Trivia: As a key member of what many comedy lovers consider to be one of the funniest families on Hollywood, producer/writer/actor Shawn Wayans has been instrumental in bringing such hit parodies as Don't Be a Menace to South Central While Drinking Your Juice in the Hood, Scary Movie, and its sequel Scary Movie 2 to the big screen. Though Wayans has occasionally branched out to appear in such non-Wayans productions as the 1999 action thriller New Blood, it's mainly family that serves as this funnyman's bread and butter, with a lead role in the WB sitcom The Wayans Bros. leading to increasingly prominent roles in such family productions as White Chicks and Little Man. Raised in the Chelsea area of Manhattan with his nine siblings, Wayans credits his family's boundless sense of humor in helping him to get by when money was tight and the future looked grim. Supporting roles in such early efforts as elder brother Keenen Ivory's I'm Gonna Git You Sucka and the hit sketch comedy series In Living Color (for which he also DJ'ed) encouraged Wayans to try his hand at writing, and in the following years he would team with sibling Marlon to great success. Specializing in the kind of low-brow comedy that appealed mainly to the high-school and college set, the two Wayans soon found that an ideal way to gauge the success was in how much their efforts offended their mother. When their disapproving mom walked out on Scary Movie 2, the pair knew they had a surefire hit on their hands. After appearing as the titular "females" in the 2004 comedy White Chicks, it was time to shrink his best collaborator down to size for the big-head-on-a-little-body comedy Little Man in 2006.

Trivia: The youngest member of what may arguably be the funniest family in show business, Marlon Wayans may also be working his way up to becoming funniest member of the funniest family in show business. Regarding the formidable task of living up to the humorous standards set by his siblings, Marlon takes a healthy and positive attitude, considering his family an important exemplary support system rather than an ominous shadow casting impossible expectations.Born in 1972 in New York City, Marlon graduated from the School of Performing Arts in New York before moving on to study film and arts at Howard University. Following the lead of eldest clan member and brother Keenen Ivory Wayans, Marlon was inspired to pursue a career in show business. After taking a small role in brother Keenen's blaxploitation spoof I'm Gonna Git You Sucka! (1988), Marlon joined the cast of Keenen's groundbreaking and trend-setting hip-hop variety show, In Living Color. A natural knack for comedy found Marlon quickly gaining momentum among the cast and refining the skills that would eventually lead him to bigger roles in both film and television. With his role in brother Damon's con-artist comedy Mo' Money, Marlon continued to display his talents for comedy with more substantial roles. Teaming with brother Shawn for television's The Wayans Bros. (1995), Marlon began to expand his responsibilities. Taking on numerous roles -- from writer to director and, of course, star -- Marlon learned the virtues of multi-tasking that would lead him to become a key creative force behind such spoofs as Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996) and Scary Movie (2000). Wayans gained the majority of positive press earned by the otherwise run-of-the-mill comedy Senseless, and a few even compared him to the likes of Jerry Lewis, thanks to his talent for rubber-limbed humor. Yet Marlon began to seek out more serious roles. "I would do straight dramatic stuff. I'm trained as a dramatic actor," he said. "A lot of people just think I'm funny and crazy all the time, but I went to a performing arts high school, so I'm trained in the dramatic arts. I just happen to be funny." Though Marlon got deadly serious for his role as Jared Leto's drug-addicted friend on a collision course with disaster in Darren Aronofsky's Requiem for a Dream, he continued to display his exceptional gift for comedy by hosting the 2000 MTV Video Music Awards with brother Shawn, and developing the follow-up to his runaway hit Scary Movie.The early 2000s were less benevolent to Wayans. Critics singled out and excoriated him for his foolhardy appearance as Snails in the 2000 bomb Dungeons & Dragons: The Movie. Cited as one of the most wretched films of its year - or any year, by almost everybody, Dungeons barely made half of its thirty-five million dollar budget. USA Today wrote, "Marlon Wayans' performance as a cowardly thief would have seemed in bad taste a half-century ago." As Gawain McSam in the lackluster Coen brothers remake The Ladykillers, Wayans similarly did little more than reinforce an ignorant, filthy-mouthed, jive-talking ghetto stereotype; moviegoers responded slightly more favorably than critics.Perhaps sensing the need to return to his roots for a fresh success, Marlon spent 2004 and 2006 in two family vehicles: the raunchy comedies White Chicks and Little Man, respectively In the former, he and brother Shawn play African American federal agents who go undercover as blonde Caucasian sorority girls to bust a kidnapping scheme. This film climbed the charts to become a top weekend and summer grosser. Little Man, directed by Keenen Ivory Wayans and released in July 2006, uses trick photography and sight gags to turn Marlon into the dwarfish thief Calvin Simms, who attempts to retrieve a fenced jewel by posing as an infant and hiding out in the home of aspiring parents. Once there, he relentlessly torments his would-be adoptive father (Shawn Wayans).

Trivia: In the late '30s she worked in Chicago's WPA Theater. She moved to New York City in the early '40s, where she was a member of the Rose McClendon Players. She debuted on Broadway in 1941, portraying the sister of Bigger Thomas (Canada Lee) in Orson Welles's production of Native Son (1941). She established herself as a serious stage actress. She was one of the founders of the American Negro Theater. Over the years she landed a small handful of film roles, debuting onscreen in The Phenix City Story (1955). In the '70s she became recognizable to a large audience through her appearances on a number of sitcoms; she was a regular on Baby, I'm Back and 227, and she had guest appearances on many other shows.

Trivia: Made his feature film debut in the 1987 film Barfly, starring Faye Dunaway and Mickey Rourke.Played Ashtray's Father in the 1996 Wayans Brothers-produced parody Don't Be a Menace to South Central While Drinking Your Juice in the Hood.First writing credit was on the 2004 comedy Tha' Crib.Lent his voice to the video games Spider-Man 3 and Crysis.Co-executive produced the audio scripted drama series, Bronzeville, on which he is also a cast member.

Trivia: The second-oldest child of the Wayans Brothers comic dynasty (brother of Damon, Marlon, Shawn, Kim, and Dwayne Wayans), "renaissance" man Keenen Ivory Wayans retains the highest profile among his siblings as a director and entrepreneur, and claims a brief but spectacular career, which qualifies him as a bona fide role model to young African-Americans interested in carving like paths in comedy or entertainment. A graduate of the Tuskegee Institute, Wayans entered the comic arena in the mid-'80s by stepping up to the mike and honing his stand-up act, but he later branched out into movies, by scripting the low-budget black satire Hollywood Shuffle (1987) and the aptly-titled comedy vehicle Eddie Murphy: Raw (1987), both for director pal Robert Townsend. Wayans broke through to a larger audience with I'm Gonna Git You Sucka (1988), a rollicking parody of 1970s blaxploitation flicks which he directed, produced, and starred in -- as Jack Spade, a black war vet who heads home to the ghetto, only to discover that his brother Junebug died from an "OG" (or overdose of gold chains). For credibility and weight, Wayans intuitively cast blaxploitation vets Isaac Hayes, Bernie Casey, and Jim Brown in leading roles; the film also features Chris Rock's debut. In 1988, Wayans created, produced, and starred in the Fox network's iconoclastic, influential, cutting-edge comedy-variety series In Living Color, which not only made "Wayans" a household name (synonymous with African-American comedy), but also solidified the stardom of comedians Jamie Foxx and the rubber-faced Jim Carrey (who, with his Fire Marshall Bill character, appeared as the ensemble's obligatory white schmuck). A dispute over the show erupted between Wayans and Fox in late 1992, as Wayans felt that the network was overrunning In Living Color in syndication; he argued that it would reduce the program's longevity. Yet Fox refused to back down. Consequently, the whole Wayans family left the program, leaving Jim Carrey center stage. In Living Color lasted two additional seasons, and wrapped in late summer 1994. For several years, Wayans retained a low profile (save limited involvement with straight-faced actioners like The Glimmer Man), but bounced back in 2000 with the multimillion-dollar box-office champion Scary Movie. Initially a parody of Wes Craven's Scream series, the film spawned three sequels, in 2001, 2003, and 2006 respectively; Wayans abandoned the franchise after Scary Movie 2, by which point, the films had expanded their satirical scope to include non-horror pictures and other elements of popular culture. In 2004, Wayans directed the farce White Chicks, about two black FBI agents, Marcus and Kevin (played respectively by the director's brothers, Marlon and Shawn), who disguise themselves as Caucasian sorority girls to foil a kidnapping plot. Despite scattered favorable notices, most critics despised the picture (Roger Ebert remarked, "Here is a film so dreary and conventional that it took an act of will to keep me in the theater"), but it soared at the box and became one of the top grossers for several weekends. The three brothers re-teamed for a follow-up (as co-producers and co-screenwriters, with Keenen directing) for the crass 2006 comedy Little Man, a kind of Clifford remake that revamps the adult-in-the-child's-body concept. Marlon plays a dwarf criminal, Calvin, who -- in an effort to retrieve a diamond he has stolen -- takes advantage of his size by masking himself as a baby and hiding out in the home of a wannabe dad (Shawn Wayans).

Trivia: As the cousin of comedians Marlon and Keenen Ivory Wayans, Craig Wayans took an interest in show business at an early age. He began as a writer and producer on the sitcom My Wife and Kids in the early 2000s, a show that many members of the Wayans family collaborated on. Then in 2009, Wayans continued to find success by joining forces with his family, helping write and produce the parody Dance Flick.

Trivia: Got her start in the entertainment business by doing stand-up at comedy clubs in Los Angeles in the late 1980s. Appeared in four seasons of In Living Color, which was created by her brother Keenen Ivory Wayans. In 2007, wrote and starred in her one-woman play titled A Handsome Woman Retreats. Cowrote a series of children's books with her husband called Amy Hodgepodge. Has been a guest speaker at Camp Harmony retreat for inner-city kids in Los Angeles.

Trivia: Vivacious actress Vivica A. Fox has been attracting attention for performances that mix equal parts sass and class since making her 1989 screen debut in Born on the Fourth of July. A native of Indianapolis, where she was born July 30, 1964, Fox got her start on television with a stint on the daytime soap Days of Our Lives. After making her debut as a hooker in Oliver Stone's aforementioned Born on the Fourth of July, the actress continued to do much of her work on television while appearing in the occasional film. She first attracted notice as Will Smith's girlfriend in the blockbuster Independence Day (1996); her dynamic turn earned her -- together with Smith -- the MTV Award for Best Kiss that year. Fox subsequently appeared in a diverse array of films, ranging from the acclaimed black ensemble romantic drama Soul Food (1997), which cast her as one of three sisters (the other two were played by Vanessa L. Williams and Nia Long), to Batman & Robin (1997), in which she played femme fatale Ms. B. Haven, to Why Do Fools Fall in Love (1998), which featured her in a critically lauded portrayal of one of the three wives of singer Frankie Lymon.Fox's profile declined somewhat in the new millenium, although an appearance in the battle-of-the-sexes comedy Two Can Play That Game caught the attention of Quentin Tarantino, who was casting his long-gestating fourth feature, Kill Bill. As the first victim of hired killer Uma Thurman, Fox brought a little blaxploitation-era sass to the role, making for a memorable, suburban-kitchen battle scene.In addition to her flourishing film work, Fox continued to work on the small screen, most notably as Dr. Lillian Price on Steven Bochco's predominately African American hospital drama City of Angels. 2005's one-season-only reality show The Starlet offered Fox the opportunity to pass on her actorly wisdom -- alongside head judge Faye Dunaway -- to a group of young hopefuls. The following year, she could be seen hoofing it up as a contestant on the astronomically popular ABC competition Dancing With the Stars. Though she worked steadily throughout the 2000s and continues to be active in the film industry, Fox has yet so far been unable to achieve the success she enjoyed in earlier years.

Trivia: Early in his career, when he was still primarily a dancer, Lee Scott often danced with Kay Thompson. He turned to choreography in the early '50s and worked on movies raging from Excuse My Dust (1951) to Bela Lugosi Meets a Brooklyn Gorilla (1952) and Ain't Misbehavin' (1955). Scott has also directed dance sequences on such television shows as I Love Lucy and The Ed Sullivan Show.

Trivia: Bearing talent and good looks in equal measure, African American actor Omar Epps first became visible to audiences and critics alike with his 1992 film debut in Ernest R. Dickerson's urban drama Juice. Epps shone in his role as one of a group of four Harlem friends trying to make good, with the praise he earned for his work paving the way for steady industry employment.Born Omar Hashim Epps in Brooklyn, New York, on July 23, 1973, Epps was raised by his mother, an elementary school principal. He nurtured his interest in acting at both the Fiorello H. LaGuardia High School of Music and Art and the New York High School for the Performing Arts. After his breakthrough in Juice, Epps ran the risk of being typecast, playing athletes in a series of films. However, his performances were consistently solid, and he earned particular acclaim for his portrayal of a young man attending college on an athletic scholarship in John Singleton's Higher Learning (1995). Around this same time, Epps also excelled in a brief recurring role as an emotionally stressed intern on E.R.; he would later identify that role as the one that made it possible for audiences to finally put a name to his face.After some memorable roles in Scream 2, In Too Deep, and Love & Basketball, Epps entered the 2000's strong. He would appear in various films over the coming years, like Perfume, Big Trouble, and Against the Ropes. Epps would also find tremendous success on the small sceen, with a starring role on the massively popular medical drama House M.D.

Trivia: Actor James Van Patten made his screen debut in Freaky Friday (1976). The son of actor Dick Van Patten, he went on to occasionally play leads in low-budget features and made-for-television films.

Trivia: A plus-sized actor of Afro-Cuban descent whose killer smile and infectious laugh can liven up any comedy, Faizon Love got his start in such well-received African-American comedies as Fear of a Black Hat and Friday before getting wide recognition in such high-profile comedies as Money Talks, The Replacements, and Elf. It was during high school in New Jersey that the aspiring comic first became interested in performing for a crowd; his English teacher recognized Love's skill for comedy and allowing the student to perform for his classmates on days when lessons went especially well. Following graduation, Love moved to New York and made a bid for the big time in the East Coast entertainment capitol; it didn't take long for the performer to land an off-Broadway role in the Harlem National Black Theater production of Bitter Heart Midtown (a modernized retelling of Charles Dickens' Great Expectations). The subsequent death of beloved comic Robin Harris during the production of the animated comedy BeBe's Kids provided the emerging performer with his first big break in film, and though it was strictly a vocal affair, Love performed admirably under pressure. He could next be seen alongside Robert Townsend, Rusty Cundieff, Ice Cube, and Shawn Wayans in a series of low-budget but well-received comedy features. Love later parlayed his connection with Townsend into an extended television role on the small-screen sitcom The Parent 'Hood, and he continued to climb the credits until his role as a gridiron giant in The Replacements punted him into the mainstream. It was following his appearance in the Keanu Reeves sports comedy that Love's career truly took off, with a 2001 performance opposite Sean "Puffy" Combs in Jon Favreau's Made marking the beginning of a working relationship between the director and the actor that would continue when Love appeared opposite Will Ferrell in Elf (2003). Love's role as a surfing football player in Blue Crush in 2002 allowed the actor to overcomed his duel fears of sharks and water to brave the waves. And after attempting to remain in control of a prison as the warden in The Fighting Temptations, it was time to hit the road in Torque, a two-wheeled thrill ride starring Love's former Friday co-star Ice Cube. Video-game players with an ear for detail would recognize Love's substantial role in the hit 2004 release Grand Theft Auto: San Andreas, with additional roles opposite Lindsay Lohan in Just My Luck and in the long-awaited OutKast musical Idlewild effectively serving to mark the arrival of a comedic actor whose versatility continued to impress.

Trivia: An edgy comic who skyrocketed to comedy fame with his memorably side-splitting appearance in Spike Lee's The Original Kings of Comedy, Bernie Mac may have seemed an unlikely candidate for a television sitcom, but with the debut of The Bernie Mac Show, the inventive comedian began on a high note, leaving many pondering the apparent overnight success of the comedian who had ostensibly come from nowhere to become a ubiquitous presence. Born Bernard Jeffrey McCullough in Chicago, IL, Mac was a member of a large extended family living under one roof, which provided the energetic youngster with plenty of fuel for refining his ability to perform dead-on impressions and humorously recall memorable family occurrences. Time spent as a gopher for performers at the Regal Theater also served as a primer for his showbiz aspirations (as well as a cautionary warning of the destructive temptations that go along with fame). Mac's first experiences with standup came at the age of eight, when he performed a routine about his grandparents at the dinner table in front of the congregation at church. Though it resulted in some strict reprimanding from his grandmother, he had the audience feeding out of his palm and the young impressionist quickly had the epiphany that humor meant more to him than the sting of discipline. From that point on, Mac refined and developed his comic abilities on the tracks of Chicago's El trains and in local parks. Though he earned a modest keep from his public performances, Mac craved the legitimacy of the club circuit and he began to perform professionally in 1977. After early film work -- including memorable appearances in Above the Rim (1994) and The Walking Dead (1995), which followed on the heels of his big-screen debut in 1992's Mo' Money -- Mac was offered and appeared in the television series Midnight Mac in 1995. Hesitation as to the neutering of his material made the comedian leery of television, and the show didn't last. The comic actor earned more attention when he turned up frequently the following year in television's Moesha, though mainstream acceptance was still four years and numerous bit film parts away. Following The Original Kings of Comedy, Mac began to develop an idea for a sitcom that revolved around similar family experiences and retained the edge that had initially shocked his audiences into laughter. In 2001, he debuted the family sitcom The Bernie Mac Show, and it was a success, running for five seasons. 2001 would indeed prove to be the year of the Mac as he also took on a substantial role in director Steven Soderbergh's Ocean's 11. He reprised that character in the two Ocean's sequels, as well as lead roles as a vice presidential candidate in the Chris Rock political satire Head of State and as a washed-up baseball player in 2004's Mr. 3000. 2007 saw Mac in a more serious role as a kindly janitor in the inspirational sports drama Pride. Upon his death in August 2008 of complications from pneumonia, Soul Men, in which he stars alongside Samuel L. Jackson as a soul singer embarking on a reunion tour, had yet to hit theaters.­

Trivia: Black supporting actor Antonio Fargas first appeared onscreen in the '70s.

Trivia: A comedienne turned actress who rose to fame as outspoken bible-thumper Aunt Ester in Redd Foxx's hit sitcom Sanford and Son, LaWanda Page performed with such other famous contemporaries as Richard Pryor and Rudy Ray Moore before finding success on the small screen. A native of Cleveland who grew up in St. Louis, Page first hit the stage as an exotic dancer and chorus girl billed "the Bronze Goddess of Fire" (due to her penchant for playing with fire on-stage) before fully realizing her talents as a standup comic. Subsequently approached by Foxx to star in Sanford and Son, Page tickled television viewers' funny bones with her memorable role as Foxx's aggressively religious sister-in-law in the original series' spin-off The Sanford Arms, and the 1980 revival Sanford. Throughout the 1980s and '90s, Page crafted a feature-film career with minor roles in such comedies as Zapped! (1982), My Blue Heaven (1990), Friday (1995), and Don't Be a Menace to South Central While Drinking Your Juice in the Hood (1996). Always retaining her fiery approach to comedy, Page also performed on-stage in productions of The Inquest of Sam Cooke and Take It to the Lord...Or Else. On September 14, 2002, LaWanda Page died from complications of diabetes in Los Angeles, CA. She was 81.

Trivia: Born and raised in the Midwest, actress Paula Jai Parker moved to Washington, D.C., to study at Howard University. After getting her B.A., she went on to become a regular on The Apollo Comedy Hour and Townsend Television on FOX. After proving she could do comedy, she made a dramatic turn on the HBO anthology series Cosmic Slop. She won a Cable ACE Award for her title role in the segment "Tang," based on the short novel by Chester Himes. Parker made her feature film debut as Ice Cube's girlfriend Joi in F. Gary Gray's hit comedy Friday. After meeting director Rusty Cundieff while doing Tales From the Hood, she was cast as gold-digging Adina in his urban comedy Sprung with Tisha Campbell. She also worked with many of the Wayans brothers on the WB show The Wayans Bros. and the feature film Don't Be a Menace in South Central. Her next few films included the romantic comedy Woo, starring Jada Pinkett Smith, and the period drama Why Do Fools Fall in Love, starring Halle Berry. In 1999, she joined the cast of the David E. Kelley's Snoops, a detective drama on ABC starring Gina Gershon. After the show ended, she provided the voice of Trudy Proud on the animated series The Proud Family and starred in the ensemble comedy 30 Years to Life with Tracy Morgan. Parker later appeared in Joel Schumacher's action thriller Phone Booth and Cheryl Dunye's domestic comedy My Baby's Daddy.

Trivia: A dedicated actress who has transcended her meager beginnings to become a valuable onscreen commodity, Terri J. Vaughn did her best to keep off of the streets while growing up in San Francisco's Ridgeview Terrace Housing Project -- and one look at her impressive film credits shows that all of the hard work most definitely paid off. The daughter of a hardworking secretary and department-store employee, Vaughn divided her time between studying, singing in the church choir, modeling, and working at McDonald's early on. And while all of this served well to instill the ambitious young woman with a solid sense of self and purpose, her peers weren't always so impressed. It was during this period in her life that Vaughn became a frequent target for neighborhood bullies, which helped her to realize just how hopeless some of her peers truly felt. Later, Vaughn was determined to purchase her own car and go to college -- a goal she ultimately achieved by working as an operator and a post-office employee in order to pay both her car payments and her tuition at California State University. At a friend's request, Vaughn participated in the Miss Black California Pageant while a senior at CSU. Her reading of a passage from Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf marked a turning point when she earned a spot in the Los Angeles finals and one of the judges asked her to appear in a play he was producing. Soon spirited away on a 20-city tour of Tellin' It Like It Tiz, Vaughn had finally found her calling in life. Numerous stage roles were quick to follow, with a brief appearance on the hit television series Living Single marking her arrival as a film and television actress. Throughout the 1990s, Vaughn's career gained momentum thanks to parts in such films as Friday, Don't Be a Menace to South Central While Drinking Your Juice in the Hood, and 8 Heads in a Duffel Bag, with subsequent television roles in The Steve Harvey Show, Soul Food, and All of Us showing that the rising starlet was equally comfortable on screens both large and small. In 2006 and 2007, respectively, Vaughn could be seen in the independent comedy drama Dirty Laundry and the Tyler Perry drama Daddy's Little Girls. In addition to her acting work, Vaughn has shown her commitment to bettering the lives of young girls growing up in public housing and foster care by founding the Take Wings Foundation -- which aims to motivate, uplift, and inspire adolescents aged 13 to 18 by encouraging them to be positive, productive, and successful.