Trivia: With his wild red curls, blue eyes, and cute freckled face, Johnny Whitaker was a popular child star during the late '60s through the early '70s who started out with a major role in Norman Jewison's The Russians Are Coming, The Russians Are Coming! (1966). The same year he landed the role of little Jodie on the syrupy sitcom Family Affair (1966-1971). In 1971, he appeared as a demonically possessed boy in Steven Spielberg's made-for-television film Something Evil. The following year, he contracted with Disney Studios and appeared in a string of live-action features. A devout Mormon, Whitaker attended Brigham Young University during the mid-'70s, but left to go on a two-year mission. He then become involved with computers and no longer performs.

Trivia: American actress Celeste Holm made her first stage appearance in 1936 with a Pennsylvania stock company. Sophisticated and poised beyond her years, Holm was cast shortly afterward in a touring company of the ultra-chic Clare Boothe Luce comedy The Women, then played New York in such high-profile productions as The Time of Your Life. Rodgers and Hammerstein cast her as soubrette Ado Annie in Oklahoma! in 1943; both the production itself and Annie's show-stopping song "I Cain't Say No" affirmed Holm's future stardom. Following her film debut in Three Little Girls in Blue (1946), she was cast by her studio, 20th Century-Fox, in the role of the love-starved fashion editor in the prestige feature Gentlemen's Agreement (1947), for which she won an Academy Award. The important role of Bette Davis' understanding friend in another Oscar-winner, All About Eve (1950), has immortalized Holm amongst the film cultists. Stage, nightclub and television assignments followed (she starred in the short-lived 1950s sitcom Honestly, Celeste), and from the late 1950s onward, Holm was more at home on stage than in films. Her performance in the touring company of Mame won Holm the Sara Siddons Award -- coincidentally the same award presented to the title character at the beginning of All About Eve. Always choosy about her roles, Holm remained active through the early 2000s whenever a good part struck her fancy; one of her most frequently rebroadcast assignments was as a custody court judge in an early-1980s episode of Archie Bunker's Place and she appeared in several episodes of Touched By an Angel. She died in 2012 at the age of 95.

Trivia: Oates first acted in a student play while attending the University of Louisville. He moved to New York in 1954, hoping to find work on the stage or TV; instead he had a series of odd jobs. Eventually he appeared in a few live TV dramas, and when this work slowed down he moved to Hollywood; there he became a stock villain in many TV and film Westerns. Over the years he gained respect as an excellent character actor; by the early '70s he was appearing in both unusual, unglamorous leads and significant supporting roles. His breakthrough role was in In the Heat of the Night (1967). He played the title role in Dillinger (1973).

Trivia: American juvenile actor Jeff East started strong as Huckleberry Finn in the 1973 movie-musical adaptation of The Adventures of Tom Sawyer. Five years passed before East would again be seen in a film role of substance: the Young Clark Kent in Superman: The Movie (1978). He then began the TV-movie phase of his career as Joseph in the Biblical drama Mary and Joseph: A Story of Faith (1979). Jeff East was subsequently featured in such TV productions as The Day After (1983) and Dream West (1986), and every once in a while made a big-screen appearance in films like Pumpkinhead (1988).

Trivia: The youngest of four children born to Evelyn "Brandy" Foster, Jodie Foster entered the world on November 19, 1962, under the name Alicia, but earned her "proper" name when her siblings insisted upon Jodie. A stage-mother supreme, Brandy Foster dragged her kids from one audition to another, securing work for son Buddy in the role of Ken Berry's son on the popular sitcom Mayberry RFD. It was on Mayberry that Foster, already a professional thanks to her stint as the Coppertone girl (the little kid whose swimsuit was being pulled down by a dog on the ads for the suntan lotion), made her TV debut in a succession of minor roles. Buddy would become disenchanted with acting, but Jodie stayed at it, taking a mature, businesslike approach to the disciplines of line memorization and following directions that belied her years. Janet Waldo, a voice actress who worked on the 1970s cartoon series The Addams Family, would recall in later years that Foster, cast due to her raspy voice in the male role of Puggsley Addams, took her job more seriously and with more dedication than many adult actors.After her film debut in Disney's Napoleon and Samantha (1972), Foster was much in demand, though she was usually cast in "oddball" child roles by virtue of her un-starlike facial features. She was cast in the Tatum O'Neal part in the 1974 TV series based on the film Paper Moon -- perhaps the last time she would ever be required to pattern her performance after someone else's. In 1975, Foster was cast in what remains one of her most memorable roles, as preteen prostitute Iris in Martin Scorsese's Taxi Driver. Both the director and the on-set supervisors made certain that she would not be psychologically damaged by the sleaziness of her character's surroundings and lifestyle; alas, the film apparently did irreparable damage to the psyche of at least one of its viewers. In 1981, John Hinckley Jr. attempted to assassinate President Reagan, and when captured, insisted he'd done it to impress Foster -- a re-creation of a similar incident in Taxi Driver. The resultant negative publicity made Foster (who'd been previously stalked by Hinckley) extremely sensitive to the excesses of the media; through absolutely no fault of her own, she'd become the quarry of every tabloid and "investigative journalist" in the world. Thereafter, she would stop an interview cold whenever the subject of Hinckley was mentioned, and even ceased answering fan mail or giving out autographs. This (justifiable) shunning of "the public" had little if any effect on Foster's professional life; after graduating magna cum laude from Yale University (later she would also receive an honorary Doctorate), the actress appeared in a handful of "small" films of little commercial value just to recharge her acting batteries, and then came back stronger than ever with her Oscar-winning performance in The Accused (1988), in which she played a rape victim seeking justice. Foster followed up this triumph with another Oscar for her work as FBI investigator Clarice Starling (a role turned down by several prominent actresses) in the 1991 chiller The Silence of the Lambs.Not completely satisfied professionally, Foster went into directing with a worthwhile drama about the tribulations of a child genius, Little Man Tate (1991) -- a logical extension, according to some movie insiders, of Foster's tendency to wield a great deal of authority on the set. Foster would also balance the artistic integrity of her award-winning work with the more commercial considerations of such films as Maverick (1994). She made her debut as producer in 1994 with the acclaimed Nell, in which she also gave an Oscar-nominated performance as a backwoods wild child brought into the modern world. Foster would continue to to produce and direct, with 1995's Home for the Holidays and 2011's The Beaver.Foster would continue to chose a challenging variety of roles, playing scientist Ellie Arroway in Robert Zemeckis' 1997 adaptation of the Carl Sagan in Contact, and a widowed schoolteacher in Anna and the King (1999), and a mother defending her daughter during a home invasion in David Fincher's Panic Room. The 2000's would see Foster appear in several more films, like Inside Man, The Brave One, and the Roman Polanski directed domestic comedy Carnage. In 2013, Foster was honored with the Cecil B. DeMille Award at the Golden Globes, and later appeared in sci-fi thriller Elysium.

Trivia: Benson is a plump Southern character actress with a down-home accent. She did some film and TV work.

Trivia: Character actor Richard Eastham, born Dickinson Swift Eastham, first appeared onscreen in 1954.

Trivia: Starting out in musicals and comedies, leather-lunged character actor Henry Jones had developed into a versatile dramatic actor by the 1950s, though he never abandoned his willingness to make people laugh. Jones scored his first cinematic bullseye when he re-created his Broadway role as the malevolent handyman Leroy in the 1956 cinemadaptation of Maxwell Anderson's The Bad Seed (1956). Refusing to be typed, Jones followed this triumph with a brace of quietly comic roles in Frank Tashlin's The Girl Can't Help It (1956) and Will Success Spoil Rock Hunter. He returned to Broadway in 1958, winning the Tony and New York Drama Critics' awards for his performance in Sunrise at Campobello. Since that time, Jones has flourished in films, often making big impressions in the tiniest of roles: the coroner in Vertigo (1958), the bicycle salesman in Butch Cassidy and the Sundance Kid (1969), the hotel night clerk in Dick Tracy (1990) and so on. From 1963's Channing onward, Jones has been a regular on several weekly TV series, most notably as Judge Jonathan Dexter in Phyllis (1975-76) and B. Riley Wicker on the nighttime serial Falcon Crest (1985-86). Henry Jones is the father of actress Jocelyn Jones.

Trivia: Actor Dub Taylor, the personification of grizzled old western characters, has been entertaining viewers for over 60 years. Prior to becoming a movie actor, Taylor played the harmonica and xylophone in vaudeville. He used his ability to make his film debut as the zany Ed Carmichael in Capra's You Can't Take it With You (1938). He next appeared in a small role in the musical Carefree(1938) and then began a long stint as a comical B-western sidekick for some of Hollywood's most enduring cowboy heroes. During the '50s he became a part of The Roy Rogers Show on television. About that time, he also began to branch out and appear in different film genres ranging from comedies, No time for Sergeants (1958) to crime dramas, Crime Wave (1954). He has also played on other TV series such as The Andy Griffith Show and Please Don't Eat the Daisies. One of his most memorable feature film roles was as the man who brought down the outlaws in Bonnie and Clyde. From the late sixties through the nineties Taylor returned to westerns.

Trivia: Sandy Kenyon's name won't be familiar to too many people, but his face will be instantly recognizable to filmgoers and television viewers for the hundreds of roles that he has played -- cops and criminals, cowboys and government officials, and just about everything else that television or movies have had to offer since the late 1950s. Born in New York City on August 5, 1922, Kenyon served in the United States Army Air Force during World War II as a pilot, organizing shows in his spare time. He attended drama school on the G.I. Bill and formed the Town and Country Players with five friends in Hartford, CT, in 1946, performing eight seasons of summer stock work. His New York theater credits included Katherine Ann Porter's Pale Horse, Pale Rider, Sean O'Casey's Purple Dust, Ibsen's Peer Gynt, and Clifford Odets' Rocket to the Moon. Kenyon's screen career began in 1957 on television series such as Studio One, Kraft Playhouse, The Twilight Zone, Gunsmoke, and Have Gun, Will Travel. His movie debut took place in Al Capone (1959), in the role of Bones Corelli -- Kenyon's later screen credits have included roles in Nevada Smith (1966), Easy Come, Easy Go (1967), Something for a Lonely Man (1968), Rancho Deluxe (1975), and MacArthur (1977). He also got his first starring television role in 1958, working with Forrest Tucker in the adventure series Crunch and Des, based on the writings of Philip Wylie. In 1964, Kenyon made his Broadway debut as Pygmalion in Conversation at Midnight, which closed after only four performances. He is most familiar to audiences for his television work, which has included guest supporting roles on series ranging from All in the Family (as Dave the Cop in "Archie Is Worried About His Job") to Knots Landing; he was good at playing tough but fair-minded lunkheads, sleazy movie directors (Bracken's World), and single-minded public servants (Mod Squad). He has also done voice-over work in cartoons. The actor Sandy Kenyon is not to be confused with the entertainment correspondent of the same name.

Trivia: Juvenile actor Joshua Hill Lewis enjoyed a flurry of activity in the early 1970s. In Bad Company, he played Boog Bookin, the youngest of a group of 1860s runaways -- and the first to be killed (in a joltingly unexpected fashion). Lewis then played Cousin Sidney in the 1973 Johnny Whitaker-Jeff East-Jodie Foster version of Tom Sawyer. He most recently appeared in the 1996 science fiction movie 2090.