Trivia: The younger brother of Gunsmoke star James Arness, American actor Peter Graves worked as a musician and radio actor before entering films with 1950's Rogue River. At first, it appeared that Graves would be the star of the family, since he was cast in leads while brother Jim languished in secondary roles. Then came Stalag 17 (1953), in which Graves was first-rate as a supposedly all-American POW who turned out to be a vicious Nazi spy. Trouble was, Graves played the part too well, and couldn't shake the Nazi stereotype in the eyes of most Hollywood producers. Suddenly the actor found himself in such secondary roles as Shelley Winters' doomed husband in Night of the Hunter (1955) (he was in and out of the picture after the first ten minutes), while sibling James Arness was riding high with Gunsmoke. Dissatisfied with his film career, Graves signed on in 1955 for a network kid's series about "a horse and the boy who loved him." Fury wasn't exactly Citizen Kane, but it ran five years and made Graves a wealthy man through rerun residuals--so much so that he claimed to be making more money from Fury than his brother did from Gunsmoke. In 1966, Peter Graves replaced Steven Hill as head honcho of the force on the weekly TV adventure series Mission: Impossible, a stint that lasted until 1973. Though a better than average actor, Graves gained something of a camp reputation for his stiff, straight-arrow film characters and was often cast in films that parodied his TV image. One of the best of these lampoonish appearances was in the Zucker-Abrahams comedy Airplane (1980), as a nutty airline pilot who asks outrageous questions to a young boy on the plane (a part the actor very nearly turned down, until he discovered that Leslie Nielsen was co-starring in the film). Peter Graves effortlessly maintained his reliable, authoritative movie persona into the '90s and 2000s, and hosted the Biography series on A&E, for which he won an Emmy; he also guest-starred on programs including Cold Case, House and American Dad. Graves died of natural causes in March 2010, at age 83.

Trivia: A former University of Illinois sociology major, ash-blonde leading lady Barbara Bain studied for a theatrical career at New York's Actors Studio and Neighborhood Playhouse. While attending an actor's workshop in 1956, Barbara made the acquaintance of an intense young performer named Martin Landau. It was love at first sight, and they married in 1957. Landau and Bain strove to maintain separate careers, and while her husband tended to work more often than she did, Barbara was well-represented with guest appearances on such series as Richard Diamond, Private Detective, Get Smart and The Dick Van Dyke Show. In 1964, the Landaus worked together for the first time on an episode of The Greatest Show on Earth. They didn't care much for the experience, and vowed not to co-star again -- at least, not until producer Bruce Geller made them an offer they couldn't refuse with the weekly TV suspenser Mission: Impossible. Cast as silken espionage agent Cinammon Carter, Bain won three consecutive Emmies for her work on the series (if you're wondering why Cinammon never adopted elaborate disguises, as did practically everyone else on the program, it is because Bain suffered from claustrophobia, and could not abide being hemmed in by heavy makeup). Then, after three seasons' worth of Mission: Impossible, the Landaus quit the series in 1969, citing poor scripts and insufficient creative challenges. In later years, Bain would comment ruefully that leaving the show ruined her career. The record doesn't quite bear this out: indeed, during the early 1970s she racked up an impressive list of TV movie appearances, and was offered a great deal of money to reteam with Landau in the syndicated sci-fi TV series Space: 1999 (1975-77). In 1989, Bain appeared in her very first theatrical feature, Trust Me (1989), playing a truculent, dishonest art collector. Though long-divorced from Martin Landau, Barbara Bain did not express an aversion to the possibility of playing a cameo alongside her ex-husband in the 1996 film version of Mission: Impossible, should either one of them be asked to do so (alas, they weren't).

Trivia: Saturnine character actor Martin Landau was a staff cartoonist for the New York Daily News before switching to acting. In 1955, his career got off to a promising beginning, when out of 2,000 applicants, only he and one other actor (Steve McQueen) were accepted by Lee Strasberg's Actors Studio. Extremely busy in the days of live, Manhattan-based television, Landau made his cinematic mark with his second film appearance, playing James Mason's henchman in Alfred Hitchcock's North by Northwest (1959). In 1966, Landau and his wife Barbara Bain were both cast on the TV adventure/espionage series Mission: Impossible. For three years, Landau portrayed Rollin Hand, a master of disguise with the acute ability to impersonate virtually every villain who came down the pike (banana-republic despots were a specialty). Unhappy with changes in production personnel and budget cuts, Landau and Bain left the series in 1969. Six years later, they costarred in Space: 1999 a popular syndicated sci-fi series; the performances of Landau, Bain, and third lead Barry Morse helped to gloss over the glaring gaps in continuity and logic which characterized the show's two-year run. The couple would subsequently act together several times (The Harlem Globetrotters on Gilligan's Island (1981) was one of the less distinguished occasions) before their marriage dissolved.Working steadily in various projects throughout the next few decades, Landau enjoyed a career renaissance with two consecutive Oscar nominations, the first for Francis Ford Coppola's Tucker: The Man and His Dream (1988), and the second for Woody Allen's Crimes and Misdemeanors (1989). Landau finally won an Academy Award for his portrayal of Bela Lugosi in Tim Burton's 1994 Ed Wood; his refusal to cut his acceptance speech short was one of the high points of the 1995 Oscar ceremony. He would continue to work over the next several years, appearing in movies like City of Ember and Mysteria, as well as on TV shows like Without a Trace and Entourage.

Trivia: Fans of the original action /espionage series Mission Impossible (1966-70) may recognize black actor Greg Morris for playing electronics wizard Barney Collier. Morris spent most of his career on television, appearing on such shows as Ben Casey, The Dick Van Dyck Show and The Twilight Zone. During the 1970s, Morris was a regular on Vega$ (1978-81), playing police officer Lt. David Neslon. A native of Cleveland who spent part of his childhood in New York City, his mother worked as a secretary for black labor leader A. Phillip Reynolds. Before becoming a television actor during the early '60s, Morris attended Ohio State University and the University of Iowa. Morris passed away at the age of 61 on August 27, 1996. The cause of death was unreported.

Trivia: Ron Randell was engaged in radio and stage work in his native Australia from his teens. Randell's first leading film role was as a real-life aviation hero in Smithy (1946). In Hollywood, Randell starred as fictional detectives Bulldog Drummond and the Lone Wolf, at the tail end of both of those characters' long-running B-picture series. He spent the 1950s fluctuating between American and British productions; he was featured as Cole Porter in Kiss Me Kate (1958) and starred in the 1957 TV espionage series O.S.S. Ron Randell continued his stage career into the 1990s, going on to join Tony Randall's National Actors Theater.

Trivia: Starting out as an assistant animator at the Walt Disney studios, John Dehner went on to work as a professional pianist, Army publicist, and radio journalist. From 1944 until the end of big-time radio in the early '60s, Dehner was one of the busiest and best performers on the airwaves. He guested on such series as Gunsmoke, Suspense, Escape, and Yours Truly, Johnny Dollar, and starred as British news correspondent J.B. Kendall on Frontier Gentleman (1958) and as Paladin in the radio version of Have Gun Will Travel (1958-1960). On Broadway, he appeared in Bridal Crown and served as director of Alien Summer. In films from 1944, Dehner played character roles ranging from a mad scientist in The Bowery Boys Meet the Monsters (1954) to Sheriff Pat Garrett in The Left-Handed Gun (1958) to publisher Henry Luce in The Right Stuff (1983). Though he played the occasional lead, Dehner's cocked-eyebrow imperiousness generally precluded any romantic entanglements; he once commented with pride that, in all his years as an actor, he never won nor kissed the heroine. As busy on TV as elsewhere, Dehner was seen regularly on such series as The Betty White Show (1954), The Westerner (1960), The Roaring '20s (1961), The Baileys of Balboa (1964), The Doris Day Show (1968), The Don Knotts Show (1969), Temperatures Rising (1973-1974), Big Hawaii (1977), Young Maverick (1979-1980), and Enos (1980-1981). He also essayed such TV-movie roles as Dean Acheson in The Missiles of October (1974). Working almost up to the end, John Dehner died of emphysema and diabetes at the age of 76.

Trivia: American actor Robert Phillips played supporting roles on television and in feature films of the '60s, '70s, and '80s. Phillips specializes in playing villains. His daughter, Barbara Livermore, is also an actress.

Trivia: American actor Robert Conrad was a graduate of Northwestern University, spending his first few years out of school supporting himself and his family by driving a milk truck and singing in a Chicago cabaret. Conrad befriended up-and-coming actor Nick Adams during this period, and it was Adams who helped Conrad get his first Hollywood work in 1957. A few movie bit parts later, Conrad was signed for a comparative pittance by Warner Bros. studios, and in 1959 was cast as detective Tom Lopaka on the weekly adventure series Hawaiian Eye. Upon the 1963 cancellation of this series, Conrad made a handful of Spanish and American films and toured with a nightclub act in Australia and Mexico City. Cast as frontier secret agent James West in The Wild Wild West in 1965, Conrad brought home $5000 a week during the series' first season and enjoyed increasing remunerations as West remained on the air until 1969. There are those who insist that Wild Wild West would have been colorless without the co-starring presence of Ross Martin, an opinion with which Conrad has always agreed. The actor's bid to star in a 1970 series based on the venerable Nick Carter pulp stories got no further than a pilot episode, while the Jack Webb-produced 1971 Robert Conrad series The D.A. was cancelled after 13 episodes. When Roy Scheider pulled out of the 1972 adventure weekly Assignment: Vienna, Conrad stepped in--and was out, along with the rest of Assignment: Vienna, by June of 1973. Conrad had better luck with 1976's Baa Baa Black Sheep, aka Black Sheep Squadron, a popular series based on the World War II exploits of Major "Pappy" Boyington. Cast as a nurse on this series was Conrad's daughter Nancy, setting a precedent for nepotism that the actor practiced as late as his tenth TV series, 1989's Jesse Hawkes, wherein Conrad co-starred with his sons Christian and Shane. Though few of his series have survived past season one, Conrad has enjoyed success as a commercial spokesman and in the role of G. Gordon Liddy (whom the actor admired) in the 1982 TV movie Will, G. Gordon Liddy. As can be gathered from the Liddy assignment, Conrad's politics veered towards conservatism; in 1981, he and Charlton Heston were instrumental in toppling Ed Asner and his liberal contingent from power in the Screen Actors Guild. As virile and athletic as ever in the 1990s, Robert Conrad has continued to appear in action roles both on TV and in films; he has also maintained strong ties with his hometown of Chicago, and can be counted upon to show up at a moment's notice as a guest on the various all-night programs of Chicago radio personality Eddie Schwartz.