Trivia: Though Terrence Howard's great grandmother Minnie Gentry was a successful New York stage actress, Howard didn't venture onto the screen himself until the age of twenty. Raised in a multiracial Jehovah's Witness household, the young man studied chemical engineering at Pratt Institute before being discovered on the street in New York. This quickly led to appearances on such television shows as Coach, Street Legal, Living Single, and Picket Fences. His breakout role in 1995's Mr. Holland's Opus helped pave the way for Howard's film career, as did his critically acclaimed performance as Cowboy in the Hughes brothers film Dead Presidents. By the time he took the role of Quentin in 1999's The Best Man, Howard had established a reputation as an actor of both skill and integrity. The new millennium finally brought Howard work that showcased his talent and made him a well-known name, like his role in the Paul Haggis film Crash, as well as his work in the John Singleton's Four Brothers. He also attracted the spotlight on the small screen with parts in the acclaimed TV films Their Eyes Were Watching God with Halle Berry, and Lackawanna Blues with S. Epatha Merkerson. This set the stage for his career-making performance as a pimp desperate to create a new life for himself as a musician in Hustle & Flow, for which he earned an Oscar nomination. Over the coming years, Howard would remain a vital force on screen, appearing in several films, likeGet Rich or Die Tryin', Idlewild, Iron Man, and On the Road. In 2013, he played a supporting role in Lee Daniel's The Butler and reprised his role in The Best Man Holiday. Howard returned to television in Fox's smash-hit Empire, playing music mogul Lucious Lyon.

Trivia: While Anthony Anderson got his start in stand-up, his wide range of genre-spanning credits as a producer and actor in light comedy, pointed satires, food-based reality shows and gritty episodic dramas display his versatility and cross-audience appeal. But even though it's not immediately apparent how the points on his resume connect in one straight line, all of his work harkens back to core values of family, togetherness, responsibility, fairness, justice, and doing right in a sometimes complicated world.Born August 15, 1970, Anderson was one of four kids raised by his mother and stepfather (the man he considered his "only father I knew or cared about") in Compton, Los Angeles, California. While their neighborhood could be rough, his no-nonsense stepfather, who owned three clothing stores, instilled a respect for paternal responsibility and entrepreneurship in Anderson. While Anderson remembers seeing a teenage Dr. Dre perform at Compton's most important hip-hop venue Skateland, U.S.A., his most formative memory of a performer was watching his mother rehearse for an amateur production of A Raisin in the Sun at Compton Community College. Even though both he and his mother agree that she was a terrible actress, the impression of her becoming someone else on stage solidified his ambitions.His ambitions stoked, young Anderson seized every opportunity to perform, whether it was singing at church, competing in spelling bees, or appearing in a commercial at the age of five. After successfully auditioning for Los Angeles County High School for the Arts, he won the top prize in the NAACP's Act-So awards and gained entrance to Howard University's drama program with an audition tape that included monologues from Shakespeare and "The Great White Hope". (Anderson's stepfather, always the pragmatist, took extraordinary measures to push Anderson out of the nest after college by not only insisting he pay rent if he wanted to live at home, but also by padlocking the TV cabinet and freezer, installing a pay phone in the house, and razzing Anderson with Lassie reruns: "That dog's an actor. Where are you acting?")Too-strange-to-be-fiction family lore like that formed the basis of Anderson's stand-up comedy routines that he performed briefly under the name "Tasty Tony" while picking up small roles in TV and movies until 1999, when he landed roles both in the Martin Lawrence and Eddie Murphy comedy Life, and Barry Levinson's cinematic memoir Liberty Heights. A slew of roles in a wide range of genres followed for the next few years, culminating in recurring roles on Treme as actor-waiter Derek Watson, on The Shield as Antwon Mitchell, the drug boss turned community leader who still keeps one foot in the thug life, and on Law & Order as conservative lawman Detective Kevin Bernard, a role for which he earned four consecutive NAACP Image Award nominations for Outstanding Actor in a Drama Series. Anderson's other great passion, for food and cooking, has led to many hosting gigs on shows like Carnival Cravings with Anthony Anderson, Eating America with Anthony Anderson, the web series Anthony Eats America, and his recurring seat at the judge's table on Iron Chef America. While his everyday diet is "vegan-ish" as a way of regulating his type 2 diabetes, he's so devoted to the kitchen arts that he takes weekend classes at famed culinary academy Le Cordon Bleu's Los Angeles outpost. While his first forays into producing the sitcoms All About the Andersons and Matumbo Goldberg (both about domestic life from an African-American perspective) ended after one season, conversations with his screenwriter friend Kenya Barris about their experiences raising their children in affluent, majority-white communities that are so unlike the neighborhoods they grew up in inspired the duo to create and produce black-ish. Taking a page from unflinching sitcoms of the '70s like All In The Family and Good Times that mixed light humor with frank confrontation of social ills, Barris and Anderson folded incidents from their own lives into the show's scripts - such as the time Anderson's teenage son wanted a bar mitzvah party like all his Jewish friends, prompting Anderson to instead offer his son a hip-hop themed "bro mitzvah." Anderson received an Emmy nomination for his role as beleaguered patriarch Andre Johnson in 2015.

Trivia: Taryn Manning is an actress featured alongside many pop culture icons, usually within the teenage limelight. Gaining loads of attention from her role in 2002's Crossroads starring pop music superstar Britney Spears, Manning developed increasing correlations between herself as a performer and the music industry. Born on November 6, 1978, in Tucson, AZ, she moved with her family to California at the age of 12. There she attended Orange County High School of the Arts, and would go on to find career success in show business just a few years after graduation. Her ties with music began early, as she would collaborate on song compositions with her brother, a practice which would itself be incorporated into a film in which Manning appeared. In 1999, she was featured in an independent film called Speedway Junkies, which gave rise to later roles on television. Besides appearances in episodes of the TV series The Practice, NYPD Blue, and Boston Public, Manning had a starring role on the series Get Real in 1999. Television stardom led to roles in major motion pictures, and she made her film debut with a part in Crazy/Beautiful starring Kirsten Dunst in 2001. A romantic teen drama dealing with racial issues, Crazy/Beautiful gave Manning a chance to make a statement as a hardcore partier named Maddy. In 2002, she played the role of Britney Spears' spunky and adventurous friend Mimi, in romantic road-trip story Crossroads, also starring Anson Mount and Zoe Saldana. Continuing her connection with pop music, she appeared in 8 Mile, a loosely biographical drama starring rap star Eminem. Rounding out her experience for the year within the realm of teen drama, she also appeared in Peter Kosminksy's White Oleander, the story of a teenager's struggle with a parent being sentenced to prison, based on a novel of the same name.

Trivia: Washington, D.C., native Taraji P. Henson didn't always know that her smoldering charisma and beautiful face would make her a professional actress. On the contrary, she originally studied electrical engineering when she enrolled at North Carolina Agric & Tech. She later transferred to Howard University, where she attended classes while working as a secretary at the Pentagon, and as a singer and dancer aboard a cruise ship. She eventually changed her academic focus to theater and graduated in 1995. Henson's career began with appearances on Homicide: Life on the Street and ER, but it really took off when she was cast in a major supporting role in 2001's Baby Boy and 2004's Hustle & Flow, in which she also showcased her vocal talents, singing on the track "It's Hard Out Here for a Pimp" for the movie's soundtrack, which took home the Best Song Oscar that year. Henson later moved on to take major roles in Smokin' Aces and Talk to Me. Henson made the most of her work as the mother of the backward-aging man in David Fincher's The Curious Case of Benjamin Button, and her performance garnered Best Supporting Actress nominations from both the Screen Actors Guild, and the Academy. She became an in-demand character actress after that success and appeared in a series of films including Tyler Perry's The Family That Preys, the remake of The Karate Kid, Date Night, and Larry Crowne. In 2012, she was part of the ensemble in the hit comedy Think Like a Man, and later reprised her role in the sequel, Think Like a Man Too. Henson returned to television on the CBS crime drama Person of Interest, playing an NYPD detective. Her character was dramatically killed off in the third season, with Henson claiming she wanted to focus on her film career. However, she quickly took a role on the FOX musical drama Empire, playing breakout character Cookie Lyon.

Trivia: Born and raised in the Midwest, actress Paula Jai Parker moved to Washington, D.C., to study at Howard University. After getting her B.A., she went on to become a regular on The Apollo Comedy Hour and Townsend Television on FOX. After proving she could do comedy, she made a dramatic turn on the HBO anthology series Cosmic Slop. She won a Cable ACE Award for her title role in the segment "Tang," based on the short novel by Chester Himes. Parker made her feature film debut as Ice Cube's girlfriend Joi in F. Gary Gray's hit comedy Friday. After meeting director Rusty Cundieff while doing Tales From the Hood, she was cast as gold-digging Adina in his urban comedy Sprung with Tisha Campbell. She also worked with many of the Wayans brothers on the WB show The Wayans Bros. and the feature film Don't Be a Menace in South Central. Her next few films included the romantic comedy Woo, starring Jada Pinkett Smith, and the period drama Why Do Fools Fall in Love, starring Halle Berry. In 1999, she joined the cast of the David E. Kelley's Snoops, a detective drama on ABC starring Gina Gershon. After the show ended, she provided the voice of Trudy Proud on the animated series The Proud Family and starred in the ensemble comedy 30 Years to Life with Tracy Morgan. Parker later appeared in Joel Schumacher's action thriller Phone Booth and Cheryl Dunye's domestic comedy My Baby's Daddy.

Trivia: Although she may not have achieved her youthful dream of becoming a Solid Gold dancer, some might argue that it was more a matter of overshooting that dream rather than failing to achieve it. Elise Neal still loves to dance, even appearing on Star Search before working professionally as a dancer, though she is more likely to be recognized for her frequent work in television and film.Born in Tenessee, Neal's ballerina beginnings were set into motion after spending long hours in front of the television admiring the cutesy song-and-dance antics of Shirley Temple. A popular teenager, Neal was voted Homecoming Queen, and after high school moved to New York to pursue a career as a dancer. Finding frequent work in musical theater that eventually led to small roles in commercials, Neal soon began to realize her affection for appearing on camera. After moving to L.A. to chase her newfound dreams of becoming a full-time actress, Neal made an appearance on Law & Order before her screen debut in Spike Lee's Malcolm X (1992). Appearing frequently in television for the next few years with recurring roles in such series as SeaQuest DSV and Tales of the City, Neal later appeared in John Singleton's Rosewood and Money Talks (both 1997) before making a memorable appearance in Scream 2. Moving seamlessly between roles in television and film, Neal moved into sitcom territory with The Hughleys before returning to the screen in 2000 with Mission to Mars.

Trivia: A major figure in American soul music, Isaac Hayes also enjoyed a long and memorable career as an actor and film composer. His score for the motion picture Shaft made him the first African-American to win an Academy Award for music, and was one of the first examples of a pop-based film score that developed a life of its own in the marketplace. Isaac Hayes was born in Covington, TN, on August 20, 1942. Born to a family of sharecroppers, Hayes was raised by his grandparents, and developed an interest in music early in life, joining the church choir at the age of five. By the time he was a teenager, Hayes had also learned how to play piano, organ, and saxophone, but he was forced to drop out of school after the family had moved to Memphis when his grandfather developed a disability. Hayes began performing with a variety of local R&B groups in Memphis, including the Teen Tones, Sir Calvin and His Swinging Cats, and Sir Isaac and the Doo-Dads, as well as working a variety of day jobs. In time, Hayes began attending night school, and received his high-school diploma at the age of 21.In 1962, Hayes cut his first record for a local label, and in 1964 he'd worked his way up to playing keyboards with the house band at Stax Records, just then establishing themselves as one of the South's premier soul music labels. At Stax, Hayes began writing songs with David Porter, and together they penned a long string of hits for Sam & Dave, including "Soul Man," "Hold On, I'm Coming," and "When Something Is Wrong With My Baby," as well as hits for Johnnie Taylor and Carla Thomas. Having established himself as a songwriter, Hayes began to step into the spotlight as a recording artist in 1967 with his first solo album, Presenting Isaac Hayes. While the album was reasonably well received, it was Hayes' second effort, Hot Buttered Soul, that established him as a unique talent in soul music, with its lush, lengthy, and languidly funky interpretations of such songs as "Walk on By" and "By the Time I Get to Phoenix" (the latter clocking in at an epic 18 minutes). Several more successful albums followed, and in 1970, Hayes was approached to write his first film score by, of all people, Norman Mailer; Mailer went through a brief fling as an experimental filmmaker, and he hired Hayes to provide music for his third cinéma vérité feature, Maidstone.In 1971, Hayes would write his second film score, which would make a much greater impact. Shaft, directed by famed photojournalist Gordon Parks, was a gritty tale of a tough private eye squaring off against both the cops and the mob in New York City, but with a primarily African-American cast, an unusual thing in 1971, and Hayes' score, which blended streetwise grooves with a brassy orchestral backing, became an instant sensation. Shaft's soundtrack album, as well as the single "Theme From Shaft," were major chart successes, and Hayes won an Academy Award for Best Musical Score.While Hayes was certainly proud of his achievements, at one point he'd shown an interest in playing the lead in Shaft as well as writing the music, and after displaying an estimable amount of screen charisma in several concert films (including Wattstax and Save the Children), he was cast alongside Fred Williamson and Lino Ventura in the Italian blaxploitation-style drama Uomini Duri (released in America as Three Tough Guys); Hayes also wrote music for the film. Later that same year, Hayes scored a solo starring role in Truck Turner, but just as his acting career began taking hold, the bottom began to fall out of the blaxploitation market, and Hayes went back to making music, not scoring another film role until Escape From New York in 1981.In the mid-'80s, Hayes returned to acting, and appeared in no fewer than 25 theatrical and television features between 1986 and 1996; most were low-budget genre fare, but several more notable films appeared on his resumé, including the blaxploitation parody/tribute I'm Gonna Git You Sucka!, Mel Brooks' Robin Hood: Men in Tights, Mario Van Peebles' African-American Western Posse, and Once Upon a Time...When We Were Colored, a evocative look at life in a small Southern town in the 1940s. Hayes' acting career got an unexpected boost in 1997, when he was asked to provide the voice of Chef on the animated television series South Park. Originally intended to appear in one episode, Chef went over so well that he became a regular character on the series, and remained with the show for nine years. Hayes also continued to land a number of higher profile film roles in films like Reindeer Games, the 2000 remake of Shaft, and the independent venture Hustle & Flow, for which he was nominated for a Screen Actors' Guild Award. When not busy with acting projects, Hayes continued to play concerts and record new material; he was also a literacy activist, a supporter of children's charities around the world, and operated a pair of successful restaurants in Chicago and Memphis. Hayes died on August 10, 2008.

Trivia: One of a number of hip-hop musicians to successfully tackle a career in movies as well, Ludacris began his career as a humble radio DJ working in Atlanta, GA. He used the job as an opportunity to hone his skills as a musician and rapper, eventually hooking up with talents like super-producer Timbaland and getting signed to a subsidiary of Def Jam in 2000. He shortly thereafter released his first album, Inconegro, and soon became a household name, not to mention one of the most important forces in hip-hop. His fame was only boosted when, in 2002, he was signed to do a promotional deal with Pepsi, but the sponsorship was terminated when right-wing TV news shock-jocker Bill O'Reilly complained that Ludacris' image promoted violence. The controversy created much debate and attracted substantial attention, possibly more than the promo contract would have earned on its own, and the rapper's album sales continued to rise.It wasn't long before Ludacris' notoriety had movie directors tapping him to make appearances in their films. After a small role in 2003's 2 Fast 2 Furious, he was cast in the 2005 film Hustle & Flow, a movie starring Terrence Howard as Djay, an aspiring rapper trying desperately to make it. Ludacris played Skinny Black, a world-famous hip-hop star who started out in Djay's hometown of Memphis. The movie became a critical success, and Ludacris followed it up with a 2006 appearance on Law & Order: Special Victims Unit as the stepson of cast member Ice-T. His booming music career didn't make it easy, but Ludacris couldn't help signing onto another project in 2007, parodying his own street-tough image as a disgruntled elf in the Christmas comedy Fred Claus.

Trivia: Not the average model-turned-actor, D.J. Qualls made his name with a decidedly unglamorous debut in the popular teen gross-out comedy Road Trip (2000). Raised in Tennessee as one of five children, Qualls was diagnosed with Hodgkin's disease at age 14. After drastic surgery and two years of chemotherapy, the cancer went into remission. Determined to forge on with his life, the rail-thin Qualls began acting in local Nashville theater productions and attended Belmont University. After he was spotted by flamboyant photographer David LaChappelle, Qualls also began modeling, appearing most notably in ads for Prada. He first got to act in front of the camera in the TV movie Mama Flora's Family (1998), but he did not make the jump to features until he was cast a couple of years later in Road Trip. Originally auditioning for a bit part, Qualls instead landed a starring role as one of the college youths who makes the eponymous journey to retrieve a sexually incriminating videotape. As humorously nerdy virgin Kyle, Qualls received better reviews than the movie, establishing himself as a rising young actor. He subsequently appeared in the darkly comic teen thriller about a murderer targeting virgins, Cherry Falls (2000). 2002 found Qualls taking the lead role of an uncool high-school student who gets an ultrahip image makeover in the teen comedy The New Guy.