Trivia: Born in 1959, Washington native Kyle MacLachlan, among other things, claims to be a descendent of the legendary composer Johann Sebastian Bach. However, unlike his very distant relative, MacLachlan made his mark not in music, but in television and film. After performing in a variety of local theater productions throughout his youth -- and acting out scenes from the popular Hardy Boys fiction series in his even younger years -- MacLachlan made his feature-film debut in director David Lynch's adaptation Dune in 1984. This would mark the first of many collaborations with Lynch; in 1986, Lynch cast MacLachlan as a young man shocked at what lies under a small town's picture-perfect facade in Blue Velvet. A year later, MacLachlan starred as an alien FBI agent in The Hidden, Jack Sholder's 1987 cult hit. MacLachlan, however, wouldn't gain true mainstream notoriety until 1989, when David Lynch called upon the young actor to play another FBI agent; this time, he was Special Agent Dale Cooper, who was sent to a small Washington town to investigate the murder of a young girl in ABC's popular but ultimately short-lived prime-time drama, Twin Peaks. The role would earn him two Emmy nominations for Lead Actor in a Drama Series and pave the way for more silver-screen roles, some of which include Ray Manzarek in Oliver Stone's The Doors (1991), villain Cliff Vandercave in The Flintstones (1994), and a falsely accused bank clerk in The Trial (1993). MacLachlan offered several relatively well-received starring and supporting performances throughout the mid- to late '90s, and did what he could for his role in Paul Verhoeven's famous 1995 flop, Showgirls.Luckily, the late '90s to early 2000s were much kinder to MacLachlan. In addition to playing another smooth agent in David Koepp's The Trigger Effect (1996), which some critics claimed was his best performance since Blue Velvet, the actor also was cast as King Claudius in Michael Almereyda's adaptation of Shakespeare's Hamlet. However, it was television that once again made MacLachlan a household name, albeit temporarily. In 2000, he joined the cast of HBO's multiple-award-winning series Sex and the City as Charlotte's (Kristin Davis) mama's boy husband, Trey. In 2003, MacLachlan starred in the Bravo network's popular documentary series, The Reality of Reality. Over the coming years, McLachlan wouldenjoy successful arcs on popular TV shows, like How I Met Your Mother, Desperate Housewives, and Portlandia.

Trivia: Joan Chen has been one of a very few actors to have a viable career both in Hollywood and in Hong Kong. Whether playing a wizened Vietnamese peasant woman or the doomed Empress of China, she lends her characters a natural elegance and a beguiling vulnerability.Chen was born tp a family of doctors on April 26, 1961, in Shanghai, China. She tasted fame early in her life when she made her film debut in Xie Jin's Youth (1976) at age 14. She soon enrolled in the prestigious Shanghai Foreign Language Institute while making a couple more feature films, including Zhang Zheng's Little Flower (1979), which eventually won her a Best Actress Prize at the Hundred Flowers Awards (the Mainland Chinese equivalent of the Oscars). Having reached the pinnacle of fame in her own country, Chen made the unusual step to leave China -- not for Hong Kong as many later Chinese stars such as Gong Li and Jet Li did -- but for the United States. While studying at California State University in Northridge, she landed a small role in Wayne Wang's Dim Sum: A Little Bit of Heart (1985), a gentle portrait of Chinese-American family life.In true Hollywood style, she was summarily cast as May-May in the adventure-epic Tai-Pan (1986) after being spotted in the Lorimar parking lot. Though it was savaged by critics (Leonard Maltin called it "silly") and bombed at the box-office, Tai-Pan did allow Chen to segue into her breakthrough role. As Empress Wan Jung in Bernardo Bertolucci's Oscar-award winning The Last Emperor (1987), Chen brilliantly played a woman whose love and life are tragically destroyed by China's rigidly patriarchal culture and the machinations of fate. Hollywood roles being notoriously hard to land for Asian and Asian-American actors, Chen's newfound fame did not immediately lead to better movie offers. She appeared in such low-budget fare as The Blood of Heroes (1989) before she attracted public attention again as Josie Packard in David Lynch's TV series Twin Peaks. In 1993, she played a Vietnamese mother who suffers for a lifetime in a country at war in Oliver Stone's Heaven and Earth.That same year, she returned to Asia to make a pair of critically successful films. She played a supernatural temptress in Clara Law's Temptation of a Monk (1993), a historical epic with the sweep and visual flare of a Sergio Leone film with a pronounced erotic edge. The role was a brave one to tackle as it not only featured Chen as the movie's clear villain, but it also featuring an unusually graphic sex scene for a mainstream Chinese film. In Stanley Kwan's Red Rose, White Rose (1994), which was nominated for Berlin's Golden Bear, Chen played another deliciously evil vixen opposite Winston Chao. For her effort, she won a Best Actress Golden Horse award, Taiwan's equivalent of the Oscar. Her return to the U.S. was marked by another succession of subpar flicks, including On Deadly Ground (1994) and Judge Dredd (1995). Chen also co-produced and starred in The Wild Side (1995), a lesbian romantic thriller in which she played opposite a still-in-the-closet Anne Heche.In 1998, Chen made her directorial debut with Xiu Xiu: The Sent Down Girl, a lyrical, harrowing tale about the loss of innocence and respect during the tumult of the Chinese cultural revolution. Featuring sumptuous cinematography and subtle, remarkably assured direction, Xiu Xiu won armfuls of international prizes, including a virtual sweep of the Golden Horse awards and a nomination for a Golden Bear at the Berlin Film Festival. In 1999, Chen climbed back into the director's chair and began production of Autumn in New York, starring Richard Gere and Winona Ryder.Over the next several years, Chen would cement her position as one of the most loved and respected actresses in film, especially on the Eastern side of the globe, appearing in movies like Sunflower, Lust, Caution, Love in Disguise, and 1911.

Trivia: Longtime character actor Ray Wise is beloved by genre fans for his over-the-top roles in Swamp Thing, RoboCop, Twin Peaks (both the series and the feature), and Jeepers Creepers 2, yet one look at the actor's diverse filmography reveals that it's Wise's diverse body of small-screen work that has been his bread and butter throughout the years.As an adolescent, Wise became keenly aware of his love for acting, and displayed his ambition by appearing in as many plays as possible throughout high school. A college theater major who spent most of his summer breaks in summer stock, Wise was well and ready to enter the professional world after receiving his degree in 1970. As with many other aspiring actors, Wise was drawn to the bright lights of Broadway and New York City, landing a job on the soap opera Love of Life after being in town for only two weeks. During the six years that he was acting on Love of Life, Wise would moonlight with stage roles both on and off-Broadway in addition to dabbling in repertory theater. When Love of Life was canceled in 1976, it was time to expand into features with supporting roles in Swamp Thing and Cat People (both 1982). Throughout the 1980s, Wise appeared on some of the most popular series on television, including Dallas, Trapper John, M.D., Knots Landing, and Moonlighting -- occasionally returning for a recurring role. While his part in Paul Verhoeven's over-the-top sci-fi action flick RoboCop offered the busy actor a chance to truly explore his inner villain, it was another menacing role that would propel Wise's career in the 1990s.Cast as grieving father Leland Palmer in the surreal David Lynch series Twin Peaks, Wise captivated television viewers with his emotionally charged performance -- Palmer was a challenging character, and few actors could have brought him to life quite as effectively as Wise. In 1992, Wise reprised the role of Leland Palmer for the polarizing feature Twin Peaks: Fire Walk With Me, with subsequent performances in Bob Roberts and Powder, as well as on television in Star Trek: Voyager and Beverly Hills 90210, proving his highest-profile works of the decade. While by the year 2000 it appeared as if Wise had settled into a comfortable small-screen groove thanks to his numerous television credits, roles as a frightened father in the underappreciated, Twilight Zone-flavored frightener Dead End and a monster-fighting farmer in Jeepers Creepers 2 (which re-teamed him with Powder director Victor Salva) both gave genre fans cause to celebrate. In 2005, Wise took an affecting turn as communist witch-hunt victim Don Hollenbeck in director George Clooney's Oscar-nominated drama Good Night, and Good Luck, and the following year he had a recurring role as Vice President Hal Gardner in the hit Fox series 24. With additional small-screen roles in The Closer, CSI, Law & Order: SVU, and the supernatural series Reaper (on which he played the Devil himself) serving well to balance out feature work in Peaceful Warrior, Pandemic, and One Missed Call, it appeared that Wise remained as comfortable as ever fluctuating between work in film and television. He continued to work steadily on small and big-screen projects like Pandemic, One Missed Call, Crazy Eyes, Mad Men, and Tim and Eric's Billion Dollar Movie.

Trivia: A student of dance, music and art as a child in Reno, Nevada, Madchen Amick decided to focus on acting as a teenager, and shortly thereafter, she got her major break in David Lynch's innovative TV series Twin Peaks (1990). After moving to L.A. at 16, Amick appeared on Star Trek: The Next Generation and Baywatch, and mounted a small role in The Borrower (1991), John McNaughton's ill-fated gorefest about a roving alien of ere-shifting appearance who rips heads from his victims and uses them as his own. Amick became famous, however, as waitress Shelly Johnson, one of several beautiful young small-town women harboring terrible secrets, on the much-praised and memorably-eccentric Twin Peaks. Although Amick followed Twin Peaks with starring roles in the Stephen King horror fest Sleepwalkers (1992), it took the actress a few years to match her initial success. She hit her stride in the 2000's however, with a string of roles on ER, Joey, Freddie, Gossip Girl, Californication, My Own Worst Enemy, Damages, and Mad Men.

Trivia: Character actor and screenwriter Chris Mulkey is best remembered for his convincing portrayal of creepy former convict Hank Jennings in David Lynch's innovative television series Twin Peaks. A five-year veteran of the Children's Theatre Company of Minnesota, Mulkey, who had previously studied theater at the University of Minnesota, made his feature film debut in the comedy Loose Ends (1975). He made his screenwriting debut in 1988, with Patti Rocks.

Trivia: Tousle-haired juvenile actor Russ Tamblyn began taking up dancing and acrobatics at the age of six. Needing very little prodding from his parents, the eager Tamblyn embarked on his professional career in the late '40s, performing in radio and Los Angeles musical revues. His first "straight" acting assignment was opposite Lloyd Bridges in the 1947 play Stone Jungle. He entered films in 1948, then was given an "introducing" screen credit for his first starring role in The Kid From Cleveland (1949). Signed by MGM, the young actor changed his billing from Rusty to Russ when cast as an army trainee in 1953's Take the High Ground. Beginning with Seven Brides for Seven Brothers, Tamblyn became a popular musical star, playing the title role in Tom Thumb (1958) and co-starring as gang leader Riff in the Oscar-winning West Side Story (1961). He was nominated for an Academy Award for his performance as the teenaged swain of Allison McKenzie (Diane Varsi) in 1958's Peyton Place. By the late '60s, Tamblyn's career had waned, and he was accepting roles in such cheapjack exploitation flicks as Satan's Sadists (1970) and Dracula vs. Frankenstein (1971). Russ Tamblyn stuck it out long enough to make a healthy comeback in the late '80s, notably in the role of psychiatrist Lawrence Jacoby on the cult-TV favorite Twin Peaks (1990).