Trivia: With an Oscar before the age of 30, repeated comparisons to Audrey Hepburn, and the drool of a thousand critics at her feet, Natalie Portman has emerged as one of the most promising actresses of her generation. Born in Jerusalem on June 9, 1981, to an artist mother and doctor father, Portman moved to New York when she was three. Raised on Long Island, she was discovered by a modeling agent who signed her on the spot. Her modeling stint led to an audition for Luc Besson's Leon (or The Professional, as it was called in the United States). Due to her age (she was 12 when the film was cast), Portman was initially turned down for the lead role of Mathilda, a girl who asks a hit man (Jean Reno) to train her as an assassin to avenge her brother's death and falls innocently in love with him in the process. However, she ultimately won the part and her 1994 film debut earned a number of positive notices. In interviews, Portman allowed that making her first film in the toughest sections of Spanish Harlem was frightening, but not quite so frightening, she claimed, as going back to school once shooting wrapped.Portman then took on the role of Al Pacino's step-daughter in another demanding film, Michael Mann's Heat (1995). She followed this up with lighter fare, like Mars Attacks! (1996), Everyone Says I Love You, and Beautiful Girls. After turning down title roles in both Lolita and William Shakespeare's Romeo + Juliet, Portman took on another title role with her 1997 Broadway debut in The Diary of Anne Frank. She stayed with the show until May 1998, during which time she received positive notices for her performance. After lending her voice to The Prince of Egypt (1998), Portman took on her most talked-about role to date, that of Queen Amidala in Star Wars: The Phantom Menace (1999). Despite very mixed reviews, the film went into box-office hyperdrive, further propelling Portman toward her status as a rapidly emerging talent for the new millennium. She would end the 20th century with projects like Wayne Wang's Anywhere But Here and Where the Heart Is. Offscreen, Portman also did some growing up, enrolling for her college education at Harvard University. A psychology major, she made it clear upon her enrollment that, aside from her role as Queen Amidala in the Star Wars films, she would not accept any film roles for the duration of her education. Perhaps to the disappointment of fans, she stuck to her word, remaining absent from the screen (save Star Wars, Episode II: Attack of the Clones) until she received her degree in 2003. Luckily, upon her return to acting, it was immediately evident that it had been worth the wait.Portman's first foray following graduation was the 2003 Civil War ensemble drama Cold Mountain, alongside Renee Zellweger and Nicole Kidman. But in 2004, Portman was at the forefront of both Garden State, a moody dramedy that endeared her to fans, and Closer, a taught, intimate drama that earned her massive critical accolades, as well as her first Oscar nomination. In 2005, as the curtain finally closed on the Star Wars franchise with the release of Star Wars, Episode III: Revenge of the Sith, Portman could be seen with a now iconic pixie haircut after shaving her head for a role in the graphic-novel adaptation V for Vendetta. The dystopic action thriller received mixed reviews, but Portman's performance, as usual, earned accolades. Per her usual M.O. as an actress, she would complete a number of independent, arthouse, or otherwise challenging projects for every blockbuster under her belt, like the 2006 Milos Forman directed period drama Goya's Ghosts, and the Wes Anderson 2007 road (or rather, train) movie The Darjeeling Limited. After appearing opposite Scarlett Johansson and Eric Bana as Anne Boleyn, the famously beheaded wife of King Henry VII in the 2008 period drama The Other Boleyn Girl, Portman turned her high-brow image on its ear the very next year, playing a small town cheerleader turned army wife in the Iraq War drama Brothers. Portman had even more impressive turns awaiting her, however, as 2010 brought the lead role in the hallucinatory Darren Aronofsky film The Black Swan, about an obsessively diligent ballerina who, in order to play both the innocent and dark sides of femininity with the leading role in Swan Lake, must battle her own conflicting inner demons as a woman. Portman trained in ballet rigorously for six months to perform the role, and her efforts paid dividends. Her performance received massive adoration from critics and audiences alike, and she emerged with an Academy Award for Best Actress - which Portman accepted while five months pregnant with a baby she was expecting with fiancé Benjamin Millepied, her choreographer whom she met while filming.Professionally, Portman had a mind to keep a balance with her choice of roles. In a change of pace from the gritty material in The Black Swan, she appeared in the stoner comedy Your Highness, the rom-com No Strings Attached, and the comic-book action thriller Thor.Portman had her first child with husband Benjamin Millepied in June of 2011.

Trivia: A graduate of Australia's National Institute of Dramatic Art, blond, idiosyncratic leading man Hugo Weaving made his feature film debut in the socially conscious low-budget drama The City's Edge (1983), purportedly one of the first Australian films to sympathetically portray the adverse conditions suffered by aborigines. In 1991, Weaving received Best Actor kudos from the Australian Film Institute for his portrayal of a blind photographer in Jocelyn Moorhouse's Proof. In 1994, the actor earned international acclaim playing Tick, a drag queen with a secret, in the cult favorite The Adventures of Priscilla, Queen of the Desert (1994). The following year, Weaving was involved in another audience pleaser when he lent his voice to play the sheep dog Rex in Babe. Weaving occasionally appears in U.S. television productions, notably the CBS miniseries Dadah Is Death, in which he played opposite Julie Christie and Sarah Jessica Parker. He also continues to work steadily in Australia, in addition to appearing in big-budget Hollywood affairs such as The Matrix, in which he starred as an evil agent opposite Keanu Reeves and Laurence Fishburne. Following his turn in The Matrix with a few low-key romantic comedies (Strange Planet [also 1999] and Russian Doll [2001]), Weaving made a return to big-budgeted special effects extravaganzas with his involvement in director Peter Jackson's enormous adaptation of author J.R.R. Tolkien's Lord of the Rings. For the sequels to The Matrix, Weaving would return with a vengeance; with hundreds of Agent Smith clones sent to stop Neo (Keanu Reeves) from leading the revolution against the machines. An affiliation with another hit sci-fi series emerged when Weaving provided the voice of Megatron in Michael Bay's Transformers (as well as its two sequels), though it was the actor's affecting performance in 2009's Last Ride that earned him a nomination for Best Lead Actor at that year's Australian Film Institute awards. Cast as a dangerous Australian fugitive who flees from the law with his young son in tow, Weaving gave viewers a glimpse of the talent that was often overshadowed in his many larger-than-life roles, though it was his scenery-chewing performance as Johann Schmidt/Red Skull in Captain America: The First Avenger that got him back on the big screen in the U.S. following the disappointment of The Wolfman. Meanwhile, the busy screen veteran prepared for roles in Cloud Atlas (a sprawling sci-fi epic from Tom Tykwer and Andy and Lana Wachowski), and Peter Jackson's Hobbit trilogy.

Trivia: Considered one of Great Britain's most consistently brilliant players, John Hurt was at his best when playing victims forced to suffer mental, physical, or spiritual anguish. A small man with a slightly sinister countenance and a tenor voice that never completed the transition between early adolescence and manhood, Hurt was generally cast in supporting or leading roles as eccentric characters in offbeat films. The son of a clergyman, Hurt was training to be a painter at St. Martin's School of the Arts when he became enamored with acting and enrolled in London's Royal Academy of Dramatic Art instead. He made his theatrical and film debuts in 1962 (The Wild and the Willing). Though he frequently appeared on-stage, Hurt, unlike his many colleagues, was primarily a film and television actor. He gave one of his strongest early performances playing Richard Rich in Fred Zinnemann's A Man for All Seasons (1966). His subsequent work remained high quality through the '70s. On television, Hurt made his name in the telemovie The Naked Civil Servant and furthered his growing reputation as the twisted Caligula on the internationally acclaimed BBC miniseries I, Claudius (1976). He received his first Oscar nomination for playing a supporting role in the harrowing Midnight Express and a second nomination for his sensitive portrayal of the horribly deformed John Merrick -- but for his voice, Hurt was unrecognizable beneath pounds of latex and makeup. In 1984, Hurt was the definitive Winston Smith in Michael Radford's version of Orwell's 1984. Other memorable roles include a man who finds himself hosting a terrifying critter in Alien (1979), his parody of that role in Mel Brooks' Spaceballs (1987), an Irish idiot in The Field (1990), and in Rob Roy (1995).In 1997, Hurt played the lead role of Giles De'ath (pronounced day-ath) for the comedy drama Love and Death on Long Island. The film, which follows a widower (Hurt) who forms an unlikely obsession with a teen heartthrob who lives in Long Island and occasionally stars in low-brow films. Love and Death was praised for its unlikely, yet poignant portrait of unrequited love. The same year, Hurt took on the role of a multi-millionaire willing to fund a scientist's (Jodie Foster) efforts to communicate with alien life in Contact. Hurt took a voice role in the animated series Journey to Watership Down and its sequel, Escape to Watership Down in 1999, and again for The Tigger Story in 2000. In 2001, Hurt joined the cast of Harry Potter & the Sorcerer's Stone to play the small but vital role of wand merchant Mr. Ollivander, and narrated Lars von Trier's experimental drama Dogville. Later, Hurt played an American professor in Hellboy (2004), and won praise for his portrayal of a bounty hunter in The Proposition, a gritty Western from director John Hillcoat. Hurt continued to work in small but meaty supporting roles throughout the next several years, most notably in the drama Beyond the Gates (2005), for which he played a missionary who arrived in Rwanda just before genocide erupted, and as the tyrannical Chancellor Sutler in director James McTiegue's adaptation of Alan Moore's graphic novel V for Vendetta (2006). In 2010, Hurt reprised his role of Mr. Ollivander for Harry Potter and the Deathly Hallows, Part 1, and for its sequel in 2011. The actor co-starred with Charlotte Rampling in Melancholia (2011), Lars von Trier's meditation on depression, and played the Head of the British Secret Intelligence Service in the multi-Academy Award nominated spy thriller Tinker, Tailor, Soldier, Spy the same year. In 2013, Hurt appeared in the futuristic sci-fi movie Snowpiercer and later played the War Doctor in the 50th anniversary special of Doctor Who. The following year, Hurt played the King of Thrace in Hercules. Hurt died in 2017, just days after his 77th birthday.

Trivia: First role was the mother-in-law in a school production of The Caucasian Chalk Circle. Offered a role in a series that filmed in Los Angeles, he turned it down and recommitted to stage acting in London. Was engaged in long-standing prank with Judi Dench in which they tried to hide a black glove in each other's productions. Played both Sherlock Holmes and Doctor Watson at different points in his career; also wrote two children's books about the Baker Street Irregulars. Awarded the Order of the British Empire for his acting shortly before his death.

Trivia: Rupert Graves has repeatedly impressed audiences with his dead-on portrayals of upper-class twits since 1985, when he appeared in Merchant Ivory's classic adaptation of E.M. Forster's A Room With a View. However, Graves' own background could not be more different from those of the characters he brings to the screen.Born June 30, 1963, Graves grew up in the small town of Western-Super-Mare (coincidentally also the birthplace of John Cleese), located in western England. By his own account a terrible student who resented authority, Graves left school at 15 and joined the circus. After his stint with the circus ended, Graves made his way to London, where, at 19, he landed his first acting role in a stage production of The Killing of Mr. Toad. His performance caught the attention of a film industry figure, which in turn led to his first film role in A Room With a View. As the irresponsible and irrepressible Freddy Honeychurch (brother of the film's heroine, played by Helena Bonham-Carter), Graves gave a performance that set the pattern for the roles he was to be typcast in for much of the next decade. Graves virtually became the male equivalent of Helena Bonham-Carter, in that he was stuck in period drama after period drama until others slowly realized that his range was not limited to films with an abundance of waistcoats, corsets, and men with names like Cecil or Clive. Graves' other significant films of the 80s included another Merchant Ivory outing, the memorable Maurice (1987) (in which Graves played Maurice's working class lover, Alec Scudder, and, as in A Room With a View, demonstrated his ability to tackle nude scenes), 1988's A Handful of Dust (also starring a then-unknown Kristin Scott Thomas, and Graves' Maurice colleague James Wilby), and the epic television series Fortunes of War, set during World War II and starring Kenneth Branagh and Emma Thompson.In the 1990s, Graves has continued to do period pieces such as the 1991 adaptation of E.M. Forster's Where Angels Fear to Tread (reuniting him again with Bonham-Carter), and Nicholas Hytner's brilliant The Madness of King George (1995), which also starred "the other Rupert," Rupert Everett. In addition, he made a memorable appearance in the film adaptation of Virginia Woolf's Mrs. Dalloway (1997) as a shell-shocked World War I veteran. As he has gained greater recognition, however, Graves has been able to branch out toward other genres, notably as Jeremy Irons' jilted, ill-fated son in Louis Malle's Damage (1993), a confused and irresponsible motorcycle courier in Different For Girls (1996), and as the severely conflicted Harold Guppy in the deliciously twisted Intimate Relations (1996), for which he won a Best Actor award at the Montreal Film Festival. In addition to his film work, Graves has continued to work for television and the stage, acting as the wormy, conniving Octavius alongside Billy Zane in the TV series Cleopatra (1999), and in such stage productions as Eugene O'Neill's The Iceman Cometh (1998) and the the hit Broadway production of Patrick Marber's Closer (1999).

Trivia: Well respected in the stage world for her frequent work with the Royal Shakespeare Company and the Royal Court Theater, Irish actress Sinéad Cusack has also made quite an impression in the world of cinema. If her Shakespearian past has followed her from stage to screen with such efforts as Twelfth Night, the classically trained actress has also branched out with roles in such diverse features as Hoffman (1970), Waterland (1992), and Stealing Beauty (1996). Though Cusack spent her early years aspiring to sainthood in convent school, her carefree, attention-getting nature instead led her to the spotlight. When Cusack was 11, her father, Cyril, cast his young daughter in an Olympia Theater production of The Trial; although she wasn't thrilled with the prospect of acting early on, she kept gravitating back toward the stage. It was during her college years that Cusack became a fixture of Dublin's Abbey Theater, and a move to London found her covering for a pregnant Judi Dench in a 1975 production of London Assurance. Cusack credits her subsequent stint at the Royal Shakespeare Company with teaching her everything she knows as an actress. In 1960, Cusack made her feature debut in director Clive Donner's Alfred the Great, and though numerous roles were offered to her in the years that followed, the actress chose her film roles carefully, opting to concentrate on her stage work. Shakespearian roles in such Royal Court productions as Macbeth and The Merchant of Venice balanced numerous small-screen efforts including Notorious Woman (1974) and Quiller (1975). In 1984, Cusack cemented her reputation when she made her Broadway debut in Much Ado About Nothing, and she also made quite an impression with her concurrent performance as Roxanne in the Broadway production of Cyrano de Bergerac (the two productions played in repertory at the George Gershwin Theatre); in 1985, a performance of the latter play was taped for television broadcast. A return to London found Cusack taking the stage with her father and sisters Sorcha and Niamh for a production of, appropriately enough, The Three Sisters. In the late 1980s and early '90s, Cusack became a more familiar face to movie lovers thanks to roles in Waterland (opposite real-life husband Jeremy Irons), Sparrow (1993), and Uncovered (1994). After once again joining husband Irons onscreen with Stealing Beauty, Cusack was directed by him in the 1997 U.K. television drama Mirad. In 2000, Cusack got laughs with her role as a meddlesome mother who enrolls in college to keep an eye on her son in My Mother Frank, and after a role in the quirky drama I Capture the Castle in 2003, she made a trip back to the small screen with the television drama Winter Solstice.

Trivia: British character actor John Standing has a pedigree in performing that spans seven generations and includes his grandfather Sir Guy Standing, the son of actress Kay Hammond, and Sir Ronald George Leon. Considered one of his country's most important actors, he has appeared frequently on British television and also guest starred in many American television series, including L.A. Law, Murder She Wrote, and Civil Wars. He is a distinguished stage actor in both London and New York. Standing made his feature film debut in The Wild and Willing (1963). In film, Standing primarily works as a supporting actor. When not performing, Standing has earned a reputation as a fine painter.

Trivia: A prolific character actor in his native Britain, Eddie Marsan specialized in challenging and provocative roles, in slightly tough and edgy projects that often took advantage of his unique, immediately identifiable countenance. After debuting as a bit player and guest star in English television series including Casualty, Game On, and The Bill, Marsan took one of his premier big-screen bows in Michael Radford's crime thriller B. Monkey (1998), then effectively played one of Tammany Hall's minions opposite Daniel Day-Lewis and Leonardo DiCaprio in Martin Scorsese's period crime epic Gangs of New York (2002). On a much different note, Marsan subsequently teamed up with English cause célèbre director Mike Leigh in the abortion-themed character study Vera Drake (2004) -- in which the actor ushered in a partly improvised portrayal of a kindly road worker who romances the title character's daughter. Drake brought Marsan an upsurge of attention, and thereafter, assignments rolled in quickly and furiously from both sides of the Atlantic. These included supporting roles in Isabel Coixet's gentle, atmospheric drama The Secret Life of Words, Neil Burger's period supernatural drama The Illusionist, and the mega-budgeted action extravaganza Mission: Impossible III. 2008 marked a busy period for Marsan; that year, he both tackled a supporting part opposite Will Smith and Charlize Theron in the superhero comedy Hancock, and -- on a much-anticipated note -- re-teamed with Mike Leigh for a prominent role as an angsty teacher in the slice-of-life comedy Happy-Go-Lucky.

Trivia: Trained at the Royal Academy of Dramatic Art between 1979 and 1981. First appeared on stage performing with the Highcliffe Charity Players (HCP) in 1971; he is now the President of the HCP. Is a supporter of the Chapel Lane Theatre Company.

Trivia: A doe-eyed beauty who trained with the Youngblood Theatre Company before making her screen debut in an episode of the U.K. hospital series Casualty, Imogen Poots appeared briefly in Matrix masterminds Andy and Larry Wachowski's V for Vendetta before a substantial role in the horror sequel 28 Weeks Later brought her to the attention of international filmgoers. Cast as the daughter of an original outbreak survivor (played by Robert Carlyle) who is helping to organize the repopulation of London after the English capitol has been declared free of infection, the fresh-faced starlet brought a sense of innocence to her role that might not have been quite as apparent had a better-known actress been given the part.