walthall left Griffith in 1915, a move that did little to advance his career. A string of mediocre productions spelled finis to Walthall's stardom, though he continued to prosper in character parts into the 1930s. One of his best showings in the talkie era was a virtual replay of his Little Colonel characterization in the closing scenes of the 1934 Will Rogers vehicle Judge Priest. Henry B. Walthall died while filming the 1936 Warner Bros. film China Clipper; ironically, he passed away just before he was scheduled to film his character's death scene.