Trivia: Internationally known for his charisma and smoldering good looks, Antonio Banderas is the ultimate manifestation of the Latin heartthrob. Born in Málaga, Spain on August 10, 1960, Banderas wanted to become a professional soccer player until a broken foot sidelined his dreams at the age of fourteen. He went on to enroll in some drama classes, eventually joining a theatre troupe that toured all over Spain. His work in the theatre, and his performances on the streets, eventually landed him a spot with the National Theatre of Spain. While performing with the theatre, Banderas caught the attention of director Pedro Almodóvar, who cast the young actor in his film debut, Laberinto de Pasione (Labyrinth of Passion) (1982). He went on to appear in the director's La Ley del Deseo (Law of Desire) (1984), making headlines with his performance as a gay man, which required him to engage in his first male-to-male onscreen kiss. After Banderas appeared in Almodóvar's Matador (1986), the director cast him in his internationally acclaimed Mujeres al Borde de un Ataque de Nervios (Women on the Verge of a Nervous Breakdown) (1988). The recognition Banderas gained for his role increased two years later when he starred in Almodóvar's controversial Atame! (Tie Me Up! Tie Me Down!) as a mental patient who kidnaps a porn star (Victoria Abril) and keeps her tied up until she returns his love.Banderas made his first stateside appearance as an unwitting object of Madonna's affections in Truth or Dare (1991). The following year, still speaking next to no English, he starred in his first American film, The Mambo Kings. It was a testament to his acting abilities that, despite having to learn all of his lines phonetically, Banderas still managed to turn in a critically praised performance as a struggling musician. He broke through to mainstream American audiences as the gay lover of AIDS-afflicted lawyer Andrew Beckett (Tom Hanks) in Philadelphia (1993). The film's success earned Banderas wide recognition, and the following year he was given a substantial role in Neil Jordan's high-profile adaptation of Anne Rice's Interview with the Vampire, which allowed him to share the screen with the likes of Tom Cruise and Brad Pitt. Banderas subsequently appeared in a number of films of widely varying quality, doing particularly strong work in Desperado (1995), Evita (1998), and The Mask of Zorro (1998). In 1999, he made his first foray into directing with Crazy in Alabama, a black comedy starring Melanie Griffith, to whom he had been married since 1996. The following year he starred as an aspiring boxer opposite Woody Harrelson in Play It to the Bone, portrayed a Cuban tycoon with a bad seed bride (Angelina Jolie) in Original Sin, and starred alongside Bob Hoskins and Wes Bentley in The White River Kid. Well established as a hearthrob and a talented dramatic actor by the end of the 1990s, the fact that Desperato director Robert Rodriguez was the only director to have expolored Banderas' comic potential (Banderas provided one of the few memorable performances in Rodriguez's segment of the otherwise abysmal Four Rooms (1995)) hinted at a heretofore unexplored but potentially lucrative territory for the actor. Later approached by Rodriguez to portray the super-spy patriarch in the family oriented adventure comedy Spy Kids (2001), Banderas charmed children and adults alike with his role as a kidnapped agent whose children must discover their inner stregnth in order to rescue their mother and father. After reprising his role in the following year's Spy Kids 2: Island of Lost Dreams, Banderas would next return to more adult oriented roles in both Brian DePalma's Femme Fatale and the ill-fated Ballistic: Ecks vs. Sever (both 2002). After essaying a more historic role in the dramatic biopic Frida (also 2002), the remarkably diverse actor would one again team with Rodriguez for the sprawling Once Upon a Time in Mexico (2003). In 2004 he joined the highly successful Shrek franchise voicing Puss In Boots, and the character became so popular that he appeared in each of the following sequels, and was the subject of his own feature in 2011. In 2005 he played Zorro again, and he had a major part in the dance film Take the Lead. In 2011 he reteamed for the first time in two decades with Pedro Almodovar in the Hitchcock-inspired The Skin I Live In, and the next year he appeared as a mysterious international espionage figure in the action film Haywire. He appeared in a small role in Rodriguez's Machete Kills (2013) and later appeared in The Expendables 3 (2014).

Trivia: Originally trained as an Olympic swimmer, German actor Thomas Kretschmann began his career in the theater as part of the Schiller Ensemble in Berlin. In 1989, he started working steadily in German-language theater productions, television, and film. He moved to Vienna, Austria, in 1991 and won the Max Ophül prize for Best Young Actor. He broke into international feature films with the German war drama Stalingrad and the Italian thriller The Stendhal Syndrome. At this point, he was developing a knack for playing authority figures and other tough guys in action-packed situations. In addition to his numerous other appearances in European films, he gained pivotal roles in Coppia Omicida, Tease, and the American film Total Reality. In 2000, Hollywood was introduced to Kretschmann with the submarine adventure U-571 and the action thriller Blade II. Though he relocated to Hollywood, he continued working in international features for the historical epic I cavalieri che fecero l'impresa as well as Roman Polanski's The Pianist. Other projects for 2004 included a starring role in the romance Head in the Clouds and a return to submarine action for In Enemy Hands.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: Laid-back rapper Snoop Dogg followed in the footsteps of such West Coast colleagues as Ice Cube and Ice-T, and added acting to his repertoire in the late '90s.Raised in Long Beach and nicknamed Snoop due to his resemblance to Peanuts' top canine, Snoop Dogg's troubled teen years culminated in a drug conviction after high school. After he got out of prison, Snoop Dogg turned to rap and soon captured the attention of star producer/rapper Dr. Dre. Introduced on Dr. Dre's seminal album The Chronic (1992), Snoop Dogg's smooth low-key style and lyrical authenticity turned him into one of gangster rap's stars, culminating with the release of his own top-selling, Grammy-nominated debut album Doggystyle (1993). Snoop Dogg's street cred, however, proved too negatively authentic when his involvement in a drive-by shooting led to a murder charge that same year. Battling the charge through the mid-'90s, Snoop Dogg was cleared in 1996, but his record sales waned along with gangster rap's popularity.Still a notable music celebrity, however, Snoop Dogg branched out into acting with a cameo appearance in the stoner comedy Half Baked (1998). Staying true to his urban persona, Snoop Dogg appeared in L.A. crime drama Caught Up (1998) (as Kool Kitty Kat) and Master P's coming-of-age story Hot Boyz (1999), and co-starred with Ice-T in action movies The Wrecking Crew (1999) and Urban Menace (1999). Increasingly comfortable as an actor, Snoop Dogg subsequently took on roles in several prominent 2001 releases. Trying comedy, Snoop Dogg co-starred with Dr. Dre as friends and car wash employees in The Wash (2001). Though John Singleton's Baby Boy (2001) failed to live up to antecedent Boyz 'N the Hood (1991), Snoop Dogg was convincing as the neighborhood troublemaker. After a cameo as a drug dealer paralyzed by Denzel Washington's corrupt cop in Training Day (2001), Snoop Dogg moved to his first solo starring role in the horror movie Bones (2001). As a murdered 1970s superfly community pillar-turned-ghostly avenger, Snoop Dogg earned kudos for his assured, menacing performance. Despite claims that his legal problems were over, Snoop Dogg was busted for marijuana possession during his Puff, Puff, Pass tour in October 2001.2003 marked the release of Doggy Fizzle Televizzle, which featured Snoop Dogg changing his role from gangster to prankster in a series of sketch comedy bits and various on-the-street disguises. Despite its popularity, Snoop's busy schedule prevented the show for lasting more than two seasons, though it helped reestablish the market for smart, African-American satire, which had been left largely unfulfilled since the cancellation of The Chris Rock Show. Luckily, Dave Chappelle proved a more than worthy successor to Snoop Dogg in that area, leaving the rapper more than enough time to make a cameo as himself in Old School (2003), as well as continue his contributions to the infamous Girls Gone Wild series, and thoroughly overuse the never-quite-hip slang suffix "izzle." In 2004, Snoop played informant to Ben Stiller and Owen Wilson's Starsky & Hutch, as well as co-starred in director Jessy Terrero's Soul Plane.In 2006 he appeared in and produced Snoop Dogg's Hood of Horror, and lent his voice to the animated family film Arthur and the Invisibles. He became a regular at celebrity roasts starting in 2007 when he helped skewer fellow iconic rapper Flavor Flav. He continued to appear steadily in a variety of projects, usually as himself, including Bruno, The Big Bang, and the documentaries Straight Outta L.A. and Justin Bieber: Never Say Never.

Trivia: Tall, blonde, and possessing a choir of perfect teeth that would make any dentist jealous, James Van Der Beek emerged as one of the ultimate teen pin-ups of the late 1990s. First attaining prominence with the title role of Dawson Leary in the WB Network's Dawson's Creek, Van Der Beek proceeded to branch out with film and stage work, and in the process managed to be anointed in 1998 as one of People Magazine's "50 Most Beautiful."Born March 8, 1977 to a cell phone salesman father and a mother who ran a gymnastics studio, Van Der Beek was raised in his hometown of Cheshire, Connecticut. The oldest of three children, he was an honors student and excelled at football until an injury sidelined his budding career. In its own way the injury proved to be serendipitous, as it led Van Der Beek to take up acting. Following a casting trip to New York with his mother, Van Der Beek made his professional debut at the age of 16 in the Off-Broadway production of Finding the Sun, which was written and directed by Edward Albee. More stage work ensued, as did some television work (most notably in the form of a 1995 stint on As the World Turns). Van Der Beek made his film debut in the 1995 comedy Angus, aptly cast as a golden-boy football quarterback. Another movie, the little-seen Claire Danes/Jude Law vehicle I Love You, I Love You Not, followed in 1997, but it was his starring role in Dawson's Creek, premiering in January of 1998, that gave Van Der Beek his big break. The show's success with critics and audiences alike propelled Van Der Beek and his fellow cast members into the limelight, and soon Van Der Beek secured his first major film roles, first in the little-seen Harvest (1998), and then in the football comedy-drama Varsity Blues (1998). The film's modest reviews were overshadowed by its financial success, geared as it was toward a new generation of teenagers eager to see their favorite actors in glorious celluloid. The film's enthusiastic commercial response, coupled with Dawson's continuing success, virtually guaranteed the young actor that no matter what the future held for him, his career had certainly gotten off to a very positive start.Though to this point Van Der Beek's success had been built on the image of the squeaky clean, all-American small town boy, a pair of efforts following the millennial turnover signaled that the actor who had become the very personification of white-bred wholesomeness was determined to create a new, decidedly more edgy image for himself. Though his initial effort ended in mystery as the segment featuring Van Der Beek as a closeted high school homosexual was cut from director Todd Solandz's Storytelling (2002) shortly before the film's release, his efforts would be cemented later that same year with the subsequent release of The Rules of Attraction. Directed by Pulp Fiction collaborator Roger Avery (Killing Zoe) and based on a novel by American Psycho author Brett Easton Ellis, The Rules of Attraction found the former innocent plunged into a strange world of drugs and sexual deviance that left many Dawson's Creek fans up in arms. As college student/drug dealer Sean Bateman (who also happens to be the brother of American Psycho maniac Patrick Bateman) Van Der Beek essayed what was without question his seediest role to date. With his Dawson's Creek and Rules of Attraction characters existing on the most extreme polar opposite ends of the spectrum imaginable, Van Der Beek made it no secret that his acting coach recieved a hearty workout as the actor attempted to balance hiumself between the two projects. When Dawson's Creek finally came to an end, Van Der Beek appeared in Clive Barker's The Plague, Eye of the Beast, Formosa Betrayed, and Stolen. He spoofed his own image as a squeaky-clean guy by playing an obnoxious version of himself in the sitcom Don't Trust the B - in Apartment 23 and joined the cast of CSI: Cyber in 2015.

Trivia: A native of La Jolla, CA, actress Autumn Reeser grew up in nearby Oceanside and Carlsbad and gravitated to drama as a young girl; she reportedly discovered her life's calling when she felt inspired by a child's portrayal of a mouse in a local stage version of Cinderella. Reeser commenced tryouts for local theatrical productions not long after her sixth birthday and continued to appear in a variety of plays and musicals through her late teens, then enrolled in the University of Southern California at the age of 17 and studied acting while supporting herself by waiting tables on the side.The thespian scored her first major acting coup in 2001, with a bit part on an episode of Star Trek: Voyager, then signed for a series of guest roles on programs including Cold Case, George Lopez, and Grounded for Life, in addition to films such as the independent drama Americanese (2006) and the collegiate-themed ensemble film Palo Alto (2007). She only came into her own, however, with a portrayal of backward and maladroit Taylor Townsend on seasons 3 and 4 of the prime-time teen-oriented soaper The O.C. (2005-2007). In 2008, Reeser signed on to play Phoebe Valentine, one of a family of Greek immortals whose collective mission involves bringing human soulmates together, on the Kevin Murphy-produced romantic comedy series Valentine. The show was quickly cancelled, and Reeser joined the HBO series Entourage, playing the recurring role of junior agent Lizzie Grant for a handful of episodes. She was next cast in two more short-lived series: superhero dramedy No Ordinary Family (2010-11) and submarine drama Last Resort (2012-13).

Trivia: Through a cruel twist of fate, American actor Sam Elliott came to films at just the point that the sort of fare in which he should have thrived was dying at the box office. A born cowboy star if ever there was one, the stage-trained Elliot made his debut in a tiny role in the 1969 western Butch Cassidy and the Sundance Kid. Within a few years, the western market had disappeared, and Elliot had to settle for standard good-guy roles in such contemporary films as Lifeguard (1976). Never tied down to any one type, Elliot's range has embraced sexy "other men" (Sibling Rivalry [1989]) and vicious rapist/murderers (the TV movie A Death in California [1986]). Still, one yearned to see Elliot playing frontiersmen; fortunately, the western genre had not completely disappeared on television, and Elliot was well-served with such hard-riding projects as The Sacketts (1977), I Will Fight No More Forever (1981), The Shadow Riders (1982), Houston: The Legend of Texas (1986) and Conagher (1991), in which he appeared with his wife, actress Katherine Ross. When westerns began showing up on the big screen again in the 1990s, Elliot was there, prominently cast as Virgil Earp in Tombstone (1993) and the made-for-cable sagebrusher The Desperate Trail (1995). Awarded Bronze Wrangler trophies for his involvement in Conagher, The Hi-Lo Country, and You Know My Name, Elliot also made an impression on Cohen Brothers fans with a memorable performance as the laid back Stranger in the cult hit The Big Lebowski. A featured role in the 2000 made for television remake Fail Safe found Elliot hanging up his duster to revisit rising Cold War tensions, and later that same year he would finally make the leap into the new millennium with his role as a presidential aid in Rod Lurie's Oscar-nominated hit The Contender. Rewarded with a double hernia as a result of his intense training efforts to prepare for a role in the 2002 Vietnam War drama We Were Soldiers, the then fifty-seven-year-old endured the pain through the entire production and put of surgery until shooting had wrapped. Though Elliot would remain in the armed forces to portray a military general hell-bent on destroying the Hulk in 2003, his onscreen authority would weaken somewhat when he was cast as a cancer-riddled Marlboro Man in the 2005 comedy Thank You for Smoking. After traveling to the far corners of the globe to carry out a little vigilante justice in the 2006 made for television thriller Avenger, Elliot would next break a little new ground by venturing into the world of animation by lending his distinctive voice to the character of Ben the Cow in Steve Oedekerk's rural family romp Barnyard. He co-starred with Nicole Kidman and Daniel Craig in The Golden Compass (2007), a film adaptation of the first installment of the wildly successful book series from author Philip Pullman. In 2009 he took on a role in the award winning comedy drama Up in the Air, and co-starred as an eccentric billionaire in director Tony Krantz's The Big Bang in 2011. He joined Robert Redford and Julie Christie to play a supporting role in 2012's comedy drama The Company You Keep.

Trivia: New Jersey native Jimmi Simpson honed his skills at Bloomburg University and at the Williamstown Theatre Festival before making his on-screen debut in the 2000 college comedy Loser. With his memorable look and quirky style, Simpson had no trouble finding work, taking on recurring roles on 24, Rose Red, Carnivale, My Name Is Earl, Psych, and It's Always Sunny in Philadelphia. He would also carve out a niche on the big screen, appearing in movies like Zodiac and The Invention of Lying. Simpson would also become a familiar face to many as Lyle the Intern on The Late Show with David Letterman from 2008 to 2009. In 2009, the actor signed on to act alongside Antonio Banderas and Sam Elliott in the thriller The Big Bang.

Trivia: Though it's a typical trend for models to attempt acting careers in Hollywood, a close look at the career of British model-turned-actress Sienna Guillory reveals that she is anything but the "typical" case. Despite the fact that it was likely her role as a Hugo Boss girl that first got the talented and attractive blonde beauty noticed on U.S. shores, she had actually been acting long before embarking on a career as a model, and in fact, simply stumbled onto a career on the catwalks quite by accident. More content to be labeled an "actor" than a "star," the down-to-earth starlet no doubt possesses the kind of selflessness displayed by Charlize Theron in Monster that would allow her talent to take precedence over her physical appearance when the role demands it. The daughter of Cuban-born guitarist Isaac Guillory, Sienna was born in London in May of 1975; her childhood was marked by the kind of bohemian upbringing that encouraged creativity and artistic experimentation. It wasn't long before the ambitious youngster was considering a career as an actress, and in 1993, at the age of 16, Guillory landed her first role with a bit part in the cheeky, equestrian-themed U.K. miniseries Riders. Those who caught a brief glimpse of the up-and-coming talent no doubt agreed that the camera took a special shine to her, and a bit part in the U.K. period drama The Buccaneers following in short order. Guillory's appearance in The Buccaneers prompted her to study her craft more closely, but her course was somewhat altered when, at the age of 21, she accompanied a friend to the Select modeling agency and was immediately signed by the powerhouse. Though a stint as the Hugo Boss girl (not to mention campaigns for Armani and Dolce & Gabbana, to name only a few) did offer Guillory notable exposure, it did little to sway her dedication to acting, and she was soon honing her skills at the New World School of Dramatic Arts and later the Paris Conservatoire. By the time Guillory returned to the screen with a substantial role in the 2000 thriller Sorted, she had began to develop a unique style that would continue to impress in such features as Kiss Kiss (Bang Bang) and Late Night Shopping. A winning-turn as the virginal heroine of Kingsley Amis' novel A Girl Like You got Guillory positive critical notice when the television adaptation was aired in the U.K. in 2001, and it wasn't long before she had set her sights on Hollywood. If Guillory's turn as the romantic interest of lead Guy Pearce's character in the 2002 sci-fi adventure The Time Machine did little to further her career when the film generally failed to live up to expectations at the box office, she could at least take comfort in the fact that she would soon be portraying one of the most legendary beauties of all in the made-for-television adventure Helen of Troy. That film, too, was met with a somewhat lukewarm response, and though she would remain decidedly loyal to British television with roles in such efforts as 2004's Beauty, it was obvious by parts in such movies as Love Actually and Resident Evil: Apocalypse that she was eager to expand her horizons beyond typical costume drama fare and into mainstream Hollywood territory. In 2004, Guillory began preparation for roles in the fraternity-themed horror film Victims and director Keoni Waxman's Poolhall Prophets.

Trivia: Started his career as a professional wrestler and worked in Mexico and Japan before joining the WWE. Is seven feet tall. Has an adopted daughter from Ethiopia. His first movie role was in 2007's 300 as Über-Immortal.

Trivia: Whether on stage or the big screen, Delroy Lindo projects a powerful presence that is virtually impossible to ignore. Though it was not his first film role, his portrayal of manic depressive numbers boss West Indian Archie in Spike Lee's Malcolm X (1992) is what first attracted attention to Lindo's considerable talents. Since then, his star has slowly been on the rise and the actor has had steady opportunity to display his talent in a number of diverse films.The son of Jamaican parents, Lindo was born in London, England, on November 18, 1952. He was raised in Lewisham, England, until his teens, when he and his mother moved across the Atlantic to Toronto. Following a move to the U.S. a short time later, he became involved in acting, eventually graduating from San Francisco's renowned American Conservatory Theater. After graduation, he landed his first film role, that of an Army sergeant in More American Graffiti (1979). He would not appear in another film for a decade, spending the intervening years on the stage. In 1982, Lindo debuted on Broadway in Master Harold and the Boys, directed by the play's author, Athol Fugard. Six years later, he earned a Tony nomination for his portrayal of Harold Loomis in Joe Turner's Come and Gone.Although possessing obvious talent and the potential for a distinguished career, Lindo found himself in something of a rut during the late '80s. Wanting someone more aggressive and appreciative of his talents, he changed agents (he'd had the same one through most of his early career). It was a smart move, but it was director Spike Lee who provided the boost that the actor's career needed. The director was impressed enough with Lindo to first cast him in Malcolm X and then as patriarch Woody Carmichael in his semi-autobiographical comedy Crooklyn (1994), a role for which Lindo earned some long overdue praise. 1995 proved to be another big year for the actor, as he landed substantial supporting roles in two major films, playing a mercurial drug dealer in Barry Sonnenfeld's Get Shorty and another drug dealer in Lee's Clockers. The following year, he could be seen in yet another villainous role in Feeling Minnesota. However, he also proved that he could portray the other side of the law, in the Mel Gibson thriller Ransom, in which he played an FBI agent, and John Woo's Broken Arrow, which cast him as a colonel. He made good as baseball player Satchel Paige in the upbeat Baseball in Black and White that same year, winning himself an NAACP Image nomination in the process.Following a turn as a jaded angel opposite Holly Hunter in Danny Boyle's A Life Less Ordinary (1997), Lindo returned to a more earthly realm, further proving his talent for playing shadesters in The Cider House Rules (1999), in which he portrayed a cider house foreman who impregnates his daughter, and Romeo Must Die (2000), a loose adaptation of Romeo and Juliet that cast him as a vengeful mob boss. Following roles in Gone in Sixty Seconds (2000), Heist (2001), and The Last Castle (also 2001), Lindo re-teamed with Romeo star Jet Li for another high-kicking action opus, The One, in late 2001. Supporting roles in such high profile Hollywood films as The Core, Sahara, and Domino kept Lindo in the public eye over the course of the following decade, and in 2009 the actor lent his voice to the character of Beta in the runaway Pixar hit Up.

Trivia: Although many would likely recognize Bill Duke from his roles in such high-profile releases as Predator, Menace II Society, and Red Dragon, perhaps only a few connect the face in front of the camera with the name of the man who also directed such features as A Rage in Harlem and Hoodlum. A native of Poughkeepsie, NY, and the first in his family to graduate from college, the actor/director studied speech and drama at Boston University before earning his M.F.A. from New York University's Tisch School of the Arts. Subsequently penning off-Broadway plays and launching a film career with roles in Car Wash (1976) and American Gigolo (1979), Duke's early breakthrough came with a featured role in the critically acclaimed Alex Haley miniseries Palmerstown U.S.A. in 1980. Deciding to refine his skills behind the camera, the burgeoning actor later studied at the American Film Institute, where his student project The Hero earned him a solid reputation as a director to watch. In the years that followed, Duke earned a reputation as an efficient and effective television director as he took the helm for episodes of Hill Street Blues, Fame, Miami Vice, Spenser: For Hire, and Matlock. He soon moved into feature territory with the PBS drama The Killing Floor (which screened at the 1985 Cannes Film Festival and earned the Special Jury Prize at the Sundance Film Festival). In 1989, Duke's adaptation of A Raisin in the Sun showed that, although his directing had thus far been limited to the small screen, he also had the potential to launch a lucrative career in theatrical features. After acting in such features as Commando (1985), Predator (1987), and Bird on a Wire (1990), Duke's first theatrical feature, A Rage in Harlem, was released in 1991. An effective crime drama featuring a gangster's moll, a trunk load of gold, and a slew of unsavory heavies, the film was unfairly interpreted by audiences to be a rip-off of the popular 1989 comedy Harlem Nights. For the dark crime thriller Deep Cover, Duke teamed with future collaborator Laurence Fishburne for the first time, and after lightening things up a bit with The Cemetery Club (1993), Duke earned a direct hit at the box office with the popular sequel Sister Act 2: Back in the Habit the same year. The remainder of the '90s found the actor/director evenly dividing his duties on both sides of the camera, and, in 1997, he re-teamed with Fishburne for the throwback gangster drama Hoodlum. With all of his directorial duties, Duke found little time to accept onscreen roles, though performances in Payback and Fever in 1999 reminded audiences that he was still a compelling screen presence. Duke returned to the small screen the following year to direct an episode of City of Angels and the Nero Wolfe mystery The Golden Spiders, and remained in television to shoot episodes of Fastlane and Robbery Homicide Division. In 2003, Duke directed the moving, made-for-TV drama Deacons for Defense. As roles in Red Dragon (2002) and National Security (2003) continued to fuel his feature career, Duke was also seen on the small screen in episodes of Fastlane and the Out of Sight (1998) spin-off Karen Sisco.

Trivia: With a striking visage and an even more distinctive presence, blue-eyed British actress Rebecca Mader launched her career in the early 2000s. She evinced a flair for tackling supporting roles in genre features, such as the lurid thriller 21 Eyes (2003) and the blockbuster drama The Devil Wears Prada (2006), but maintained a higher profile on television, with a memorable role as no-nonsense attorney Alden Tuller in Jerry Bruckheimer's short-lived legal drama Justice (2006). That same year, Mader signed for a supporting part in the tragicomedy Great World of Sound (2007). In early 2008, Mader took on a recurring role on the hit drama Lost.